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The Feeling Of Jazz'
The Feeling Of Jazz1962 Set from Duke Ellington and His Orchestra Contains New Material and Fresh Interpretations of Classics
Spectacular Audiophile Restoration Series Resurrects UK Label Black Lion: Mastered at Bernie Grundman Studios by Chris Bellman and Pressed at Pallas
EQ Notes and Curation Performed by Iconic Engineer Steve Hoffman; LPs EQ'd and Set Up by Bernie Grundman
Conceived, Designed, and Manufactured for Collectors and Enthusiasts: Vinyl Jacket Features Exclusive Art
Age never slowed Duke Ellington. Recorded at four different sessions in 1962 at Bell Studio in 1962, The Feeling of Jazz is one of the rarest titles America's greatest composer ever released, and contains both never-before-heard originals as well as reinterpretations of Ellington classics. Performed by the Duke Ellington Orchestra, which included players such as Paul Gonsalves, Johnny Hodges, Harold Baker, and Jimmy Hamilton, the material contains a wealth of spot-on solos and stop-on-a-dime changes.
Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, The Feeling of Jazz represents a critical juncture in Ellington's career and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music. Helmed by ORG, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.
Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180g LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. This is what being a collector is all about. The title isn't widely known, but this reissue preserves historically significant music that will be enjoyed by generations to come.
Jazz fans, audiophiles, and music fanatics, don't sleep on this extraordinary treasure.1. Taffy Twist
4. What Am I Here For
5. Take the 'A' Train
6. I'm Gonna Go Fishin'
8. Black and Tan Fantasy
9. The Feeling of Jazz
10. Jump for Joy
11. I Let a Song Go Out of My Heart/Don't Get Around Much Anymore$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Feeling Of JazzMastered From Original Analog Tapes By Grammy Award Winner Bernie Grundman
Pressed On Audiophile-Grade 180 Gram Vinyl At Pallas Group In Germany
Contains Never-Before-Heard Ellington Originals
Features Exclusive Artwork and Packaging
Recorded at four different sessions in 1962 at Bell Studio, The Feeling of Jazz is one of the rarest titles America's greatest composer ever released, containing both never-before-heard originals as well as reinterpretations of Ellington classics. Performed by the Duke Ellington Orchestra, which included players such as Paul Gonsalves, Johnny Hodges, Harold Baker, and Jimmy Hamilton, the material contains a wealth of spot-on solos and stop-on-a-dime changes.
The Feeling of Jazz represents a critical juncture in Ellington's career and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music. The album was mastered from the original analog tapes at Bernie Grundman Studios, and pressed on 180 gram vinyl at Pallas Group in Germany.1. Taffy Twist
4. What Am I Here For
5. Take The 'A' Train
6. I'm Gonna Go Fishin'
8. Black And Tan Fantasy
9. The Feeling Of Jazz
10. Jump For Joy
11. I Let A Song... / Don't Get Around...$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Good Feeling
Available on Audiophile 180 gram Vinyl for the First Time!
2012 Grammy Winner - Best Large Jazz Ensemble!
The good feeling you are about to feel is the kind that can only be derived by the collective efforts of players at the peak of their powers assembled and led by the one and only Christian McBride! The bassist with the mostest hosts an aggregation of players here including his own bandmate Steve Wilson, multi-reedman Ron Blake, trumpeter Nicholas Payton and his close personal friend, vocalist Melissa Walker. McB arranges and conducts the project, which has been a life-long dream of his. They don't call it brass for nothing! 180 gram double vinyl pressing from Mack Avenue Records.
- Christian McBride (bass, arranger, conductor)
- Steve Wilson (alto sax, flute)
- Todd Bashore (alto sax, flute)
- Ron Blake (tenor, soprano sax, flute)
- Todd Williams (tenor sax, flute)
- Loren Schoenberg (tenor sax)
- Carl Maraghi (baritone sax, bass clarinet)
- Frank Green (trumpet)
- Freddie Hendrix (trumpet)
- Nicholas Payton (trumpet)
- Nabate Isles (trumpet)
- Steve Davis (trombone)
- Michael Dease (trombone)
- James Burton (trombone)
- Douglas Purviance (bass trombone)
- Xavier Davis (piano)
- Ulysses Owens, Jr. (drums)
- Melissa Walker (vocals)LP1
1. Shake 'n Bake
3. Brother Mister
4. When I Fall In Love
5. Science Fiction
1. The Shade of the Cedar Tree
2. The More I See You
3. I Should Care
4. A Taste of Honey
5. Bluesin' In Alphabet City
6. In A Hurry$27.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Who's Feeling Young Now?Punch Brothers release their new album, Whos Feeling Young Now?, on vinyl March 20. Completed over three weeks at Blackbird Studios in Nashville, the record was produced by Grammy Award winner Jacquire King (Kings of Leon, Tom Waits, Modest Mouse). Whos Feeling Young Now? is the follow-up to 2010s Grammy-nominated Antifogmatic, about which the New York Times said: Punch Brothers have the unplugged lineup of an old-fashioned string band But their music is as radical as new acoustic music can be.
