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  • The Band (Awaiting Repress) The Band (Awaiting Repress) Quick View

    $24.99
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    The Band (Awaiting Repress)

    Ranked 45/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The Band, the group's second album, was an even more accomplished effort than their first, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. "Up On Cripple Creek" and "King Harvest (Has Surely Come)" remain powerful songs. Now available on 180 gram vinyl in original packaging.

    1. Across the Great Divide
    2. Rag Mama Rag
    3. The Night They Drove Old Dixie Down
    4. When You Awake
    5. Up On Cripple Creek
    6. Whispering Pines
    7. Jemima Surrender
    8. Rockin' Chair
    9. Look Out Cleveland
    10. Jawbone
    11. The Unfaithful Servant
    12. King Harvest (Has Surely Come)
    The Band
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Islands Islands Quick View

    $24.99
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    Islands

    Islands is the seventh studio album by the Canadian-American rock group The Band. It is the final studio album from the group's original lineup.


    1. Right as Rain
    2. Street Walker
    3. Let the Night Fall
    4. Ain't That a Lot of Love
    5. Christmas Must Be Tonight
    6. Islands
    7. The Saga of Pepote Rouge
    8. Georgia on My Mind
    9. Knockin' Lost John
    10. Livin' in a Dream
    The Band
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Last Waltz The Last Waltz Quick View

    $36.99
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    The Last Waltz

    Mastered By Chris Bellman At Bernie Grundman Studios From The Original Analog Tapes And Pressed At RTI


    On Thanksgiving Day 1976, The Band took the stage for the very last time at the Winterland Theatre in San Francisco for THE LAST WALTZ, which has gone on to become one of the most heralded performances of all time. Joining The Band on stage throughout the evening was an unprecedented group of pioneers in music including Eric Clapton, Neil Diamond, Bob Dylan, Dr. John, Joni Mitchell, Van Morrison, Muddy Waters, and Neil Young, among others.


    The Band, more than any other group, put rock and roll back in touch with its roots. With their ageless songs and solid grasp of musical idioms, the Band reached across the decades, making connections for a generation that was, as an era of violent cultural schisms wound down, in desperate search of them. They projected a sense of community in the turbulent late Sixties and early Seventies - a time when the fabric of community in the United States was fraying.


    Guitarist Robbie Robertson drew from history in his evocative, cinematic story-songs, and the vocal triumvirate of bassist Rick Danko, drummer Levon Helm and keyboardist Richard Manuel joined in rustic harmony and traded lines in rich, conversational exchanges. Multi-instrumentalist Garth Hudson provided musical coloration in period styles that evoked everything from rural carnivals of the early 20th century to rock and roll revues of the Fifties. (via RockHall.com)

    LP1
    1. Theme From The Last Waltz

    2. Up On Cripple Creek
    3. Who Do You Love
    4. Helpless
    5. Stagefright
    6. Coyote
    7. Dry Your Eyes
    8. It Makes No Difference
    9. Such A Night


    LP2
    1. The Night They Drove Old Dixie Down
    2. Mystery Train
    3. Mannish Boy
    4. Further On Up The Road
    5. Shape I'm In
    6. Down South In New Orleans
    7. Ophelia
    8. Tura Tura Lural (That's An Irish Lullaby)

    9. Caravan


    LP3
    1. Life Is A Carnival
    2. Baby Let Me Follow You Down
    3. I Don't Believe You (She Acts Like We Never Have Met)
    4. Forever Young
    5. Baby Let Me Follow You Down (Reprise)
    6. I Shall Be Released
    The Last Waltz Suite:
    7. The Well
    8. Evangeline
    9. Out Of The Blue
    10. The Weight
    11. The Last Waltz Refrain
    12. Theme From The Last Waltz (with Orchestra)

    The Band
    $36.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Stage Fright Stage Fright Quick View

    $34.99
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    Stage Fright

    180 Gram Numbered, Limited Edition


    1970 Set an Organic, Iconic Rock Landmark - In Special Textured Finish Gatefold Jacket


    Record Shivers With Raw Emotions, Dark Confessionals, and Intense Singing


    Half-Speed Mastered from the Original Analog Tapes: Transcendent Sound


    A sharp stylistic and thematic detour away from its first two albums, the Band's Stage Fright is a compelling snapshot of a group coping with massive success and internal changes. Recorded in 1970 at the Woodstock Playhouse, the set shivers with raw emotions, dark confessionals, and intense singing. Largely devoid of the quintet's trademark all-for-one harmony vocals, Stage Fright is an utterly distinctive piece of the Band's catalog-and a historic landmark that's a necessary part of any music collection.


    "When Stage Fright came about, all I was doing was feeling my way along. But, where everybody was in a huddle on both Big Pink and The Band, with Stage Fright it didn't feel like we were all connected in the same kind of way. In this period of experimentation in life, in music, in drugs, people kept wanting to stretch and reach and go somewhere and try things and, in the course of that, some real alienation can take place as well. When these things are chemically induced, you can feel an incredible shutdown of communication." -guitarist Robbie Robertson, as told to Rob Bowman


    Such splintered camaraderie and personal demons appear in now-famous songs such as the title track, "The Shape I'm In," and "The W.S. Walcott Medicine Show." The music is rife with palpable tension, and as a credit to the Band's unique sound, absolutely singular. It's impossible to think of any other group playing these tunes. Robertson's balladic ode to his daughter, "All La Glory," featuring a gorgeous vocal turn from Levon Helm, provides a sunny contrast to the darker compositions.


    Circumstances behind the recording sessions also reflected the mood. While the Band had intended to capture the album in one take in front of a small crowd at the theater, the town residents vetoed the idea due to concerns over being inundated by too many visitors. Consequently, the Band played to an audience of no one, sometimes with the curtains closed and other times, with them open. Todd Rundgren, who engineered the album, couldn't even see what was going on-he was sitting in a canvas prop tent that became the control room, behind the theater.


