- Lowest Price
- Highest Price
The Genius Of Ray Charles'
Genius + Soul = JazzImport1. From The Heart
2. I've Got News For You
4. Let's Go
5. One Mint Julep
6. I'm Gonna Move To The Outskirts Of Town
7. Stompin' Room Only
8. Mister C
9. Strike Up The Band
10. Birth Of The Blues
11. Let The Good Times Roll$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Genius Loves Company (10th Anniversary) (Awaiting Repress)Upon its release in 2004, few could have predicted the extraordinary, game-changing effect that Ray Charles' final recording would have on both his career and the industry as a whole. To celebrate the 10th anniversary of the legend's milestone recording, Concord/Hear Music will release a special 2LP, 45RPM, 180-gram Vinyl Edition.
One of Charles' most inspirational and historically significant albums, Genius Loves Company captures the genius of the music icon in his last studio recording pairing him with legendary guest artists including Norah Jones, Diana Krall, James Taylor, Elton John, Willie Nelson and Bonnie Raitt to name a few. The album went on to receive an astounding 8 GRAMMY® Awards, including Album of the Year and Record of the Year. To help launch a then-groundbreaking consumer marketing campaign, Genius Loves Company was tapped as the first original release through the Starbucks Hear Music imprint in conjunction with Concord Music Group. Since its release on August 31st, 2004, Genius Loves Company has been certified multi-platinum with worldwide sales in excess of 5 million copies.
Produced by John Burk, Concord Music Group's chief creative officer, and co-produced by the legendary Phil Ramone, Genius Loves Company garnered critical acclaim upon its release. NPR All Things Considered hailed, "It's got flashes of fire you wouldn't expect from such a setting, gems of phrasing that remind you how Ray Charles transformed the wreckage of heartbreak into poignant sound," and Rolling Stone added, "the tone is reverential and warm, as the Genius sings "
"Ray was shocked that these people wanted to sing with him," recalls Ray Charles Foundation president Valerie Ervin. "He just didn't understand the magnitude of where he was in the industry. As weak as he became he made sure he gave his best for every artist that was there for him."
"Ray Charles was one of those rare artists who, throughout his incredible career, had far-reaching impact that forever changed the conventions of popular music as well as the music business," said Concord Music Group chief creative officer John Burk. "Looking back at the last 10 years, it's clear that this album was certainly no exception. We are humbled, honored and blessed to have had the opportunity to work with such a musical giant, and we are eternally grateful to Ray for elevating both Concord Records and Hear Music to new heights, far beyond our wildest dreams ten years ago."1. Here We Go Again with Norah Jones
2. Sweet Potato Pie with James Taylor
3. You Don't Know Me with Diana Krall
4. Sorry Seems To Be The Hardest Word with Elton John
5. Fever with Natalie Cole
6. Do I Ever Cross Your Mind? with Bonnie Raitt
7. It Was A Very Good Year with Willie Nelson
8. Hey Girl with Michael McDonald
9. Sinner's Prayer with B.B. King
10. Heaven Help Us All with Gladys Knight
11. Over The Rainbow with Johnny Mathis
12. Crazy Love with Van Morrison$34.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
Ray Charles (Awaiting Repress)
First Time On 180 Gram Audiophile Vinyl!
Ray Charles' Stunning Atlantic Records Debut!
The One That Started The Genius Of Soul Phenomenon!
Mastered For The First Time From The Original Monophonic Atlantic Records Tapes By Joe Reagoso
Ray Charles was the premiere architect singer/songwriter/musician whose "genius" of combining jazz, blues
with gospel most certainly began the American soul music movement. This modern form of R&B which would become
an American way of life forever etched itself in total with the release of his classic #1 hit single I Got a Woman from
his stunning debut 1957 album Ray Charles.
Fused with heavy blues, gospel and rock and roll, I Got a Woman was one of Ray's very first top charting hits
soon to be followed by other #1 smash hit singles like Mess Around and A Fool for You. More hit singles graced his first
album as well with Hallelujah I Love Her So, Ain't That Love and This Little Girl of Mine. The Ray Charles album itself
on its own merit is truly a Greatest Hits LP, whereby most of these early Ray Charles' hit tracks have been covered
hundreds of times by some of the most important voices in popular music, like The Beatles, Elvis Presley, The Steve
Miller Band, Van Morrison, Peggy Lee, Johnny Winter, Jerry Lee Lewis, Stevie Wonder and many others.