Ten songs from Whos Feeling Young Now? were written by Punch Brothers, with the bands friend Josh Ritter co-writing lyrics on two tunes (Hundred Dollars and New York City). Additionally, the album contains the bands interpretations of Radioheads Kid A and the Swedish group VÄsens Flippen. The vinyl album was pressed on two discs of 140-gram, audiophile-quality vinyl and includes four additional Punch Brotherspenned tunes. Pre-orders include an instant download of the album track Movement and Location and an exclusive set of five custom Punch Brothers paper coasters illustrated by New Yorker cartoonist Matthew Diffee, signed by the band.
Punch Brothers was formed in 2006 by mandolinist/singer Chris Thile with four other virtuosic musicians: fiddler Gabe Witcher, banjo player Noam Pikelny, bassist Paul Kowert, and guitarist Chris Critter Eldridge. Their first Nonesuch record, Punch, was released in 2008 and combined elements of the bands many musical interests, including indie rock, folk, jazz, bluegrass, and classical music. In 2009 they all moved to New York City and began a regular, standing-room-only, residency at the Living Room, trying out new songs as well as inspired covers; these shows ultimately spawned Antifogmatic.
Whos Feeling Young Now? is less evasive than Antifogmatic and Punch, said Thile. And I feel like part of that is us becoming more comfortable with who we are as a band, and me becoming more comfortable with who I am as a singer.LP1
1. Movement and Location
2. This Girl
3. No Concern of Yours
4. Who's Feeling Young Now?
6. Flippen (The Flip)
7. Patchwork Girlfriend
8. Hundred Dollars
1. Soon or Never
2. New York City
3. Kid A
4. Don't Get Married Without Me
5. Roses Blooming in the Dark
7. Knock Me Down
8. Shh, Just Let Me Do This$24.99Vinyl LP - 2 LPs Sealed Buy Now
20 Jazz Funk GreatsPressed On Limited Edition Green Colored Vinyl
Mute are delighted to announce a limited edition green LP reissue
of 20 Jazz Funk Greats, the landmark 1979 album from industrial
music pioneers Throbbing Gristle.
The impetus for the record apparently came about from Genesis
P-Orridge's mum's request that the band record something
"nice". The tame cover photo shows the nattily dressed band -
white disco jacket, comfy slacks, mini-skirt - stood amid flowers
on a clifftop. The chosen scene of natural beauty was Beachy
Head, a notorious suicide spot.
20 Jazz Funk Greats' cheerful breaching of lounge jazz and
disco contains some of the band's prettiest moments on songs
like the breathy "Hot on the Heels of Love". Similarly "Tanith"
and "Exotica" are gentle interludes in which TG's usual jagged
punctuations are kept to a minimum. You could be fooled into
thinking this was indeed easy-listening industrial.
Pitchfork wrote that "20 Jazz Funk Greats finds the band waking
up from D.O.A's dark night of the soul and feeling curiously
frisky. Snacking on not only the titular funk and jazz, the band
also takes touristic zig zags through exotica, rock and disco",
ultimately describing it as a "kitsch detour toward mutant disco".
Uncut Magazine wrote that "musically, it turned away from the
precipice; not exactly jazz and funk, but sublimating TG's noise
elements within electronic rhythms and proto-exotica." Dusted
Magazine described the album as "a deliberate attempt to toy
with the ideas behind marketing strategy and the purpose of
Pitchfork ranked 20 Jazz Funk Greats at number 91 in its list of
the 100 greatest albums of the 1970s. UK magazine Fact named
it the best album of the 1970s, writing that "This album is a
rupture. It's an open crack into the unpronounceable dimensions
into which tumble important streams of 20th century pop, art
and underground culture, to seethe around each other, mingling,
festering, sprouting new and unpredictable forms which in turn
would ooze out to infest vast sections of what comes after."1. 20 Jazz Funk Greats
2. Beachy Head
3. Still Walking
5. Convincing People
7. Hot On The Heels Of Love
10. What A Day
11. Six Six Sixties$23.99Colored Vinyl LP - Sealed Buy Now
Come On Feel the IllinoiseA 22-track anthematic tone poem to the Prairie State, emphatically answering the question, Can a songwriter express the spirit of a state he's never called home? Sufjan weaves various musical styles (jazz, funk, pop) and instrumental textures into a tapestry of persons famous, infamous, and anonymous, and places iconic, obscure, and ghostly. Myths, memories, and incidental anecdotes are swept up with symphonic flourishes. Implementing 25 instruments, played mostly by Sufjan himself, a two-handed horn section, string quartet and small choir, Illinois conjures up images of Danny Elfman conducting a Gilbert and Sullivan company, a minimalist ensemble, and the Marion Catholic Marching Band on a windswept prairie football field.1. Concerning the UFO Sighting
2. Black Hawk War, The
3. Come On! Feel the Illinoise!
4. John Wayne Gacy, Jr.
6. Short Reprise For Mary Todd, A
8. One Last 'Woo-Hoo' For the Pullman
10. Casimir Pulaski Day
11. To the Workers of the Rockford River Valley Region
12. Man of Metropolis, The
13. Prarie Fire That Wanders About
14. Conjunction of Drones, A
15. Predatory Wasp, The
16. They Are Night Zombies!! They Are Neighbors!!
17. Let's Hear That String Part Again...
18. In This Temple
19. Seer's Tower, The
20. Tallest Man, The Broadest Shoulders, The
21. Riffs and Variations on a Single Note
22. Out of Egypt$19.99Vinyl LP - 2 LPs Sealed Buy Now
UNIM-SAV-6714xBig Bad Voodoo Daddy
It Feels Like Christmas TimeBig Bad Voodoo Daddy, purveyors of American big band, jumpin' jazz and blues have a special holiday gift for naughty and nice fans alike. The multiplatinum
selling, Grammy nominated band is back with a holiday album entitled It Feels Like Christmas Time, an all new recording for Savoy Jazz,
featuring twelve songs, a mix of traditional favorites and original material.
