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The Who Live At The Fillmore'
The Who: Live At The Fillmore East 1968Universal Music will issue The Who Live at the Fillmore East 1968, a set of unreleased recordings from the second of two nights played at Bill Graham's legendary, but short-lived, venue in the Lower East Side of Manhattan.
The Who's manager Kit Lambert had recorded both the 5th and 6th of April shows of '68 with a view to issuing as The Who's fourth album after Sell Out. That never happened, but 50 years later sound engineer Bob Pridden (who was there in 1968) has restored and mixed songs from the 6 April show for this new archival release.
The setlist features extended versions of My Generation (33 minutes!), A Quick One , Shakin' All Over and many other Who classics. This will be issued as a gatefold triple vinyl set.LP 1
1. Summertime Blues
2. Fortune Teller
4. Little Billy
5. I Can't Explain
6. Happy Jack
1. I'm A Boy
2. A Quick One
3. My Way
4. C'mon Everybody
5. Shakin' All Over
6. Boris The Spider
1. My Generation (Part 1)
2. My Generation (Part 2)$49.99Vinyl LP - 3 LPs Sealed Buy Now
UNIM-UNI-7314xThe Allman Brothers
Live at Fillmore East (Awaiting Repress)Ranked 49/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Considered by many to be one of the greatest live albums of all time, this classic album by the Allman Brothers, recorded at the pinnacle of their success, was a huge hit for the band. In 1971, the Allman Brothers were already one of the most popular groups in America, but by the time this album hit the streets their brand of Southern rock had become a national obsession. Live At Fillmore East was also the band's last with guitar hero Duane Allman who was killed in a motorcycle accident later that year.Side One:
1. Statesboro Blues
2. Done Somebody Wrong
3. Stormy Monday
1. You Don't Love Me
1. Hot 'lanta
2. In Memory Of Elizabeth Reed
1. Whipping Post$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Aretha Live At Fillmore West (Speakers Corner)Live recordings come up with extremely different results: most of them land in the rubbish bin, some of them are available as bootleg copies when a star's career has ended and are passed on conspiratorially from one excited collector to another. Only a very few conserve real spirit and sheer enthusiasm, which no arranger or sound mixer can conjure up in the studio.
But even more sensational was Aretha Franklin's guest appearance at the Fillmore West, the legendary concert hall in San Francisco, which closed down shortly afterwards. Everyone knew who was going to perform, and yet everything was quite different on these three nights in the spring of 1971: her usual show band was left behind in Detroit and she appeared with King Curtis And The Kingpins - one of the most impressive bands around - accompanied by the trailblazers Cornel Dupree (g) and Bernard Purdie (dr). The Memphis Horns, a fantastic horn section, blast away in the background, their keen as a razor backings rising up to soaring heights. From Billy Preston's fingertips on the organ flows an aura of spiritual energy and Ray Charles, who by chance (but how fortuitous!) was among the audience also got his appearance in the telling title Spirit In The Dark. No words need be lost about the queen on the cover. For without the superb albums of the late Sixties, Aretha Franklin would never have become the USA's first sister of soul nor would she have appeared in the Fillmore West.
Aretha Franklin, Ray Charles (vocals, electric piano)
King Curtis (tenor saxophone, soprano saxophone)
Billy Preston (organ)
Truman Thomas (Electric Piano)
Cornell Dupree (guitar)
Jerry Jemmot (bass)
Bernard Purdie (drums)
Pancho Morales (conga)
Recording: February 1975 live at Fillmore West, San Francisco, by Ray Thompson
Production: Jerry Wexler and Arif Mardin
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Respect
2. Love The One You're With
3. Bridge Over Troubled Water
4. Eleanor Rigby
5. Make It With You
6. Don't Play That Song
7. Dr. Feelgood
8. Spirit In The Dark
9. Reach Out And Touch (Somebody's Hand)$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Live At The Fillmore - June 7, 1968Collector's edition double LP set of psychedelic supergroup Quicksilver Messenger Service performing live at the height of their powers!
