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The Greatest Showman

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  • The Greatest Showman Original Motion Picture Soundtrack The Greatest Showman Original Motion Picture Soundtrack Quick View

    $21.99
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    The Greatest Showman Original Motion Picture Soundtrack

    THE GREATEST SHOWMAN is a bold and original musical that celebrates the birth of show business and the sense of wonder we feel when dreams come to life.Inspired by the ambition and imagination of P.T. Barnum, THE GREATEST SHOWMAN tells the story of a visionary who rose from nothing to create a mesmerizing spectaclethat became a worldwide sensation. THE GREATEST SHOWMAN is directed by exciting new filmmaker Michael Gracey, with songs by Academy Award winners Benj Pasek & Justin Paul (LA LA LAND) and starring Academy Award nominee Hugh Jackman. Jackman is joined by Academy Award nominee Michelle Williams, Zendaya, Zac Efron and Rebecca Ferguson.
    1. The Greatest Show - By Hugh Jackman, Keala Settle, Zac Efron, Zendaya & The Greatest Showman Ensemble
    2. A Million Dreams - By Ziv Zaifman, Hugh Jackman, Michelle Williams
    3. A Million Dreams (Reprise) - By Austyn Johnson, Cameron Seely, Hugh Jackman
    4. Come Alive - By Hugh Jackman, Keala Settle, Daniel Everidge, Zendaya & The Greatest Showman Ensemble
    5. The Other Side - By Hugh Jackman & Zac Efron
    6. Never Enough - By Loren Allred
    7. This Is Me - By Keala Settle & The Greatest Showman Ensemble
    8. Rewrite The Stars - By Zac Efron & Zendaya
    9. Tightrope - By Michelle Williams
    10. Never Enough (Reprise) - By Loren Allred
    11. From Now On - By Hugh Jackman & The Greatest Showman Ensemble
    Various Artists
    $21.99
    Vinyl LP - Sealed Buy Now
  • Bright Moments (Pure Pleasure) Bright Moments (Pure Pleasure) Quick View

    $49.99
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    Bright Moments (Pure Pleasure)

    Rahsaan Roland Kirk's live club gigs were usually engaging, freewheeling affairs, full of good humor and a fantastically wide range of music. The double album Bright Moments is a near-definitive document of the Kirk live experience, and his greatest album of the '70s. The extroverted Kirk was in his element in front of an audience, always chatting, explaining his concepts, and recounting bits of jazz history. Even if some of his long, jive-talking intros can sound a little dated today, it's clear in the outcome of the music that Kirk fed voraciously off the energy of the room.


    Most of the tracks are long (seven minutes or more), demonstrating Kirk's wealth of soloing ideas in a variety of styles (and, naturally, on a variety of instruments). Pedal Up is a jaw-dropping demonstration of Kirk's never-duplicated three-horns-at-once technique, including plenty of unaccompanied passages that simply sound impossible. There's more quintessential Kirk weirdness on Fly Town Nose Blues, which heavily features an instrument called the nose flute, and the title track has a healthy dose of Kirk singing through his (traditional) flute.


    His repertoire is typically eclectic: Ellington's Prelude to a Kiss; a groovy Bacharach pop tune in You'll Never Get To Heaven; a lovely version of Fats Waller's Jitterbug Waltz; and a stomping, exultant New Orleans-style original, Dem Red Beans and Rice. Perhaps the best, however, is an impassioned rendition of the ballad standard If I Loved You, where Kirk's viscerally raw, honking tone hints in a roundabout way at the avant-garde without ever losing its melodic foundation. Bright Moments empties all the major items out of Kirk's bag of tricks, providing a neat microcosm of his talents and displaying a consummate and knowledgeable showman. In short, it's nothing less than a 'tour de force'.



    Musicians:



    • Rahsaan Roland Kirk (tenor saxophone, flute)

    • Ron Burton (piano)

    • Henry Pearson (bass)

    • Todd Barkan (synthesizer)

    • Joe Habao (percussion)

    • Robert Shy (drums)



    Recording: 1973 live at Keystone Korner, San Francisco, by Biff Davies, Ed Barton & Jack Crymes

    Production: Joel Dorn



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    LP 1
    1. Introduction
    2. Pedal Up
    3. You'll Never Get To Heaven
    4. Clackety Clack
    5. Prelude To A Kiss
    6. Talk (Electric Nose)
    7. Fly Town Nose Blues


    LP 2
    1. Talk (Bright Moments)
    2. Bright Moments Song
    3. Dem Red Beans And Rice
    4. If I Loved You
    5. Talk (Fats Waller)
    6. Jitterbug Waltz
    7. Second Line Jump

    Rahsaan Roland Kirk
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Wildest (Pure Pleasure) The Wildest (Pure Pleasure) Quick View

    $34.99
    Buy Now
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    The Wildest (Pure Pleasure)

    A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Nominally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock & roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat. His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence: mugging, clowning, and cavorting around the stage with the boundless enthusiasm of a hyperactive boy. Prima's band during this time was anchored by tenor saxophonist Sam Butera, whose grounding in jump blues and New Orleans R&B was a perfect match.



