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  • London Zoo London Zoo Quick View

    $24.99
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    London Zoo

    In Gibson's Neuromancer, when Case and Molly meet the two surviving founders of Zion, there is talk of hearing a mighty dub in the Babel of tongues signaling the final days. If indeed we're living in these end times, as many predict, then there can be no more of an appropriate soundtrack for the coming apocalypse than The Bug's London Zoo.


    The Bug is the main project for Kevin Martin, a producer who has headed a diverse range of projects. He is part of Techno Animal, Ice, and God (all with Justin Broadrick of Godflesh and Jesu), King Midas Sound, Razor X Productions (with The Rootsman), Pressure, and Ladybug; runs his Pathological Records label; and has collaborated with noise jazz outfit 16-17, Pete Sonic Boom Kemper's E.A.R. project, John Zorn, Kevin Shields, El-P, and the Antipop Consortium. He has recorded for Rephlex, Position Chrome/Mille Plateaux, Word Sound, Hyperdub, City Slang, Tigerbeat 6, Grand Royal, and now Ninja Tune. He has been personally asked to remix Thom Yorke, Grace Jones, Einsturzende Neubauten, and Primal Scream, and compiled jazz and dub compilations for Virgin Records. London Zoo is the fruition of all these activities.


    The album was born of three key moments: an introduction to the thriving dubstep scene (of which The Bug is very much a pioneer from before it carried a name) and its key producers (via Kode 9 and Loefah) where Martin realized there were others on the same sonic trajectory as himself; an introduction to Warrior Queen via his work with Wayne Lonesome on the Razor X Productions project; and a Mary Anne Hobbs Breezeblock session which introduced him to Flowdan (Roll Deep) and Ricky Ranking. All three of these figure heavily in the end result and live presentation.


    The obvious entry point to the album is the dubstep tag, particularly after the success of the three lead-up singles, but London Zoo clearly reaches past, brings together, and celebrates reference points from dancehall, grime, hip-hop, and noise-- it could have only come out of London sound-system culture, while its appeal spans cities and scenes.


    From the opening strains of Angry (featuring reggae legend Tippa Irie) it's clear that the world has been served notice from the heart of the UK capital. The message is further strengthened as Ranking (best known for his work with Roots Manuva), Flowdan, Warrior Queen, Spaceape, Roger Robinson, Killa P, and Aya step up to lay waste to the boombastic rhythms put before them, eventually culminating in Judgement where Ranking leaves us with a prophecy: So much people are losing their minds, because we're living in a serious time. I guess it come in like a judgment sign, the people have killing on their mind. Living in end times, indeed. Best start building the Marcus Garvey tug now.

    Angry ft Tippa Irie
    Murder We ft Ricky Ranking
    Skeng ft Killa P & Flowdan
    Too Much Pain ft Ricky Ranking & Aya
    Insane ft Warrior Queen
    Jah War ft Flowdan
    Fuckaz ft Spaceape
    You & Me ft Roger Robinson
    Freak Freak
    Warning ft Flowdan
    Poison Dart ft Warrior Queen
    Judgement Ricky Ranking
    The Bug
    $24.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Ganja (feat. Killa P & Flowdan) / Flying (feat. Ricky Ranking) Ganja (feat. Killa P & Flowdan) / Flying (feat. Ricky Ranking) Quick View

    $11.99
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    Ganja (feat. Killa P & Flowdan) / Flying (feat. Ricky Ranking)

    Not content with mugging the music world with the critically acclaimed London Zoo album, THE BUG returns with two tracks that have been smashing it on dubplate. Regularly played out by Kode9, Digital Mystikz, and Skream, demand for a general release has grown to the point where it was impossible to ignore. One can probably guess to what Ganja is an ode; The Bug's bass assault, combined with the rapid-fire lyrical mode of ROLL DEEP's FLOWDAN and KILLA P, gives off a skunky flavor of cannabis psychosis. Flying, featuring ROOTS MANUVA's right-hand man, RICKY RANKING, is more laid back--a rinsed-out, trippy, almost meditative piece. The acclaim for London Zoo has been a victory for KEVIN MARTIN's uncompromising musical stance. This 12-inch reaffirms that triumph.

    1. Ganja feat. Killa P, Flowdan (Produced By: The Bug)
    2. Flying feat. Ricky Ranking (Produced By: The Bug)
    The Bug
    $11.99
    12 Vinyl LP - Sealed Buy Now
  • Bug Bug Quick View

    $17.99
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    Bug

    By now, you know the story: J Mascis, Lou Barlow and Patrick Murph Murphy, meet in Amherst, MA. J, Lou and Murph start a band. Said band goes on to rip through the musical landscape and prove to be the genesis of the alternative rock archetype.


    Over the last 25+ years, Dinosaur Jr. have influenced a countless number of bands, both peers and protÉgÉs, by wailing their classic union of melodic bass, seething drums, virtuosic guitar shredding and listless vocal delivery through the iconic Marshall stacks.


    Jagjaguwar is honored to reissue the band's first three albums, Dinosaur (1985), Youre Living All Over Me (1987) and Bug (1988) on vinyl. Originally released on the venerable Homestead and SST labels in the 1980s, the reissues stay true to form and include the original cover art and cardinal track lists.

    1. Freak Scene
    2. No Bones
    3. They Always Come
    4. Yeah We Know
    5. Let It Ride
    6. Pond Song
    7. Budge
    8. The Post
    9. Don't
    Dinosaur Jr.
    $17.99
    Vinyl LP - Sealed Buy Now
  • Angels & Devils Angels & Devils Quick View

    $29.99
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    Angels & Devils

    It's after the end of the world, don't you know that yet...


