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The Killers Day And Age'
Day & AgeDay & Age is the third studio album by American rock band The Killers, originally released on November 18, 2008, by Island Records. Frontman and lead vocalist Brandon Flowers stated that it is the band's most playful record. By May 2015, Day & Age had sold three million copies worldwide.1. Losing Touch
4. Joy Ride
5. A Dustland Fairytale
6. This Is Your Life
7. I Can't Stay
8. Neon Tiger
9. The World We Live In
10. Goodnight, Travel Well$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
From out of the wreckage of the American Civil War, the great state of Nevada came into being on October 31st, 1864. Its creation immediately helped to secure the re-election of Abraham Lincoln, the passage of the Thirteenth Amendment and, ultimately, the future of the union. Today, that proud but painful history is enshrined in the two words emblazoned on the upper left-hand corner of the state flag: Battle Born.
That phrase has always resonated with Brandon Flowers. It's what The Killers named their studio in Las Vegas, and when the band reconvened last May to start work on the follow-up to 2008's Day & Age, it became first a song title, then a thematic touchstone, and eventually the name of the album itself. But not all battles are blood and thunder: after a yearlong hiatus that saw three of the four Killers launch solo careers, they quickly discovered that timing and circumstance can be daunting adversaries in their own right.
Safe to say, Battle Born's title was well-earned. "It's the hardest thing I've ever done, no question," says Brandon. "It's the longest we've ever taken to make a record, and the longest I've ever spent on the lyrics. We thought we had enough songs, but then we realized that we didn't, and so we had to pound away and grind it out until we were certain that we were ready."
A small-town drama of epic-scale proportions, "Runaways" is everything you could wish for from a Killers comeback single; an unmistakably American expression of romance and optimism that heralds their return with cyclonic, Who-esque guitars and a chorus big enough to be bellowed from one end of the Mojave to the other.
One of the album's oldest songs, the bare bones were written in 2009 on the Day & Age tour, but, says Brandon, "We never knew what to do with it. Day & Age was us trying to be more of a pop group, but Runaways was rootsy and American, and it threw me for a curve. I knew it was a powerful song. But when it came time to make the album, there was an understanding the four of us had that we were gonna do what we're good at. The Killers write a specific kind of song, and we're not gonna shy away from it. So 'Runaways' became a kind of launching pad."
More songs followed: the title track, a musical 'brother' to its lead single; "Here With Me," the album's heartstring-tugging emotional gravity-centre; the stadia-quaking electro-rock of "Flesh & Bone." By the time the band had satisfactorily refined that body of songs, however, none of the producers on their shortlist could commit to making a whole album, necessitating a process whereby they recorded in fits and starts with a stellar roll-call of names that included Daniel Lanois, Steve Lillywhite, Damian Taylor, Stuart Price and Brendan O'Brien.
And therein lies Battle Born's real triumph. Recorded almost entirely at the studio that shares its name, it incorporates elements from each of the records that came before it; Hot Fuss' storytelling eye for detail; the yearning, mythic Americana of Sam's Town; the gratuitous hooks and pop nous of Day & Age; without sounding overtly like any one in particular. It's the sound of a band recognizing, and celebrating, their own identity. To borrow Brandon's maxim, Battle Born is The Killers "Doing what we do best."1. Flesh And Bone
3. The Way It Was
4. Here With Me
5. A Matter Of Time
6. Deadlines And Commitments
7. Miss Atomic Bomb
8. The Rising Tide
9. Heart Of A Girl
10. From Here On Out
11. Be Still
12. Battle Born$34.99Vinyl LP - 2 LPs Sealed Buy Now
$179.99$159.99Save $20.00 (11%)
Career Vinyl Box (On Sale)
Box Set Features 7x Albums Across 10x 180-Gram Vinyl
Includes The First Vinyl Pressing Of Live From The Royal Albert Hall, Recorded Live At The Historic Venue In July Of 2009 As A Box Set Exclusive
Includes A Slip Mat Featuring The "K" From The Band's Logo And Inspired By The Vintage Lights Of The Las Vegas Strip
No other band has soundtracked the 2000s more than Vegas rockers The Killers and now their nearly 15 years-long discography will be celebrated in one place with a seven-volume Killers Career Vinyl Box through Island/UMe.
The career-spanning collection will be available on 180-gram black vinyl and include a slip mat featuring the "K" from the band's logo and inspired by the vintage lights of the Las Vegas Strip
This career retrospective vinyl box marks the first time that all seven of the band's albums have been collected in one complete box set including: Hot Fuss, Sam's Town, Sawdust, Day & Age, Battle Born, Wonderful Wonderful and for the first time on vinyl, Live From The Royal Albert Hall.
Originally released in November 2009 as a live DVD, this double live album captures the kinetic energy of their historic lives shows at the Royal Hall in 2009 and is now available as a double LP and is exclusive to the Career Vinyl Box. It also includes their mid-career compilation album, Sawdust, which contains B-sides, covers and remixes, as well as an outtake from Sam's Town, and 'Tranquilize', featuring a guest appearance by Lou Reed.
As arguably the biggest indie-pop stars on the planet, their indie days are well behind them, selling out stadiums and playing tributes at the Rock and Roll Hall of Fame. And yet it seems just like yesterday that every 20-something in skinny jeans was blaring the indie disco staple 'Mr Brightside' from The Killers' three-times-platinum 2004 debut album, Hot Fuss. Even 14 years later, the band's most enduring single remains firmly in the charts, having just its 200th week in the Billboard top 100.
After Hot Fuss ushered in their signature post-New Wave sound with massive hooks, they continued on their course of amassing hit after hit of transcendent anthems from 'All These Things That I've Done' and to the Springsteen-eque singalong 'When You Were Young' off their sophomore album Sam's Town.
With his stylish swagger and crooning tenor, frontman Brandon Flowers could turn his sardonic streak on songs like "Smile Like You Mean It," and 'Somebody Told Me' into chart gold. With each album, the group flexed their versatility, from the garage rock-pop of Hot Fuss to electro-clash energy of Day & Age to the stadium rocker of Battle Born and most recently 2017's funk-infused Wonderful Wonderful, which snagged the No. 1 spot on the Billboard 200.
This title is not eligible for further discount.Hot Fuss
1. Jenny Was A Friend Of Mine
2. Mr. Brightside
3. Smile Like You Mean It
4. Somebody Told Me
5. All These Things That I've Done
6. Andy, You're A Star
7. On Top
8. Change Your Mind
9. Believe Me Natalie
10. Midnight Show
11. Everything Will Be Alright
1. Sam's Town
3. When You Were Young
4. Bling (Confession Of A King)
5. For Reasons Unknown
6. Read My Mind
7. Uncle Jonny
9. My List
10. This River Is Wild
11. Why Do I Keep Counting?
LP 3: Sawdust
1. Tranquilize (feat. Lou Reed)
3. All The Pretty Faces
4. Leave The Bourbon On The Shelf
5. Sweet Talk
6. Under The Gun
7. Where The White Boys Dance
8. Show You How
9. Move Away
1. Glamorous Indie Rock And Roll
2. Who Let You Go?
3. The Ballad of Michael Valentine
4. Ruby, Don't Take Your Love To Town
5. Daddy's Eyes
6. Sam's Town (Live From Abbey Road / 2006)
7. Romeo And Juliet
8. Mr. Brightside (Jacques Lu Cont's Thin White Duke Remix)
Day & Age
1. Losing Touch
4. Joy Ride
5. A Dustland Fairytale
6. This Is Your Life
7. I Can't Stay
8. Neon Tiger
9. The World We Live In
10. Goodnight, Travel Well
Live From The Royal Albert Hall
2. This Is Your Life
3. Somebody Told Me
4. The World We Live In
5. I Can't Stay
6. Bling (Confession Of A King)
8. Smile Like You Mean It
9. Losing Touch
2. A Dustland Fairytale
3. Sam's Town
4. Read My Mind
5. Mr. Brightside
6. All These Things That I've Done
7. Jenny Was A Friend Of Mine
8. When You Were Young
1. Flesh And Bone
3. The Way It Was
4. Here With Me
5. A Matter Of Time
6. Deadlines And Commitments
1. Miss Atomic Bomb
2. The Rising Tide
3. Heart Of A Girl
4. From Here On Out
5. Be Still
6. Battle Born
1. Wonderful Wonderful
2. The Man
4. Life To Come
5. Run For Cover
6. Tyson Vs. Douglas
7. Some Kind Of Love
8. Out Of My Mind
9. The Calling
10. Have All The Songs Been Written?$179.99 $159.99 Save $20.00 (11%)180 Gram Audiophile Virgin Vinyl LP Box Set - 10 LPs Sealed Buy Now
Wonderful WonderfulWonderful Wonderful is The Killers' fifth studio album and features the top 10 Alternative hit The Man.
Brandon Flowers revealed in May 2015 that he and guitarist Dave Keuning were exchanging ideas for The Killers' fifth studio album. The four members reconvened in October 2015, a few months earlier than originally planned. The band began work on the album at their own Battle Born Studios and also rented houses in Joshua Tree National Park and San Diego. They briefly recorded with Ryan Tedder and other producers in Los Angeles before beginning work with Jacknife Lee, who had been recommended to them by U2 frontman Bono. Lee worked with the band between September 2016 and May 2017 at his home studio in Topanga, California, and at National SouthWestern Recording studios in Las Vegas, Nevada. Lee produced all tracks on the album alongside The Killers, with Additional Production by Erol Alkan on The Man and Stuart Price on Out Of My Mind.
The Killers enlisted Mark Knopfler (of Dire Straits) for a guitar part on Have All the Songs Been Written?. Additionally, Flowers wrote the lyrics for Some Kind of Love over music by Brian Eno. Australian artist Alex Cameron contributed lyrics to the track Run for Cover, which was originally written for the band's third studio album, Day & Age.1. Wonderful Wonderful
2. The Man
4. Life To Come
5. Run For Cover
6. Tyson vs Douglas
7. Some Kind Of Love
8. Out Of My Mind
9. The Calling
10. Have All The Songs Been Written?$25.99Vinyl LP - Sealed Buy Now
$29.99$24.99Save $5.00 (17%)
Pocket Full Of Kryptonite (On Sale)180 Gram Audiophile Virgin Vinyl
Pocket Full of Kryptonite, originally pressed in 1991 sold over six million copies worldwide and was on Billboard's popchart for an incredible 115 straight weeks.
This reissue of Pocket Full Of Kryptonite by SoundStageDirect is a special project for both the band and Seth Frank, President and founder of SoundStageDirect. Seth's passion for vinyl started at the young age of 11 when he began working at the Princeton Record Exchange. It was in that very record store where a friendship between Seth and Chris Barron, the lead singer of the Spin Doctors solidified over a mutual love of music.
As the legend goes, Chris Barron went in to the Princeton Record Exchange in Princeton, N.J., when he was about 13 years old. He met 15-year-old Seth who at the time worked at the store which Chris thought was really cool. With $3 of hard-earned allowance in his pocket, Chris asked Seth, 'What's a really good album that's like, cheap?' Seth said, "Dude, 'Live At Leeds,' It's a killer album." And so Chris bought his first vinyl album for 99 cents, and walked out with enough money left over for a slice of pizza and a soda.
The two teenagers who bonded over their passion for music and vinyl records in particular are still friends today, coming full circle with the limited edition 180 gram vinyl release of Pocket Full Of Kryptonite. It's very clear both men still share the same excitement about bringing music to people, each in their own way.
The Spin Doctors are currently on tour with all of the original members (Chris Barron, Eric Schenkman, Aaron Comess & Mark White).
This title is not eligible for further discount.1. Jimmy Olsen's Blues
2. What Time Is It?
3. Little Miss Can't Be Wrong
4. Forty or Fifty
5. Refrigerator Car
6. More Than She Knows
7. Two Princes
8. Off My Line
9. How Could You Want Him (When You Know You Could Have Me?)
10. Shinbone Alley / Hard to Exist$29.99 $24.99 Save $5.00 (17%)180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Savages (Discontinued)Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.LP 1
2. Cannibal Holocaust
4. Ayatollah Of Rock 'N' Rolla
5. Master Of Savagery
1. This Is Violence
3. El Comegente
5. Fuck Reality (Bonus Track)
6. Soulfly IX (Bonus Track)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Boy (Discontinued)Its enough to make you stop and say, What is that? It being the gorgeous melodies and lean, spellbound guitar lines of Colin Caulfield, an English/French lit major whos about to change what it means to be a shapeshifting singer-songwriter in the YouTube age.
Just ask Bradford Cox. He knows. Why, just a year ago, the Deerhunter frontman stumbled upon Colin Caulfields organ-grinding rendition of Rainwater Cassette Exchange and said its fantastically superior to the original. It actually sent shivers up my spine, especially during the second verse.
Believe it or not, that chilling cover was just a warmup session. As killer as he is at capturing the very essence of everything from Animal Collective to Ariel Pink, Caulfieds true talent is in telling his own Young Man stories. The first chapter of which goes by the name Boy, a deceivingly-simple suite of songs about wanting to grow up without having the slightest idea of what being a man actually means.
Now thats a reason to hit rewind, from the tone-setting tenderness and psych-infused harmonies of Five to the restless rhythms (Caulfield was a drummer well before he became a singer/guitarist) and room-engulfing intimacy of Up So Fast. Both of which feature some of the most hopeful/haunting choruses youll hear all year.
And thats just the beginning, of course. Since Young Man was conceived as a concept project about the passing of time, love, and loss, Caulfield already has two loosely-linked LPs on tap, a faceless collection of fragile characters that could be any one of us, really.
A lot of its autobiographical, explains Caulfield, but its universal at the same time, because everyone goes through these things.
Listen closely. Itll all make sense soon enough. Trust us.1. Five
3. Home Alone
6. Just a Growin'
7. Up So Fast$11.99Vinyl LP - Sealed Buy Now
Splinter (Songs From A Broken Mind) (Awaiting Repress)'Splinter' (Songs From A Broken Mind) is the inspired new album by pioneer, chart-topper and influential artist Gary Numan.'Splinter' features guitarist Robin Finck (Nine Inch Nails, Guns N Roses), is produced by long-standing collaborator Ade Fenton, and will be followed by a full national headline tour in November.
The album finds Gary on fine dark electronic form; sounding both cutting-edge and classic Numan, it marks his best work since the late 70s, early 80s heyday.'Splinter''s opening gambit 'I Am Dust' is a statement of intent, combining heavy grind with his archetypal anthemic pop skills. The unsettling whispered verses, crunchy guitars and Hans Zimmer-esque strings on 'Here In The Black' create a sense of menace and drama, whilst more orchestral work adorns the cinematic 'The Calling'. Slower-burning ballads 'Lost', 'Where I Can Never Be' and 'My Last Day', highlight the album's broad palate, adding elements of subtlety and even beauty in contrast to the album's more aggressive moments.
Gary's knack for sexy, idiosyncratic dancefloor killers is strongly evident on the pounding, growling throb of 'Love Hurt Bleed', whilst 'Who Are You' carries equal clout as-body-music-Numan-style - infectious, but sounding unlike anything else you might hear blasting from a soundsystem.
Although Numan released a straight-to-the-fanbase album 'Dead Son Rising' in 2011, this is his first self-penned full album since 'Jagged' in 2006.
In recent years he's been quoted as an influence by everyone from Lady Gaga to Kanye West, Matthew Dear to Queens Of The Stone Age, The Foo Fighters, Nine Inch Nails, Prince and J Dilla, to Boyz Noise, Richie Hawtin and Battles (they released a single 'My Machines' on Warp Records with Numan in 2011).
But while Numan's unique style continues to connect with fans from the worlds of metal, hip hop, electronica, industrial and indie, he remains as focussed as ever in pursuing his own singular vision. 'Splinter' sounds unique, while also utilising new sounds and ideas.
Perhaps it's the voice - one of the most distinctive in music and often associated with machines and icy alienation, but for those who are drawn to Numan's songs, his singing is strangely emotional, almost soulful in places. And if you like that side of his writing, you certainly won't be disappointed with the new album, where there are several tracks that set Numan's vocals against moody, atmospheric torch songs to stunning effect.
- Contact Music1. I Am Dust
2. Here in the Black
3. Everything Comes Down to This
4. The Calling
7. Love Hurt Bleed
8. A Shadow Falls on Me
9. Where I Can Never Be
10. We're the Unforgiven
11. Who Are You
12. My Last Day$24.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Restoration: The Songs Of Elton John And Bernie Taupin
Some of the world's biggest pop, rock and country artists are celebrating Elton John's most beloved and legendary catalog of hits with two albums Revamp (Island Records) and Restoration (Mercury Nashville). The superstar lineup features artists both new and iconic reinterpreting the timeless songs of the over 50 year writing partnership that Elton and Bernie Taupin share. These renditions and artists show the depth of the catalog these two icons have created, which can easily cross musical genres and their unparalleled influence across popular music of all styles.
Revamp features the hits reimagined by the best in pop, rock and urban with Mary J. Blige, Alessia Cara, Coldplay, Miley Cyrus, Florence And The Machine, Lady Gaga, The Killers, Mumford and Sons, P!nk and Logic, Q-Tip ft. Demi Lovato, Queens of the Stone Age, Ed Sheeran, Sam Smith,
Restoration highlights countries biggest stars with thoughtful interpretations by Dierks Bentley, Rosanne Cash and Emmylou Harris, Miley Cyrus, Vince Gill and Don Henley, Miranda Lambert, Little Big Town, Maren Morris, Kacey Musgraves, Willie Nelson, Brothers Osborne, Chris Stapleton, Rhonda Vincent and Dolly Parton and Lee Ann Womack.
"'It's always a huge compliment when an artist loves your song enough to take the time and effort to rework it," adds Elton John. "As songwriters, Bernie and myself are thrilled when singers we admire and respect as much as those on Revamp & Restoration choose to add their own unique twist in the process. It means that our music is still relevant and ultimately that our songs continue to reach new audiences. We're humbled and thank them all for their generosity."
"Because of our love of all kinds of music, we're not stuck in one genre," said Bernie Taupin. "From day one we borrowed from everything that's good about American music - whether it's blues, country, gospel, pop, pure rock - everything got thrown in the mix. I think that's why our music over the years has been so varied. It would be tiring if you just got stuck in one niche your entire career, especially when it's one as long as ours."
The album art for Restoration was created by Bernie. The rustic musical instruments and flags from both nations is an extension of his mixed-media art that's another form of expression. It symbolizes the role that U.S. culture and its native music has played as a driver in the John/Taupin canon.
"For me, there's an irony about the American flag," Taupin says. "It's been battered and beaten and burned, but it's resilient. It's always come back. I incorporate it with other things, and lately I've done a lot of pieces with deconstructed guitars and other found materials: barbed wire, broken bottles, things that people identify with on an everyday level. If it's on the floor and it works, I'll put it into the artwork. But it all goes hand in hand with my belief in America and my interest, I would say obsession, with Americana."
Revamp has a pop art cover based on the Terry O'Neil photograph of Elton that was recreated in neon. The covers are very different from each other because they represent totally different albums.
"We have two completely different albums; Revamp being the pop one and Restoration being the country one and God we have so many great artists doing our songs, it's quite incredible," said Elton John. "Restoration was Bernie's project and he's a huge country fan. The 'Revamp' was more my project. He came up with an astonishing list of country performers both new and legendary. On Revamp I wrote out a wish list of people that I would love and asked them and to my surprise most of them said yes and we have quite an astonishing eclectic crew."1. Rocket Man - Little Big Town
2. Mona Lisas And Mad Hatters - Maren Morris
3. Sacrifice - Don Henley and Vince Gill
4. Take Me To The Pilot - Brothers Osborne
5. My Father's Gun - Miranda Lambert
6. I Want Love - Chris Stapleton
7. Honky Cat - Lee Ann Womack
8. Roy Rogers - Kacey Musgraves
9. Please - Rhonda Vincent and Dolly Parton
10. The Bitch Is Back - Miley Cyrus
11. Sad Songs (Say So Much) - Dierks Bentley
12. This Train Don't Stop - Rosanne Cash and Emmylou Harris
13. Border Song - Willie Nelson$35.99Vinyl LP - 2 LPs Sealed Buy Now