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Third Man Records'
American Epic: The Best of BluesEarly geniuses of Delta Blues - Robert Johnson, Geeshie Wiley & Elvie Thomas, Son House, Charley Patton and many more have been painstakingly remastered using a mix of analog and digital technology for a hybrid sound that is simultaneously contemporary, immediate but still completely true-to-form.
Single LP with single pocket tip-on jacket with soft touch finish.1. Cross Road Blues by Robert Johnson
2. On the Road Again by Memphis Jug Band
3. Louis Collins by Mississippi John Hurt
4. Sittin' On Top of the World by Mississippi Sheiks
5. 'Tain't Nobody's Business If I Do (Part 1) by Frank Stokes
6. Down the Dirt Road Blues by Charley Patton
7. My Black Mama (Parts 1 & 2) by Son House
8. Walk Right In by Cannon's Jug Stompers
9. The Panama Limited by Bukka White
10. Last Kind Words Blues by Geeshie Wiley & Elvie Thomas
11. Cottonfield Blues (Part 2) by Garfield Akers
12. Tallahatchie River Blues by Mattie Delaney
13. Mama 'Tain't Long fo' Day by Blind Willie McTell
14. Future Blues by Willie Brown
15. Cool Drink of Water Blues by Tommy Johnson
16. Cypress Grove Blues by Skip James
17. Dark Was the Night, Cold Was the Ground by Blind Willie Johnson$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Rise & Fall Of Paramount Records, Volume One (1917-1927) Box Set
* 800 Newly-Remastered Digital Tracks, Representing 172 Artists
* 200+ Fully-Restored Original 1920s Ads And Images
* 6x 180g Vinyl LPs Pressed On Burled Chestnut Colored Vinyl W/ Hand-Engraved, Blind-embossed Gold-Leaf Labels, Housed In A Laser-Etched White Birch LP Folio
* 250 Page Deluxe Large-Format Clothbound Hardcover Art Book
* 360 Page Encyclopedia-Style Softcover Field Guide Containing Artist Portraits And Full Paramount Discography
* Handcrafted Quarter-Sawn Oak Cabinet With Lush Sage Velvet Upholstery And Custom-forged Metal Hardware
* First-Of-Its-Kind Music And Image Player App, Allowing User Mgmt Of All Tracks And Ads, Housed On Custom-Designed USB Drive
How did a Wisconsin chair company, producing records on the cheap and run by men with little knowledge of their audience or the music business, build one of the greatest musical rosters ever assembled under one roof? The answer lies in 'The Rise and Fall of Paramount Records 1917-1932,' an epic, two-volume omnibus of art, words and music housed in a limited-edition, hand-sculpted cabinet-of-wonder, to be jointly released by Jack White's Third Man Records and John Fahey's Revenant Records.
'Volume One,' which covers the label's improbable rise from 1917-1927, will be released exclusively through Third Man on October 29, and worldwide on November 19. The project is co-produced by leading Paramount authority Alex van der Tuuk, and 'Volume 2' will be released in November 2014.
Paramount Records was founded on a modest proposition: produce records as cheaply as possible, recording whatever talent was available. Over its lifetime, the label would become a "race records" powerhouse, its sound and fortunes directly linked to the Great Migration.
By the time Paramount ceased operations in 1932, it had compiled a dizzying array of performers still unrivaled to this day, spanning early jazz titans (Louis Armstrong, King Oliver, Jelly Roll Morton, Fats Waller), blues masters (Charley Patton, Blind Lemon Jefferson, Son House, Skip James), American divas (Ma Rainey, Alberta Hunter, Ethel Waters), gospel (Norfolk Jubilee Quartette), vaudeville (Papa Charlie Jackson), and the indefinable "other" (Geeshie Wiley, Elvie Thomas). Paramount would also directly influence the style of Robert Crumb and countless other 20th century artists and illustrators, through a series of hand-drawn ads promoting its releases in the pages of the Chicago Defender.
The 'Rise and Fall' wonder-cabinet gives equal status to page-turning narrative and new scholarship; original and newly created graphic art; industrial design; and compelling analog and digital music experiences.6 LPs feature 87 tracks from the collection.