It Feels like Christmas Time, the band's tenth studio album, follows the release of Rattle Them Bones - the record that put Big Bad back at the top of
charts last year reaching #1 on the Jazz Album Chart on both iTunes and Amazon and was the highest debut on the Billboard Jazz Chart entering at #2.
It Feels Like Christmas Time, produced by BBVD founding member and lead singer Scotty Morris with band-mate, pianist and arranger Joshua Levy and
mixed by Morris, was recorded In Los Angeles at East West and Capitol studios. The album includes the Morris original "It Feels Like Christmas Time,"
and features guest harmonies by vocal group She, Her and I as well as a duet with newcomer Anna Kasper on the classic What Are You Doing New
Year's Eve? The album also features the crowd favorite "Christmas Is Starting Now" from Disney's Phineus and Ferb.1. Santa Claus Is Coming To Town
2. Rudolph The Red-Nosed Reindeer
3. All I Want For Christmas (Is My Two Front Teeth)
4. Jingle Bells
5. It Feels Like Christmas Time
6. Frosty The Snowman
7. Run Rudolph Run
8. You're A Mean One Mr. Grinch
9. Christmas Is Starting Now
10. We Three Kings
11. Walking In A Winter Wonderland$24.99Vinyl LP - Sealed Buy Now
The OutsidersThe Outsiders truly finds Needtobreathe coming into their own, seamlessly blending ambient, arena-ready soundscapes with a decidedly Southern sensibility. From the soaring majesty of Something Beautiful and cathartic, philosophically minded ballad These Needtobreathe's third studio album, The Outsiders is slated for an August 25, 2009 release. Recorded from the end of 2008 through April 2009 with Jim Scott, John Alegia and Rick Beato, fans will be reintroduced to the versatility they knew from their previous album, The Heat. Fans of Kings of Leon will love the melodic, catchy sound and older fans will appreciate the bluegrass and jazz feel of several tracks. The album's first single, Lay 'Em Down was released to Christian radio in the beginning of June 2009.1. The Outsiders
2. Valley Of Tomorrow
3. Through Smoke
4. Lay 'Em Down
5. What You've Done To Me
7. These Hard Times
8. Stones Under Rushing Water
10. Won't Turn Back
11. Girl Named Tennessee
12. Something Beautiful
14. Let Us Love$17.99Vinyl LP - Sealed Buy Now
SONM-LEG-4712xPreservation Hall Jazz Band
That's It!Preservation Hall Jazz Band and its music continue to evolve
as they embrace tradition and history while inspiring a new
generation. Preservation Hall Jazz Band and My Morning Jacket
rst met a few years ago and also performed together on tour
and in New Orleans. As their support for each other has grown,
Jim James (My Morning Jacket) decided to take on the role
as co-producer with Ben Jaffe on what is the rst release of
original music from Preservation Hall Jazz Band. With songs
co-written with Dan Wilson, Chris Stapleton and the legendary
Paul Williams, these new recordings have a fresh approach but
still capture the classic feel of what has kept Preservation Hall
Jazz Band relevant over the past 50 years.1. That's It!
2. Dear Lord (Give Me The Strength)
3. Come With Me
4. Sugar Plum
5. Rattlin' Bones
6. I Think I Love You
7. August Nights
8. Halfway Right, Halfway Wrong
9. Yellow Moon
10. The Darker It Gets
11. Emmalena's Lullaby$24.99Vinyl LP - Sealed Buy Now
Blues In OrbitDuke Ellington is seen by many as one of the frontrunners of Jazz and as one of the greatest composers of the 20th century. He was a part of the Harlem Renaissance and many feel that because of him, Jazz gained recognition as a art form.
Many of his instrumental songs have become Jazz standards, and his distinctive style remains a shining beacon in music. Thanks to a stellar performance at the Newport Jazz Festival in 1957 there was a renewed interest in his music and his orchestra, and they performed all over the world.
Blues In Orbit was mostly recorded during one after-midnight session after they had returned from a run of shows in Europe. It presents a Big Band in full swing; there is true synergy at work here that could only come from a group of musicians that expect - and get - the best from each other. Free flowing improvisations and straightforward arrangements show a band that is kicking back, relaxing, and doing it nice 'n' easy.1. Three J's Blues
3. Pie Eye's Blues
4. Sweet and Pungent
5. C Jam Blues
6. In a Mellow Tone
7. Blues in Blueprint
8. The Swingers Get the Blues Too
9. The Swinger's Jump
10. Blues in Orbit
11. Villes Ville is the Place, Man$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sun ShipSun Ship is a jazz album recorded on August 26, 1965, by tenor saxophonist John Coltrane. The album extended the free jazz ideas of Transition. The relaxed, serene feel of earlier ballads like "Welcome" was transformed into a new style of ballad on "Dearly Beloved" and "Attaining". This style involved very slow tempos, drum rolls and fills, and a louder, more intense feel than traditional jazz ballads. Like "Psalm" (from A Love Supreme), there is no real tune, just a scale or series of tones used to build an improvised theme.
