- Lowest Price
- Highest Price
Bronx Boy (12 Inch Single) (Pre-Order)
Collector's Edition, White Base/Black Marble Vinyl
Limited Numbered Edition Of 5,000
Hot on the heels of two Billboard Top 20 albums since his 2014 induction into the Rock and Roll Hall of Fame, founding KISS guitarist and NY Times best-selling author ACE FREHLEY returns with the physical debut of "Bronx Boy," the first song from an all-new, untitled full-length solo LP to be released this summer. Says Rolling Stone of this lead teaser track: "The gritty first single from his upcoming eighth studio album, (finds Frehley) snarling over a raw hard rock riff and squealing guitar solos." Released as a limited edition, 5000 unit colored vinyl edition, "Bronx Boy" will be a highly sought after item for Ace and KISS collectors worldwide!1. BRONX BOY
2, Reckless Raw Remix
3. White Room
4. Cold Gin (feat. Mike McCready)$18.99Colored 12 Vinyl Single - Sealed PRE-ORDER Buy Now
The Bronx (V)V, the 5th album by LA punk band The Bronx, was produced by Rob Schnapf (Elliott Smith, Beck, FIDLAR), and follows the band's alter-ego's 2014 album Mariachi El Bronx III. Guitarist Joby Ford says of V: 'It has the angst and social commentary that has characterized us from the beginning, only now the angst is aimed at more than just superficial things and the social commentary is directed at more than just people who like different music than us.' If it sounds like they've grown up, fear not - Bronx V is every bit as ferocious and hard-hitting as previous albums and filled with enough aggression to demolish a small house.1. Night Drop At The Glue Factory
2. Stranger Danger
3. Side Effects
4. Fill The Tanks
5. Channel Islands
6. Two Birds
7. Sore Throat
8. Past Away
9. Cordless Kids
10. Broken Arrow
11. Kingsize$21.99Vinyl LP - Sealed Buy Now
Mariachi El Bronx IIIThe third release by this great punk/Latin/mariachi band. Born out of a desire to challenge themselves musically, Mariachi El Bronx is the alter ego of Los
Angeles punk band the Bronx. Conceived in 2006, the idea came about when the Bronx were asked to play an acoustic set and, rather than simply pare
down their sound, they took their music in a whole new direction, moving away from hardcore and exploring Latin sounds.1. New Beat
3. Sticks And Stones
4. High Tide
5. Nothing's Changed
7. Raise The Dead
8. Everything Twice
9. Right Between The Eyes
10. Valya$21.99Vinyl LP - Sealed Buy Now
UNIM-ATO-5313xMariachi El Bronx
Mariachi El Bronx IIIn 2008, hardcore punk band, The Bronx, diverted from their usual hard rock sound in favor of a mariachi style that is very much a part of Mexican culture surrounding their hometown of Los Angeles, CA. In June of the same year, the band posted a video on YouTube of themselves performing their original Cell Mates in mariachi style under the name Mariachi El Bronx. From that moment on, The Bronx has moved forward on a dual career path with Mariachi El Bronx issuing their critically acclaimed self-titled debut album and touring the world.
Cut to August 2011, and the band continues their trailblazing path with their brand new release, Mariachi El Bronx (II) produced by John Avila (Oingo Boingo, Reel Big Fish). There is no way anyone would expect a Mariachi album recorded by some LA punks to be this good, let alone great. Flying far above novelty, Mariachi El Bronx brings us one of 2011's most welcome surprises.1. 48 Roses
2. Great Provider
3. Revolution Girls
5. Norteño Lights
6. Mariachi El Bronx
7. Map Of The World
8. Bodies of Christ
9. Povertys King
11. Everything Dies
12. Spread Thin$19.99Vinyl LP - Sealed Buy Now
The Bronx (IV) (Awaiting Repress)Hardcore punk outfit The Bronx are returning in 2013 with their first studio album in five years. The LP follows their trend of self titled albums and will be referred to as The Bronx (IV). In the time between albums The Bronx rebelled against themselves and formed a mariachi band known as Mariachi El Bronx and released two albums under the alter-ego. The band promises something totally new with The Bronx (IV). Vocalist Matt Caughthran said, "This represents the highest evolution of the band, which is exactly how it should be be...We're the same guys, but we would never make the same record twice. And because of everything that's happened with El Bronx, we've grown as musicians."