    As always, Mobile Fidelity half-speed mastered this numbered limited-edition 180g LP from the original master tapes for a superior sonic experience. This analog edition of Stage Fright bursts with supreme tonal clarity and an airiness that brings the genius of Rundgren's preservation of high frequencies to complete realization. Even the fine textures of the hand drums on the stunning "Daniel and the Sacred Harp" come to light with microscopic detail. Perfectly blended, MoFi's Stage Fright takes its place as the most balanced and punchy record in the Band's oeuvre.


    Stage Fright is part of Mobile Fidelity's effort to present the Band's timeless music in the highest fidelity possible.


    This title is not eligible for discount.

    1. Strawberry Wine
    2. Sleeping
    3. Time to Kill

    4. Just Another Whistle Stop
    5. All La Glory
    6. The Shape I'm In
    7. The W.S. Walcott Medicine Show
    8. Daniel and the Sacred Harp
    9. Stage Fright

    10. The Rumor
    The Band
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Basement Tapes The Basement Tapes Quick View

    $49.99
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    The Basement Tapes

    Ranked 291/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Recorded in Basement of Big Pink with The Band: Modern Americana Starts Here


    Audiophile Sound at Last: Sonic Subtleties, Loose Interplay, Organic Spirit, Warm Textures Presented Like Never Before on Definitive Mobile Fidelity Reissue


    Dylan at His Most Humorous, Unguarded, Loose: Folk Tales, Weird Narratives, Rock Ballads, Inside Jokes, Allusions Pepper Alchemic Material


    Includes This Wheels on Fire, You Aint Goin Nowhere, Tears of Rage, Million Dollar Bash, Yazoo Street Scandal


    The Freewheelin Bob Dylan, Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, and Blood on the Tracks Also Available from Mobile Fidelity


    Basements have long been associated with raw, off-the-cuff rock n roll, the damp and dark spaces serving as the woodshedding venues for countless bands. Yet no basement is more famous, and none yielded music as familiarly weird, wholesomely American, joyously loose, and identifiably humorous as that in the upstate New York house dubbed Big Pink the location where, during the summer and early fall of 1967, Bob Dylan and The Band played a vivid tapestry of covers, originals, and traditionals that signaled the advent of Americana. Once again, the Bard changed the world.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of The Basement Tapes ever produced and the first-ever analog reissue. Inimitable, the particulars of The Basement Tapes especially, the gather-round-in-a-huddle assembly of the instrumentalists, home-made character, domestic vibe, and low-volume nature of the recordings come to fore here in a manner that takes the listener down the stairs at 2188 Stoll Road and brings the images of Dylan, Rick Danko, Robbie Robertson, and Co. to life.


    Fresh off experiencing a motorcycle accident and the wrath of audiences hostile to his embrace of amplified music, Dylan elected to retreat to the comforts of rural and family life. He soon began collaborating with members of the Band in his house, ultimately moving the sessions to Big Pink. Informal, peaceful, relaxed, open-minded: The collaborations blanket country stomps, roots hootenannies, forgotten spirituals, earthy originals, chaotic marches, dreamscapes, dance tunes, folk laments, catch-as-you-can improvisations. On The Basement Tapes, mythical ghosts and dead legends reappear, reveling in the absurdity, comedy, mystery, aura, and alchemy.


    In Invisible Republic, his scintillating book about the sessions, cultural critic Greil Marcus states: At a time when the country was tearing itself apart in a war at home over a war abroad, the music was funny and comforting; it was also strange, and somehow incomplete. Out of some odd displacement of art and time, the music seemed both transparent and inexplicable when it was first heard, and it still does. Indeed, The Basement Tapes appear to emanate from an indefinable chasm between modern and ancient, self-evident and mysterious, shapeless and fully formed, abstract and concrete, histories unwritten and chronicled. But every note chimes with freenessa liberating fun, humble simplicity, and bond-creating camaraderie felt in every hoot, holler, laugh, and false start.


    The Basement Tapes capacity to remain so gloriously honest and timeless performances that genuinely could've been made today, ten years from now, or back in the 1930's helps account for their emotional resonance and unsurpassed reputation as a snapshot of how unencumbered American music, and art with deep historical roots and connective cultural tissues, is supposed to sound.


    Mobile Fidelity's reissue squares away the late-night bleariness, jovial atmosphere, low-ceiling dimensions, and ensemble-based perspective of the sessions, allowing the listener to become Hamlet, the dog who slept nearby Dylan, Robertson, and Co. as it all went down. This is not to be missed.


    Given the sonic and artistic merit of this album, we anticipate huge demand.


    This title is not eligible for discount.

    1. Odds and Ends
    2. Orange Juice Blues (Blues for Breakfast)
    3. Million Dollar Bash
    4. Yazoo Street Scandal
    5. Goin to Acapulco
    6. Katies Been Gone
    7. Lo and Behold
    8. Bessie Smith
    9. Clothes Line Saga
    10. Apple Suckling Tree
    11. Please Mrs. Henry
    12. Tears of Rage
    13. Too Much of Nothing
    14. Yea! Heavy and a Bottle of Bread
    15. Aint No More Cane
    16. Crash on the Levee (Down in the Flood)
    17. Ruben Remus
    18. Tiny Montgomery
    19. You Aint Goin Nowhere
    20. Dont Ya Tell Henry
    21. Nothing Was Delivered
    22. Open the Door, Homer
    23. Long Distance Operator
    24. This Wheels on Fire
    Bob Dylan and the Band
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • So Long So Wrong So Long So Wrong Quick View

    $49.99
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    So Long So Wrong

    Available for the very first time on vinyl. This is the best AKUS album to date. (AKUS is the band's own acronym for Alison Krauss & Union Station). The best songs, the best playing, the best singing and the best sound! This must have 2-LP set gets more addictive with every play. Call it bluegrass or call it acoustic pop, either way Alison Krauss and Union Station have created an incredible montage of music. As usual, it is Alison's beautiful vocals that gives it that high, lonesome sound.


    There are thirteen vocal songs and one instrumental on this two-record set. Krauss is the lead vocalist on eight of the songs and Union Station members share the other lead vocals. The virtuoso musicians comprising the group are Barry Bales (acoustic bass), Ron Block (banjo, guitar), Adam Steffey (mandolin), and Dan Tyminski (guitar). Of course Krauss started her career as a violinist (fiddler to the bluegrass world) and she doesn't leave that instrument out either. Due to the unmatched resolution of the Gain 2 Ultra Analog Cutting System, all the acoustic instruments and voices on the record are reproduced with an exceptional sense of space and clarity.