Coltrane's solos on the other tracks are also more extreme than on his earlier albums, and are reminiscent of the style of Albert Ayler and Pharaoh Sanders in their extensive use of altissimo and multiphonics. The title "Sun Ship" may have been inspired by Sun Ra's conception of free jazz as having an affinity with science fiction conceptions of human existence.
Sun Ship was one of the only albums John Coltrane's quartet recorded without sound engineer Rudy Van Gelder. It was also one of the last albums (with First Meditations, recorded a week later) which John Coltrane recorded before he began experimenting with larger groups. Tenor saxophonist Pharaoh Sanders was playing regularly with the band by September, 1965, and both McCoy Tyner and Elvin Jones left the band in January, 1966.
John Coltrane - tenor saxophone, soprano
McCoy Tyner - piano
Jimmy Garrison - bass
Elvin Jones - drums1. Sun Ship
2. Dearly Beloved
5. Ascent$24.99180 Gram Audiophile Virgin Vinyl LP -Sealed Buy Now
Go To HeavenLimited Edition Grateful Dead Authorized Release of their Legendary Go To Heaven on 180 Gram Vinyl
Mastered for Vinyl from the Original Arista Records Tapes by Joe Reagoso at Friday Music Studios with Kevin Gray
The iconic Grateful Dead recorded their brilliant rock classic Go To Heaven for Arista Records in 1980. Featuring the stellar line-up of Jerry Garcia, Bob Weir, Phil Lesh, Billy Kreutzman, Mickey Hart and Brent Mydland, Go To Heaven was a very successful achievement for the much loved band, whose legacy continues to grow and attract new legions of fans every day.
Filled with nine compositions from Jerry Garcia, Bob Weir, Mickey Hart, Billy Kreutzman and Brent Mydland along with friends Robert Hunter and John Barlow, the Grateful Dead's Go To Heaven offers a stunning view of a very popular band's experimentation and wizardry in the studio setting. Produced by Gary Lyons, this masterpiece reached the upper rungs of the album charts that year, as the band trekked across the globe with their monumental concert tour which have made them the legends they are to this day. The original vinyl album has been out of print for over the past three decades, making this a highly collectable recording in their massive catalog. That is, until now.
Brilliant tunes like the opening hit single Alabama Getaway and the rockin' Don't Ease Me In feature the warm and familiar voice and guitar of the late great Jerry Garcia. These two tunes were solid rock radio hits and gave the listener just a taste of the brilliant sounds they would be rockin' to from this classic album. The great Bob Weir delivers three of his most revered Dead classics with the funk rocker Feel Like A Stranger, the jazz rock vibe of Lost Sailor and his stellar Saint Of Circumstance. The multi-talented Brent Mydland contributes several more Dead classics like his Far From Me and the fan favorite Easy To Love You, making this one of the more intriguing albums in their arsenal of fine recordings.
The Grateful Dead's Go To Heaven 180 Gram Audiophile album will be packaged in a poly bag to preserve the rich details of the legendary cover art as well as a poly lined inner sleeve to protect your vinyl purchase for years of enjoyment.1. Alabama Getaway
2. Far From Me
4. Feel Like A Stranger
5. Lost Sailor
6. Saint Of Circumstance
7. Antwerp's Placebo
8. Easy To Love You
9. Don't Ease Me In$34.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Cross My Palm With SilverA year after his impressionistic, critically-lauded ECM debut Into The Silence, trumpeter Avishai Cohen's Cross My Palm With Silver introduces a program of new pieces which put the focus on the ensemble, on teamwork, with a quartet of the highest caliber. The adroit, almost telepathic interplay among the musicians allows Avishai Cohen to soar, making it clear why he is one of the most talked-about jazz musicians on the contemporary scene.
All of these people together are my dream team, says the charismatic trumpeter of fellow players Yonathan Avishai, Barak Mori and Nasheet Waits, who share his sense for daring improvisation and his feeling for structure. I feel we're in a perfect place with the balance. It's open and there's so much room for the improvisation to take the music any place we can. At the same time, the composition is very specific and the vibe is very direct and thought about.
As with Into The Silence, Cross My Palm With Silver was produced by Manfred Eicher at Studios La Buissonne in the South of France.
Avishai Cohen (trumpet)
Yonathan Avishai (piano)
Barak Mori (bass)
Nasheet Waits (drums)1. Will I Die, Miss? Will I Die?
2. Theme for Jimmy Greene
3. 340 Down
4. Shoot Me In The Leg
5. 50 Years And Counting$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Coming Of AgeCall it a generous fluency, an affable virtuosity. Call it a true band spirit. The best bands have all had something that can't be forced: A refined mastery of music and a willingness to converse through music. That's what you hear, above all, on bassist Ben Williams' sophomore recording, Coming of Age: The sound of a musician who's cultivated an authentic rapport with some of the best young players in New York City.