Classic line-up featuring the twin guitar attack of Gary Duncan and John Cipollina tearing through the band's best songs including "Pride Of Man,"
"Acapulco Gold & Silver," and "Light Your Windows" PLUS blues classics "Who Do You Love?," "Mona" and more!
Packaged with detailed liner notes and rare photos!LP1
1. Pride of Man
2. If You Live (Your Time Will Come)
3. Dino's Song
4. Smokestack Lightnin'
6. Light Your Windows
1. Back Door Man
2. Acapulco Gold & Silver
3. Who Do You Love?
4. The Fool$29.99Vinyl LP - 2 LPs Sealed Buy Now
Live At The Carousel BallroomImport
Big Brother & The Holding Company might best be known for being the first band Janis Joplin sung in, a live recording like this one shows their prowess as a fivepiece band.
Their June 23, 1968 show at the Carousel Ballroom would prove to be legendary on a number of levels. The venue was owned by members of Jefferson Airplane and The Grateful Dead and would later become the Fillmore West. Janis would leave the band only two months after the show to pursue her solo career, making this one of the last times the ensemble worked together. The show was recorded by Augustus Owsley Stanley III , a.k.a. 'Bear', soundman of The Grateful Dead and a masterful LSDcooker, who also supervised the remastering of the recordings shortly before his death in March 2011.
This is to be the first in a series of releases from his archive titled 'Bear's Sonic Archive', and it promises to be one hell of a ride. Though some of these songs have appeared on a 1972 Janis Joplin collection before in a very raw form, this is the first time these recordings are being released on vinyl.
Dedicated to Bear, this live performance is a more than welcome addition to the Big Brother catalogue!LP1
1. Combination Of The Two
2. I Need A Man To Love
3. Flower In The Sun
4. Light Is Faster Than Sound
6. Catch Me Daddy
7. It's A Deal
8. Call On Me
1. Jam - I'm Mad (Mad Man Blues)
2. Piece Of My Heart
3. Coo Coo
4. Ball & Chain
5. Down On Me
6. Call On Me (Saturday Show)$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Band Of GypsysImport
The Jimi Hendrix Experience disbanded after 3 albums, but Jimi quickly formed a new band with bassist Billy Cox and his drummer friend Buddy Miles; the Band of Gypsys. Musically the Band of Gypsys leaned more towards Jimi's funk/R&B roots than the psychedelic rock sound of the Experience.
The Band of Gypsys made their live debut at the Fillmore East on New Year's Eve, 1969, for a series of four shows spread over two nights. A compilation of these shows saw the light as the eponymous live album 'Band of Gypsys'. Containing definitive versions of Machine Gun and Who Knows!
Incl. 8-page full-colour booklet (12x 12)1. Who Knows
2. Machine Gun
4. Power To Love
5. Message To Love
6. We Gotta Live Together$44.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
UNIM-MER-3312xThe Allman Brothers Band
Eat A Peach
Remastered From Original Analog Tapes
Cut On Copper Plates Using Abbey Road Mastering's Direct DMM Lathe
Faithfully Restored Artwork
Eat A Peach is the third studio album from the Allman Brothers and was originally released in February of 1972. It
has been remastered from original analog tapes by Keven Reeves (Brothers And Sisters, The 1971 Fillmore East
Recordings) to 192kHz 24-bit audio and then cut on copper plates using Abbey Road Mastering's Direct Metal
Mastering (DMM) lathe. This title is being issued on 180g, heavy weight vinyl. The original artwork has been
faithfully reproduced as well.