    The tunes are mostly new material and alternate from bluegrass to acoustic pop. The standouts on the album are Alison's numbers: It Doesn't Matter, Looking in the Eyes of Love, and the gospel There is a Reason. These are all quiet, reflective pieces with the haunting, almost angelic quality of Krauss' voice demonstrated to its fullest. The harmony singing on every cut shows off the vocal prowess of the entire ensemble. The title track in particular stands out for its use of harmony and incredible accurate presentation of acoustic instruments. The male vocalists are superb in their own right and each of the band members has the spotlight somewhere on the album. MFSL


    This title is not eligible for discount.

    So Long So Wrong

    No Place to Hide

    Deeper Than Crying

    I Can Let Go Now

    The Road Is a Lover

    Little Liza Jane

    It Doesn't Matter

    Find My Way Back to My Heart

    I'll Remember You Love in My Prayers

    Looking in the Eyes of Love

    Pain of a Troubled Life

    Happiness

    Blue Trail of Sorrow

    There Is a Reason
    Alison Krauss
    $49.99
    Gain 2 Ultra Analog 1/2 Speed Mastered 180 Gram Audiophile High Definition Vinyl LP -2 LPs Sealed Buy Now
  • Music From Big Pink Music From Big Pink Quick View

    $24.99
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    Music From Big Pink

    Ranked 34/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The Band's 1968 debut, Music From Big Pink was released at the height of the psychedelic revolution and its earthy and more roots oriented sound turned the music world on its ear. Considered to be the group's most democratic effort before Robbie Robertson would emerge as the ensemble's leader, the 11 song set features songs from Robertson, bassist Rick Danko, pianist Richard Manuel and Bob Dylan. The album is arguably the purest distillation of the Band and in many ways, their preeminent recording. Music From Big Pink's rustic beauty and fresh blend of country, rock, folk and classical R&B made it an instant homespun classic and a crowning achievement. Includes one of the Band's best known originals in The Weight.

    1. Tears of Rage
    2. To Kingdom Come
    3. In a Station
    4. Caledonia Mission
    5. The Weight
    6. We Can Talk
    7. Long Black Veil
    8. Chest Fever
    9. Lonesome Suzie
    10. This Wheel's On Fire
    11. I Shall Be Released
    The Band
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Last Waltz (Box Set) The Last Waltz (Box Set) Quick View

    $119.99
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    The Last Waltz (Box Set)

    Complete audio from the concert, including rehearsals and outtakes, pressed on 180-gram vinyl for the first time and presented in an ornate lift-top box.
    LP 1
    1. Theme From The Last Waltz (Concert Version)
    2. Up On Cripple Creek (Concert Version)
    3. The Shape I'm In (Concert Version)
    4. It Makes No Difference (Concert Version)
    5. Who Do You Love (Concert Version) [Feat. Ronnie Hawkins]
    6. Life Is A Carnival (Concert Version)
    7. Such A Night (Concert Version) [Feat. Dr. John]
    8. The Weight (Concert Version)
    9. Down South In New Orleans (Concert Version) [Feat. Bobby Charles]


    LP 2
    1. This Wheels On Fire (Concert Version)
    2. Mystery Train (Concert Version) [Feat. Paul Butterfield]
    3. Caldonia (Concert Version)
    4. Mannish Boy (Concert Version) [Feat. Muddy Waters]
    5. Stagefright (Concert Version)
    6. Rag Mama Rag (Concert Version)
    7. All Our Past Times (Concert Version)
    8. Further On Up The Road (Concert Version) [Feat. Eric Clapton]


    LP 3
    1. Ophelia (Concert Version)
    2. Helpless (Concert Version) [Feat. Neil Young]
    3. Four Strong Winds (Concert Version)
    4. Coyote (Concert Version) [Feat. Joni Mitchell]
    5. Shadows And Light (Concert Version)
    6. Furry Sings The Blues (Concert Version)
    7. Acadian Driftwood (Concert Version)
    8. Dry Your Eyes (Concert Version) [Feat. Neil Diamond]


    LP 4
    1. The W.S. Walcott Medicine Show (Concert Version)
    2. Tura Lura Lural (That's An Irish Lullaby) [Concert Version] {Feat. Van Morrison}
    3. Caravan (Concert Version) [Feat. Van Morrison]
    4. The Night They Drove Old Dixie Down (Concert Version)
    5. The Genetic Method/Chest Fever (Soundtrack Version)
    6. Baby Let Me Follow You Down (Concert Version) [Feat. Bob Dylan]
    7. Hazel (Concert Version)
    8. I Don't Believe You (She Acts Like We Never Have Met) [Concert Version] {Feat. Bob Dylan}
    9. Forever Young (Concert Version) [Feat. Bob Dylan]
    10. Baby Let Me Follow You Down (Reprise) [Concert Version] {Feat. Bob Dylan}
    11. I Shall Be Released (Finale) [Concert Version] {Ensemble}


    LP 5
    1. Jam #1 (Concert Version)
    2. Jam #2 (Concert Version)
    3. Don't Do It (Concert Version)
    4. Greensleeves (Soundtrack Version)
    5. The Last Waltz Suite: The Well
    6. The Last Waltz Suite: Evangeline [Feat. Emmylou Harris]
    7. The Last Waltz Suite: Out Of The Blue
    8. The Last Waltz Suite: The Weight (Feat. The Staples)
    9. The Last Waltz Suite: The Last Waltz Refrain
    10. The Last Waltz Suite: Theme From The Last Waltz (Feat. Orchestra)


    LP 6
    1. King Harvest (Rehearsal Version)
    2. Tura Lura Lural (Concert Rehearsal Version)
    3. Caravan (Concert Rehearsal Version)
    4. Such A Night (Concert Rehearsal Version)
    5. Rag Mama Rag (Rehearsal Version)
    6. Mad Waltz (Sketch track for 'The Well') (Studio Version)
    7. The Last Waltz Refrain (Instrumental)
    8. The Last Waltz Theme (Sketch)

    The Band
    $119.99
    180 Gram Audiophile Virgin Vinyl Box Set - 6 LPs Sealed Buy Now
  • Moondog Matinee Moondog Matinee Quick View

    $24.99
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    Moondog Matinee

    Moondog Matinee is the fifth studio album by Canadian/American rock group The Band, released in 1973. It consists entirely of cover material reflecting the group's love of R&B and blues music, with one exception in their interpretation of the theme from the film The Third Man.