We have these group texts that we send to each other all the time," Williams says of his band, Sound Effect. "We're just as entertaining to each other off stage as on. If there were ever a reality show about jazz, we'd be good candidates for it!"
Coming of Age for the 30-year-old Williams means playing a lively role among his peers and a vital part in the music world at large. After winning the prestigious Monk Institute Competition in 2009, Williams got busy turning his youthful promise into real achievement. "My career as a bandleader and composer started from the moment I won," he says. "I had this opportunity to say something-and an obligation, too." In 2011 Williams delivered a debut album, State Of Art, to great critical acclaim and toured widely as a bandleader with Sound Effect. He became a sought after and beloved sideman, playing so many sets at one year's Winter Jazzfest that he rarely left the stage. Most impressively, he assumed a highly-coveted place in guitarist Pat Metheny's Unity Band. "Ben has a fearless and open-minded approach to what music can be," Metheny has said. "A wonderful combination of skills."
For all his strides in bandleading and performing, on the track Coming of Age Williams shows his greatest growth as a composer. "Composing seems like a nebulous thing," he says. "But the ability to translate a feeling into actual music, takes a lot of doing it, a lot of practice. Which chord is going to invoke this feeling? What's the best key for this idea?" And Williams has some big ideas and feelings to convey, necessitating heavy skill in musical translation and storytelling. On "Toy Soldiers," for example, a martial rhythm and chantlike riff send a message about the sacrifices of war. He wrote the uplifting "Strength And Beauty" on the day of the 2012 Newtown school shooting.
"The tragic news hit me hard, and this tune came to me as a way of feeling my way through the tragedy. The title was inspired later, when I saw how [jazz saxophonist] Jimmy Greene and his family responded to losing their daughter at Newtown. Their pain is something most of us can't even imagine, but the way Jimmy held it together and became a beacon of light and true strength was an inspiration to everyone."
Williams takes a page from the Miles Davis school of bandleading by encouraging his band members to compose in the studio, too. For the R&B tribute anthem "Voice of Freedom (for Mandela)," Williams enlisted the smooth soulfulness of singer-songwriter Goapele-and then headed in to record the song with a characteristically open mind. In the studio, saxophonist Marcus Strickland contributed an on-the-spot horn arrangement with the sunny harmony of a South African choir.
As much as Williams writes in response to politics and current events, his compositions are a respectful celebration of the musical past, too. The driving samba rhythms of "Forecast" are an homage to the jazz fusion group Weather Report, with the tune's melody inspired by Wayne Shorter's "Over Shadow Hill Way." Williams's fluid fretless grooves on "Half Steppin'" recall Jaco Pastorius's "Teen Town."
Williams sees covers of pop tunes as a bestowal to the jazz canon. "I always like to contribute new repertoire to the jazz songbook," says Williams. "For me it's very important to shout out all the young, new songs coming out." His gift on this album is a moving instrumental version of Lianne La Havas' breakup ballad "Lost & Found." Guest trumpeter Christian Scott communicates the contained heartache of La Havas's song lyrics, with a lightly arranged string quartet adding the right amount of solace.
Coming of Age concludes with the sweeping title tune, a showcase for Williams's broad stylistic range. "I wanted 'Coming of Age' to feel big," he says. "I was thinking of it in movements, as a kind of mini-symphony." In the final section of "Coming of Age," Williams picks up a bow for the only time on the record, filtering the sound to other worldly but soulful effect. "The vibe I was going for at the end was Prince," Williams says. "I wanted it to feel sonically transformed, tripped out." It's an auspicious end to an accomplished sophomore recording, with Williams' bowed strings sauntering off into the stars to explore for the next album.
Whatever comes next for Ben Williams, it's sure to be as engaging as it is virtuosic. As an artist who's come of age, Williams' raw talent has evolved into musical grace, conviction, and power. He's a musician in meaningful dialogue with his band Sound Effect, with current events, with musical styles past and present, and finally, with his listeners.
"My favorite thing is when someone comes up to me who's heard my music and they're singing one of my tunes," Williams enthuses. "Humming a melody! That's the best feeling in the world, when one of my tunes has stuck in someone's head."1. Black Villain Music
2. Voice of Freedom (for Mandela) featuring Goapele
3. Toy Soldiers
4. Lost & Found
5. Half Steppin'
6. Smells Like Teen Spirit
7. Toy Soldiers (Reprise)
8. Coming of Age$21.99Vinyl LP - Sealed Buy Now
All For You: A Dedication To The Nat King Cole TrioAll for You is a tribute to the Nat King Cole Trio of the 1940s, when Cole performed as both a singer and a pianist. Krall, like her heroes Lena Horne and Carmen McRae, is also a singer-pianist, and she plays both roles on most of the songs here. She's able to link her singing to her piano playing in sympathetic ways and projects tremendous feeling through both. Like Cole in the '40s, Krall plays with a drummerless trio--here with guitarist Russell Malone and bassist Paul Keller. Their sense of intimate rapport is especially valuable on ballads such as You Call It Madness and I'm Thru with Love, but also allows such uptempo tunes as Hit That Jive Jack to swing with surprising lightness. -Geoffrey Himes1. I'm An Errand Girl For Rhythm
2. Gee Baby, Ain't I Good To You
3. You Call It Madness
4. Frim Fram Sauce
5. Boulevard Of Broken Dreams
6. Baby Baby All The Time
7. Hit That Jive Jack
8. You're Looking At Me
9. I'm Thru With Love
10. Deed I Do
11. A Blossom Fell
12. If I Had You$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Soulful Moods Of Gene AmmonsPart of the ultimate audiophile Prestige stereo reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3.