    With recent reports from various think tanks predicting we have somewhere in the range of 15 years left before the collapse of society begins, it would seem like Kevin Martin's sonic predictions of dystopian London that were set out on 2008's London Zoo were pretty accurate. And if we are in fact declining rapidly to chaos, there's no better time then the present to take the focus of that sonic assault from earthly domains and blast it to the netherworlds above and below.


    The aforementioned London Zoo is where Kevin Martin, found his true voice. Pulling the fringes into a collective, unilaterally hateful assault. A psychological warfare driven by bass that on one hand captured a moment of London, yet also encapsulated a global message influenced by years of timeless and classic out-music.


    The latest offering from the The Bug, Angels & Devils, escapes the London cage, drawing on it for influence yet blowing it up into a world-view now seen from Kevin Martin's new Berlin home. A record that simultaneously draws on London Zoo, completes a triptych cycle which started with his Bug debut Pressure, and fills the spaces between and inserts what was missing previously. Both a year zero re-set and a continuation of what has been. Like the Bowie/Eno classic Low, or Can's Tago Mago, the album is split into two distinct themes and explorations of light & dark. Bringing the angel & devil voices together under a single common banner. Antagonist at times, but not solely for the sake of being antagonistic, there's a beauty and lush sparseness to be found within, even when at its most chaotic. Truly only The Bug could find the common ground between Liz Harris (of Grouper) & Death Grips and make it seamless. Angels & Devils stretches the polarity of its predecessor in both directions simultaneously and is even more extreme for its new found seductiveness and added intensity. Deep space is explored, and physical assault is administered. In these days of YouTube quick fixes, and single tune memory spans, its a joy to witness Martin actually charting a cohesive narrative that rejoices in celebrating life through sonic sex and violence, beauty and ugliness. This is an audio thriller that delights in pursuing its own singular path/vision.


    With the Angel side(s) up first, things kick off with Liz Harris (of Grouper) in the submerged lushness that is Void. Followed by contributions from ex Hype Wiliams half copeland (Fall), the blissed out patois of touring partner Miss Red (Mi Lost), two truly zoned Bug instrumentals, and rounded out by Gonjasufi on Save Me. It's a collection of heady, dubbed out cinematic blissfulness with a lurking darkness before giving way to devils...


    Devils leads off with the return of long time collaborator Flowdan on the mic and the guitar of Justin Broadrick (Godflesh / Jesu) bringing a complete about face to the proceedings and setting the tone with The One. Roll Deep's Manga steps up next with the instant Bug classic Function, which is being currently smashed on dubplate, by Mala, Kahn and Logan Sama. Death Grips raise the antagonistic bar with Fuck A Bitch. Flowdan & Justin Broadrick come back for the cinematic death crawl of Fat Mac. Warrior Queen steps in for hands down the nastiest vocal she's ever delivered (which is saying a lot) for Fuck You, and finally Flowdan steps up again to round it all off with a Devils battle cry of sorts dirty, fuck that murky....


    The concept is completed by the artistic expression it's packaged in, courtesy of Simon Fowler (Cataract). Known for his work for Sunn O))), Earth, and others, Simon has delivered a stunning hand drawn illustration, that sort that would make Bosch proud, showing the duality of the proceedings.


    Utopian/dystopian, black/white, complexity/singularity, negative/positive... Angels/Devils.

    1. Void (Featuring Liz Harris)
    2. Fall (Featuring copeland)
    3. Ascension
    4. Mi Lost (Featuring Miss Red)
    5. Pandi
    6. Save Me (Featuring Gonjasufi)
    7. The One (Featuring Flowdan)
    8. Function (Featuring Manga)
    9. Fuck a Bitch (Featuring Death Grips)
    10. Fat Mac (Featuring Flowdan)
    11. Fuck You (Featuring Warrior Queen)
    12. Dirty (Featuring Flowdan)
    The Bug
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Six Wives Six Wives Quick View

    $15.99
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    Six Wives


    "Lush and sadly beautiful." -USA today


    "This band to watch will have you dreamily dancing and swooning." -Nylon


    My Body cooks up a unique blend of R&B, pop and skittering electronics for
    a collaged sound that is all their own. Originally from Oregon, members Jordan
    Bagnall and Darren Bridenbeck made the leap to New York nearly three years
    ago and haven't looked back. They've since won Nylon Magazine's national
    Project Aloft Star contest and have shared stages with Haim, Elliphant and
    Typhoon. Full of attitude, defiance and vulnerability, My Body's songs wind
    their way through both darkness and jubilation.


    After months of releasing digital singles and building a thriving Brooklyn
    following, Six Wives is My Body's first fully realized EP. These multilayered,
    danceable songs double as heart-felt and introspective verse-verse that, like
    all great pop music, reveals a universal, emotional landscape. "I've been a
    baby since the day I was born" indeed.

    1. All I Can
    2. Make It Good
    3. BKNY Pt.1
    4. BKNY Pt. 2
    5. Clementine
    6. Boys
    7. Explode
    8. Explode Pt. 2
    My Body
    $15.99
    Vinyl LP - Sealed Buy Now
  • What Will Destroy You What Will Destroy You Quick View

    $19.99
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    What Will Destroy You


    First Pressing Of The Vinyl Limited To 1,000 Pieces On Creme Colored Wax


    Kyle Morton, the lead singer of Portland's indie-orchestra Typhoon, releases his debut solo album. The
    ten song album, What Will Destroy You, was recorded by Kyle and longtime Typhoon producer/collaborator
    Paul Laxer.