Also included on this debut masterpiece are some of Ray Charles' more definitive blues rockers like the powerful
Come Back Baby, the rockin' Greenbacks, the #1 blues rocker Mary Ann, and the brilliant soul sounds of Don't You
Know, Drown in My Own Tears and Losing Hand.
The Ray Charles album forever etched the name superstar and genius with Ray Charles as the LP reached the
upper rungs of the popular, jazz and R&B charts and has become an American institution which will forever stand the
test of time. Being one of his rarest LP's of his career, the magnificent album has not been officially released on vinyl
in over five decades and fetches hundreds of dollars for a mint used copy if you can even find one.
Friday Music is very honored to announce the first time ever 180 Gram Audiophile Vinyl LP of the Ray Charles'
classic Ray Charles. As another installment in our treasured Ray Charles/Friday Music 180 Gram Audiophile Series, his
amazing debut LP is mastered from the original monophonic Atlantic Records' tapes by Joe Reagoso at Friday Music
Studios and at Capitol Mastering with Ron McMaster. This masterwork truly sounds exceptional and will become one
of the more important roots albums to be reissued in quite some time for the audiophile vinyl domain.
This limited edition release also comes with the original album cover graphics of Marvin Israel, featuring the
stunning liner notes by Guy Remark.
The album will be packaged in a poly bag to preserve the rich details of the legendary cover art as well as a poly
lined inner sleeve to protect your vinyl purchase for years to come. I Got a Woman!!!1. Ain't That Love
2. Drown in My Own Tears
3. Come Back Baby
4. Sinner's Prayer
5. Funny (But I Still Love You)
6. Losing Hand
7. A Fool for You
8. Hallelujah I Love Her So
9. Mess Around
10. This Little Girl of Mine
11. Mary Ann
13. Don't You Know
14. I Got a Woman$29.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
Ray Charles Greatest HitsThe absolute greatest hits from all-time legend Ray Charles perfectly restored and pressed on 180 gram vinyl.
The term 'legend' is used all too loosely in this day and age, but in Ray Charles, modern music has someone it can proudly label one of culture's true geniuses. This album contains his absolute greatest hits including Hit The Road Jack, Georgia On My Mind, Unchain My Heart, and One Mint Julep. Perfectly restored and pressed on 180 gram audio-grade vinyl.1. Them That Got
2. Georgia On My Mind
3. Unchain My Heart
4. I'm Gonna Move To The Outskirts of Town
5. The Danger Zone
6. I've Got News For You
7. Hit The Road Jack
9. I Wonder
10. Sticks and Stones
11. But On The Hand, Baby
12. One Mint Julep$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Genius Loves Company
Half-speed mastered from original tapes.
The last studio album completed by the untouchable Ray Charles before his death. Charles sings a dozen duets with a dazzling array of guest artists from virtually every genre. »We cover it all,« Charles said, »from country to R&B, pop, rock and blues. I've never let them put me in a little box, and this (record) expresses that open feeling. A beautiful song is a beautiful song - and to sing with so many beautiful singers is a blessing from God.« Genius Loves Company stands as a remarkable hallmark in a remarkable career, including duets with Norah Jones, Elton John, Van Morrison, Diana Krall, Natalie Cole, James Taylor, Bonnie Raitt, Willie Nelson, Michael McDonald, B.B. King, Gladys Knight and Johnny Mathis.
Mastered for Pure Audiophile Records by Stan Ricker from half-inch analog tape at 30 inches per second.
2005 Grammy Awards for Genius Loves Company:
Record Of The Year
Album Of The Year
Best Pop Collaboration With Vocals
Best Pop Vocal Album
Best Gospel Performance
Best Instrumental Arrangement Accompanying Vocalist(s)
Best Engineered Album, Non-Classical
Best Surround Sound Album
- Ray Charles (p, voc)
- Norah Jones
- James Taylor
- Diana Krall
- Elton John
- Natalie Cole
- Bonnie Raitt
- Willie Nelson
- Michael McDonald
- B.B. King
- Gladys Knight
- Johnny Mathis
- Van Morrison
1. Here We Go Again - (featuring Norah Jones)
2. Sweet Potato Pie - (featuring James Taylor)
3. You Don't Know Me - (featuring Diana Krall)
4. Sorry Seems To Be The Hardest Word - (featuring Elton John)
5. Fever - (featuring Natalie Cole)
6. Do I Ever Cross Your Mind? - (featuring Bonnie Raitt)
7. It Was A Very Good Year - (featuring Willie Nelson)
8. Hey Girl - (featuring Michael McDonald)
9. Sinner's Prayer - (featuring B.B. King)
10. Heaven Help Us All - (featuring Gladys Knight)
11. Over The Rainbow - (featuring Johnny Mathis)
12. Crazy Love - (featuring Van Morrison)$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Genius Sings the BluesNumbered Limited-Edition 180g LP from Mobile Fidelity
1961 Collection Gathers 12 Must-Have Songs from Charles' Peak Era
Mobile Fidelity Has Righted the Sonic Wrongs That Plagued Earlier Versions - You Won't Find a Better-Sounding Ray Charles LP
Genius doesnt even begin to describe the greatness of The Genius Sings the Blues. Comprised of a dozen songs Ray Charles made between 1952 and 1960, the collection was released in 1961 by Atlantic Records to counter the singers migration to rival ABC Paramount. What Atlantic originally underestimated is that the album contained many of Charles greatest works, all unified by their bluesy emotions and stirring arrangements. A classic of the soul and R&B canon, The Genius Sings the Blues is a snapshot of the evolution of timeless American music captured by the pianists indelible rhythmic pace, gospel roots, jazz backgrounds, and Southern-styled accents. And its never sounded so good.