-Mxdwn.com1. The Unholy Hand
2. Along For The Ride
3. Style Over Everything
4. Youth Wasted
5. Too Many Devils
6. Pilot Light
8. Under The Rabbit
10. Valley Heat
11. Life Less Ordinary
12. Last Revelation$19.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Begin To HopeRegina Spektor's last album, 2004's Soviet Kitsch, garnered praise from Time, Rolling Stone, Spin, Vanity Fair, The New York Times and many others. But this Russian-born, Bronx-bred singer-songwriter-pianist, who emerged from the NYC cafÉ circuit, continues to expand her vision. On Begin To Hope, produced by David Kahne (The Strokes, Sublime, Sugar Ray), she broadens here palette with electric guitar, drum machines and seductive electronic loops, finding new canvases for her provocative vocal style. Hope for pop has arrived with Regina Spektor.1. Fidelity
4. On the Radio
5. Field Below
6. Hotel Song
7. Apres Moi
8. 20 Years Of Snow
9. That Time
11. Summer In The CIty$19.99Vinyl LP - Sealed Buy Now
ADAD-EPI-9311xOff With Their Heads
In DesolationMinneapolis punk band Off With Their Heads are well on their way to carving out their own punk rock story with their modern take on anthemic four-to-the-floor rock and roll. In the gritty tradition of bands like the Bronx and Against Me, Off With Their Heads write songs that invite fist-pumping singalongs. For their Epitaph debut In Desolation, the band has produced a hook filled masterpiece, a record that puts the punk back in punk rock.1. Drive
2. Their Own Medicine
3. Trying To Breathe
5. The Eyes of Death
6. Old Man
7. All I Can Do
8. I Need You
9. Spare Time
10. I Just Want You To Know
11. My Episodes
12. Clear The Air$19.99Vinyl LP - Sealed Buy Now
Let It Reign (Awaiting Repress)Carl Barât & his new band The Jackals announce the release of their debut album Let It Reign. Let It Reign was recorded in LA and London and was produced by Joby J. Ford (The Bronx).1. Glory Days
2. Victory Gin
3. Summer In The Trenches
4. A Storm Is Coming
5. Beginning To See
6. March Of The Idle
7. We Want More
8. War Of The Roses
9. The Gears
10. Let It Rain$17.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Capital Punishment (20th Anniversary) (Pre-Order)Capital Punishment, Big Pun's breakthrough debut album, comes back to vinyl for its 20th anniversary as a limited edition double picture disc featuring the classic album art.
As the first solo Latin hip-hop album to go platinum and one of The Bronx's most gifted MCs, Pun's loquacious rhymes and breathless flow brought hip-hop fans to their feet in 1998 thanks to hits like I'm Not a Player and its remix Still Not a Player, both featured on this album along with guest appearances by Fat Joe, Terror Squad, Wyclef Jean, Busta Rhymes, Prodigy and more.LP 1
1. Intro - Big Punisher
2. Beware - Big Pun
3. Super Lyrical - Big Punisher feat. Black Thought of The Roots
4. Taster's Choice - Skit - Big Punisher
5. Still Not a Player - Big Pun feat. Joe
6. Intermission - Big Pun
7. The Dream Shatterer - Big Pun
8. Punish Me - Big Pun feat. Miss Jones
9. Pakinamac Pt. I - Skit - Big Punisher
10. You Ain't a Killer - Big Pun
11. Pakinamac Pt. II - Skit - Big Punisher
12. Caribbean Connection - Big Punisher feat. Wyclef
13. Glamour Life - Big Punisher feat. Fat Joe, Triple Seis, Armageddon, Cuban Link
1. Capital Punishment - Big Punisher feat. Prospect
2. Uncensored - Skit - Big Punisher feat. Funkmaster Flex
3. I'm Not a Player - Big Punisher
4. Twinz (Deep Cover 98) - Big Punisher feat. Fat Joe
5. The Rain & The Sun (Interlude) - Big Punisher feat. Dead Prez & Prospect
6. Boomerang - Big Pun
7. You Came Up - Big Pun feat. Noreaga