    Of the album, Kyle says, Most of these songs were written in about a day, many of them while walking
    aimlessly around Portland, others wrote themselves in the moments just before sleep. They were recorded and
    mixed with the invaluable help of Paul Laxer from the inviolate comfort of his living room, mostly in the evenings
    during the winter and early spring of 2015. At the outset there was no deliberate attempt at an overarching
    concept, though once finished and lined up together the theme of my subconscious was revealed to me: this
    was a record about love, more specifically (not devolving into platitudes just yet), the ambivalence of erotic
    love.


    With a couple exceptions these songs are about kinds of love, from old fashioned heartache to acute
    sadomasochism; some drawn from personal experience and others extrapolated from years of keen
    observation on the subject.

    1. Poor Bastard
    2. Innuendos
    3. Survivalist Fantasy
    4. The Aftermath
    5. Gestalt of Original Pain
    6. Automatic
    7. Water Torture
    8. Perverse Fascination
    9. What Will Save You
    10. My Little Darlin Knows My Nature
    Kyle Morton
    $19.99
    Colored Vinyl LP - Sealed Buy Now
  • Live From Austin, TX (Buck Owens) Live From Austin, TX (Buck Owens) Quick View

    $21.99
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    Live From Austin, TX (Buck Owens)

    Maybe it was an epiphany of sorts. As Buck tells it, One day I was watching Austin City Limits and Dwight Yoakam was on, then he dedicates the program to 'Buck Owens.' So I said, I'm going to see what this kid is like. It wasn't long after that he was on stage with Dwight singing his old hits. Buck was bitten by the bug to return to music, after calling it quits almost ten years earlier. This man from Sherman, Texas - probably best-known as the wide-grinning rube on Hee Haw for so many years - started a country music revolution. Or more accurately, a counter-revolution. It was called The Bakersfield Sound. He and fellow revolutionary Merle Haggard were cranking out raw, hard-driving honky-tonk music that stood the country-pop coming out of Nashville on its head. When Buck Owens and the Buckaroos would launch into I've got a tiger by the tail, it's plain to see....! the packed crowds would be on their feet and headed for the dance floor. Along the way Buck inspired none other than The Beatles to record their first country song, his classic Act Naturally, and the master of soul, Ray Charles, to immortalize one of the best-known country songs ever, Crying Time. Buck always loved his home state, and once flew to Austin on his private jet to make a surprise visit to a club that celebrated a Buck Owens Birthday night every year. He was also one of the few artists to ever write a handwritten note thanking us for inviting him on the show. Many thanks, he wrote, it is very representative of what I am all about. In my mind, Buck Owens will always be a rock star.

    - Terry Lickona (producer Austin City Limits)

    1. Act Naturally
    2. Together Again
    3. Love's Gonna Live Here
    4. Crying Time
    5. Tiger By The Tail
    6. A-11
    7. Hot Dog
    8. Put Another Quarter In The Jukebox
    9. Memphis
    10. Under Your Spell Again (With Dwight Yoakam)
    11. Johnny B. Goode
    Buck Owens
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • AudioQuest JitterBug USB Filter AudioQuest JitterBug USB Filter Quick View

    $59.95
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    AudioQuest JitterBug USB Filter


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    AudioQuest's new dual-function JitterBug is a USB
    line (VBUS) and signal (data) filter. JitterBug
    follows the footsteps of our award-winning,
    category-defining DragonFly USB DAC, and our
    best-in-class, USB, Ethernet, FireWire and
    Thunderbolt digital interconnects, promising the
    next step forward in high-performance computeraudio
    playback.


    While USB (along with Ethernet) has become one
    of the two most important and widely adopted
    interfaces in the age of computer audio, it does
    come with its own unique sets of liabilities-mainly
    sound-degrading noise currents. All computing
    devices, whether they be laptops, phones, NAS or
    even dedicated "music servers," inherently
    generate a significant amount of noise and
    parasitic resonances. In addition to this, many
    computers (the least offensive being laptops, as
    they are required to meet rigorous safety
    standards) can and often do contribute a
    considerable amount or RFI and EMI pollution
    onto the signal paths-all of which can easily find
    its way onto your USB cables and into your audio
    system. This noise and interference has many
    negative effects. Noise-compromised digital
    circuitry increases jitter (dispersion in time) and
    packet errors, resulting in distortion that causes a
    comparatively flat and irritating sound. Noisecompromised
    analog circuitry also damages the
    sound's depth, warmth, and resolution.


    Fortunately, AudioQuest has devised a solution for
    dealing with these liabilities. JitterBug's
    dual-circuitry measurably reduces unwanted noise
    currents and parasitic resonances. It also reduces
    jitter and packet errors (in some cases, packet
    errors are completely eliminated.) The result is
    clearer, more compelling sound, music, and
    dialogue - a better audio experience.


    Slightly smaller than our DragonFly USB DAC, and
    with a handsome, unassuming appearance,
    JitterBug has a USB (male) plug on one end and a
    USB (female) port on the opposite. For those who
    already own DragonFly, JitterBug will be a fun and
    affordable upgrade: Simply plug JitterBug into any
    one of a computer's available USB ports, then
    plug DragonFly into JitterBug's USB port.


    But JitterBug is far more than an obvious partner
    for DragonFly. In fact, its versatility may very
    well match that of the USB standard itself:
    JitterBug can be successfully used with external
    USB DACs ranging from the very modest to the
    absolute state of the art. Simply plug JitterBug
    into an available USB port, and use a USB cable
    to connect JitterBug to the DAC of choice.