Having firmly established themselves as The Grateful Dead of the South via their enormously successful 1971 Live at the Fillmore East double album, the Allman Brothers had just begun work on a new studio collection when slide guitarist Duane Allman died in a motorcycle accident. Undaunted, the group rallied together and completed Eat a Peach, which, via inclusion of the 34-minute-plus Mountain Jam, blossomed into a double LP. While keyboardist-singer Gregg Allman shone on tracks like Sonny Boy Williamson's One Way Out and his own Melissa, it was second guitarist Dickey Betts who came out from under the departed Allman's shadow with his lead vocal on Blue Sky and his incendiary playing throughout. -Billy Altman1. Ain't Wastin' Time No More
2. Les Brers in A Minor
4. Mountain Jam
5. One Way Out
6. Trouble No More
7. Stand Back
8. Blue Sky
9. Little Martha
10. Mountain Jam, Cont'd.$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Both Sides of the SkyBoth Sides Of The Sky presents 13 studio recordings including 10 which have never before been released. All but two of these studio recordings were made during a fertile period between January 1968 and 1970. Jimi's mastery and use of the studio as a proving ground for new songs resulted in a growing collection of extraordinary material. This album completes a trilogy of albums [with Valleys Of Neptune and People, Hell & Angels] presenting the best and most significant unissued studio recordings remaining in the Hendrix archive. The songs include fascinating alternate versions of Stepping Stone, Lover Man and Hear My Train A Comin' as well as recordings where Jimi is joined by special guests Johnny Winter and Stephen Stills. Both Sides Of The Sky was mixed by Eddie Kramer, the engineer for all of Hendrix's albums throughout the guitarist's lifetime, and produced by Janie Hendrix, Kramer and John McDermott.
Mannish Boy - The first ever studio session by the group Hendrix would christen as his Band Of Gypsys. Hendrix, Cox & Miles shared a love for the blues as this driving, uptempo reworking of Mannish Boy by Muddy Waters makes clear.
Lover Man - Just two weeks before their triumphant New Year's concerts at the Fillmore East in NYC [yielding both 1970's Band Of Gypsys and 2016's sequel Machine Gun], Hendrix gathered with Cox and Miles to cut this dynamic rendition of what had become a favorite concert staple.
Stepping Stone - A totally unique take on this Hendrix favorite, with Jimi showcasing both blues and country styled licks atop a relentless, galloping beat.
$20 Fine -Stephen Stills joined Jimi, Mitch Mitchell and Buddy Miles Express keyboardist Duane Hitchings at this September 1969 session. With Stephen handling lead vocals and organ, Jimi added multiple guitar parts to this rollicking Stills original.
Power Of Soul - This 1970 studio session came three weeks after the Band Of Gypsys concerts at the Fillmore East. While a live version remains one of the highpoints of Band Of Gypsys, Jimi never released a studio version during his lifetime. For this album, we present the mix that Hendrix and Kramer prepared of the complete song at Electric Lady on August 22, 1970.
Jungle - The influence of Curtis Mayfield can be heard here as Jimi expands on the Villanova Junction Blues theme he made famous by its inclusion in the 1970 Woodstock documentary.
Things I Used To Do - Jimi is joined for this rendition of Guitar Slim's blues classic by Johnny Winter. Jimi's trademark guitar work and Winter's deft slide playing weaves in and around the foundation set by bassist Billy Cox and Crosby, Stills, Nash & Young drummer Dallas Taylor.
Georgia Blues - Jimi reunited with some old friends from his pre-Experience days. Lonnie Youngblood, with whom Hendrix played in R&B groups like Curtis Knight & The Squires, voiced this superb twelve bar blues neatly underpinned by Hendrix's sublime rhythm and lead guitar work.
Sweet Angel - With Axis: Bold As Love only just released, Jimi immediately turned his focus to recording what would become Electric Ladyland. This gorgeous, instrumental reading of Angel,, features Jimi on guitar, bass and vibraphone joined by Mitch Mitchell.
Woodstock - Stephen Stills came to this session fresh from having visited Joni Mitchell, who had a new song that Stills was excited to try and record. Long before CSNY's version, Stephen, Jimi and Buddy Miles recorded this amazing rendition.
Send My Love To Linda - A superb new Hendrix original composition recorded with Cox and Miles in the aftermath of their successful Band Of Gypsys performances at the Fillmore East.