8. Tres Leches (Triboro Trilogy) - Big Punisher feat. Prodigy & Inspektah Deck
9. Charlie Rock Shout - Skit - Big Punisher
10. Fast Money - Big Pun
11. Parental Discretion - Big Punisher feat. Busta Rhymes$34.99Vinyl LP Picture Disc - 2 LPs Sealed PRE-ORDER Buy Now
ADAD-WES-3919xWires Under Tension
ReplicantWith a battery of custom built software instruments, samples, and 7 live lopers, Christopher Tignor and master percussionist Theo Metz saturate our senses with new colors reflecting the urgent vitality of their South Bronx neighborhood. At times the two seem to lock talons like eagles in a death spiral, as Metz's brutal percussive athleticism keeps pace with Tignor's machines in an aural game of chicken.1. Like Waves We Will Keep Coming On
2. Shoot Between Heartbeats
3. Coded Lanuage For
4. Landscape Architechture
6. Crystal Beaches
7. The Light Behind Your Light Is Changing$19.99Vinyl LP - Sealed Buy Now
ADAD-EPI-2312xEvery Time I Die
New Junk AestheticEvery Time I Die is a Southern hardcore rock band from Buffalo, New York, founded in the winter of 1998. Across a series of five albums, they have defined a scene, with their unique blend of metalcore, punk and southern rock. Now with their debut album on Epitaph, New Junk Aesthetic, Every Time I Die return to the sound that made earlier albums like Hot Damn fan favorites. We know that our older stuff, which was a lot faster and a lot heavier, definitely made our live shows a lot more fun, because everyone was moving and singing along, says frontman Keith Buckley. We're kinda going back to the way we started.
Produced by Steve Evetts (He Is Legend, A Static Lullaby, Dillinger Escape Plan, Saves the Day, Lifetime, Story of the Year). Features guest vocals by Matt Caughthran of the Bronx and Greg Puciat of Dillinger Escape Plan.1. Roman Holiday
2. The Marvelous Slut
3. Who Invited The Russian Soldier?
5. For The Record
6. White Smoke
7. Turtles All The Way Down
8. Organ Grinder
9. Host Disorder
10. After One Quarter Of A Revolution
11. The Sweet Life$19.99Vinyl LP - Sealed Buy Now
Guts N TeethMade up of nine musicians with punk rock in their hearts and traditional acoustic instruments in their hands, Old Man Markley have adeptly bound the two genres, giving way to something fresh and exciting. Every spirited track on their 12-song Joby J. Ford (The Bronx) recorded album Guts N' Teeth features captivating three part harmonies playing off of nimble instrumentation. From start to finish the album showcases Old Man Markley's irresistible twist on the Bluegrass genre, infusing a youthful party-first sensibility throughout.1. For Better For Worse
2. At the Bottom
3. Running Weight
4. Guts n Teeth
5. Do Me Like You Do
6. Killing Time
7. Song Songs
8. In a Circle Going Round
10. Lowdown Blues
11. Living and Learning
12. Struggling$14.99Vinyl LP - Sealed Buy Now
Black Elvis / Lost In SpaceImport
Kool Keith is an American rapper from The Bronx known for his surreal, abstract and often profane or incomprehensible lyrics. Kool Keith has recorded prolifically both as a solo artist and in group collaborations. After being part of the legendary hip hop formation Ultramagnetic MC's he debuted in 1996 as a profound solo artist. He is generally considered to be one of hip-hop's most eccentric and unusual personalities.
By the big audience Kool Keith is mostly known as the voice of the number Smack My Bitch Up by the Prodigy, a fragment used without his consent.
Black Elvis/Lost in Space is the fourth studio album by mc Kool Keith, but recorded under the alias of Black Elvis. This is the first album performed under this alias.