    1. Ain't Got No Home
    2. Holy Cow
    3. Share Your Love (With Me)
    4. Mystery Train
    5. Third Man Theme
    6. The Promised Land
    7. The Great Pretender
    8. I'm Ready
    9. Saved
    10. A Change Is Gonna Come
    The Band
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Doug Sahm And Band Doug Sahm And Band Quick View

    $25.99
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    Doug Sahm And Band


    Limited Edition Of 1000 Copies


    Pressed On Gold Vinyl


    Produced By Jerry Wexler & Arif Mardin


    Doug Sahm's first solo record was something of a coming out party, a big budget affair that let the world know what the insiders already knew: that Doug Sahm was a quintessentially American musical visionary. After The Sir Douglas Quintet concluded its contract with Smash/Mercury, Jerry Wexler convinced Sahm to sign with Atlantic and brought him to New York for the sessions that were to become Doug Sahm and Band. To call the personnel that Wexler and co-producer Arif Mardin assembled for the album star-studded is a severe understatement: among the musicians on this 1972 release were Dr. John, David Fathead Newman, David Bromberg, and Flaco JimÉnez (the first in a series of collaborations with Doug); Sir Doug stalwarts Augie Meyers, Jack Barber, and George Rains; and, of course, Bob Dylan, who contributes a hitherto-unheard song (Wallflower).


    It is a testament to Sahm's boundless talent that all of these stellar musicians wanted to play with him; it's even more of a testament that despite all of the formidable artists in the room, and despite the fact that Sahm only wrote three of the album's 12 tunes, Doug Sahm and Band never sounds like anything but a Doug Sahm record. And a hell of a good one, too, highlighted by the anthemic (Is Anybody Going to) San Antone and the brilliant Willie Nelson cover Me and Paul. This turned out to be Doug's only charting solo album, but he was never about the money. What mattered to Doug was the groove, and this record has it in every one of 'em. Real Gone Music is proud to present the first-ever vinyl reissue of this classic record, limited to 1000 gold vinyl copies. A must for your American music collection.

    1. (Is Anybody Going To) San Antone
    2. It's Gonna Be Easy
    3. Your Friends
    4. Poison Love
    5. Wallflower
    6. Dealer's Blues
    7. Faded Love
    8. Blues Stay Away from Me
    9. Papa Ain't Salty
    10. Me and Paul
    11. Don't Turn Around
    12. I Get Off
    Doug Sahm
    $25.99
    Colored Vinyl LP - Sealed Buy Now
  • Rock of Ages Rock of Ages Quick View

    $49.99
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    Rock of Ages

    The Band's Ultimate Live Album Recorded at Its Career Peak!


    Legendary Live Set Features Horn Arrangements by Allen Toussaint


    Incredible Sound and Virtuosic Performances


    The Last Waltz gets bigger billing, but The Band's 1972 live album Rock of Ages is actually the better representation of a live Band album. Recorded at the tail end of the group's Cahoots tour and over the course of four nights at New York's Academy of Music at the end of December 1971, the incendiary concert set bookmarks the close of the first phase of the collective's career.


    Rather than follow the lead of most other live records made at the time (and many since), The Band resists any temptation to improvise or extend its material. Instead, the group plays with an intensity, chemistry, and spirit that's nearly unrivaled by any other live album. The quintet also draws on a secret weapon: One Allen Toussaint, who tailors expert horn arrangements for multiple songs, a move that spices renditions of classics such as "Don't Do It" and "Chest Fever." To top it all off, the horn charts are performed by the Rock of Ages Horn Section-a five-piece ensemble that includes legendary trumpeter Snooky Young (Count Basie, Lionel Hampton) and saxophonist Joe Farrell (Charles Mingus, Elvin Jones).


    "I felt very much at home with The Band. You could tell in their music they know where they're coming from and they know where they're going. Each one had an extremely special interest in what they were doing." -Toussaint, as told to Rob Bowman


    Do they ever. Unencumbered by the myriad guests and grandiose sense that define The Last Waltz, and energized by Toussaint's invaluable work, Rock of Ages is the sound of a great band pulling out all the stops. Robbie Robertson's guitar solos take "Unfaithful Servant" to a higher ground; "The W.S. Walcott Medicine Show" kicks with raunchy R&B abandon; Garth Hudson delivers a show-stealing performance on "The Genetic Method," a thrilling organ piece that incorporates elements of Anglican church music, folk, classical, and pop-as well as "Auld Lang Syne," due to its being recorded on New Year's Eve.


    After various inferior editions and reissues, Rock of Ages is finally presented on an immaculate-sounding 180g 2LP set from Mobile Fidelity that lets Toussaint's contributions, horn section's energy, and the Band's feverish interplay shine like never before. Mastered from the original tapes, the open, airy, natural, and balanced sound will have you returning to Rock of Ages again and again.


    This title is not eligible for discount.