Cherokee Mist - Together with drummer Mitch Mitchell, Jimi created this moody, evocative original complete with his playing of a sitar to complement his traditional electric guitar.1. Mannish Boy
2. Lover Man
3. Hear My Train a Comin'
4. Stepping Stone
5. $20 Fine
6. Power of Soul
8. Things I Used to Do
9. Georgia Blues
10. Sweet Angel
12. Send My Love to Linda
13. Cherokee Mist$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The UnionThe Union is the highly anticipated collaborative album from Elton John and Leon Russell and it's the first time these iconic artists have worked together since 1970. Produced by Oscar and multiple-Grammy winning producer T Bone Burnett, The Union was recorded live in the studio with Elton and Leon on dueling pianos. The album features a variety of musical genres from R&B, soul, gospel, country, pop and rock. The 14-track set includes selections written by Elton and his lifelong lyricist Bernie Taupin, as well as the combined incomparable songwriting team encompassing Leon, Elton, Bernie and T Bone.
Leon first met Elton in 1970 when he attended Eltons first ever U.S. show at the famous Troubadour in Los Angeles. The meeting heralded the beginning of a long friendship and a mutual appreciation between the two artists. In the late 60s and early 70s, the one piano player and vocalist who influenced me more than anybody else was Leon Russell, Elton said. He was my idol. The pair went on to tour together shortly thereafter at New Yorks Fillmore East and to this day have held such high admiration for each others work.
After years of being out of touch, Elton listened to Leons music while on safari in Africa last summer and was inspired to reconnect with his idol. Elton called to ask if I would do a duet album with him, Russell said. Im very happy that he chose me to do this.1. If It Wasn't For Bad
2. Eight Hundred Dollar Shoes
3. Hey Ahab
4. Gone To Shiloh
5. Jimmie Rodger's Dream
6. There's No Tomorrow
7. Monkey Suit
8. The Best Part Of The Day
9. A Dream Come True
10. When Love Is Dying
11. I Should Have Sent Roses
12. Hearts Have Turned To Stone
13. Never Too Old (To Hold Somebody)
14. In The Hands Of Angels$29.99Vinyl LP - 2 LPs Sealed Buy Now
West Coast Seattle Boy: The Jimi Hendrix Anthology (Awaiting Repress)LPs Cut from the Original Masters at Sterling Sound by Iconic Engineer George Marino
58-Track Behemoth Includes 45 Previously Unreleased Hendrix Studio and Live Recordings
Hendrix's Journey Traced in Music: From Little-Known R&B Sideman to Rock Superstar
Ultimate Hendrix Set is the Jewel of Legacy's Catalog Restoration Project
The wave of newly re-mastered, all-analog Jimi Hendrix titles culminates in the long awaited release of West Coast Seattle Boy: The Jimi Hendrix Anthology. This definitive career-spanning 8-LP Box Set tracks Hendrixs remarkable journey from R&B sideman to international guitar hero. The deluxe set is filled with previously unreleased Jimi Hendrix Experience recordings plus demos, alternate takes, and more. This newly assembled Jimi Hendrix anthology also includes a new Hendrix documentary DVD, directed by the Grammy award-winning Bob Smeaton (Beatles Anthology, Festival Express, and Beatles: The Studio Recordings). The LPs have been cut from the original masters at Sterling Sound in Manhattan by iconic engineer George Marino.
This long-awaited career-spanning box set tracks Hendrix's remarkable journey from little known R&B sideman to international stardom through an unprecedented assemblage of previously unavailable recordings. West Coast Seattle Boy - The Jimi Hendrix Anthology is not a collection of existing Hendrix albums but instead 45 unreleased Hendrix live and studio recordings including demos and alternate versions of songs from Are You Experienced, Axis: Bold As Love, and Electric Ladyland.
