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The Colour In Anything

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  • The Colour In Anything The Colour In Anything Quick View

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    The Colour In Anything

    The record features "Modern Soul" and "Timeless"- both featured on his BBC Radio 1 Residency show. Frank
    Ocean and Rick Rubin also contributed to the album as co-writer and co-producer. Blake recently appeared on
    "Forward" and co-wrote "Pray You Catch Me" on BeyoncÉ's Lemonade.

    Following the release of 2013's Overgrown, BLAKE garnered a "Best New Artist" nomination at the 2014 GRAMMY® Awards, and a "British Male Solo Artist" nomination at the 2014 BRIT Awards.

    LP 1
    1. Radio Silence
    2. Points
    3. Love Me In Whatever Way
    4. Timeless
    5. f.o.r.e.v.e.r.
    6. Put That Away And Talk To Me
    7. I Hope My Life
    8. Waves Know Shores
    9. My Willing Heart

    LP 2
    1. Choose Me
    2. I Need A Forest Fire
    3. Noise Above Our Heads
    4. The Colour In Anything
    5. Two Men Down
    6. Modern Soul
    7. Always
    8. Meet You In The Maze

    James Blake
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • lullaby and... The Ceaseless Roar lullaby and... The Ceaseless Roar Quick View

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    lullaby and... The Ceaseless Roar

    Robert Plant's new album, lullaby and The Ceaseless Roar, will be released on Nonesuch/Warner Bros. Records. Produced by Plant, the album is his label debut and features 11 new recordings, nine of which are original songs written by Plant with his band, The Sensational Space Shifters-Justin Adams: bendirs, djembe, guitars, tehardant, background vocals; John Baggott: keyboards, loops, moog bass, piano, tabal, background vocals; Juldeh Camara: kologo, ritti, Fulani vocals; Billy Fuller: bass, drum programming, omnichord, upright bass; Dave Smith: drum set; and Liam "Skin" Tyson: banjo, guitar, background vocals.

    lullaby and The Ceaseless Roar is Plant's first record since 2010's Band of Joy, which followed 2007's six-time Grammy Award-winning collaboration with Alison Krauss, Raising Sand. Justin Adams and John Baggott of The Sensational Space Shifters appeared on Plant's 2002 release Dreamland, while all but Camara and Smith appeared on 2005's Mighty Rearranger. The new-album line-up recently toured the world before recording lullaby and The Ceaseless Roar at Helium Studios in Wiltshire and Real World Studios in Bath, UK. The track "Rainbow" was recorded in Contino Rooms in London. Tchad Blake mixed all but three tracks on the album.

    "It's really a celebratory record, powerful, gritty, African, Trance meets Zep," Plant says. "The whole impetus of my life as a singer has to be driven by a good brotherhood. I am very lucky to work with The Sensational Space Shifters. They come from exciting areas of contemporary music I have been around awhile and I ask myself, do I have anything to say? Is there a song still inside me? In my heart? I see life and what's happening to me. Along the trail there are expectations, disappointments, happiness, questions and strong relationships," Plant explains, "... and now I'm able to express my feelings through melody, power and trance; together in a kaleidoscope of sound, colour, and friendship."

    1. Little Maggie

    2. Rainbow

    3. Pocketful of Golden

    4. Embrace Another Fall

    5. Turn It Up

    6. A Stolen Kiss

    7. Somebody There

    8. Poor Howard

    9. House of Love

    10. Up on the Hollow Hill (Understanding Arthur)

    11. Arbaden (Maggie's Babby)
    Robert Plant
    180 Gram Audiophile Virgin Vinyl LP + CD - 2 LPs Sealed Buy Now
  • Die Healing (Awaiting Repress) Die Healing (Awaiting Repress) Quick View

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    Die Healing (Awaiting Repress)

    "Die Healing" featuring original SAINT VITUS vocalist Scott Reagers! This is essential doom!!!!


    Die Healing is a pivotal point in Vitus' discog; not only their very last before they temporarily ended their relentlessly classic doom metal album releases with a thirteen year hiatus, but their third recording with Scott Reagers, who helped make the eponymous debut, Hallow's Victim and EP The Walking Dead such milestones of doom. And what a way to go out. Many will tell you this is actually Saint Vitus' finest moment, and although I favour the debut and Wino's career zenith Born Too Late above it, there is no doubt it deserves as solid a place in the pantheon of doom as Nightfall or Master Of Reality or In The Rectory Of The Bizarre Reverend.

    The band's sound and instrumentation is class without question. The guitar tone saw a slight departure from the fuzz prevalent on Wino-albums (including the 2012 opus Lillie: F-65), with something more of an electric edge familiar to C.O.D. Fret not, the tone is still plenty burly, and of course massively appropriate for the toking of vaporous substances.

    The guitar solos are likewise a little clearer - though of course solos like on 'One Mind' and 'Return Of The Zombie' have that inimitable Chandler scaling chaos in spades, squeaking like a dozen metal detectors malfunctioning. In general though the album's sound gives the feeling of the band moving forward with the sound established on the underappreciated, Chritus Linderson-assisted C.O.D., while welcoming their original singer back into the fold as easily as if he'd never left. It comes together brilliantly.

    What cements the album's place atop the pile of '90s Vitus releases is that it's a lot more solid than V and C.O.D. in terms of songs, chock full of highlights with nary a skippable track. 'Dark World' heralds absolutely no messing about, a timeless slow burn Saint Vitus classic to get you going. Reagers unlocks his trademark moon-touched howls, boosted here with a gruffness and depth that must have come with age. He can still hit the unnerving highs that made the debut such a unique piece. Not to mention his more aghast and tragic-heroic style is accompanied by a lyrical shift toward tales of horror and myth, adding further colours of yore to the band's solidified musical approach (although 'In The Asylum' is as brilliantly witty a tale of human disintegration as anything Wino has written for Vitus).

    Some of the great knells peeling off Chandler's guitar in the main riff of 'Let The End Begin' are highlights for Vitus' entire career. It climaxes with a great rocking section, splashed with sumptuous guitar and bass solos, in a move actually quite uncharacteristic for the band, who tended to steer between leadweight trawling songs and more rambunctious cuts. The eerie build on 'Sloth' is another of the band's best moments. The entire song, with its off-kilter structure and wailing chorus, is an example of just how muscular the band's creative fibers were at the time. 'Return of the Zombie', a quasi-sequel to the classic, shifty song off the debut of course, makes its mark with a crazed vocal performance and some spooky effects. And of course there's more, I've just listed a few real standouts but the album is too generous in its blessings for them to be exhaustively listed.

    It's just a really solid album that builds on all the best things the band had done to date while keeping the songwriting fresh. What a swansong this was. This album is the reason Lillie: F-65 had such vast expectations from me. A must have.

    - joncheetham88 (Metal Archives)

    1. Dark World
    2. One Mind
    3. Let The End Begin
    4. Trail Of Pestilence
    5. Sloth
    6. Return Of The Zombie
    7. In The Asylum
    8. Just Another Notch
    Saint Vitus
    Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
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