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Deep groove label pressings, tip-on jackets on thick cardboard stock
"One of the best efforts from Ammons' extensive catalog. A fat, warm, rich sax tone - you know, the one you immediately identify as Jug - is on display in all its glory on this great Moodsville release. Feeling tired and stressed out? Give Uncle Gene a spin. Besides perfect pitch, Ammons' other special gift was a melodic sense that allowed him to effectively convey feelings at slow tempos. Here is a great jazz ballad player given full scope to spin his charms. - Stereophile, February 1995
This title is not eligible for discount.1. Two Different Worlds
2. But Beautiful
4. Three Little Words
5. The Street Of Dreams
6. You'd Be So Nice To Come Home To
7. Under A Blanket Of Blue
8. Three Little Words
9. I'm Glad There Is You$39.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The New Boss Guitar
Special Vinyl Reissue
George Benson was only 21 when, on May 1, 1964, he recorded his first album as a leader, The New Boss Guitar of George Benson. At that point, the
guitarist had yet to become a huge name in jazz, although many of those who knew Benson agreed that he showed great potential. This is an impressive
debut. The guitarist had developed a distinctive, recognizable sound on his instrument, and he plays with both feeling and technique on five Benson
originals (including the sly Shadow Dancers, the exuberant Rock-A-Bye, and the earthy blues I Don't Know) as well as interpretations of Easy Living
and Will You Still Be Mine. This album is historically important as well as rewarding.
George Benson is the legendary guitarist, singer/songwriter who is the recipient of 10 Grammy Awards!
This is a 'MUST-HAVE' for all George Benson Fans, as well as a pivotal addition to any vinyl collection given its historical importance as one of Benson's
first significant recordings.1. Shadow Dancers
2. The Sweet Alice Blues
3. I Don't Know
4. Just Another Sunday
5. Will You Still Be Mine?
6. Easy Living
8. My Three Sons$21.99Vinyl LP - Sealed Buy Now
Mathias Eick trumpet
Gjermund Larsen violin
Jon Balke piano
Mats Eilertsen double bass
Helge Norbakken percussion
Mathias Eick reflects on distances travelled in this intensely melodic set of original compositions, which makes an imaginative journey from Hem, the tiny Norwegian village where the trumpeter grew up, to the vast plains of Dakota in the American Midwest. It was to the Midwest that hundreds of thousands of Norwegians travelled by sea in the 19th and early 20th centuries - and naturally they took their music with them. In similar spirit Eick, a Norwegian improviser-composer strongly influenced by North American jazz, here reintegrates some of the colours and textures of his native folk music in these newly-created pieces. In the frontline of the line-up featured here he is partnered by the brilliant violinist Gjermund Larsen, whose roots are in the Norwegian folk tradition. Trumpet and violin exchange lines and soar together above a brilliant rhythm section with Jon Balke at his most lyrical, Helge Norbakken periodically finding pulses that can suggest tribal drumming or buffalo hooves, and the resourceful Mats Eilertsen helping to drive the music forward. The original inspiration for the album was sparked by a gruelling North American tour: "I'd been out on the road for a long time and was feeling homesick. Then we reached the area called the Midwest and I suddenly felt as if I was home. I had a sense of why the early settlers would want to build their farms there. It reminded me very much of parts of Norway."1. Midwest
4. At Sea
8. November$25.99Vinyl LP - Sealed Buy Now
So It IsPreservation Hall Jazz Band have announced the release of their new album, So It Is, the septet's second release featuring all-new original music, releasing via Legacy Recordings. So It Is finds the classic PHJB sound invigorated by a number of fresh influences, not least among them the band's 2015 life-changing trip to Cuba.
In Cuba, all of a sudden we were face to face with our musical counterparts, says bandleader/composer/bassist Ben Jaffe. There's been a connection between Cuba and New Orleans since day one - we're family. A gigantic light bulb went off and we realized that New Orleans music is not just a thing by itself; it's part of something much bigger. It was almost like having a religious epiphany.
Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs and Santigold among others, offered both a keen modern perspective and a profound respect for the band's storied history. Upon arriving in New Orleans to meet with the band, Sitek recalls he and Jaffe accidentally stumbling into one of the city's famed second-line parades. I was struck by the visceral energy of the live music all around, this spontaneous joy, everything so immediate, he says. I knew I had to make sure that feeling came out of the studio. It needed to be alive. It needed to sound dangerous.
The music on So It Is, penned largely by Jaffe and 84 year-old saxophonist Charlie Gabriel in collaboration with the entire PHJB, stirs together that variety of influences like classic New Orleans cuisine. Longtime members Jaffe, Gabriel, Clint Maedgen and Ronell Johnson have been joined over the past 18 months by Walter Harris, Branden Lewis and Kyle Roussel, and the new blood has hastened the journey into new musical territory. Inspired by that journey and reinvigorated by the post-Katrina rebuilding of their beloved home city, PHJB are redefining what New Orleans music means in 2017 by tapping into a sonic continuum that stretches back to the city's Afro-Cuban roots, through its common ancestry with the Afrobeat of Fela Kuti and the Fire Music of Pharoah Sanders and John Coltrane, and forward to cutting-edge artists with whom the PHJB have shared festival stages from Coachella to Newport, including legends like Stevie Wonder, Elvis Costello and the Grateful Dead and modern giants like My Morning Jacket, Arcade Fire and the Black Keys.