West Coast Seattle Boy includes Hendrixs never before heard version of Bob Dylans 'Tears Of Rage, solo acoustic recordings of Electric Ladyland favorites like Long Hot Summer Night and 1983 (A Merman I Shall Turn To Be) as well as never before heard live performances from Berkeley and the legendary Band Of Gypsys Fillmore East concert on New Year's Eve 1969 combined together with such new Hendrix songs as Hear My Freedom, Hound Dog Blues, Lonely Avenue and more.
A centerpiece achievement in Legacy Recordings' monumental Jimi Hendrix catalog project, West Coast Seattle Boy - The Jimi Hendrix Anthology is the first Hendrix collection to bring fans access to a comprehensive treasure trove of fresh material -- including demos, alternate takes, live concert jewels and more -- from all phases of the artist's recording career (1964 -1970). It offers the most complete collection of Jimi's pre-Experience R&B performances (including his singles with the Isley Brothers, Little Richard, Don Covay, King Curtis and more) to ever be officially anthologized, while bringing together the most comprehensive and revelatory set of fully realized songs, never before heard live performances, alternate studio takes, acoustic and electric demos, and other rarities drawn from every chapter of Hendrix's remarkable life and career.
The newly curated and assembled West Coast Seattle Boy - The Jimi Hendrix Anthology also includes Jimi Hendrix Voodoo Child, a new 90-minute documentary directed by the multiple Grammy-award winning Bob Smeaton (Beatles Anthology, Festival Express, Beatles: The Studio Recordings, Band of Gypsys). An autobiographical journey told in the legendary musician's own words as read by Parliament-Funkadelic's Bootsy Collins, the film incorporates interviews with Hendrix, coupled with the artist's letters, writings and recordings to provide new insight into one of the most enduring icons of popular culture.
The documentary features some of Jimi's greatest performances as well as rare and never before seen footage and photos including--for the first time ever--examples from the Hendrix family archive of the late guitarists personal drawings, postcards home to his father, song drafts, sketches, and lyrics.
Who better to tell the incredible story of a man's life than the man himself? Jimi was amazing and only his music, with tones and textures that he conjured, can capture the colorful and expansive essence of his time here on earth. I am enthralled with this all-encompassing new anthology which not only illuminates his years on both sides of the Atlantic and beautifully reveals his versatility as a performer, from his R&B origins to his explosion on the pop culture scene, but highlights who he was for those who knew and loved him, says Janie Hendrix, President and CEO of Experience Hendrix and co-producer of West Coast Seattle Boy - The Jimi Hendrix Anthology.
An essential and historic addition to the Jimi Hendrix catalog, West Coast Seattle Boy - The Jimi Hendrix Anthology brings together, for the first time, many of Hendrix's earliest commercial recordings, providing a rare glimpse of the rising rock guitar hero through a series of stellar sideman performances on a set of highly collectible pre-Experience R&B singles.Included on the first 2LPs of West Coast Seattle Boy:
1. Isley Brothers - Testify (1964
2. Don Covay & the Goodtimers - Mercy, Mercy (1964 - #1 Cashbox R&B - #35 Billboard Hot 100)
3. Don Covay & the Goodtimers - Can't Stay Away (1964)
4. Rosa Lee Brooks - My Diary (1965 - written by Arthur Lee)
5. Rosa Lee Brooks - Utee (1965)
6. Little Richard - I Don't Know What You Got But It's Got Me (1965)
7. Little Richard - Dancing All Around The World (1965)
8. Frank Howard & The Commanders - I'm So Glad (1966 - written by Billy Cox)
9. Isley Brothers - Move Over And Let Me Dance (1965)
10. Isley Brothers - Have You Ever Been Disappointed (1965)