USB Drive contains 800 digital tracks by 172 artists across the Paramount family of labels, including the earliest recordings of:
King Oliver, Jelly Roll Morton, Blind Blake, Fats Waller, Ma Rainey, Blind Lemon Jefferson, Duke Ellington, Louis Armstrong, Fletcher Henderson, Alberta Hunter, Papa Charlie Jackson, Ethel Waters, Coleman Hawkins, Johnny and Baby Dodds, Bo Weavil Jackson, Jimmy O'Bryant, Buddy Boy Hawkins, Tiny Parham, Jimmy Blythe, and Jaybird Coleman.$469.99180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed Buy Now
Manley Stingray iTube Stereo Integrated Amplifier
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.
Handcrafted in the USA
The famous Manley Stingray stereo integrated amplifier has been renewed and refreshed. New for 2009 we present to you the Stingray iTube integrated tube amplifier with iPod dock and full featured RF and IR remote control.
The STINGRAY iTube is the next evolution from our acclaimed Stingray Integrated Amplifier, legendary in the hifi world since it swam from our labs in 1997. Originally conceived with particular attention paid to optimal component placement for the purity and symmetry of the signal path layout, the Stingray quickly became one of our best-selling products. The Stingray iTube retains the same basic tube circuitry and marvelous output transformers as the original with some important improvements:
An iPod dock has been integrated into the Stingray iTube as the 4th input source. The Manley iTube has been certified by Apple and officially sanctioned as a Made for iPod product. The Stingray's Remote Control commands the iPod PLAY/PAUSE and TRACK FORWARD/BACK controls.
The iPod's video output is available at the S-Video output jack located on the left side facia.
The high voltage tube energy storage has been increased vastly resulting in even more solid and coherent bass control and impact.
A headphone jack has been added to the right side facia. This jack re-routes the output from the speaker binding posts and mutes the Subwoofer output feed.
The Remote Control works with both Radio Frequency and InfraRed technologies. Using the remote in RF mode gives freedom from having to point and shoot. The RF remote is omnidirectional and works through walls and cabinets. IR capability is included for those with Universal Learning Remote Controls for consolidated integration into existing systems. The volume control, balance adjust, input switching, and iPod interface commands are all on the RF/IR Remote Control. Additionally user can perform the MUTE, DIM, INSERT and STANDBY commands with the Remote Control.
Each INPUT can be individually level trimmed to match and to optimize system gain staging of various input devices.
The fancy blue LED displays surrounding the INPUT and VOLUME encoder knobs can be dimmed down or turned off entirely, after a user-settable time period, or a screen-saver random light sequence can be selected. Speed and intensity of the Starlight mode can be tweaked to taste.
All custom user settings are hard written into memory when the unit is put into STANDBY mode and thus retained if power is later interrupted.
Individual sealed gold contact relays deliver the selected input into the volume control system before hitting the first 12AT7 input tubes. Following the mighty 6414 driver/phase splitter, the trusty EL84 output stage can be switched between either 20 watts of TRIODE power or 40 watts of Ultra Linear mode push-pull operation. Individual bias for each tube is easily adjusted using the trimpots and test points, conveniently located on the top surface of the amplifier. The Stingray's power supply is extra-rugged and stiff, a MANLEY hallmark. It swims with the sharks: fast, agile, fluid, and with consummate authority.
Post-volume SUBWOOFER OUTPUT allows easy hookup of outboard line-level driven active powered subwoofers. This output is after the volume control so that the subwoofer will track the volume level changes of the main speakers. The SUB OUTPUT is a line level and full frequency output that is AFTER the volume control so your powered subwoofer follows the same volume as your main speakers. These are unbalanced RCA jacks, line level. They feed the line inputs of your subwoofer, NOT the speaker jacks. A switchable TAPE LOOP is standard. The TAPE SEND is the output of the selected input before the volume control. The TAPE RETURN can also be used as a 5th line input if needed.
RECORD OUT (aka Tape OUT) is BEFORE the volume control so you can record whatever input you have selected without your listening level affecting the level going to your recorder. These are unbalanced RCA's. It is UNbalanced RCA's and UNbuffered so check out the input Z to your recorder to make sure it won't load down the Stingray main input while it is plugged in. Usually with unbuffered record outs we recommend you only plug in your recorder only when you are actually recording...
Tape LOOP: Also known as an INSERT point, the SEND or Tape Out comes off the selector switch as the Record Out option does going to your outboard EQ or Merlin BAM unit or tape recorder and then the signal returns (RETURN) to the Stingray in front of of the volume control so you can play tunes. A toggle switch selects whether the Tape LOOP (and whatever is plugged into the Tape Loop) is active or the signal goes straight through the Stingray as normal. If you have the Merlin BAM system, order your Stingray with the Tape LOOP option.