Preservation Hall Jazz Band:
BEN JAFFE - Bass (upright), Tuba, Percussion
CHARLIE GABRIEL - Saxophone (tenor), Clarinet
CLINT MAEDGEN - Saxophone (tenor), Percussion
RONELL JOHNSON - Trombone
WALTER HARRIS - Drums, Percussion
KYLE ROUSSEL - Piano, Wurlitzer, Organ
BRANDEN LEWIS - Trumpet1. So It Is
4. La Malanga
6. One Hundred Fires
7. Mad$19.99Vinyl LP - Sealed Buy Now
Limited, Numbered Edition Of 1,500 Copies
Pressed On Audiophile-grade 180 Gram Vinyl At
Pallas Group In Germany
Mastered From Original Analog Tapes By Bernie
Features Jim Hall On Guitar And Connie Kay On
Everyone wanted Desmond to come up with a sequel to the monster
hit "Take Five"; and so he did, reworking the tune and playfully
designating the meter as 10/8. Hence "Take Ten," a worthy sequel with
a solo that has a Middle-Eastern feeling akin to Desmond's famous
extemporaneous excursion with Brubeck in "Le Souk" back in 1954.
It was here that Desmond also unveiled a spin-off of the then-red-hot
bossa nova groove that he called "bossa antigua" (a sardonic play-on-words meaning "old thing"), which laid the ground for Desmond's
next album and a few more later in the decade. Jim Hall now gets
plenty of room to stretch out, supported by Connie Kay's gently
dropped bombs, and he is the perfect understated swinging foil for
the wistful altoist. There is not a single track here that isn't loaded with
ingeniously worked out, always melodic ideas. Now Take Ten finally
gets the audiophile treatment it deserves, with this 180gram reissue,
mastered from original analog tapes by Bernie Grundman. Each copy
of this limited edition release is numbered with a gold foil stamp.1. Take Ten
2. El Prince
3. Alone Together
5. Theme From Black Orpheus
7. Samba De Orpheu
8. The One I Love (Belongs To Somebody Else)$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Freedom & SurrenderFreedom and Surrender
The circuitous dance between the beginning and the end.
Something amazing and terrifying happened to me as I entered into my 30s. I realized that I had run far off the course of my scripted plans, my projections for who I'd be, what I'd be doing, and how it would feel at this point. Then, the realization the mapped trail couldn't be recovered. A hound without a hunt, I was captured by unfamiliar woods far from earshot of the original game and players. Untethered by marriage with a scrap pile of maternal designs that never took root, I found myself forced, thank goodness, to let go.
The pageantry of over-identifying with past experiences and old ideals had ended. In review, I found that life's unfolding had exceeded my most elaborate visions while other hopes had slipped into ruin in the clasp of my determined hands. Meanwhile, a new meekness and curiosity made all of my experiences sacred and overwhelming, something akin to a reverent depression. Desire was quieted in my heart, and I was uneasy in the cool of my newness, wondering what I really wanted to do next.
When the label suggested that I consider working with Larry Klein, my entire focus shifted with a warm shrug, Why not? He's produced some of my favorite records. Within a few conversations I had found plenty of reasons to trust the voice on the other end of the line. I knew that I was respected for my potential and achievements, and he wasn't new to dealing with strong women. Another shrug, Why not? I had plenty to sing about now, a heart cracked open by disappointment, a will broken by the truth. I was ready for a new project, the kind of baby that I knew how to make.
It was suggested to me initially that I make a record of covers. It was the very moment my hard head became bent on writing my way out of my valley, no matter how hard or long I'd have to work for it. I'd count my steps and tell stories until I met the ridge line without borrowing anyone else's view. This was not my hour to cover, but to uncover, and hopefully, the reveal would be worth something. I trembled in the wait for my own revelation.
I scurried around the country (Nashville, New York and LA) to have collaborative conversations with old and new friends. I remembered how to just sit with people and talk, even though I was on a schedule and budget. We all spoke like we were on Grandma's porch, but the work got done. To my delighted surprise, much of this record was written with Larry himself.
My average day of preproduction with him looked like: A sunrise run and swim at Santa Monica pier, showing up to his studio sandy, salty, and red faced, talking through beautiful rambles with him and David Batteau while high on espresso. Then we'd get snagged by a soulful riff from Larry's acoustic bass guitar as he noodled along (seemingly) aimlessly. Often a story would present a hook and we'd return the next day with responses. This felt like an old and dignified pace of work, but also kind of risky. However, I looked up after a few months of these weeklong neighborly sits and real songs were following us, a train getting longer, each car intact and connected as we rolled on.
In the evenings I listened to demos of the budding songs on my phone as the sun set over the Pacific. I could see them, unmade movies. The tide of communion would pull back and the shining pieces left could be made into anything. This is when I knew that I had, in these mosaic sessions, stumbled upon a new page of my life.