    1. Introduction / Don't Do It
    2. King Harvest (Has Surely Come)
    3. Caledonia Mission
    4. Get Up Jake
    5. The W.S. Walcott Medicine Show
    6. Stage Fright
    7. The Night They Drove Old Dixie Down
    8. Across The Great Divide
    9. This Wheel's On Fire
    10. Rag Mama Rag
    11. The Weight
    12. The Shape I'm In
    13. Unfaithful Servant
    14. Life Is A Carnival
    15. The Genetic Method
    16. Chest Fever
    17. (I Don't Want To) Hang Up My Rock And Roll Shoes
    The Band
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Allman Brothers Band The Allman Brothers Band Quick View

    $34.99
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    The Allman Brothers Band


    Remastered From Original Analog Tapes


    Cut On Copper Plates Using Abbey Road Mastering's Direct DMM Lathe


    Original Artwork Faithfully Reproduced


    The Allman Brothers Band is the debut studio album, originally released on November 4, 1969 and features crowd
    favorite, "Whipping Post." It has been remastered from original analog tapes by Keven Reeves (Brothers And
    Sisters, The 1971 Fillmore East Recordings) to 192kHz 24-bit audio and then cut on copper plates using Abbey
    Road Mastering's Direct Metal Mastering (DMM) lathe. This title is being issued on 180g, heavy weight vinyl. The
    original artwork has been faithfully reproduced as well.

    1. Don't Want You No More
    2. It's Not My Cross to Bear
    3. Black Hearted Woman
    4. Trouble No More
    5. Every Hungry Woman
    6. Dreams
    7. Whipping Post
    The Allman Brothers Band
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Exile On Main Street Exile On Main Street Quick View

    $34.99
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    Exile On Main Street

    Ranked 7/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Upon its original 1972 release more than three decades ago, Exile on Main Street innovatively wove varying musical genres, instruments and even artists into a compelling rhythmic masterpiece. The 18-track double-album was recorded in various stages at multiple locations, including Olympic Studios in London, Keith Richards' mansion Nellcote in France, and in Los Angeles where the literal 'Main Street' influenced the album title. These atypical circumstances surrounding the recording process greatly affected the album's outcome which was highly reflective and influenced by the socio-political turbulence that marked the late `60s and early `70s.


    The Stones nixed the influences of a flower-child era and directed their creative process with the edgier, excessive, more is more approach of the `70s. Exile reveals a sprawling mix of genres with undertones of blues, country, R&B and gospel mixed with lyrics that fervently demand for release and liberation.


    The album pulled together an electric array of talent including Dr. John, the late Billy Preston, and pianist Nicky Hopkins. Guitarist Mick Taylor, who replaced Brian Jones in the band shortly before Jones died in 1969, is a magnificent blues player who brought an intensity and elegance to these epic tracks. At times, these musicians and others lived on the recording studio premises with the band creating an extremely open and creative collaboration for the album.




    1. Rocks Off

    2. Rip This Joint

    3. Shake Your Hips

    4. Casino Boogie

    5. Tumbling Dice

    6. Sweet Virginia

    7. Torn And Frayed

    8. Sweet Black Angel

    9. Loving Cup

    10. Happy

    11. Turd On The Run

    12. Ventilator Blues

    13. I Just Want To See His Face

    14. Let It Loose

    15. All Down The Line

    16. Stop Breaking Down

    17. Shine A Light

    18. Soul Survivor
    The Rolling Stones
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Before The Flood Before The Flood Quick View

    $49.99
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    Before The Flood

    Before the Flood on Numbered Limited Edition 180 Gram 2LP from Mobile Fidelity


    Live 1974 Set Documents Acclaimed Reunion of Bob Dylan and The Band


    Mobile Fidelity's Reissue Gives You a Prime Seat for the Historic Performances


    Record Features Solo Dylan, Solo The Band, and Plenty of Collaboration


    Dylan's Radical Rearrangements of Classics Give Songs Renewed Meaning and Relevance


    The live reunion of Bob Dylan and The Band during 1973-74 yielded one of the decade's most celebrated, dynamic, and astonishing tours. Captured on Before the Flood, the results portray the two artists' shared chemistry as well as Dylan's instinctive ability to challenge audiences, his group, and himself via inventive rearrangements of classics that simultaneously ward off nostalgia and renew with meaning. Said by noted critic Robert Christgau to be at its best, [the] craziest and strongest rock and roll ever recorded, Before the Flood crackles with intensity, relevance, and unhinged performances.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored analog version cracks wide open the ceiling previously obscuring many of the tonal details, revealing microdynamics, and vocal nuances on the recording. Distinguished with an immediately recognizable sound, The Band comes across in three-dimensional form, while Dylan takes center stage, feet from your listening chair. The two artists play like two souls in communion, a facet displayed here courtesy of the increased airiness, enhanced soundstage depth, and lifelike imaging.


    There's so much new information here, this already-iconic album only gains in stature. As experienced on Mobile Fidelity, Before the Flood unquestionably takes its place as one of the ten-best concert releases ever made. Notes are rounded, Garth Hudson's organ claims a tube-like glow, Levon Helm's drumming possesses its own space, voices are perceptible all the way down the singers' throats, and Dylan's awe-inspiring phrasing resonates with palpable urgency. Audiophiles and Dylan fans, prepare to be astonished.


    Arriving at a crucial time for both Dylan and The Band, Before the Flood is the furthest thing possible from a nostalgia trip. It's where Dylan begins his now-trademark feat of turning songs upside-down, taking risks, surprising and challenging expectations, leaving audiences riveted to the edge of their seats in anticipation of what might come next. He sings with unabated passion, the moods spanning bitterness to jubilation, his willingness to play fast and loose with the music giving way to compelling shifts, under-the-surface textures, complementary intricacies, and a sense of newness and discovery on par with that of an adventurer embracing total freedom.


    Before the Flood buries any notion of limits, safeguards, or borders. It is an open map, each song a route begging for exploration without need or concern for exactness or an appointed leader. Collaborative in every sense, it's a portrait of six inimitable musicians feeding off one another, trusting in their past history as they hurdle towards uncharted territory, using soulfulness as a compass and opportunity as their vehicle.


    Wholly different than the live episodes heard on Bob Dylan Live 1966, The "Royal Albert Hall" Concert, Before the Flood is equally seminal and, from the perspective of witnessing an artist dare not only his audience but himself to break through to a new plane, even better. Utterly astounding.


    This title is not eligible for discount.