    Musicians:



    • Louis Prima (trumpet, vocal)

    • Keely Smith (vocal)

    • Sam Butera (tenor saxophone)

    • James "Little Red" Blount (trombone)

    • Willie McCumber (piano)

    • Jack Marshall (guitar)

    • Amado Rodrigues (bass)

    • Bobby Morris (drums)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Medley: Just A Gigolo/I Aint Got Nobody
    2. (Nothings Too Good) For My Baby
    3. The Lip
    4. Body And Soul
    5. Oh Marie
    6. Medley: Basin Street Blues/ When Its Sleepy Time Down South
    7. Jump, Jive And Wail
    8. Buona Sera
    9. Night Train
    10. (Ill Be Glad When Youre Dead) You Rascal You
    Louis Prima feat. Kelly Smith, Sam Butera, & The Witnesses
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Goodbye Sunshine, Hello Nighttime (Pre-Order) Goodbye Sunshine, Hello Nighttime (Pre-Order) Quick View

    $19.99
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    Goodbye Sunshine, Hello Nighttime (Pre-Order)

    Release Date: May 18, 2018*


    The album represents a turning point for the quartet as not just musicians, but friends as well. The last few years would prove simultaneously maddening, marvelous, and ultimately majestic for Family of the Year. Started by brothers Joe and Sebastian Keefe, the group made writing retreats to Mount Washington and Bear Valley Springs in order to craft the new music during 2016. However, pressure increased, communication eroded, a once defined creative identity became obscured, and Joe and Sebastian endured the passing of their mom. The turmoil led to a breakthrough for the bandmates. Reinvigorated and re-inspired, they rebuilt their friendships and finished writing and recording with a new creative clarity, going deeper than before.


    Produced by Greg Wells (Adele, Dua Lipa, The Greatest Showman), the 12-song set is earmarked by heartfelt introspective storytelling and rich instrumentality, re-emerging with their most hypnotic and heartfelt body of work to date, awash in dreamy hummable harmonies and robust percussion. At the same time, the Keefe's took a moment to look back. The subject matter goes beyond the past few years and encompasses their upbringing in a working-class broken home in Martha's Vineyard. Home remains a resonant concept throughout. Drummer Sebastian Keefe explains, We wanted to write something deeper... That had to happen for us to reach our potential for honesty, vulnerability, satisfaction, and creativity.


    *Please note that release dates are subject to change.

    1. Let Her Go
    2. Bitter Mind
    3. Hold Me Down
    4. I'm the One
    5. Latchkey Kids
    6. Girl Who Washed Ashore
    7. Numb
    8. The Coast
    9. Where Was I
    10. Two Kids
    11. Raw Honey
    12. Mexico
    Family Of The Year
    $19.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • One Night Stand! Live At The Harlem Square Club (Discontinued) One Night Stand! Live At The Harlem Square Club (Discontinued) Quick View

    $18.99
    Buy Now
    x

    One Night Stand! Live At The Harlem Square Club (Discontinued)

    Ranked 443/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Not only is this one of the greatest live soul albums ever released, it also reveals a rougher, rawer and more immediate side of Sam Cooke that wasn't necessarily unveiled on all of his singles. Cookes elegant, searing voice sets the tone here but it's his skills as a master showman that take it to new heights. His explosive renditions of Chain Gang, Twistin' the Night Away and Somebody Have Mercy are just a few of the highlights that contribute to one of the finest sets of raw secular gospel ever documented! Here on 180g Vinyl LP.


    Legacy Recordings has gone to great lengths to present this classic album exactly the way it was originally intended, with all the warmth and nuance that only vinyl can offer!

    1. Soul Twist/Introduction
    2. Feel It (Don't Fight It)
    3. Chain Gang
    4. Cupid
    5. Medley: It's All Right/For Sentimental Reasons
    6. Twistin' The Night Away
    7. Somebody Have Mercy
    8. Bring It On Home To Me
    9. Nothing Can Change This Love
    10. Having A Party
    Sam Cooke
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Three Loves Have I (Pure Pleasure) Three Loves Have I (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Three Loves Have I (Pure Pleasure)

    A native of San Juan, Puerto Rico, Tito Rodriguez came to New York City in 1939 to sing with his brother's band. He learned to play a variety of instruments before succeeding as a vocalist with Enric Madriguera, Xavier Cugat, Noro Morales, and JosÉ Curbelo. In 1947 he started his first band with RenÉ Hernández, Cachao Lopez, and Victor Paz.


    Several of the great Latin-American singers went on to form their own aggregations, but Rodriguez was the most successful. One reason is the music, which has the hip drive of Tito Puente (whom he copied during the Palladium battles of the 'two Titos') and the Palmieri brothers. Eddie Palmieri and company perform on some of his best albums. In fact, he and Puente, 'the two Titos' headlining at New York City's famous Palladium, were rivals for the title of Mambo King until Perez Prado took it.


    While Tito Rodriguez played mambo on a par with the others, it was his voice that set him apart. Whether it's mambo, Latin twist, or sentimental ballads, Rodriguez rarely strayed far from authentic or progressive Latin. Indeed, no other performer epitomizes the Latin showman as well as he: top vocal stylist, versatile musician, sophisticated arranger-composer, handsome bandleader, leader of the New York Latin scene. Tito Rodriguez' music is quintessential.


    Given the popularity of all three rhythms listed in the title, it's no surprise that Tito would think of them as his 'loves' - especially since they'd all helped spur on new energy in Latin music! But over and above the rhythms, the album itself is one of Tito's greatest from the 50s - spare, lean, and with a style that's both lively and jazzy - never dipping into some of the too-heavy modes that Tito succumbed to in later years. Tracks are all short, with lots of horn work on top of the percussion.



    Musicians:



    • Tito Rodriguez (vocals, percussion) & band



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Sweetness Of You
    2. Yambere
    3. Asi ....Asi

    4. My Tobi's Blues

    5. A Llegado El Guaguanco
    6. This Is Mambo
    7. Violets And Violins
    8. Barito
    9. Baranga
    10. Cha-Cha-Cha Para Ti
    11. Sabroso Mambo
    12. Guaguanco Bonito
    Tito Rodriguez
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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