    Many computers include more than one USB
    port. For additional
    improvement to a system's
    overall sound, a second
    JitterBug can be used in parallel
    (but not in series) with the first.
    The improvement is audible
    through the active audio port,
    whether or not the second
    JitterBug fills an empty USB
    port, or is used in series with
    some other peripheral, such as
    a printer. Note: We recommend
    no more than two JitterBug
    filters per USB bus. If you do
    not know how many USB buses
    exist on a given device, err on the side of
    caution: Presume that there is a single bus and
    use no more than two JitterBugs.


    JitterBug can also be used with mobile phones,
    portable media devices, USB peripherals, and
    network storage/streaming devices. Many
    receivers, DACs, and automobiles include USB
    input ports that are compatible with iOS and
    Android devices, enabling music lovers to use
    their mobile phones or USB memory sticks as
    audio sources. By first plugging a JitterBug into
    the associated USB input port, the playback
    performance of such media devices can be
    significantly improved. In cases where a noisy
    external computer peripheral (such as a printer,
    camera, or hard drive) must be connected to a
    computer-audio system, JitterBug can be used in
    series with the peripheral
    device. Similarly, streamers,
    Network Attached Storage
    devices, and routers may all
    include USB ports, and all can
    benefit from JitterBug's noise
    filtering-again, regardless of
    whether the associated port has
    a device connected to it.


    Simply put, JitterBug's
    dual-circuitry measurably
    reduces the noise and ringing
    that plague both the data and
    power lines of USB ports. As
    with many things in audio, the effect of
    JitterBug on the overall sound of a system may
    vary slightly, depending on the associated gear
    and application. Experimentation is
    enthusiastically encouraged. The results will
    likely prove more than worth the effort.


    At JitterBug's modest price of $49, the question
    isn't whether your customers can afford it, but
    whether they can afford not to use one or two.


    AudioQuest
    $59.95
    USB Filter Buy Now
  • Dinosaur Jr. Dinosaur Jr. Quick View

    $17.99
    Buy Now
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    Dinosaur Jr.

    By now, you know the story: J Mascis, Lou Barlow and Patrick Murph Murphy, meet in Amherst, MA. J, Lou and Murph start a band. Said band goes on to rip through the musical landscape and prove to be the genesis of the alternative rock archetype.


    Over the last 25+ years, Dinosaur Jr. have influenced a countless number of bands, both peers and protÉgÉs, by wailing their classic union of melodic bass, seething drums, virtuosic guitar shredding and listless vocal delivery through the iconic Marshall stacks.


    Jagjaguwar is honored to reissue the band's first three albums, Dinosaur (1985), Youre Living All Over Me (1987) and Bug (1988) on vinyl. Originally released on the venerable Homestead and SST labels in the 1980s, the reissues stay true to form and include the original cover art and cardinal track lists.

    1. Forget The Swan
    2. Cats In A Bowl
    3. The Leper
    4. Does It Float
    5. Pointless
    6. Repulsion
    7. Gargoyle
    8. Severed Lips
    9. Mountain Man
    10. Quest
    Dinosaur Jr.
    $17.99
    Vinyl LP - Sealed Buy Now
  • You're Living All Over Me You're Living All Over Me Quick View

    $17.99
    Buy Now
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    You're Living All Over Me

    By now, you know the story: J Mascis, Lou Barlow and Patrick Murph Murphy, meet in Amherst, MA. J, Lou and Murph start a band. Said band goes on to rip through the musical landscape and prove to be the genesis of the alternative rock archetype.


    Over the last 25+ years, Dinosaur Jr. have influenced a countless number of bands, both peers and protÉgÉs, by wailing their classic union of melodic bass, seething drums, virtuosic guitar shredding and listless vocal delivery through the iconic Marshall stacks.


    Jagjaguwar is honored to reissue the band's first three albums, Dinosaur (1985), Youre Living All Over Me (1987) and Bug (1988) on vinyl. Originally released on the venerable Homestead and SST labels in the 1980s, the reissues stay true to form and include the original cover art and cardinal track lists.

    1. Little Furry Things
    2. Kracked
    3. Sludge Feast
    4. The Lung
    5. Raisans
    6. Tarpit
    7. In A Jar
    8. Lose
    9. Poledo
    Dinosaur Jr.
    $17.99
    Vinyl LP Reissue - Sealed Buy Now
  • For Madmen Only (Discontinued) For Madmen Only (Discontinued) Quick View

    $23.99
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    For Madmen Only (Discontinued)

    White Colored Vinyl


    Waxwing features Rocky Votolato (vocals/guitar) and brother Cody Votolato on guitar (Blood Brothers). Seattle-based Waxwing's debut full length, For Madmen Only, is a beautifully involved album of contrasting emotions set against the musical contradictions of both lush acoustic movements and propulsive dramatic rock. Musically, For Madmen Only's nine tracks transverse myriad rock landscapes (be it traditional rock, indie, folk or Americana), but with a sullen, repentant quality that stains these tracks with a morose, languid atmosphere perfectly echoed in singer/guitarist Rocky Votolato's brooding vocals and lyrics. One of For Madmen Only's greatest strengths is Votolato's golden crooning, which serves as both focal point and background for Waxwing's music, slipping into the foreground and back again with ease, as it's required. Waxwing's lilting dynamics takes the music from tender acoustic folk to somnambulant indie rock to restrained melodies that build to emotional climaxes and rock spasms, but always with a faltering push-pull theme laced throughout For Madmen Only. Sharing its members with The Blood Brothers, Bugs In Amber, as well as Votolato's solo endeavors has done nothing to diminish Waxwing's dramatic focus, and For Madmen Only is an exquisite, effecting debut. Recorded by Matt Bayles (MINUS THE BEAR, The Sword, Botch, ISIS, Cursive, Make Do and Mend, Murder City Devils, Mastodon, Blood Brothers). WHITE vinyl limited to 500 copies. First time this vinyl has been available since 1999, hence all the collectors getting top dollar for these.