From the iconic cover art (a photo of Charles taken by legendary photographer Lee Friedlander) to the distinguished music within, everything about the thematic record is iconic. Now, nearly 50 years later, it can be heard in pristine fidelity sourced from the original mono master tapes. Mobile Fidelitys engineers have taken great pains to ensure that every clink of the piano keys, ache of Charles rolling voice, and rush of the backing arrangements sounds better than they have since first being recorded in the studio. This 180g LP simply lays waste to the competition.
Previous editions of The Genius Sings the Blues, including a remastered digital edition from Rhino, suffered from varying levels, distracting static and noise, and inconsistent vocal balances. Mobile Fidelity has gone back to the original mono master tapes to correct these problems, giving music lovers what is now unquestionably the best-sounding Charles album to stem from his peak era. And these performances are simply on fire.
Whether inhabiting the sadness in Night Time (Is the Right Time) or personifying the loss of Hard Times, Charles invests each song with supreme emotion and undeniable conviction that makes the lyrics ring true and the blues resonate with cathartic pathos. Uptempo country blues numbers (Im Movin On, Early in the Mornin) balance the mournful slow fare, and again prove Charles a master composer, interpreter, and musician who could make any style his own. The Genius Sings the Blues also speaks to legendary jazz pianist Billy Taylors initial impressions of Charles upon hearing him in a way in which few other Charles recordings do.
Taylor recalled: While playing through some new music for a projected Ruth Brown record date, I was asked to listen to an original song played and sung by a young composer and pianist from Seattle, Washington. I can still remember how surprised I was to hear this kind of music from a Northwesterner. He reminded me of Charles Brown, another pianist-singer who was very popular in the Forties, but he had a very personal sound and there was something different about his rhythmic approach. In his handling of melody he seemed to be using devices similar to those used by Dinah Washington and a small group of popular singers who allowed their gospel singing backgrounds to influence their interpretation of popular songs... I was intrigued by the emotional quality projected by both his piano playing and his unusual voice and was not surprised when Ahmet ErtegÜn said that he wanted to let the young musician record some of his own material. He communicates just like the old blues singers, Ahmet said.
Indeed, that innate blues aesthetic dominates this collection, as does Charles distinctive rhythmic mannerisms. Finally, hear them as theyve always been intended to be experienced.
This title is not eligible for discount.1.Early in the Mornin'
2.Hard Times (No One Knows Better Than I)
3.The Midnight Hour
4.(Night Time Is) the Right Time
7.I'm Movin' On
8.I Believe to My Soul
10.Mr. Charles' Blues
11.Some Day Baby
12.I Wonder Who$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Tribute to Uncle RayImport
Wonder's second LP, recorded and released when he was only 12 years old, is a tribute to Ray Charles. As the original liner notes state, Little Stevie Wonder, Tamla's 11-year-old musical genius, is blind, a similarity he shares with a famed musician and vocalist of today. Though this is perhaps not the most subtle of tribute albums and a clear cash in attempt from Motown, who were still looking for a way to market their new-found talent, the results are still fantastic. Little Stevie powers his way through a grip of Charles' classics as well as some original songs done in the Charles style and while the LP failed to score a hit, it's an enjoyable listen that shows a glimpse of the super star talent that was soon to emerge.1. Hallelujah I Love Her So
2. Ain't That Love
3. Don't You Know
4. The Masquerade
5. Frankie & Johnny
6. Drown In My Own Tears
7. Come Back Baby
8. Mary Ann
10. My Baby's Gone$27.99Vinyl LP - Sealed Buy Now
The Genius After Hours (Speakers Corner)No ifs and buts! Ray Charles belongs in every jazz collection. Friends of pure jazz tend to forget this in the light of his numerous hits in categories such as gentle ballads, and even country and western songs, and rhythm'n'blues during the more than 60 years of Charles' extremely successful (also financially speaking) career.
