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RiverRiver was a looser and rootsier affair than Terry Reid's first records, taken from a sprawl of sessions in London and California that generated enough material for several albums. The very looseness that gives the effort some charm is the same quality, however, that keeps it from being a major work. The songs mostly sound unfinished, as if they're friendly jams in which Reid and the musicians (including, most notably, David Lindley on half the album and percussionist Willie Bobo on the title track) are working out some song ideas or twisting around some riffs. It often brings to mind those parts of songs where the likes of Van Morrison, Tim Buckley, or Robert Plant sing-scat improvised-sounding vocal passages. The difference is that, for the most part, those singers used such sections to embellish solid songs. On River, the quasi-stream-of-consciousness vocal ramblings are the songs. The first four of the seven songs are very much in a funky, laid-back blues-rock groove, prominently featuring Lindley on steel, slide, and electric guitars. Reid, and the album itself, really begin to find more of an individual voice on 'River,' where beguiling Latin-Brazilian elements are introduced in the guitar, melody, and rhythm. The final two cuts, 'Dream' and 'Milestones,' back Reid's vocals only with acoustic guitar, and have a romantic melancholy that likewise makes them highlights of this highly personal but uneven record.1. Dean
3. Things To Try
4. Live Life
7. Milestones$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Beautiful: The Carole King Musical (Original Broadway Cast Recording)Beautiful: The Carole King Musical, produced by Jason Howland and Steve Sidwell with Kurt Deutsch serving as executive producer, was recorded Feb. 17.
The musical's score comprises songs Carole King penned with Gerry Goffin as well as tunes Barry Mann wrote with Cynthia Weil.
Based on King's life and music, Beautiful had its world premiere earlier this season at San Francisco's Curran Theatre. The Broadway production began previews Nov. 21, 2013, prior to an official opening Jan. 12 at the Stephen Sondheim Theatre.
Paul Blake and Sony/ATV Music Publishing produce the musical that features a book by Academy Award nominee Douglas McGrath, who collaborated with Woody Allen on the screenplay for Bullets Over Broadway. He also penned Infamous and Emma.
Marc Bruni (Pipe Dream, Ordinary Days, Old Jews Telling Jokes) stages the production with choreography by Josh Prince and musical direction by Jason Howland.
Tony Award nominee Mueller (Mystery of Edwin Drood, On a Clear Day, Nice Work If You Can Get It) stars as King. Appearing as her musical collaborators are Jake Epstein (Degrassi, Spider-Man) as Gerry Goffin, Anika Larsen (Xanadu, Avenue Q) as Cynthia Weil and Jarrod Spector (Jersey Boys) as Barry Mann. Principal casting also includes Jeb Brown as producer/publisher Don Kirshner and Liz Larsen as King's mother, Genie Klein.
The ensemble features Ashley Blanchet, E. Clayton Cornelious, Joshua Davis, Alysha Deslorieux, Kevin Duda, James Harkness, Carly Hughes, Sara King, Rebecca LaChance, Douglas Lyons, Chris Peluso, Gabrielle Reid, Rashidra Scott, Sara Sheperd, Yasmeen Sulieman, Daniel Torres, Melvin Tunstall and Alan Wiggins.
The complete creative team includes Derek McLane (set design), Alejo Vietti (costume design), Peter Kaczorowski (lighting design), Brian Ronan (sound design), Charles G. LaPointe (wig and hair design), Steve Sidwell (orchestrations and music arrangements), Jason Howland (music supervision) and John Miller (music coordination).
Here's how the creators bill the musical: Long before she was Carole King, chart-topping music legend, she was Carol Klein, Brooklyn girl with passion and chutzpah. She fought her way into the record business as a teenager and, by the time she reached her twenties, had the husband of her dreams and a flourishing career writing hits for the biggest acts in rock 'n' roll. But it wasn't until her personal life began to crack that she finally managed to find her true voice. Beautiful tells the inspiring true story of King's remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation.
Beautiful is produced by Paul Blake, Sony/ATV Music Publishing, Jeffrey A. Sine, Richard A. Smith, Mike Bosner, Harriet N. Leve/Elaine Krauss, Terry Schnuck, Orin Wolf, Patty Baker/Good Productions, Roger Faxon, Larry Magid, Kit Seidel, Lawrence S. Toppall, Fakston Productions/Mary Solomon, William Court Cohen, John Gore, BarLor Productions, Matthew C. Blank, Tim Hogue, Joel Hyatt, Marianne Mills, Michael J. Moritz, Jr., StylesFour Productions, Brunish/Trinchero, and Jeremiah J. Harris.1. Overture
2. So Far Away
3. 1650 Broadway Medley
4. It Might as Well Rain Until September
5. Some Kind of Wonderful
6. Happy Days Are Here Again
7. Take Good Care of My Baby
8. Will You Love Me Tomorrow
9. He's Sure the Boy I Love
10. Will You Love Me Tomorrow
11. Up on the Roof
12. On Broadway
13. The Locomotion
14. You've Lost That Lovin' Feeling
15. One Fine Day
17. Walking in the Rain
18. Pleasant Valley Sunday
19. We Gotta Get Out of This Place
21. It's Too Late
22. You've Got a Friend
23. You Make Me Feel Like) A Natural Woman
25. I Feel The Earth Move$24.99Vinyl LP - 2 LPs Sealed Buy Now
IVRecords like Psychic Temple IV aren't made anymore. Maybe they never were. There is a magic present that some mistake for tubes or tape but it's no more complicated than putting the right musicians together with the right songs.
Produced and composed by band/cult leader Chris Schlarb, Psychic Temple IV is what happens when 87-year old Max Bennett (bassist on Joni Mitchell's Court and Spark and Hissing of Summer Lawns) plays with 26-year old drummer Tabor Allen (of Cherry Glazerr). British rock legend Terry Reid sings a trio of duets written and arranged for the only artist nicknamed Superlungs. When keyboardist Mick Rossi wrote to say he would be in town with the Philip Glass Ensemble, songs were composed and a new date was put on the calendar.
Psychic Temple IV was recorded in Los Angeles over a series of eight large scale sessions. In the spirit of the classic Wrecking Crew sessions for Phil Spector and the Beach Boys, the band was often tasked with recording four songs per session. Vocals were added as soon as the rhythm section tracks were cut with Terry Reid, Arlene Deradoorian, and Nedelle Torrisi joining Chris in the studio to work out harmony parts and sing live together.
After making his vocal debut on III, Schlarb toured the country twice over. His voice is assured and he seems to have lived with these songs (and the idea of singing) for some time. His melodies are soulful yet unpredictable having transferred his ability to write for instrumental ensembles to pop music. And yet the exploratory spirit of the first Psychic Temple album still abides. The music has been poured over with both care and abandon. There is magic in Psychic Temple IV. It's no more complicated than that.1. Spanish Beach
2. Wait For Me
3. Dream Dictionary
4. Turn Off The Lights
5. Nazarene Dream
7. Paper Tiger
8. If I Don't Leave They'll Take Me Away
9. The Art Of Giving Up
10. Isabella Ocean Blue$22.99Vinyl LP - Sealed Buy Now