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The Who Meaty'
Meaty Beaty Big And BouncyMeaty Beaty Big and Bouncy is a compilation album of singles by British rock band The Who, originally released in 1971.1. I Can't Explain
2. The Kids Are Alright
3. Happy Jack
4. I Can See For Miles
5. Pictures Of Lily
6. My Generation
7. The Seeker
8. Anyway, Anyhow, Anywhere
9. Pinball Wizard
10. A Legal Matter
11. Boris The Spider
12. Magic Bus
14. I'm A Boy$24.99Vinyl LP - Sealed Buy Now
The Heist (Deluxe Box Set) (Awaiting Repress)
Gold Embossed Gator Skin Deluxe Box Set
180-Gram Double Vinyl
Custom Gator Skin Textured LP Dust Sleeves
Nineteen 12" x 12" Song Artwork Inserts
Art By 13 Unique Collaborators / Visual Artists
When Macklemore declares his music is David Bowie meets Kanye sh*t, it's a bit of an oversell on the Bowie side, but then again, Jean-Michel Basquiat and Keith Haring are also honored as influences during Ten Thousand Hours, the biographical highlight that opens the Seattle rapper's vibrant sophomore release.
These arty name-drops threaten to paint the album as more obscure than it is, but even as glitch electronica and Mad Rad member Buffalo Madonna strange up the breakup number Thin Line, The Heist comes off as instant, alive, and oh so welcoming. Chalk it up to Macklemore's playful and open lyrics (When I was in the third grade/I thought I was gay/Because I could draw, my uncle was, and I kept my room straight) or the album's not so secret weapon, Ryan Lewis, the producer who earns his co-billing with a George Martin or Dave Fridmann-sized sense of purpose and an Internet kid's sense of utilizing anything and/or everything. For the music industry takeover Jimmy Iovine with Ab-Soul as guest, Lewis' production is a mix of G-Unit gangster music and a Houston hip-hop trunk rumbler, while the pro-gay marriage highlight Same Love with Mary Lambert is supported by full-bodied piano and the sound of a bittersweet marching band, all of it familiar yet twisted through a laptop with hypnotic loops and catchy hooks coming out. Gold (feeling like 500,000 sold) is joyous and bright mini-electro that feeds the positive side of the soul, while Can't Hold Us comes with an irresistible bounce, both tracks being light, lovely, and in contrast to the numbers that deal with Macklemore's addiction issues and other obstacles.
These two talented young bucks can't be contained, and hearing them offer one memorable, meaty number after another makes for an exciting listen, but this is unfiltered freshness released on Macklemore's own label, so the concepts of restraint and focus take a slight hit, leaving the is-he-Eminem, is-he-Childish Gambino, or is-he-Grieves question with no clear winner. Here, he's a mix of all of the above with some distinctive qualities, and with Lewis putting that kaleidoscope style underneath, The Heist winds up a rich combination of fresh and familiar.
- David Jeffries (All Music Guide)1. Ten Thousand Hours
2. Can't Hold Us
3. Thrift Shop
4. Thin Line
5. Same Love
6. Make the Money
7. Neon Cathedral
9. White Walls
10. Jimmy Iovine
12. A Wake
14. Starting Over
15. Cowboy Boots
17. My Oh My
18. Victory Lap$42.99180 Gram Audiophile Virgin Vinyl LP Box Set - 2 LPs Sealed AWAITING REPRESS Buy Now
Tyranny And Mutation (Speakers Corner)Let's look back nostalgically to the days when influential DJs presented their precious wares on the radio, which were lapped up by listeners and music pirates alike. That progressive, perhaps psycho, rockers such as the Blue Öyster Cult led a somewhat niche existence makes one all the more eager to listen to the truly awesome discs recorded by this group in their early days. An important start was made with the re-release of BÖC's Secret Treaties (Columbia KC 32858), which is now followed by Tyranny And Mutation - another great disc. Although the band offers a mix of slightly subdued, milder pieces, the opening number The Red & The Black makes it fully clear that we are in for a dizzy roller-coaster ride here. Subsequently the Black side with its straightforward guitar riffs is mixed together with a complex melody and results in an amazingly colourful sound (O.D.'d On Life Itself), it is refreshingly naive, full of feisty complicated rock (Baby Ice Dog), and soars to celestial heights in Wings Wetted Down with its polyphonic male voices.
After the death of 'Lemmy' Kilmister in 2015, we can now enjoy only one group with a heavy-metal Umlaut in its name. But who wants to wait around until some radio DJ puts this great chunk of meaty rock'n'roll on the turntable?
- Eric Bloom (guitar, keyboards, vocal)
- Allen Lanier (keyboards, guitar)
- Donald 'Buck Dharma' Roeser (guitar, vocal)
- Joe Bouchard (bass, vocal, keyboards)
- Albert Bouchard (drums, vocal)
Recording: 1972 at Columbia Studios, New York City, by Tim Geelan
Production: Murray Krugman and Sandy Pearlman
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. The Red & The Black
2. O.D.'d On Life Itself
3. Hot Rails To Hell
4. 7 Screaming Diz-Busters
5. Baby Ice Dog
6. Wings Wetted Down
7. Teen Archer
8. Mistress Of The Salmon Salt (Quicklime Girl)$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now