The producer Neshui Ertegun gathered together a star-studded cast for this Atlantic Records studio recording. There was David Newman on the tenor sax, Joe Harris on the drums, and even Oscar Pettiford on the bass. Not forgetting Ray Charles himself who was an excellent jazz pianist.
The studio was saturated with the blues! A relaxed mood prevailed, just as one might imagine it. The musicians came to the studio after a concert, they were completely drained, worn out, exhausted: they had the blues and then they played the blues.
Even a standard work such as Gershwin's The Man I Love was turned into an elegy. Only Ain't Misbehavin', which reminds one more of Earl Hines than Fats Waller, and Charlesville - a fast blues number - were treated to a change of tempo.
The Genius After Hours is a self-portrait that exhibits the less well-known talents of this exceptional artist during the second half of the last century. It makes great listening for all lovers of jazz, soul, blues, rhythm'n'blues, country and western, pop, funk You name it, Charles has got it!
- Ray Charles (piano)
- Dave 'Fathead' Newman (alto saxophone, tenor saxophone)
- Emmott Dennis (bassoon)
- Joseph Bridgewater, John Hunt (trumpet)
- Roosevelt Sheffield, Oscar Pettiford (bass)
- Joe Harris, William Peebles (drums)
Recording: April 1956 and September 1957 in New York City in mono
Production: Nesuhi Ertegun & Jerry Wexler
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. The Genius After Hours
2. Ain't Misbehavin'
3. Dawn Ray
4. Joy Ride
5. Hornful Soul
6. The Man I Love
8. Music, Music, Music$34.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
- Ray Charles (piano)
What'd I SayRay Charles was the premier architect singer/songwriter/musician whose genius of combining jazz, blues with gospel most certainly began the American soul music movement. This modern form of R&B which would become an American way of life, forever etching itself in total with the release of his 1959 classic hit single and album What'd I Say.Other tracks included on this masterpiece are the soulful Rockhouse, You Be My Baby, & the shouter Tell Me How Do You Feel. First time on 180 G Vinyl! This limited edition lp is mastered from the original Atlantic mono tapes by Joe Reagoso and Kevin Gray.1. What'd I Say
2. Jumpin' In The Morning
3. You Be My Baby
4. Tell Me How Do You Feel
5. What Kind Of Man Are You
7. Roll With My Baby
8. Tell All The World About You
9. My Bonnie
10. That's Enough$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Get Happy180 Gram Double Vinyl
Re-mastered from the original master tapes, Elvis Costello's soulful album Get Happy!! is now presented as a 2LP set (original was 1LP) on 180 gram vinyl. This soul -influenced LP shows how prolific and brilliant Costello is. Get Happy!! hit #11 on the Billboard 200.
Elvis Costello and the Attractions masterful Get Happy!! is largely believed born of national scandal. While in a Holiday Inn bar, the English singer attempted to end an annoying conversation by baiting Stephen Stills with outrageous, offensive racial remarks about Ray Charles and James Brown. With everyone involved inebriated, the details are unclear, but the falloutdeath threats, radio embargos, protestsis infamous. The upshot? Costello and company retreated, scrapped a planned record, and created the soulful genius that is Get Happy!!, the bands fourth consecutive five-star effort.1. Love for Tender
3. The Imposter
4. Secondary Modern
5. King Horse
7. Men Called Uncle
8. Clowntime Is Over
9. New Amsterdam
10. High Fidelity
11. I Can't Stand Up For Falling Down
12. Black & White World
13. 5ive Gears in Reverse
14. B Movie
15. Motel Matches
16. Human Touch
17. Beaten to the Punch
19. I Stand Accused
20. Riot Act$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
My Jug And IThis 1966 record is the first of two albums Percy Mayfield recorded for Ray Charles' Tangerine label. A masterful songwriter whose touching blues ballad Please Send Me Someone To Love was a #1 R&B hit in 1950, Mayfield was Ray Charles' favorite author during the '60s handing him such gems as Hit The Road Jack and At The Club and so was signed to the Genius' label.