    1. Deadly Wisdom
    2. Corner Store
    3. If Death Comes
    4. One Days Evening
    5. Starfish
    6. Spanish Quartet
    7. Cemetaries
    8. Circus Animal
    9. Keep This Up
    Waxwing
    $23.99
    Colored Vinyl LP - Sealed Buy Now
  • Between The Ditches Between The Ditches Quick View

    $13.99
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    Between The Ditches

    Roaring out of the southern Indiana foothills comes Reverend Peyton's Big Damn Band playing a brand of Americana and Blues that stands alone. Delta blues and hillbilly fervor combine with musical acuity sharp as razor wire, this trio is a force to be reckoned with. Their new album Between The Ditches is a chronicle of this lifestyle. Their fifth album celebrates the growl of a good truck engine, the fiercest passion for their country home and the importance of family.



    The uncanny ability to breathe new life into old forms of music gives the Big Damn Band a pedigree many Americana acts would kill for and an ironclad work ethic keeps them on the road playing for the people with hurricane force. Locked in with an audience, the band create their own community and welcome the crowd into it, transporting them away from their troubles to joyous release, the way great musicians have done for centuries. The Rev. J. Peyton, his wife Breezy and distant cousin Aaron "Cuz" Persinger are a living breathing embodiment of the traditions and hard work ethic native to their Brown County, Indiana home.



    With a reputation for their incendiary live shows well established, The Big Damn Band set out to make the album that would finally capture the same heat. Recorded at White Arc Studio in Bloomington, Indiana, the album was produced by The Rev. Peyton and Paul Mahern (John Mellencamp, Iggy Pop) and mastered by Brian Lucey (Black Keys, Dr. John, Shins). For previous albums, the band had recorded live, straight through in the same mode as a live show. Between The Ditches came together more slowly, with care. "We approached it saying we were going to make a record this time, not just a recording," explained the Rev. He used a different guitar set up on almost every track, employing two '30s National guitars, a cigar box guitar, a custom shop Gibson flattop 1929 L2 and an Airline map electric guitar. The primary amps are custom Weber amps made by Weber speakers, both are one of a kind.



    Between The Ditches features a new level of craftsmanship in both recording technique and songwriting. The guitar playing alone should put the Rev. in the same class with his much revered idols. The songwriting boasts an added maturity and runs the gamut in subject matter from the barn burning, tongue in cheek, "Shut the Screen," (where "It's too dang hot and the bugs are too dang mean") to the evils of strip mining, an issue close to the hearts of this Indiana band in, "Don't Grind It Down." There seems to be a theme expressed throughout the album and stated clearly in their first single "Devils Look Like Angels": "Devil don't live down in hell, the devil's right here doing very well."

    1. Devils Look Like Angels
    2. Something For Nothing
    3. We'll Get Through
    4. Big Blue Chevy '72
    5. Shut The Screen
    6. Shake 'em Off Like Fleas
    7. Easy Come Easy Go
    8. I Don't Know
    9. Don't Grind It Down
    10. The Money Goes
    11. Move Along Mister
    12. Between The Ditches
    13. Brokedown Everywhere
    14. Brown County Bound
    Reverend Peyton's Big Damn Band
    $13.99
    Vinyl LP - Sealed Buy Now
  • Freak Show Freak Show Quick View

    $34.99
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    Freak Show

    Green Vinyl - Limited to 1500


    Remastered For Vinyl From 24bit Analogue And Lacquers Created By Kevin Gray


    Freak Show is the second studio album from Australian rock band Silverchair. Freak Show was released on 3 February 1997. The album also gives listeners a glimpse into the band's experimental side, as can be heard in Petrol & Chlorine and Cemetery. Early vinyl pressings also included a precursor to Anthem for the Year 2000 entitled The Millennium Bug.


    Silverchair began recording their second studio album, Freak Show, in May 1996 while experiencing the success of their debut album, Frogstomp, in Australia and the US. It was produced by Nick Launay (Birthday Party, Models, Midnight Oil) and was released in February 1997. The album reached number-one in Australia and yielded three Top 10 singles - Freak, Abuse Me, and Cemetery. Its fourth single, The Door, reached No. 25. The songs focused on the anger and backlash that the expectations of Frogstomp brought upon the band. Freak Show was certified gold in the US, 4× platinum in Australia and global sales eventually exceeded 1.5 million copies.

    LP1
    1. Slave
    2. Freak
    3. Abuse Me
    4. Lie To Me
    5. No Association
    6. Cemetery
    7. The Door


    LP2
    1. Pop Song For Us Rejects
    2. Learn To Hate
    3. Petrol & Chlorine
    4. Roses
    5. Nobody Came
    6. The Closing

    Silverchair
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
  • Farm Farm Quick View

    $19.99
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    x

    Farm

    The worry about the reunion of the original Dinosaur Jr. line-up, more than 20 years after their formation and legendary dissolution, was that these guys were just flogging the back catalog as a marketing gimmick. With the release of Beyond, in 2007, the band gave a hearty Marshall driven answer to those inquiring ears. Restoring the sound established by the opening hat-trick gambit of Dinosaur, You're Living All Over Me, and Bug, the Beyond record continued the band's march into rock greatness by making old ears smile and new ears bleed afresh. And now comes Fresh, Dinosaur Jr.'s first double LP and their fifth full length record by the original line-up of J Mascis, Lou Barlow, and Murph set to release on their new label home Jagjaguwar.