    1. Most Likely You'll Go Your Way (And I'll Go Mine)
    2. Lay Lady Lay
    3. Rainy Day Women #12 & #35
    4. Knockin' on Heaven's Door
    5. It Ain't Me Babe
    6. Ballad of a Thin Man
    7. Up on Cripple Creek
    8. I Shall Be Released
    9. Endless Highway
    10. The Night They Drove Old Dixie Down
    11. Stage Fright
    12. Don't Think Twice, It's All Right
    13. Just Like a Woman
    14. It's Alright, Ma (I'm Only Bleeding)
    15. The Shape I'm In
    16. When You Awake
    17. The Weight
    18. All Along the Watchtower
    19. Highway 61 Revisited
    20. Like a Rolling Stone
    21. Blowin' in the Wind
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Let It Bleed Let It Bleed Quick View

    $23.99
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    Let It Bleed

    Ranked 32/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    180 Gram Clear Vinyl From ABKCO'S Clearly Classic Reissue Series


    Re-mastered by Bob Ludwig at Gateway Mastering


    Cut at Trutone Mastering by Carl Rowatti


    Let It Bleed is the eighth British and tenth American album by English rock band The Rolling Stones, released in December 1969 by Decca Records in the United Kingdom and London Records in the United States. Released shortly after the band's 1969 American Tour, it is the follow-up to 1968's Beggars Banquet and the last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.

    1. Gimme Shelter
    2. Love In Vain

    3. Country Honk

    4. Live With Me

    5. Let It Bleed

    6. Midnight Rambler

    7. You Got The Silver

    8. Monkey Man

    9. You Can't Always Get What You Want
    The Rolling Stones
    $23.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Northern Lights Northern Lights Quick View

    $24.99
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    Northern Lights

    Northern Lights - Southern Cross is the sixth studio album by Canadian-American rock group The Band released in 1975. It was the first album to be recorded at their new California studio, Shangri-La, and the first album of all new material since 1971's Cahoots.
    1. Forbidden Fruit
    2. Hobo Jungle
    3. Ophelia
    4. Acadian Driftwood
    5. Ring Your Bell
    6. It Makes No Difference
    7. Jupiter Hollow
    8. Rags and Bones
    The Band
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • A Salty Dog A Salty Dog Quick View

    $34.99
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    A Salty Dog


    Procol Harum Fuses Classical Structures, Rock Motifs, and Sweeping Melodies with Unparalleled Virtuosity: A Salty Dog Features Ravishing Symmetry Between Piano, Organ, Guitar, and Strings


    Mastered from the Original Master Tapes for Reference-Level Sound, Clarity, and Presence: Ultra-Dynamic Mobile Fidelity 180g Vinyl LP Limited to 3,000 Numbered Copies


    A call for all hands on deck opens Procol Harum's third album, and with that command, an effort that witnesses the band coming into its own as a collective capable of fusing classical structures with rock motifs via an expertise, virtuosity, and style matched by none of its peers is on its way to making history. A Salty Dog survives as proof no other artist ever sounded like Procol Harum - while also demonstrating few collectives boasted a lineup full of such ace instrumentalists. Stacked with exploratory themes, boundary-crossing directions, and sweeping melodies, A Salty Dog proudly veers off traditional course and ventures to intrepid places forbidden to even the most thrill-seeking groups of the highly experimental era.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 numbered copies, Mobile Fidelity's 180g vinyl LP takes its place as the definitive-sounding analog version of the record. The intertwined symmetry between organist Matthew Fisher and pianist Gary Brooker, central to every song on the set, gets revealed with newfound detail, openness, and clarity. Produced by Fisher, A Salty Dog now resonates with a presence and immediacy stunted on prior editions. The full-bodied tones, front-to-back imaging, and grand dynamics inherent on this audiophile edition elevate the 1969 favorite to landmark status. In addition, the evocative cover art, which pays homage to the Player's Navy Cut logo, is reproduced in faithful-to-the-original fashion.


    The cinematic breadth of the sonics parallels the scope of the bold arrangements, which include strings, recorders, bells, celeste, and a myriad of guitars. Brooker and Fisher split vocal duties, save for on Crucifiction Lane, which boasts a rare lead from marvel-in-the-making Robin Trower. The latter's prodigious guitar lines add another distinctive element to the compositions and further up the ante of the interplay between Brooker and Fisher. Trower accents tracks such as the topsy-turvy The Milk of Human Kindness with bluesy vibes and jolts Juicy John Pink by way of jukejoint energy. Not to be outdone, B.J. Wilson's still-unsung percussion draws from R&B and swing techniques to supply a natural albeit firm footing.


    For all the proficient playing and narrative storytelling, the most impressive feat surrounding A Salty Dog remains its accessible complexity and relative modesty. Procol Harum never comes across as pretentious, self-indulgent, or contrived. Anchored by Fisher's unique Hammond M102 organ riffs, the works function as a summation of their parts. Tunes like Wreck of the Hesperus serve as wondrously varied tapestries stitched with swelling chamber rhythms, barbed thickets of distortion, and thundering progressions. It's a ravishing picture of majestic subtlety and sheer power.


    NME wrote shortly after the record's release that the most exciting facet of this tremendous album is not so much that it contains the Procols' best recorded works to date, but that their potential is still nowhere near being fully spent. Rolling Stone concurred, observing, 'Too Much Between Us' is the kind of song you can float away on - its background and vocal of marimba and acoustic guitar in a perfectly understated waltz-time are beautifully ethereal.


    A notable footnote, Fisher departed Procol Harum shortly after the release of A Salty Dog, permanently impacting the band's trajectory and sound. His performances here are just one reason this inimitable album carries sway nearly five decades after its release.


    This title is not eligible for discount.

    1. A Salty Dog
    2. The Milk Of Human Kindness
    3. Too Much Between Us
    4. The Devil Came From Kansas
    5. Boredom
    6. Juicy John Pink
    7. Wreck Of The Hesperus
    8. All This And More
    9. Crucifiction Lane
    10. Pilgrim's Progress
    Procol Harum
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Super Super Blues Band The Super Super Blues Band Quick View

    $25.99
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    The Super Super Blues Band

    Limited Edition Pressing On Light Orange Opaque Vinyl


    Super Super Blues Band starter out merely as Super Blues, a conglomerate of blues pillars Bo Diddley, Muddy Waters and Little Walter. When Little Walter bowed out and was replaced by Howlin' Wolf, they rightfully threw another Super on the name, and went on to release this burning, irreverent and even sometimes hilarious set of drunken, wild-eyed electric blues. Long form jams roll on in a trance as the trio of blues legends flex egos, talking shit to each other, trading off leads and ducking blasts of unexpected wah-wah guitar lines. Songs are peppered with an incredible level of banter between the trio of bandleaders that predicts the call and response sing-talking of early hip hop, laced with random screams in the background that teeter between celebration and danger.