A true master at expressing the innermost feelings, tangled with vulnerability and sensibility: Life Is Suicide and River's Invitation are two perfect examples of this, along with the wonderful title track, and both are included on this timeless classic. Here on 180 gram vinyl.1. My Jug And I
2. River's Invitation
3. Baby Please
4. Stranger In My Own Home
5. Never Say Naw
6. The Hunt Is On
7. Memory Pain
8. I Reached For A Tear
9. Life Is Suicide
10. Maybe It's Because Of You
11. Give Me Time To Explain
12. Fading Love
$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Get Happy!!Elvis Costello and the Attractions masterful Get Happy!! is largely believed born of national scandal. While in a Holiday Inn bar, the English singer attempted to end an annoying conversation by baiting Stephen Stills with outrageous, offensive racial remarks about Ray Charles and James Brown. With everyone involved inebriated, the details are unclear, but the falloutdeath threats, radio embargos, protestsis infamous. The upshot? Costello and company retreated, scrapped a planned record, and created the soulful genius that is Get Happy!!, the bands fourth consecutive five-star effort.
Half-speed mastered from the original master tapes, and pressed on two 45RPM LPs to replicate the very first promotional pressing in the UK, the 1980 LP has never sounded better on any format. Rather than cram nearly 50 minutes of music and 20 songs onto a single record, Mobile Fidelity has gone the extra mile and back to the album's UK roots with two 45RPM discs. For the first time, listeners can home in on the records signature sound that relates to the decision to record the vocals in a studios glass strings room. In addition, the dimensions and images associated with Steve Nieves penetrating organ, Pete Thomas punchy drumming, and Costellos bounding vocals know no limits. The music simply leaps off the proverbial page, the uptempo rhythms jumping and nimble bass lines kicking.
Clearly, the group is motivated, and the leader brings some of his very finest songs to the table, including High Fidelity, Riot Act, Motel Matches, and The Imposter. While some believe the drunken incident caused Costello to shelve a planned new-wave-leaning effort for the soul-stoked Get Happy!!, the vocalist claims that his ability to find so many great soul records in America from 1977 through 1979 inspired the group to change course. Whatever the cause, Get Happy!! is a start-to-finish wonder.
Paying homage to Northern soul, Motown, Stax, and Southern soul strains, and infused with smooth and gritty arrangements, Get Happy!! runs on an efficient R&B motor. Subtle tributes abound. High Fidelity quotes a Supremes song; Love for Tender borrows a Supremes riff; Opportunity tips its hat to Al Green; Clowntime Is Over bows to Curtis Mayfield. And two covers, of Sam & Daves I Cant Stand Up for Falling Down and the Merseybeats I Stand Accused, are recast as quick, R&B rave-ups. Theres not a misplaced note or bad step on this record. And for history buffs, the closing, searing ballad Riot Act is Costellos response to his hypocritical critics and finger-pointers.
As essential as anything in Costellos catalog, and one of the truly great records of the 1980s, you owe it to yourself to experience Get Happy!! in the supreme sonic fidelity that this numbered limited edition Mobile Fidelity double-LP pressing affords. For those intimately familiar with its contents, listening will be a revelation. And for fans that have never heard the record, prepare to be wowed.
Part of Mobile Fidelitys Costello catalog restoration series, Get Happy!! will make you positively ecstatic.
This title is not eligible for discount.1. Love for Tender
3. The Imposter
4. Secondary Modern
5. King Horse
7. Men Called Uncle
8. Clowntime Is Over
9. New Amsterdam
10. High Fidelity
11. I Can't Stand Up For Falling Down
12. Black & White World
13. 5ive Gears in Reverse
14. B Movie
15. Motel Matches
16. Human Touch
17. Beaten to the Punch
19. I Stand Accused
20. Riot Act$49.99180 Gram Audiophile Virgin Vinyl 45 RPM - 2 LPs Sealed Buy Now
The Best Of King CurtisLimited Anniversary Edition
Pressed On 180 Gram Vinyl
Mastered Impeccably From The Atco Records Stereophonic Tapes By Joe Reagoso
King Curtis will be forever known as one of the leading voices of the 60's soul renaissance and truly one of the more championed musicians during his short lifetime. Thanks to today's respect and care given to his music by a whole new generation of musicians and fans, King Curtis forever reigns as one of soul's pioneers. Much like Ray Charles, Otis Redding, and other superstars before him, Curtis Owsley (King Curtis) had the necessary ingredients of stellar musicianship and songwriting acumen which successfully reached across all gospel, soul, rock and pop genres.