11. Ray Sharpe - Help Me (Get The Feeling) (Part I) (1966)
12. The Icemen - (My Girl) She's A Fox (1966)
13. Jimmy Norman - That Little Old Groovemaker (1966)
14. Billy Lamont - Sweet Thang (1968)
15. King Curtis - Instant Groove (1969)
The third and fourth LPs of West Coast Seattle Boy - The Jimi Hendrix Anthology focus on 1967-68 and Hendrix's breakout sessions with the Jimi Hendrix Experience:
16. Fire (1967) - Previously Unreleased Alternate Recording
17. Are You Experienced (1967) - Previously Unreleased Recording
18. May This Be Love (1967) - Previously Unreleased Alternate Recording
19. Can You See Me (1967) - Previously Unreleased Alternate Recording
20. Love Or Confusion (1967) - Previously Unreleased Alternate Recording
21. Little One (1967) - Previously Unreleased Recording (featuring Dave Mason on sitar)
22. Mr. Bad Luck (1967) - Previously Unreleased Alternate Recording
23. Cat Talking To Me (1967) - Previously Unreleased Alternate Recording
24. Castles Made Of Sand (1967) - Previously Unreleased Recording
25. Tears Of Rage (1968) - Previously Unreleased Recording
26. Hear My Train A Comin' (1968) - Previously Unreleased Recording
27. 1983 (A Merman I Shall Turn To Be) (1968) - Previously Unreleased Recording
28. Long Hot Summer Night (1968) - Previously Unreleased Recording
29. My Friend (1968) - Previously Unreleased Recording
30. Angel (1968) - Previously Unreleased Recording
31. Calling All The Devil's Children (1968) - Previously Unreleased Recording
32. New Rising Sun (1968) - Previously Unreleased Alternate Recording
The fifth and sixth LPs of West Coast Seattle Boy - The Jimi Hendrix Anthology revisit 1968-1969, both a peak and pivotal period for Hendrix in which the artist was exploring bold new directions on stage and in the studio:
33. Hear My Freedom (1968) - Previously Unreleased Recording
34. Room Full Of Mirrors (1969) - Previously Unreleased Recording
35. Shame, Shame, Shame (1969) - Previously Unreleased Recording
36. Messenger (1968) - Previously Unreleased Recording
37. Hound Dog Blues (1969) - Previously Unreleased Recording
38. Untitled Basic Track (1968) - Previously Unreleased Recording
39. Star Spangled Banner (1969) - Previously Unreleased Original Mix
40. Purple Haze (1969) - Previously Unreleased Original Mix
41. Young/Hendrix (1969) - Previously Unreleased Alternate Recording
42. Mastermind (1969) - Previously Unreleased Recording
43. Message To Love (1969) - Previously Unreleased Alternate Recording
44. Fire (1969) - Previously Unreleased Recording
45. Foxey Lady (1969) - Previously Unreleased Recording
Opening with Hendrix's incendiary New Year's Eve performance of Stone Free at New York's Fillmore East on December 31, 1969 and closing with a previously unheard recording from Hendrix alone in his Greenwich Village apartment in 1970, the seventh and eighth LPs of West Coast Seattle Boy - The Jimi Hendrix Anthology provides a fascinating portrait of an artist at his fiery best, working on the future:
46. Stone Free (1969) - Previously Unreleased Recording
47. Burning Desire (1970) - Previously Unreleased Recording
48. Lonely Avenue (1969) - Previously Unreleased Recording
49. Everlasting First (1970) - Previously Unreleased Alternate Recording (featuring Arthur Lee)
50. Freedom (1970) - Previously Unreleased Recording
51. Peter Gunn/Catastrophe (1970) - Previously Unreleased Alternate Recording
52. In From The Storm (1970) - Previously Unreleased Alternate Recording
53. All God's Children (1970) - Previously Unreleased Recording
54. Red House (1970) - Previously Unreleased Recording
55. Play That Riff [Thank You] (1970) - Previously Unreleased Recording
56. Bolero (1970) - Previously Unreleased Alternate Recording
57. Hey Baby (New Rising Sun) - Previously Unreleased Alternate Recording
58. Suddenly November Morning (1970) - Previously Unreleased Recording$99.99Vinyl LP - Limited Edition 8 LP Box Set Sealed AWAITING REPRESS Buy Now