    That these three ever got into the same room together is a miracle, and that they produced something so intense, energetic and weird is another almost unbelievable feat. The record is special enough as a stand-alone document of this meeting/melting of the minds before you find out the backing band consists of Hubert Sumlin, Otis Spann, and freaking Buddy Guy. Lordy. Might have needed one more Super in there.

    1. Long Distance Call
    2. Medley: Ooh Baby & Wrecking My Love Life
    3. Sweet Little Angel
    4. Spoonful
    5. Diddley Daddy
    6. The Red Rooster
    7. Goin' Down Slow
    Howlin' Wolf / Muddy Waters / Bo Diddley
    $25.99
    Colored Vinyl LP - Sealed Buy Now
  • The Name Of This Band Is Talking Heads The Name Of This Band Is Talking Heads Quick View

    $34.99
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    The Name Of This Band Is Talking Heads

    Although most people probably think the only Talking Heads live release is Stop Making Sense, the fact is that there's an earlier, better live album called The Name of This Band Is Talking Heads. Originally released in 1982 on LP and cassette, the album chronicles the growth of the band, both stylistically and personnel-wise. The first LP is the original quartet version of the band, recorded between 1977 and 1979, performing excellent versions of tunes (mostly) off 77 and More Songs About Buildings and Food. Also included were the previously unavailable A Clean Break and Love Goes to a Building on Fire, as well as early versions of Memories Can't Wait and Air. The second LP comes from the Remain in Light tour, recorded in 1980 and 1981.


    In order to present something close to the music on that album, the original quartet lineup was greatly expanded. Added were two percussionists (Steven Stanley, Jose Rossy), two backup singers (Nona Hendryx, Dollette McDonald), Busta Cherry Jones on bass, Bernie Worrell (!) on keys, and a young Adrian Belew on lead guitar. The excitement of this material is palpable, and the muscular band rips into these tunes with more power than the originals in most cases. Drugs gets revamped for live performance, and Houses in Motion kicks into high gear with a great art-funk coda. Belew is absolutely on fire throughout, especially on The Great Curve and Crosseyed and Painless, where his deranged feedback soloing has never sounded better. At this point in their career, Talking Heads were still basically an underground band; it was Burning Down the House that really thrust them into the mainstream, and Stop Making Sense documents their arrival as a more or less mainstream act. The Name of This Band Is Talking Heads captures a hungry band on its way up, performing with a fire that was never matched on later tours. Unfortunately, The Name of This Band Is Talking Heads remained unavailable on compact disc for years, which is a shame since it's arguably one of their finest releases.


    - Sean Westergaard (All Music Guide)

    LP 1
    Recorded for WCOZ broadcast, Northern Studios, Maynard MA, November 17, 1977
    1. New Feeling
    2. A Clean Break
    3. Don't Worry About the Government
    4. Pulled Up
    5. Psycho Killer
    Recorded at The Capitol Theater, Passaic NJ, January 17, 1979
    6. Artists Only
    7. Stay Hungry
    8. Air
    9. Love - Building On Fire
    10. Memories (Can't Wait)


    LP 2
    Recorded at Emerald City, Cherry Hill NJ, November 8, 1980-November 9, 1980; Central Park, New York, August 27, 1980; Sun Plaza Concert Hall, Tokyo, Japan, February 27, 1981
    1. I Zimbra
    2. Drugs
    3. Houses in Motion
    4. Life During Wartime
    5. The Great Curve
    6. Crosseyed and Painless
    7. Take Me to the River

    Talking Heads
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Through The Past, Darkly (Big Hits Vol 2) Through The Past, Darkly (Big Hits Vol 2) Quick View

    $23.99
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    Through The Past, Darkly (Big Hits Vol 2)


    180 Gram Clear Vinyl


    This album was spawned by three coinciding events -- the need to acknowledge the death of band co-founder Brian Jones (whose epitaph graces the inside cover) in July of 1969; the need to get Honky Tonk Women, then a huge hit single, onto an LP; and to fill the ten-month gap since the release of Beggars Banquet and get an album with built-in appeal into stores ahead of the Stones' first American tour in three years. The fact that the Stones had amassed a sufficient number of hits since their last greatest-hits compilation in early 1966 (Big Hits: High Tide and Green Grass) made this a no-brainer, and its song lineup was as potent at the time as any compilation of hit singles by any artist. From the group's excursions into fey psychedelia (Paint It, Black, Ruby Tuesday, She's a Rainbow, Dandelion), space rock (2000 Light Years From Home), punk decadence (Mother's Little Helper), and back to straight-ahead rock & roll (Jumpin' Jack Flash), some of it with a topical edge (Street Fighting Man), it's all incredibly potent, though also redundant to the extent that Ruby Tuesday and Let's Spend the Night Together had previously appeared on two U.S. albums. The presence of Honky Tonk Women propelled it to gold record status upon release on both sides of the Atlantic, although the simultaneously released British version (long out of print, except as a bootleg CD) is different and more confusing, but also more diverse and rewarding musically than the American version. Both this album and Big Hits: High Tide and Green Grass have been supplanted by Hot Rocks and More Hot Rocks, but are still handy in their tight respective focuses.