King Curtis created some of his greatest sides ever for ATCO Records, where he spent his time on earth creating some of the most masterful and funkiest soul music ever waxed. In 1968, he was honored with his first greatest hits collection simply titled "The Best of King Curtis." This stunning array of his most memorable hit singles and stellar album staples continues to illustrate how important a force he was then and still is today, over four decades since!
"The Best of King Curtis" features a heavy menu of his finest moments like the funk infused "Harper Valley P.T.A." and Stevie Wonder's "I Was Made To Love Her", the definitive balladry of Ben E. King's "Spanish Harlem", and of course his chart toppers "Ode To Billie Joe" "Soul Serenade" and a definitive tribute to his friend Otis Redding with "(Sittin' On) The Dock Of The Bay" which truly opened up a worldwide audience to this sorely missed genius.
This 1968 Greatest Hits LP hasn't been available on vinyl for many decades... that is until now! Friday Music is very proud to announce for the first time ever the stunning 180 Gram Audiophile Vinyl release of The Best Of King Curtis. Mastered impeccably from the original ATCO Records tapes by Joe "Philly Soul" Reagoso at Friday Music Studios and Capitol Mastering in Hollywood, these classic tracks truly reach sonic heights in the audiophile vinyl domain.
To further enhance your listening enjoyment, we have also included the original artwork elements by Loring Eutemey and the classic photo of King Curtis by Stephen Paley.
The soul lives on here at the Friday Music label, and as with our recent original pioneering soul albums from Ray Charles, Aretha Franklin, Solomon Burke, Wilson Pickett, The Spinners and others, we feel this stunning King Curtis 180 Gram Audiophile Vinyl will be a much anticipated and welcomed release to all the soul, funk and rock audiophile vinyl fans.1. Harper Valley P.T.A
2. Ode To Billy Joe
3. Soul Serenade
4. I Heard It Through The Grapevine
5. (Sittin' On) The Dock Of The Bay
6. Memphis Soul Stew
7. Spanish Harlem
8. Jump Back
9. Something On Your Mind
10. You've Lost That Lovin' Feelin'
11. Makin' Hey
12. I Was Made To Love Her$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Jake Xerxes FussellThe Southern half of the Georgia-Alabama border follows the Chattahoochee River, which cleaves Columbus, Georgia from its decidedly less reputable neighbor, Phenix City, Alabama. Georgia's second city is the hometown of "Mother of the Blues" Ma Rainey and novelist Carson McCullers, but it was local hillbilly duo Darby and Tarlton's 1927 hit "Columbus Stockade Blues" that first immortalized Columbus in popular culture. Back in their day, if you ended up in lockup in Columbus, chances are you did your dirtiest deeds across the river. Historically rife with vice of every conceivable variety-gambling, prostitution, moonshining, and endemic corruption and violence perpetrated by both gangs and police-the notoriously anarchic Phenix City was once known as "The Wickedest City in America."
A similar frontier liminality and skewed sense of place characterize the music of Durham, North Carolina singer and guitarist Jake Xerxes Fussell, whose self-titled debut record, produced by and featuring William Tyler, transmutes ten arcane folk and blues tunes into vibey cosmic laments and crooked riverine rambles. Jake Xerxes (yes, that's his real middle name, after Georgia potter D.X. Gordy) grew up in Columbus, son of Fred C. Fussell, a folklorist, curator, and photographer who hails from America's Wickedest City. Fred's fieldwork took him, often with young Jake in tow, across the Southeast documenting traditional vernacular culture, which included recording blues and old-time musicians with fellow folklorists and recordists George Mitchell and Art Rosenbaum (which led Jake to music, and to some of the songs herein) and collaborating with American Indian artists (which led Jake eventually to his graduate research on Choctaw fiddlers.)
As a teenager Jake began playing and studying with elder musicians in the Chattahoochee Valley, apprenticing with Piedmont blues legend Precious Bryant ("Georgia Buck"), with whom he toured and recorded, and riding wild with Alabama bluesman, black rodeo rider, rye whiskey distiller, and master dowser George Daniel ("Rabbit on a Log"). He joined a Phenix City country band who were students of Jimmie Tarlton of Darby and Tarlton; he accompanied Etta Baker in North Carolina; he moved to Berkeley, where he hung with genius documentary filmmaker Les Blank and learned from Haight folkies like Will Scarlett (Jefferson Airplane, Hot Tuna, Brownie McGhee) and cult fingerstyle guitarist Steve Mann ("Push Boat"); he appeared on A Prairie Home Companion. He did a whole lot of listening, gradually honing his prodigious guitar skills, singing, and repertoire. In 2005 he moved to Oxford, Mississippi, where he enrolled in the Southern Studies department at Ole Miss, recorded and toured with Rev. John Wilkins, and, last year, met up with acclaimed artist William Tyler to begin recording his first solo album.