Kool Keith uses very complex rhymes on various subject matters from Black Elvis' viewpoint on half of the album and on the other half elaborates on space travel and being lost in space. This is the first album for which Keith handled all of the production, although drum programming was done by Kutmasta Kurt and Marc Live.LP 1
2. Lost In Space
3. Rockets On The Battlefield
4. Livin' Astro
5. Supergalatic Lover
6. Master Of The Game
7. I'm Seein' Robots
1. Intro 2
2. Black Elvis
3. Maxi Curls
4. Keith Turbo
5. Fine Girls
6. The Girls Don't Like The Job
8. All The Time
9. I Don't Play$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Spit And ArgueProsthetic Records is proud to announce the signing of Long Beach, CA-based miscreants, The Greenery. The band, whose brand of snotty, metallic hardcore punk rock has drawn comparisons to Every Time I Die, The Bronx, Discharge and the Stitches, are recording their full-length debut at BuzzBomb Stuio in Orange, CA with Paul Minor.
Since Forming in 2007, the band has toured the entire U.S. several times and has countless regional runs under their belt. In April of 2011, The Greenery participated in the Road to Metal Fest Tour, along with Lionheart, Legend, The Great Commission and Monsters. The tour routed them through the Jamboree Fest in Toledo, OH and ended at New England Metal and Hardcore Festival in Worcester, MA. The Greenery embody everything that is true to the DIY spirit, and that spirit oozes from every track on Spit and Argue.No Listing Available.$15.99Vinyl LP - Sealed Buy Now
Light ScienceFor nearly thirteen years Christopher Tignor lived in the 3-story commercial space in Greenpoint, Brooklyn where he conceived and practiced with his band Slow Six. In 2008, thanks to a tipped off fire marshal, a move was inevitable, and the walls had to come down. Drastic measures would be necessary in order to keep making music on his own terms, living completely immersed in his studio and practice space. Step one was relocating to the Mott Haven neighborhood of The Bronx. Far removed from an overwhelming hipster scene he had never connected with, he found himself surrounded by the working-class grit and intensity typically associated with The South Bronx. The new musical landscape Wires Under Tension creates uncannily echoes this transition.
Charged with the desolation of a Mad Max dystopia, the songs on Wires Under Tension's debut Light Science form a narrative in motion from lightness to darkness. The band's name reflects the duo's ongoing struggle to balance this tension as they wrestle with an unpredictable and unforgiving machine of their own making. Wordless voices of the horns and violin feel like lightning riding a stormy sea of drums and drones. That lightning illuminates the duo's muscular rhythms, formidable dynamic, and unique musicianship. As they beckon us into their storm, they seem to effortlessly sidestep the cliches found in much of today's instrumental music, delivering exciting and mysterious gems from their unique netherworld.
1. Electricity Turns Them On
2. Irreversible Machines
3. A List Of Things To Light On Fire
4. Wood, Metal, Bone
5. Position And Hold
6. Mnemonics In Motion
7. ????$18.99Vinyl LP - Sealed Buy Now
Yonkers NYIf a songwriter of some accomplishment who is also a singer predominantly known for his work in country music was looking for a subject for a deeply personal cycle of songs, it's pretty unlikely that Yonkers, New York, a small city bordering on New York City's borough of the Bronx, would be the subject.
Not, of course, unless the writer is Chip Taylor, who grew up there. With Yonkers, NY, Taylor, a veteran songwriter whose songs have been recorded by Johnny Cash, Peggy Lee, Dusty Springfield, Aretha Franklin, Frank Sinatra, the Hollies and, of course, the Troggs (who waxed his first big hit, Wild Thing), has gone back to his childhood and adolescence and come up with eleven songs filled with warmth and humor, enlivened with spoken reminiscences and packaged with a book of lyrics and vintage photos of the people and places that are their subjects. The songs on Yonkers, NY take us into Taylor's family life and into his discovery of music, horses and girls, opening these subjects up with a skill only a master songwriter can summon.