    - Bruce Eder (All Music Guide)

    1. Paint It, Black
    2. Ruby Tuesday
    3. She's a Rainbow
    4. Jumpin' Jack Flash
    5. Mother's Little Helper
    6. Let's Spend the Night Together
    7. Honky Tonk Women
    8. Dandelion
    9. 2000 Light Years from Home
    10. Have You Seen Your Mother, Baby Standing in the Shadow?
    11. Street Fighting Man
    The Rolling Stones
    $23.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Rock Of Ages Rock Of Ages Quick View

    $35.99
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    Rock Of Ages

    Rock of Ages: The Band in Concert is a live album by The Band, released in 1972. It was compiled from recordings made during their series of shows at the Academy of Music in New York City, from December 28 through December 31, 1971.
    LP1
    1. Introduction by Robertson
    2. Don't Do It
    3. King Harvest (Has Surely Come)
    4. Caledonia Mission
    5. Get Up Jake
    6. The W. S. Walcott Medicine Show
    7. Stage Fright
    8. The Night They Drove Old Dixie Down
    9. Across the Great Divide
    10. This Wheel's on Fire
    11. Rag Mama Rag


    LP2
    1. The Weight
    2. The Shape I'm In
    3. The Unfaithful Servant
    4. Life Is a Carnival
    5. The Genetic Method
    6. Chest Fever
    7. (I Don't Want to) Hang Up My Rock and Roll Shoes

    The Band
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • A Farewell To Kings A Farewell To Kings Quick View

    $29.99
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    A Farewell To Kings

    200 Gram Vinyl


    Remastered From Original Analogue Masters


    This 1977 release, A Farewell to Kings, RUSH's fifth studio album, was recorded at Rockfield Studios in Wales and mixed in London's Advision Studios. A Farewell to Kings became the band's first U.S. gold-selling album within two months of release, and went platinum. The singles included 'Closer to the Heart' and 'Cinderella Man,' while the album peaked at #33 on the Billboard 200 and #22 on the U.K. album charts. A Farewell to Kings has been newly-remastered on 200-gram, heavyweight vinyl at legendary Abbey Road Studios using the Direct to Metal Mastering (DMM) audiophile copper plating process, all from original analogue masters.

    1. A Farewell To Kings
    2. Xanadu
    3. Closer To the Heart
    4. Cinderella Man
    5. Madrigal
    6. Cygnus X-1 Book I: The Voyage
    Rush
    $29.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Brothers and Sisters Brothers and Sisters Quick View

    $19.99
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    Brothers and Sisters

    1973 Affair Introduces Southern Rock to Popular Parlance


    Dickey Betts Leads Group Through Mellower Country Rock, Pairs With Pianist Chuck Leavell


    Chart-Topping Album Includes Smash "Ramblin' Man" and Favorites "Jessica" and "Southbound"


    Brothers and Sisters is significant for myriad reasons. It's the first album the Allman Brothers Band made in its entirety after Duane Allman's death. It also came after bassist Berry Oakley's spookily similar passing, yet he appears on two of the songs. The 1973 set also marks the emergence of guitarist Dickey Betts as the collective's leader. And pianist Chuck Leavell's arrival. But for than anything else, the record remains noteworthy for its incredible soulfulness and completeness.


    Having stayed at the top of the Billboard charts for five consecutive weeks, Brothers and Sisters constitutes the Allman Brothers Band's biggest commercial triumph. Given the circumstances surrounding its creation, such an accomplishment hardly seemed possible. Fresh from licking their wounds over Duane's tragic motorcycle accident, the group experienced dÉjà vu when Oakley met the same fate just blocks away from where his mate was killed. Rather than collapse, the Allman Brothers Band tightened up and mellowed out, inviting Leavell to join instead of recruiting another guitarist.


    What the sextet gets in return for its troubles is music that marks the concrete beginnings of a form that soon become known as Southern rock. Leavell and Betts exchange notes as if the pair has been trading ideas since they were children. Slide guitars still tread over greasy grooves, yet the Allman Brothers Band digs deeper into country dirt, parlaying a twang anchored by Betts' picking and abetted by Gregg's organic, shot-of-blues vocals. The laidback vibe manifests on the signature "Ramblin' Man," a hit evocative of the record's breezy melodies and friendly interplay.


    The cover art further reveals the Allman Brothers Band's mindset. Golden, tranquil, idyllic, Southern, loving: It's a paradise-longing view that would soon come crashing down in the group's lives but one that, for the duration and existence of Brothers and Sisters, remains gloriously undisturbed.

    1. Wasted Words
    2. Ramblin' Man
    3. Come and Go Blues
    4. Jelly, Jelly
    5. Southbound
    6. Jessica
    7. Pony Boy
    The Allman Brothers Band
    $19.99
    Vinyl LP - Sealed Buy Now
  • From The Vault - Sticky Fingers Live At The Fonda Theatre 2015 From The Vault - Sticky Fingers Live At The Fonda Theatre 2015 Quick View

    $54.99
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    From The Vault - Sticky Fingers Live At The Fonda Theatre 2015

    In May 2015 at the intimate Fonda Theatre in Hollywood, California, the band performed the entire Sticky Fingers
    album live in concert for the first and so far only time in their career. The show celebrated the reissue of the Sticky
    Fingers album and was the opening night of The Rolling Stones Zip Code Tour of North America that would run
    over the next two months. The DVD includes interviews with the band members intercut with full length
    performances.
    LP 1
    1. Start Me Up
    2. When The Whip Comes Down
    3. All Down The Line
    4. Sway
    5. Dead Flowers

    6. Wild Horses


    LP 2
    1. Sister Morphine
    2. You Gotta Move
    3. Bitch
    4. Can't You Hear Me Knocking
    5. I Got The Blues


    LP 3
    1. Moonlight Mile
    2. Brown Sugar
    3. Rock Me Baby
    4. Jumpin Jack Flash
    5. I Can t Turn You Loose


    DVD
    1. Start Me Up
    2. Sway
    3. Dead Flowers
    4. Wild Horses
    5. Sister Morphine
    6. You Gotta Move
    7. Bitch
    8. Can t You Hear Me Knocking
    9. I Got The Blues
    10. Moonlight Mile
    11. Brown Sugar
    12. Rock Me Baby
    13. Jumpin Jack Flash


    DVD Bonus Features
    Tracks cut from the concert film:
    1. All Down The Line
    2. When The Whip Comes Down
    3. I Can t Turn You Loose

    The Rolling Stones
    $54.99
    Vinyl LP + DVD - 3 LPs Sealed Buy Now
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