    If Beyond was Dinosaur Jr.'s return to form, Farm is proof that this band continues to deliver that which makes rock worth cranking to 11. At times a wholly 70's guitar-epic, at times perfect for sitting by a babbling brook with Joni and Neil, Farm encompasses Dinosaur Jr.'s signature palette; soaring and distorted guitar, unshakable hooks, honey-rich melodies, songs that get into your head and stay there. The ear-catching Plans is nearly 7 minutes of classic whipped-topping rock dessert, while I Don't Wanna Go There is a meat-and-potatoes main dish, mixing unapologetic lead guitar with straight-ahead delivery a la James Gang or Humble Pie. These two tunes round out twelve tracks propelled by the unique energy of one of America's greatest living rock bands hitting their stride.


    Farm was recorded and produced by J Mascis in his Bisquiteen studio in Amherst, Massachusetts. This 2 x vinyl LP version comes in a beautiful litho-wrapped gatefold jacket.

    1. Pieces
    2. I Want You To Know
    3. Ocean In The Way
    4. Plans
    5. Your Weather
    6. Over It
    7. Friends
    8. Said The People
    9. There's No Here
    10. See You
    11. I Don't Wanna Go There
    12. Imagination Blind
    Dinosaur Jr.
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Beach Boys Party! (Mono) Beach Boys Party! (Mono) Quick View

    $34.99
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    Beach Boys Party! (Mono)

    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory! But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themseleves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.
    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Capitol Records, which had already released ten Beach Boys albums in three years, was bugging the group for product that it could release in time for the 1965 Christmas season. To buy time while Brian Wilson began conceiving the Pet Sounds masterpiece, the group issued a set of covers, mostly of the '50s rock and R&B they had listened to as schoolboys. Packaged as if it had been recorded at an actual party, it was in fact recorded in the studio, with friends and romantic partners adding sounds and vocals to create an informal atmosphere. With the exception of a bass guitar, all the instruments were acoustic; the acoustic guitar-and-bongo arrangements, in fact, give this a hootenanny campfire feel. In recent years, this album has gone up a few notches in critical esteem, praised for its loose, casual feel and insight into the group's influences. ... It does have the massive hit 'Barbara Ann,' which actually features Dean Torrence (of Jan & Dean) on much of the lead vocals; other highlights include 'Mountain of Love,' an unexpected version of 'The Times They Are a-Changin',' and three Beatles covers. - AllMusic.com


    This title is not eligible for discount.

    1. Hully Gully
    2. I Should Have Known Better
    3. Tell Me Why
    4. Papa-Oom-Mow-Mow
    5. Mountain Of Love
    6. You've Got To Hide Your Love Away
    7. Devoted To You
    8. Alley Oop
    9. There's No Other (Like My Baby)
    10. Medley: I Get Around/ Little Deuce Coup
    11. The Times They Are A-Changin'
    12. Barbara Ann
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Beach Boys Party! Beach Boys Party! Quick View

    $34.99
    Buy Now
    x

    Beach Boys Party!

    Stereo Edition Of Beach Boys Party!, Released On Vinyl For The First Time!


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    These stereo mixes were created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes!


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Capitol Records, which had already released ten Beach Boys albums in three years, was bugging the group for product that it could release in time for the 1965 Christmas season. To buy time while Brian Wilson began conceiving the Pet Sounds masterpiece, the group issued a set of covers, mostly of the '50s rock and R&B they had listened to as schoolboys. Packaged as if it had been recorded at an actual party, it was in fact recorded in the studio, with friends and romantic partners adding sounds and vocals to create an informal atmosphere. With the exception of a bass guitar, all the instruments were acoustic; the acoustic guitar-and-bongo arrangements, in fact, give this a hootenanny campfire feel. In recent years, this album has gone up a few notches in critical esteem, praised for its loose, casual feel and insight into the group's influences. ... It does have the massive hit 'Barbara Ann,' which actually features Dean Torrence (of Jan & Dean) on much of the lead vocals; other highlights include 'Mountain of Love,' an unexpected version of 'The Times They Are a-Changin',' and three Beatles covers. - AllMusic.com


    This title is not eligible for discount.

    1. Hully Gully
    2. I Should Have Known Better
    3. Tell Me Why
    4. Papa-Oom-Mow-Mow
    5. Mountain Of Love
    6. You've Got To Hide Your Love Away
    7. Devoted To You
    8. Alley Oop
    9. There's No Other (Like My Baby)
    10. Medley: I Get Around/ Little Deuce Coup
    11. The Times They Are A-Changin'
    12. Barbara Ann
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Bringin' It Bringin' It Quick View

    $34.99
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    Bringin' It

    Iconic bassist Christian McBride has been doing what the title of his upcoming big band album implores for years: Bringin' It. This highly anticipated release, which follows the Christian McBride Big Band's 2011 Grammy® Award-winning debut, The Good Feeling, puts his status and skills as an all-around entertainer on full display. With a list of growing accolades including his recent appointment as Artistic Director at the Newport Jazz Festival, hosting shows on SiriusXM ("The Lowdown: Conversations with Christian") and NPR ("Jazz Night in America," as well as frequent online contributions to various programs including "All Things Considered"), speaking engagements, and occasional DJ performances under the alias DJ Brother Mister, he's more than just a bandleader: Christian McBride is transcending that title to something more complete.