Collaborating with Tyler and engineer Mark Nevers in Nashville was a conscious decision to depart cloistered trad scenes and sonics for broader, more oblique horizons. Tyler, a guitar virtuoso known for his own compositions that untether and reframe traditional six-string forms and techniques, helmed the push boat in inimitable fashion, enlisting crack(ed) Nashville session vets Chris Scruggs (steel guitar, bass, fiddle: Bonnie "Prince" Billy, Marty Stuart), Brian Kotzur (drums: Silver Jews), and Hoot Hester (fiddle: Bill Monroe, Ray Charles) to crew.
So it's no accident that Jake approaches the songs and styles represented here with both interpretive respect and unfussy irreverence, imbuing them with equal parts vaporish, percolating atmosphere and academic rigor, honoring the folksong headwaters by emphasizing their liquid mutability, alien strangeness, and sly humor above preconceived notions of static authenticity. Fussell recognizes that folk revivalist preciousness about spurious genre boundaries often feels absurdly at odds with the unruliness and restlessly inventive practices of tradition bearers-no revival or reenactment gear is necessary when the music lives and breathes and throws around hips and knees like these. Likewise, when you examine their lyrical content, ostensibly linear tales about rivers and work (labor of the hands, as in "Boat's up the River" and "Man at the Mill" and labor of the heart, as in "Star Girl" and "Pork and Beans") reveal themselves as fractured, riddled with narrative lacunae that open up the texts as squirrelly riddles or gentle metaphysical jokes.
For Fussell, these odd disjunctures demonstrate the way that verses and choruses, the stories we tell, disintegrate and erode over time, worn smooth as river stones and transmogrified by their repeated telling, more lovely for their fissures and absences than for any imaginary original integrity. (Aptly, "Chattahoochee" may mean something like "writing on rocks" in Muscogee or Yuchi.) Each song rendered here contains its own twinned inversion-its own Columbus, its own Phenix City-and Jake navigates their shoals with intuitive grace and authority.1. All in Down and Out
2. Let Me Lose
3. Star Girl
4. Raggy Levy"
5. Rabbit on a Log
6. Boat's up the River
7. Man at the Mill
8. Push Boat
9. Georgia Buck
10. Pork and Beans$21.99Vinyl LP - Sealed Buy Now
The Best of Donny Hathaway (Awaiting Repress)
The Donny Hathaway/friday Music 180 Gram Audiophile Vinyl Series Begins!
Celebrate The Soulful Singer & Songwriter's Greatest Hits
First Time 180 Gram Audiophile Vinyl!
Mastered Impeccably By Joe "Philly Soul" Reagoso From The Original ATCO Records Tapes.
Featuring The Rare Appearances Of This Christmas And You Were Meant For Me On Vinyl.
Featuring Chart Topping Duets With Roberta Flack
Donny Hathaway will be forever known as one of the leading voices of the
70's soul renaissance and truly one of the more championed songwriters during his
short lifetime. Thanks to today's respect and care given to his music by a whole new
generation of musicians and fans, Donny Hathaway forever reigns as one of soul's
pioneers. Much like Ray Charles, Otis Redding, and other superstars before him,
Donny had the necessary ingredients of a stellar voice/musicianship and songwriting
acumen which successfully reached across all gospel, soul, rock and pop genres
Donny Hathaway created some of the greatest sides ever for ATCO, where he
spent his time on earth creating some of the most masterful and beautiful soul music
In 1978, Donny was honored with his first greatest hits collection simply titled
The Best of Donny Hathaway. This stunning array of his most memorable hit singles
and stellar album staples, most of them featuring Joel Dorn, Billy Cobham, Arif Mardin,
Jerry Wexler, Eric Gale, Bernard Purdie, King Curtis, Doc Gibbs and Cornell Dupree,
continues to illustrate how important a force he was then and still is today, over four
The Best of Donny Hathaway features a heavy menu of his finest moments like
the funk infused The Ghetto, the definitive balladry of Leon Russell's A Song For You,
and of course his duet chart topper with Roberta Flack Where Is The Love, which truly
opened up a worldwide audience to this sorely missed genius.
Even more classics abound as you'll hear the only vinyl release versions of
his beautiful last top charting r&b ballad You Were Meant For Me and his standard
holiday gem This Christmas. The fine LP also includes one of the more poignant songs
of our time Someday We'll All Be Free which is truly a milestone song for this artist.