John Platania - electric guitar
Greg Leisz - steel guitar, dobro & mandolin
Tony Mercadante - electric bass
Seth Farber - piano and accordian
Kendel Carson - fiddle
Tony Leone - drums1. Barry Go On (Put Yourself On The Mountain)
2. Charcoal Sky
3. Gin Rummy Rules
4. Hey Jonny (Did You Feel That Movie)
5. Without Horses
6. No Dice
7. Bastard Brothers
8. Piece Of The Sky
9. Saw Mill River Road
10. Yonkers Girls
11. Yonkers N.Y.$17.99Vinyl LP - Sealed Buy Now
Love SwingsNumbered Limited Edition
1961 Album of Standards Established Darin As A Sophisticated Singer
Concept Effort Divided Into Halves That Explore the Emotional Gamut of Romance: One Side Upbeat, the Other Heartbreaking
Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI (Best Record Plant in America): Darins Voice, Torrie Zitos Orchestral Arrangements Set Up Shop In Your Listening Room
Bobby Darin didnt want to be simply known as the singer that scored the novelty hit Splish Splash. Determined to be recognized as a top-tier vocalist on par with the likes of Frank Sinatra and Tony Bennett, the Bronx native set out to put an authoritative stamp on pop standards. And did just that with Love Swings. Divided into two conceptual halves, the 1961 masterpiece is the singers defining statement, a splendidly effective and smartly performed record that addresses the wild emotional fluctuations associated with romance and finds Darin nailing every note.
Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI (the best record plant in North America), Silver Label numbered limited edition LP presents Darins buoyant album with all the brassiness, boldness, and lushness any fan of vocal pop music would ever want. His voice is transparent and immediate, the diversified instrumental arrangements are placed in sharp relief, the songs replete with airiness, warmth, and the sough-after breath of life. The sound is so good that this somewhat-forgotten LP should now finally gain the recognition its long deserved.
Yes, love swings, but like a pendulum: back and forth, state the records liner notes, explaining the concept behind a set that is split into two thematically connected halves. On the first side, Darin delves into the giddy feelings and incredible happiness associated with romances first bloom. Infatuation, devotion, and gaiety take hold, Darin conveying every ounce of joy and pleasure tied to gliding, uptempo staples such as Rodgers and Harts I Didnt Know What Time It Was and the lounge-bound sway of Long Ago (And Far Away). Darins voice, and his ebullient support band (conducted by Torrie Zito), epitomize glee, delight, and bliss.
On the flip side, Darin, ever the realist and proving himself capable of sophisticated material, probes loves disillusions and heartache with incredible panache. The pace slows, the mood darkens, and the lights dim. Zitos orchestrations embrace denser, more poignant tones, and Darin delivers sad, aching tunes like In Love In Vain and Something to Remember You By with stunning realism and haunting impact. Its as cohesive of a vocal performance as youll hear from the era, a journey that takes you from the highs to the lows, and everything in between.
Yes, the human voice is the most difficult element to accurately reproduce on record. Yet Mobile Fidelitys Silver Label LP does wonders with this Darin classic, opening up the highs, clearing out a previously foggy midrange, and, as importantly, restoring to print in analog a vocal tour de force. Unavailable on vinyl for eons, Love Swings demands to be heard on this sumptuously remastered LP, which runs circles around its digital brethren.
About Silver Series: New from Mobile Fidelity Sound Lab, the MoFi Silver Label Vinyl Series will feature an eclectic mix of recordings. This series is mastered and cut on the famous Mobile Fidelity Sound Lab state-of-the-art Tim de Paravacini-designed mastering system. Vinyl will be pressed at RTI on audiophile-grade standard vinyl and will be numbered limited-editions. Future releases will continue to stretch stylistic boundaries, as the MoFi Silver Label continues to explore music from many different genres. Expand your musical horizons with the Silver Label!
This title is not eligible for discount.1. Long Ago and Far Away
2. I Didn't Know What Time It Was
3. How About You
4. The More I See You
5. It Had To Be You
6. No Greater Love
7. In Love Vain
8. Just Friends
9. Something To Remember You By
11. Spring Is Here
12. I Guess I'll Have To Change My Plan$24.99Vinyl LP - Sealed Buy Now
REDD-MOM-2216xJon Spencer Blues Explosion
Freedom Tower - No Wave Dance Party 2015New York City is a big place. A loud place. Some of that noise is music. And some of the music is noise.
Sucking it all in and turning it loose with prejudice, the Jon Spencer Blues Explosion takes a ferocious bite out of the Big Apple with their new long-player, Freedom Tower - No Wave Dance Party 2015, the first record of the new era that demands to be stopped and frisked!