    If it is true that jazz is a sponge for musicians to absorb and then squeeze out what they hear to produce their own sound, McBride has been "bringin' it" for quite a long time. From his amazing quintet, Inside Straight, to his avant-garde leaning quartet, New Jawn, the contemporary sound of his fusion group, A Christian McBride Situation, to the critically acclaimed music he's made with his trio, the bassist has always disseminated his own unique 360-degree view of jazz.


    While the music played by the Christian McBride Big Band is on the cutting edge of 21st century large ensemble music, the orchestra's presentation, like its sound, respects the past while looking forward. Danny Ray, the legendary stage announcer for James Brown, travels with the group to give the leader an old-school intro before playing his thoroughly modern music. "I love having the show aspect of it as well, with Danny Ray there, and being able to create somewhat of a show while also having Melissa there as our vocalist."


    That would be Melissa Walker, who graces Bringin' It on two tracks: "Upside Down," originally done by Brazilian superstar Djavan, and the unlikely slick arrangement of "Mr. Bojangles." In addition to maintaining a career in jazz, Walker is also the co-founder of Jazz House Kids, the award winning jazz education center and she's Mrs. Christian McBride.


    Only two tracks on this 11-song set were not arranged by the leader: the "Upside Down" arrangement was contributed by Norman Simmons, while "Optimism" is from the person he's known the longest in his band, trombonist Steve Davis. Davis has the distinction of being the very last Jazz Messenger that Art Blakey hired before he died in 1990.


    "I saw that last Jazz Messengers band that Steve was in," McBride remembers. "Blakey was a huge influence on me and because of that, Steve and I share the same compositional and arranging DNA. You see, even though I've been influenced by every great big band and every great arranger I've ever heard, three of my greatest influences - not just as composers but also as improvisers - are Freddie Hubbard, Wayne Shorter and Cedar Walton. I mean before, after and during the period when they were with Art Blakey & the Jazz Messengers."


    McBride played bass for Freddie Hubbard's quintet for nearly three years starting when he was 18. One of the songs he loved to play with the legendary trumpeter was "Thermo." A few years ago he brought this arrangement to a gig with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. When the four trumpeters had to work hard to go over the riffs in the tune, McBride felt a certain pride. "I just thought that Freddie was somewhere up in heaven laughing," says McBride.


    Perennial poll-topping arranger Maria Schneider has also been an influence on McBride. He cites times when he'd just bug her for hours, peppering her with questions, particularly on a recent trip to Europe. He honors her with his rendition of "I Thought About You." "She has an arrangement of 'Giant Steps' where she arranged the melody over a D pedal so I said let me try something like that," McBride recounts. "That's where that came from. She really gave me a lot of information and has been a great influence on me."


    Another aspect that has helped the bassist find his voice as an arranger is the fact that, except for drummer Quincy Phillips, this is the exact same band that recorded with him six years ago. "These guys know my sound. They know my style. They know what my compositional and arranging DNA is. I've been able to keep the exact same unit, so like Duke Ellington used to do, I can write for my guys because I know their sound and style.


    "As for my originals, they all have been recorded with my small groups," he continues on about the tracks "Gettin' To It," "Youthful Bliss," and "Used'ta Could." "As an arranger I'm still in the early stages of my development so it seems to me the best way to really make my hopeful ascension into a better arranger is to obviously take a song I've already written and try to add to that and make it a worthy large ensemble song."


    While the Wes Montgomery smoker "Full House" isn't a McBride original, it is part of his development as an arranger - it's a big band chart he first created for guitarist Russell Malone at Jazz Aspen in 2009. He says he's tweaked it since then for his go-to guitarist Rodney Jones. For the McCoy Tyner classic "Sahara," the bassist channeled his 20+ years of playing with the legendary Chick Corea, for which McBride won two of his five Grammys. Another one of his Grammys came from a co-op project with Tyner. "I always thought of Chick, in his early years, as being a branch from the tree of McCoy Tyner, if you will," he commented.


    McBride's work ethic is evident in the challenge he set for himself on the steamy old ballad "In The Wee Small Hours of the Morning." "I decided to torture myself by writing that arrangement in the key of B. To me that's a very pretty key, but it is a very hard key for a double bass because I get to play no open strings," McBride explains. "When I play it live, every bass player in the house comes to me and says, 'is that in B? Why do you do that?' Maybe it's because I'm crazy, but I really wanted to do something difficult and keep myself on my toes."


    Planning to keep this group simmering while he simultaneously resurrects his Inside Straight band and introduces his new trio, Tip City, McBride is most excited to embrace the golden age of big bands while they continue bringin' it with more gigs and their first European tour. "With my big band I try to combine all of my journeys and goals as a musician and then try to put it in a wrapper of show business," the five-time Grammy® Award-winner comments. "I really think in that sense I'm following something of a big band tradition."