I remembered the feeling of being found. One of the most moving songs from it's inception was, Somewhere Down the Mystic. Playing on the simple wonders of my rustic Appalachian life, we imagined a love lost to death and the feeling of it's lasting warmth, a nod to love's reach across life's threshold.
Months later, on February 20th, I had a near death experience, sliding across 300 yards of ice coated mountain curve. I softened my body and rested my hands in my lap. The heavy car floated silently towards a 75 foot ravine that ended with a wide band of frozen creek. Ok was the only thing I could get out in a sigh. I was stopped by a young bellwood tree that grew out of the bank like a hook. I slowed my breathing and meditated in suspension. About 20 minutes later, a young neighbor pulled the door open, reaching in with a strong arm to guide my climb out. Now when I sing the chorus, I see the gracious hole and the sweet sapling that grows over it. It threw me back, a fish returned to the river with a cut lip.
The pink bells of the tree can be seen on my homepage, and I want to keep such simple things close from now on. Why not? They were strong enough to save me. In surrender I experience freedom. The gift of an end is a beginning. I greet the sun with the only reason I've ever needed, why not?
-Lizz Wright1. Freedom
2. The Game
3. The New Game
4. Lean In
5. Right Where You Are
6. River Man
7. Somewhere Down The Mystic
8. Real Life Painting
9. To Love Somebody
10. Here And Now
12. Blessed The Brave
13. Surrender$24.99Vinyl LP - 2 LPs Sealed Buy Now
Encounters Ben WebsterMastered by George Marino at Sterling Sound
...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen! Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011
As critic Nat Hentoff makes clear, Coleman Hawkins and Ben Webster were larger than life. Formidable, even forbidding presences, they revealed a depth of feeling in their playing that spoke of their vast life experiences, as great writers or painters speak through their work.
Recorded in 1957.
Coleman Hawkins, tenor saxophone
Ben Webster, tenor saxophone
Ray Brown, bass
Herb Ellis, guitar
Oscar Peterson, piano
Alvin Stoller, drums
This title is not eligible for discount.1. Blues for Yolande
2. It Never Entered My Mind
3. La Rosita
4. You's Be So Nice to Come Home To
5. Prisoner of Love
7. Shine On Harvest Moon$54.99200 Gram Audiophile Virgin Vinyl LP 45RPM - Sealed Buy Now
UNIM-ECM-3089xChris Potter, Underground Orchestra
Chris Potter: tenor and soprano saxophones, bass clarinet
Adam Rogers: guitars
Craig Taborn: piano
Steve Nelson: vibraphone, marimba
Fima Ephron: bass guitar
Scott Colley: double bass
Nate Smith: drums
Mark Feldman: violin
Joyce Hammann: violin
Lois Martin: viola
Dave Eggar: cello
Imaginary Cities is the recording premiere of saxophonist Chris Potter s new Underground Orchestra. At the core of this larger ensemble is the personnel of his long-established Underground quartet with Adam Rogers, Craig Taborn and Nate Smith now joined by two bassists, a string quartet, and Potter s old comrade from Dave Holland Quintet days, vibes and marimba man Steve Nelson. The title composition is a suite, panoramic in its reach, with movements subtitled Compassion , Dualities , Disintegration and Rebuilding . The scope of the work, and its contrasting moods and thematic development, inspire some of Potter s finest playing. His saxes fly high above his idealized cityscapes or launch into dialogues or group improvising with its gifted inhabitants. Four further pieces Lament , Firefly , Sky and Shadow Self extend the feeling of the suite, successfully combining both tightly written material and very open areas involving all members of the orchestra. References are multi-idiomatic and multicultural, and Potter, who counts Charlie Parker with Strings amongst his formative enthusiasms, had Arabic and Indian string sections in mind, as well as contemporary composition, when shaping this material. Imaginary Cities was recorded in December 2013 in New York s Avatar Studio and produced by Manfred Eicher. Release of the album is followed by US performances with the Underground Orchestra in New York and San Francisco.1. Lament
2. Imaginary Cities (Pt. 1, Compassion)
3. Imaginary Cities (Pt. 2, Dualities)
4. Imaginary Cities (Pt. 3, (Disintegration)
5. Imaginary Cities (Pt. 4, Rebuilding)
7. Shadow Self
8. Sky$25.99Vinyl LP - 2 LPs Sealed Buy Now
Songs For Swingin' Lovers (Awaiting Repress)Ranked 306/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Frank's romantic masterpiece, arranged and conducted by Nelson Riddle. Originally released in 1956 and celebrating its 60th anniversary in 2016, Songs For Swingin' Lovers features classic standards and signature Sinatra recordings including "I've Got You Under My Skin," "Love Is Here To Stay" and "You Make Me Feel So Young."1. You Make Me Feel So Young
2. It Happened In Monterey
3. You're Getting To Be A Habit With Me
4. You Brought A New Kind Of Love To Me
5. Too Marvelous For Words
6. Old Devil Moon
7. Pennies From Heaven
8. Love Is Here To Stay
9. I've Got You Under My Skin
10. I Thought About You
11. We'll Be Together Again
12. Makin' Whoopie
13. Swingin' Down The Lane
14. Anything Goes
15. How About You?$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now