Like the best sides that percolated up from the Bronx, the Lower East Side, and Greenwich Village across the 1970s and '80s - Freedom Tower is more than a high-octane dance party record, it is a document of New York City, a chronicle of grit and terror and love!
It's all here: The Hustler and The Trust Fund Baby, the Mosh Pit Casualty, the Celebrity Chef, the Crooked Cop, the Struggling Artist, the Sucker MC, the forgotten Sex Workers and Last-Chance Cinderellas. Within these grooves are cold-water tenements, blue-chip galleries, dingy Avenue B studios, and the last real warrior poet whose dark magick brings garage rock ghosts back from the grave!
Freedom Tower is a radical portrait of New York City set to the savage funkacide of the Blues Explosion, locked and loaded with the most deadly, predatory guitar riffs that primitive magnetic tape can handle . From start to finish, Freedom Tower is overmodulated, cooked with dirt, and finished in acid rain! Freedom Tower is packed with the kind of beats and rhymes that will make even the most reserved Walter Mitty jump back and say "damn!"
For nearly a quarter-century the Blues Explosion have been sweating, freezing, eating, drinking, fucking, fighting, winning, and losing in New York City, perpetrating some of the most timeless moments of musical mayhem in the history of Manhattan and beyond. As ever, Jon Spencer tells the tales, Judah Bauer plays the blues, and Russell Simins smashes things to bits... And as always Blues Explosion stomp on the faux underground oasis peddled by bourgeois hipsters and marketing jocks to deliver the real deal - rock'n'roll that is unapologetically nasty and strong.
Rehearsed and polished in a string of secret gigs and unannounced opening slots in theaters, hotel bars, and dives (often under assumed names), and then recorded at the legendary Daptone House Of Soul in Bushwick and mixed with hip-hop cult legend Alap Momin at the cutting edge of Harlem, Freedom Tower is the most provocative statement of urban pathos and panache ever recorded.
Play this record at all-night rent parties, picnics, discotheques, and protests!
There are eight million stories in the Naked City - but there is only one Blues Explosion!
Freedom Tower - dig it now, while you still can!1. Funeral
2. Wax Dummy
3. Do The Get Down
4. Betty vs. the NYPD
5. White Jesus
6. Born Bad
7. Down and Out
8. Crossroad Hop
9. The Ballad Of Joe Buck
10. Dial Up Doll
11. Bellevue Baby
12. Tales of Old New York: The Rock Box
13. Cooking for Television$19.99Vinyl LP - Sealed Buy Now
UNIM-ATO-2518xHurray For The Riff Raff
Small Town Heroes (Awaiting Repress)In 2014, Hurray for the Riff Raff release 'Small Town Heroes,' its debut for ATO Records. The album finds frontwoman Alynda Lee Segarra -
who settled in New Orleans after leaving her native Bronx at age 17.
Produced by Segarra and engineered by Andrija Tokic (Alabama Shakes), 'Small Town Heroes' features twelve new, original songs all written or cowritten
by Segarra, with support from a vivid cast of Crescent City musicians.
NPR has said that Hurray for the Riff Raff sweeps across eras and genres with grace and grit," never more so than on 'Small Town Heroes.' On the
hedonist country lament "I Know It's Wrong (But That's Alright)" Segarra sings to a forbidden love "I'll feed you watermelon off the vine," while on "The
Body Electric she exposes the misogyny of the traditional murder ballad, and warns Delia's gone, but I'm settling the score.
Ultimately though, many of the songs embody that most magical and fated of American cities, New Orleans. Segarra bears witness to a wave of violence
that struck the St. Roch neighborhood in St. Roch Blues; yearns for a night at BJ's Bar in the Bywater in Crash on the Highway; and sings of her own
Lower Ninth Ward home in End of the Line.
'Small Town Heroes' follows Hurray for the Riff Raff's self-released 2012 album 'Look Out Mama,' which led to a performance at the Newport Folk
Festival, and praise from Mojo, which compared Segarra to "a soulful, young Loretta Lynn," and The New York Times which hailed the group as part of
the loosely cohered movement of younger musicians embracing and reframing American roots music, giving it a polish of currency but otherwise leaving
its bones intact.1. Blue Ridge Mountain
2. Crash on the Highway
3. Good Time Blues (An Outlaw's Lament)
4. End of the Line
5. The New SF Bay Blues
6. The Body Electric
7. No One Else
8. St. Roch Blues
9. Levon's Dream
10. I Know It's Wrong (But That's Alright)
11. Small Town Heroes
12. Forever Is Just a Day$19.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
The Journey Man"In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."
Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"
It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.
But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.
Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.
Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.
"I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."
What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.
Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.
By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."
Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).
Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.
A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.
The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.
Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.
"I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."
Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.
'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.
Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".
And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.
- Tim Barr, 2017LP 1
1. Horizons (feat. Terri Walker & Swindle)
5. The Mirrored River
1. I Adore You (w/ Ulterior Motive)
2. I Think of You
3. Truth (feat. Jose James)
1. Tu Viens Avec Moi?
2. The Ballad Celeste
3. This Is Not A Love Song
4. The River Mirrored (feat. Terri Walker)
6. Tomorrow's Not Today
7. Run Run Run$35.99Vinyl LP - 3 LPs Sealed Buy Now
Psychedelic LollipopThe Blues Magoos launched their recording career with a major smash, hitting the Top Five with the brash garage-punk anthem (We Ain't Got) Nothin' Yet. That tune is just one of the multiple pleasures of Psychedelic Lollipop, notable as one of the first albums (along with the 13th Floor Elevators' debut) to use the word psychedelic in its title. The band balances swaggering proto-punk attitude, a Beatlesque pop sensibility and adventurous acid-pop experimentalism on such tunes as Gotta Get Away, One by One and Love Seems Doomed. And the Magoos' high-energy workouts on James Brown's I'll Go Crazy and John Loudermilk's Tobacco Road rank with the greatest versions of those much-covered garage-band standards.
This 60s garage-psych nugget is now available from Sundazed on High Definition Vinyl, sourced from the original Mercury-label stereo masters, with the colorful original cover art meticulously reproduced.
In their '60s heyday, the Blues Magoos were one of the first garage-punk bands to achieve mainstream success, and one of the first to embrace psychedelia. Early in their existence, the Bronx-bred quintet's high-energy live sets made them a popular attraction on the Greenwich Village club scene. Once they began making records, they quickly emerged as one of one of the earliest and most inventive exponents of the psychedelic sound. The band's 1966 debut album Psychedelic Lollipop and its 1967 followup Electric Comic Book, are two of that period's most beloved and enduring albums.1. (We Aint Got) Nothin Yet
2. Love Seems Doomed
3. Tobacco Road
4. Queen of My Nights
5. Ill Go Crazy
6. Gotta Get Away
7. Sometimes I Think About
8. One by One
9. Worried Life Blues
10. Shes Coming Home$24.99Vinyl LP - Sealed Buy Now
Electric Comic BookThe Blues Magoos launched their recording career with the LP Psychedelic Lollipop. The equally impressive Electric Comic Book refines the band's mix of rock 'n' roll and day-glo psychedelia. That punchy yet playful approach animates such distinctive numbers as Pipe Dream, Rush Hour, There's a Chance We Can Make It and Albert Common Is Dead.
This '60s garage-psych nugget is now available from Sundazed on High Definition Vinyl, sourced from the original Mercury-label stereo masters, with the colorful original cover art meticulously reproduced.
In their '60s heyday, the Blues Magoos were one of the first garage-punk bands to achieve mainstream success, and one of the first to embrace psychedelia. Early in their existence, the Bronx-bred quintet's high-energy live sets made them a popular attraction on the Greenwich Village club scene. Once they began making records, they quickly emerged as one of one of the earliest and most inventive exponents of the psychedelic sound. The band's 1966 debut album Psychedelic Lollipop and its 1967 followup Electric Comic Book, are two of that period's most beloved and enduring albums.1. Pipe Dream
2. There's a Chance We Can Make It
3. Life Is Just a Cher O'Bowlies
6. Albert Common Is Dead
7. Summer Is the Man
8. Baby, I Want You
9. Let's Get Together
10. Take My Love
11. Rush Hour
12. That's All Folks$24.99Vinyl LP - Sealed Buy Now