This 1978 Greatest Hits LP hasn't been available on vinyl for many decades... that
is until now!
Friday Music is very proud to announce for the first time ever the stunning 180
Gram Audiophile Vinyl release of The Best Of Donny Hathaway. Mastered impeccably
from the original ATCO Records tapes by Joe "Philly Soul" Reagoso at Friday Music
Studios and Capitol Mastering in Hollywood, these classic tracks truly reach sonic
heights in the audiophile vinyl domain. We have also included the original artwork
elements by Sandi Young, the classic illustration of Donny Hathaway by Norman
Green, as well as the original back cover studio session information not seen in LP
cover form in years!
The soul lives on here at the Friday Music label, and as with our recent original
pioneering soul albums from Ray Charles, Aretha Franklin, Solomon Burke, Wilson
Pickett and others, we feel this stunning Donny Hathaway 180 Gram Audiophile
Vinyl will be a much anticipated and welcomed release to all the soul, funk and rock
audiophile vinyl fans.
Take It From Me .Someday We'll All Be Free1. You Were Meant For Me
2. A Song For You
3. You've Got A Friend (Donny Hathaway & Roberta Flack)
4. Someday We'll All Be Free
5. Giving Up
6. Where Is The Love (Donny Hathaway & Roberta Flack)
7. The Ghetto
8. Valdez In The Country
9. This Christmas$29.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
Stardust (Awaiting Repress)Ranked 257/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
An American Classic: Gorgeous Breakthrough Album of Pop Standards Spent More than a Decade on Country Charts
Quintuple Platinum 1978 Set Finds Nelson Interpreting Fare From Likes of Kurt Weill, Hoagy Carmichael, and Irving Berlin
Sumptuous Sound Elevates Booker T. Jones Production: Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI
As a Singer, Nelson Never Better: Gets Inside the Phrasing, Lyrics, and Emotions of Songs
Why be predictable?, Willie Nelson asked Columbia Records executive Nick Blackburn, after the latter resisted the Red Headed Strangers decision to make an album of classic pop tunes. Talk about outlaw country. Cutting against the genres traditions and Music Row conventions, Nelsons Stardust remains a genius-level creation as well as the icons most commercially successful release, a truly gorgeous record infused with ultimate respect for composers and lyrics and many of the finest performances of his career. It is a quintessential part of any catalog.
Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI, this Silver Label LP dazzles with dead-quiet surfaces, tube-like warmth, and an enhanced soundstage. Further exposing the delicate touches abounding in Stax legend Booker T. Jones production, this edition brings out the textured kernels of Nelsons voiceand the deep-seeded dignity, austerity, devotion, grit, sensitivity, grace, and plaintiveness within it. His brilliant phrasing throughout is on par with that of Frank Sinatra and Ray Charles, two giants that influenced this project and his willingness to pair with strings and small combo to wondrous effect.
Having met Jones while living in Malibu, Nelson established a relationship with the musician that extended to roles as producer, arranger and band mate. Jones superior knowledge of the American Songbook comes through via the materials economy of scale and sympathetic approach. Acoustic guitar arpeggios, contrasting breaks, bluesy harmonicas, glowing organs, R&B-tinged horns, brushed drums, and relaxed bass lines trickle throughout the songs, all distinguished by Nelsons intimate timbre and absolutely astonishing vocal expressiveness.
In redefining and reimagining standards such as Irving Berlins Blue Skies, Hoagy Carmichaels Georgia On My Mind, and the age-old All of Meall of which landed in the Top 5 of the Country singles chartNelson wedded together pop, country, jazz, folk, and blues in a manner in which no artist had ever before done. He gained considerable rewards for his exquisite efforts: Stardust sold more than five million copies and, incredibly, stayed on the Country album charts for more than ten years.
This is a record no one should be without. Hear the definitive analog pressing.
This title is not eligible for discount.1. Stardust
2. Georgia On My Mind
3. Blue Skies
4. All of Me
5. Unchained Melody
6. September Song
7. On the Sunny Side of the Street
8. Moonlight In Vermont
9. Dont Get Around Much Anymore
10. Someone to Watch Over Me$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
The Great Ray Charles (Out Of Stock)The Genius' Grammy-winning 1959 masterpiece The Great Ray Charles sounds simply brilliant on Rhino's new 180g 50th Anniversary vinyl edition. An all-time Atlantic Records' classic!1. The Ray
2. My Melancholy Baby
3. Black Coffee
4. There's No You
6. Sweet Sixteen Bars
7. I Surrender Dear
8. Undecided$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock