The Weeknd

The album was supported by three singles. Often was released as the lead single. The Hills was the second single and Can't Feel My Face was the third single. The Hills and Can't Feel My Face both reached number one on the Billboard Hot 100. Beauty Behind the Madness also includes Earned It, which was released on December 23, 2014 as the lead single from the soundtrack to Fifty Shades of Grey.

Housed In A Gatefold Jacket

Starboy is the follow-up to last year's Grammy-Award winning, 3X-platinum Beauty Behind The Madness. Title track "Starboy" ft. Daft Punk was named "Most Added Record of All-Time in North America" at radio.

First Time On Vinyl

LEMONADE is BeyoncÉ's sixth studio album, originally released on April 23, 2016. The record is BeyoncÉ's second visual album, following her eponymous 2013 record, and a concept album. While its predecessor featured individual music videos for each track, Lemonade was accompanied upon its release by a one-hour film aired on HBO. Primarily an R&B album, Lemonade encompasses a variety of genres, including pop, reggae, blues, rock, hip-hop, soul, funk, Americana, country, gospel, electronic, and trap. The album features guest vocals from James Blake, Kendrick Lamar, The Weeknd, and Jack White.

Over the course of 14 tracks, TRAVIS threads together an engaging, enthralling, and epic patchwork of anesthetized and apocalyptic production, mind-numbing raps, and glorious hooks punctuated by an A-list cast of collaborators. Kendrick Lamar delivers hard-hitting and hypnotic bars in the middle of "Goosebumps" just before a signature chantable chorus. "The Ends" veers between a haunting hum and a verse-for-verse tandem of our protagonist and Andre 3000 of OutKast. "Way Back" drips into a searing guitar solo as "Sweet Sweet" fires off one of his stickiest hooks to date. By the time The Weeknd and TRAVIS serve up a smooth send-off on "Wonderful," you're in the Trap for life, and you won't want to leave

Birds In The Trap Sing McKnight is finally here, and TRAVIS SCOTT's presence can be felt throughout pop culture louder than ever.

BLACC HOLLYWOOD marks the third full-length label release from Wiz Khalifa,The GRAMMY® Award-nominated rapper, and includes the hit single, "We Dem Boyz." Wiz will herald BLACC HOLLYWOOD by headlining this year's "Under the Influence of Music Tour."

Wiz's first major label debut, ROLLING PAPERS, which was released in March 2011, spawned the multi-platinum hits "Black and Yellow," and double- "Roll Up" and "No Sleep." Wiz earned himself two nominations at the 2011 Grammy Awards thanks to his breakout hit "Black and Yellow," in both the "Best Rap Song" and "Best Rap Performance" categories. Khalifa then joined forces with Snoop Dogg for MAC AND DEVIN GO TO HIGH SCHOOL SOUNDTRACK, the collaborative soundtrack album for the film "Mac and Devin Go to High School." The album featured the hit single "Young, Wild & Free" featuring Bruno Mars, which has gone on to become 3x-certified Platinum, and a top 10 success on Billboard's "Hot 100 Singles" chart.

O.N.I.F.C. was released December 2012, debuting at #2 on the Billboard "Top 200 Albums" chart and #1 on Billboard's "Top R&B/Hip Hop Albums" and "Top Rap Albums" charts, and #1 on iTunes' "Overall Albums" and "Top Hip-Hop/Rap Albums" charts. Wiz earned himself a nomination at the 56th Annual GRAMMY® Awards for his Platinum-certified single, "Remember You," Ft. The Weeknd in the "Best Rap/Sung Collaboration" category, adding to a career total of 5 nominations.

The album contains their versions of songs made famous by Sam Smith, Ed Sheeran, Michael Jackson, The Weeknd and others, alongside three new original tracks. It features the group's current line-up of co-founder and sole surviving original member Otis Williams alongside Ron Tyson, Terry Weeks, Larry Braggs and Willie Greene. All The Time arrives 54 years after the appearance of the Temptations' first Motown album Meet The Temptations, released as they began to build their rare and legendary place in the history of soul music.

Among many notable inclusions, the Temptations' version of Sam Smith's 'Stay With Me' becomes a gospel-tinged love song, and the group bring their unique presence to The Weeknd's Fifty Shades Of Grey track 'Earned It.' Willams' unmistakeable speaking voice rings out over the introduction of Sheeran's 'Thinking Out Loud.'

The new songs on All The Time are 'Waitin' On You,' 'Be My Wife' and the funky 'Move Them Britches.' The bonus tracks on the digital album are a 'Gospel Mix' of 'Stay With Me' and a 'Heathens Mix' of 'Move Them Britches.'

Last autumn, the new musical Ain't Too Proud-The Life and Times of The Temptations became the highest-grossing production in the 50-year history of the Repertory Theatre in Berkeley, California. It has five-week engagements at the Kennedy Centre in Washington, DC in June and July, at the Ahmanson Theatre in Los Angeles in August and September and at Toronto's Princess of Wales Theatre in October, ahead of its Broadway debut.

As the modern-day Temptations continue to tour the world, Williams observes: "I'm 76 now. Looking back, I never could have imagined where my life has taken me. I'm so proud of what the Temptations have achieved, and I'm grateful for every opportunity we've been so fortunate to receive. The music carries me. Together, we lift our voices with love and wonder. We had a great time recording All The Time and we hope everyone enjoys it."

UM is pleased to announce ZONKEY, an album of 12 unique mashups, conceived, arranged & executed by the band. ZONKEY is as seamless as it bizarre, playful as it is razor sharp. Bits and pieces of classic songs are culled from 40+ years of popular music from 70's Reggae to 80's Pop to 90's Metal and everywhere in between. From Radiohead mashed with Beck, The Weeknd with Fleetwood Mac, Talking Heads with Bob Marley, Metallica with Gorillaz .nothing is off limits.

ZONKEY clearly pays homage to some of our favorite artists & songs. While we've tried to reproduce the spirit of the original compositions & recordings, we've also tried to have some fun with the structure as we've often combined seemingly dissimilar musical elements to create a new vibe altogether," notes keyboardist Joel Cummins.

Damien Verrett was never comfortable with one single identity. As So Much Light, his nom de production, the Sacramento-based musician is able to assume multiple personas, elegantly weaving all of his skills and interests into one project that brings self-fulfillment musically but also ideologically.

Verrett has created a socially conscious full-length debut, Oh, Yuck. Utilizing both organic and electronic sounds, Oh, Yuck is wrought with textural soundscapes grounded by programmed orchestral compositions, sprightly guitar lines and thrashing drums--productions that are never overambitious or dense, but purposeful with each synth layer, each woodwind arrangement.

So Much Light unites the electronic indie charms of Toro Y Moi and Flume with the courage and swagger of R&B stars like Neyo and The Weeknd. By seamlessly combining soul with exceedingly intelligent and thoughtfully-arranged production and textures, Verrett has expanded the boundaries of conventional genres. Part observational poet, emotive melodist, inventive sound designer and detail-oriented perfectionist, So Much Light is without a doubt the total package.

One fateful night a couple years ago, a crew from Sub Pop were dining
at the restaurant when they recognized melodies by Adele and Daft
Punk wafting through the restaurant and decided to investigate. Canlis
co-owner Mark Canlis offered the Sub Pop crew a full tour, and when
he pulled out a vintage copy of the '60s LP Live At Canlis, an idea was
born. With Wagner preparing to retire, the time was ripe for a recording
that captured his inimitable gifts in their natural surroundings.

In preparation for the big night, Wagner sat down with the Sub Pop
team for more ideas. "I wanted them to feed me tunes that they loved
and could imagine hearing me play." Sub Pop alumni Fleet Foxes and
Band of Horses were already staples of Wagner's sets, but what magic
could he work with DJ Shadow, Phoenix, or My Bloody Valentine? He
had three months to find out.

The album's opening selection, "Building Steam with a Grain of Salt,"
provides a glimpse into Wagner's modus operandi. "The first time I
listened to it, I said 'well what can I do with that?'" He recalls. "But
the more I listened, the more I noticed these signature moments in the
song, and through messing around with those and improvisation, I
ended up with my version."

Recorded before a packed house on October 9, 2016, Reworks is more
than just a souvenir of a very special evening; it captures decades of
musicianship that forged Wagner's distinctive style. He studied
classical piano throughout his youth, yet kept his playing secret until
he'd reached his teens, when he began playing in rock bands.

While learning to improvise and play more rhythmically made him a hit
with his peers, his classical instruction made his band the Exotics
especially popular with local bookers. "We were one of the only bands
that could read music, so we accompanied different stars of the time:
Dick and Dee Dee, Johnny Crawford, all these '50s and early '60s
artists that came to town." The Exotics even cut a single, a Wagner
original entitled "Oasis," that made it to #3 on local radio station KJR
in the summer of 1961.

In the years that followed, Wagner played at downtown Seattle
watering holes and eateries and refined his jazz chops. Two decades at
Canlis taught him to interact with listeners in a whole new way. And
now, flush with excitement over Reworks, Wagner may not stay retired
for long.