    1. Gettin' To It
    2. Thermo
    3. Youthful Bliss
    4. I Thought About You
    5. Sahara
    6. Upside Down
    7. Full House
    8. Mr. Bojangles
    9. Used 'ta Could
    10. In The Wee Small Hours Of The Morning
    11. Optimism
    Christian McBride Big Band
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • We Have The Facts And We're Voting Yes We Have The Facts And We're Voting Yes Quick View

    $19.99
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    We Have The Facts And We're Voting Yes


    Newly Reissued 180 Gram Version


    Like the also-great Idaho or Wheat, to file Death Cab for Cutie under the mellow-pop umbrella that shelters tranquil chamber outfits such as Red House Painters, Low, or (post-dance-pop) Talk Talk would do them a gross, miscalculated service. While they're no strangers to the tickling knelling of guitars searching out the extra space found in laggard tempos, that predilection only encompasses a fourth of Death Cab for Cutie's output (like on Title Track and Little Fury Bugs). Heck, they're not even remotely quiet for half of We Have the Facts and We're Voting Yes -- the best and brightest LP of their three fine albums to date. Ben Gibbard has turned into a sublime composer, using melodies sparingly but with splendid tunefulness, as all four players marinate his writing with delicately plucked, picked, and pulled arpeggios, ringing chords, and non-obvious atmosphere building. Verily, the slow, broody stuff is but a change of pace; it's when the volume doubles (if only occasionally crashes), when the band shows potency, that We Have the Facts starts flying, soaring with exigency beyond even the threatening storm clouds from the last flight plan, 1998's Something About Airplanes. Lowell, MA and Company Calls are perfect examples: drummer Nathan Good actually gets to punish his snare and toms, the other three dig in with him, and the words indie pop suddenly sounds fresh and alive, with real aggressive, post-dream pop guitar popscapes. Loud and soft, or most of all both, and plenty of points in between, DCFC write and record finished songs that emote, that do more than merely fill a slot in a form in a preconceived genre. In short, they're superb. And getting greater.

    - Jack Rabid (All Music)

    1. Title Track
    2. The Employment Pages
    3. For What Reason
    4. Lowell, MA
    5. 405

    6. Little Fury Bugs
    7. Company Calls
    8. Company Calls Epilogue
    9. No Joy in Mudville
    10. Scientist Studies
    Death Cab For Cutie
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • U-Men U-Men Quick View

    $44.99
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    U-Men

    This 3xLP Box Set Collects The Entire Studio-Recorded Output Of The U-Men


    Remastered


    Plus 5 Unreleased Songs


    With 16 Pages Of Photos, Liner Notes & Interviews With The Band


    Executive Produced By Jack Endino


    The U-Men are one of the best bands I've ever seen. They were
    hypnotic, frenetic, powerful and compelling. It was impossible to
    resist getting sucked into their weird, darkly absurd world. They
    effortlessly blended The Sonics, Link Wray, Pere Ubu, and
    Captain Beefheart. Their shows were loose-limbed, drunken
    dance parties and no two shows were alike. The U-Men were
    avant-garage explorers and, most importantly, they fucking
    rocked. I was lucky enough to live in their hometown and I saw
    them every chance I could.


    From 1983 to 1987, the U-Men were the undisputed kings of
    the Seattle Underground. No one else came close. They ruled a
    bleak backwater landscape populated by maybe 200 people.
    They were the only band that could unify the disparate
    sub-subcultures and get all 200 of those people to fill a room.
    Anglophilic, dress-dark Goths; neo-psych MDA acolytes; skate
    punks who shit in bathtubs at parties; Mod vigilantes who
    tormented the homeless with pellet guns; college kids who
    thought college kids were lame; Industrial Artistes; some random
    guy with a moustache; and eccentrics who insisted that they
    couldn't be pigeonholed: all coalesced around the U-Men.


    Sub Pop co-founder, Bruce Pavitt released the first record by the
    U-Men, a 4-song 12" EP on Bombshelter Records. By the time
    they had recorded songs for another record, Bruce was too broke
    to release it on his proto-Sub Pop label, so he hooked them up
    with Gerard Cosloy at Homestead Records. This was a big deal.
    Homestead had a heavy rep at the time with recent releases by
    Foetus, Nick Cave, Sonic Youth, and Big Black. I was sure that
    the release of their second 12", Stop Spinning, would propel the
    U-Men into the ranks of those Homestead acts and the
    worldwide underground would get hip to Seattle's finest.
    Following the departure of bassist Jim Tillman (replaced by Tom
    Hazelmyer of Amphetamine Reptile Records, and then Tony
    Ransome), the band recorded two fantastic singles, and recorded
    their one full-length album, Step on a Bug, for Black Label,
    which was run out of Fallout Records. They became increasingly
    disenchanted with the direction the Seattle underground was
    heading and called it quits in 1989.


    The U-Men had nothing to do with Grunge. They were their own
    unique thing. I loved them and I still miss them. I remember
    thinking at the time that most of their recordings were a little
    soft and didn't capture the power of the band live. Now, thirty
    years later, their records sound great to me and we are lucky that
    they exist. I'm stoked that Sub Pop complied these long
    out-of-print records and scrounged up some unreleased songs so
    that everyone has a chance to take a trip back to old weird
    Seattle.


    - Mark Arm, Seattle, August 2017

    LP 1
    1. Blight
    2. The Fumes
    3. Flowers DGIH
    4. Shoot 'em Down
    5. Gila
    6. Trouble Under Water
    7. Mystery Pain
    8. Last Lunch


    LP 2
    1. Clubs
    2. Cow Rock
    3. Green Trumpet
    4. A Year and a Day
    5. Ten After One
    6. They!
    7. U-Men Stomp
    8. Solid Action
    9. Dig It a Hole


    LP 3
    1. Whistlin' Pete
    2. 2 x 4
    3. A Three Year Old Could Do That
    4. Juice Party
    5. Flea Circus
    6. Too Good to Be Food
    7. Willie Dong Hurts Dogs
    8. Papa Doesn't Love His Children Anymore
    9. Pay the Bubba
    10. Freezebomb
    11. That's Wild About Jack
    12. Bad Little Woman
    13. Selfish

    U-Men
    $44.99
    Vinyl LP Box Set - 3 LPs Sealed Buy Now
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