Need more than four inputs? Get a SKIPJACK line switcher and run it into this LOOP RETURN: The SKIPJACK is perfect for adding more inputs to anything. So if you use a SKIPJACK's 4 stereo inputs plus the Stingray's 4 stereo inputs you'll get 8 stereo inputs total. The way to do that is to consider the TAPE LOOP: you can bring the SKIPJACK output into the LOOP RETURN, enact the LOOP ACTIVE switch and use the 4 x SKIPJACK inputs feeding the LOOP RETURN with the SKIPJACK controlling source switching for those 4 inputs. Then if you put the Stingray's LOOP switch to BYPASS you will be working with the 4 x Stingray inputs selectable on the Stingray. That gives you 8 total stereo inputs.
Or if you do not want to use the TAPE LOOP feature (because you are using it for other purposes) or if you have an older Stingray without the TAPE LOOP, you can use a SKIPJACK to get up to 7 stereo line inputs by running the SKIPJACK's output into one of the Stingray's inputs.
NOTE: The SUBWOOFER OUT, RECORD OUT, and TAPE LOOP are all passive. So are the BALANCE and VOLUME controls also passive. No active electronics or buffers are used in these circuits. The RECORD OUT comes straight off the input select switch. So whatever source is selected will show up passed through at the TAPE OUT.
iPod can play songs with the these sample rates, and with all compatible codecs
- 8 kHz
- 11.025 kHz
- 16 kHz
- 22.050 kHz
- 32 kHz
- 44.1 kHz
Most iPods (except the iPod Shuffle) will play WAV and AIFF files. The iPod will play up to 16 bit/48kHz files.
iTunes is not compatible with FLAC format files without a third party plugin.
iTunes does support 24/96 wav files. iPod won't play them, but iTunes does support them.
iTunes can in fact output 24/96 digitally, so in theory you could actually assemble a hi-rez music server based on iTunes, and use it to drive the DAC of your choice. Thus using your iPod docked on your Stingray iTube you can play WAV files which will yield similar audio quality to CD.
With the Stingray, the MANLEY team has struck a remarkably harmonious balance in design which satisfies the sonic desires of the audiophile and the rocker, the artist and the musician, the student and the master, the yin and the yang.$6,300.00Manley Stingray iTube Stereo Integrated Amplifier Buy Now
URPD-TMR-300xThe White Stripes
Get Behind Me SatanFirst Ever Commercial Vinyl Release Of The Album
Printed Inner Sleeves
Mastered Direct From Analog Tapes
To celebrate the ten year anniversary of the release of Get Behind Me Satan, Third Man Records is happy to unleash the first-ever commercially available version of the album on vinyl. Winner of 2006 Grammy for Best Alternative Music Album. Includes their classic singles, ''Blue Orchid,'' ''My Doorbell,'' and ''The Denial Twist''.
Recorded to eight track reel-to-reel at Third Man Studios in Detroit, Michigan in February 2005, and mixed at Ardent Studios in Memphis, Tennessee.Sequence Exclusive To This Vinyl
1. Blue Orchid
2. The Nurse
3. My Doorbell
4. Forever For Her (Is Over For Me)
5. As Ugly As I Seem
6. The Denial Twist
7. White Moon
1. Instinct Blues
2. Passive Manipulation
3. Take, Take, Take
4. Little Ghost
5. Red Rain
6. I'm Lonely (But I Ain't That Lonely Yet)$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
WARB-THI-4003xThe White Stripes
Elephant (Awaiting Repress)Ranked 390/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
180 Gram Double LP.
Famously produced without the use of computers The White Stripes' true breakout masterpiece puts a new spin on vintage. Chances are good we don't have to tell you, but Elephant was miraculously made in just two weeks at a London studio outfitted with an eight-track tape machine and recording gear that predates the Beatles. While a loose concept album in theme, there's no missing the back to basics sound in its physical creation that makes it perfect for the raw fullness of vinyl.
Elephant won the 2004 Grammy Award for Best Alternative Music Album. In addition to the smash hit Seven Nation Army, which won for Best Rock Song, the group's fourth release and first for a major label is highlighted by the punked-out blues riffs of Black Math, the high-pitched Queen-like squall of There's No Home For You Her, and the spirited interpretation of Burt Bacharach's I Just Don't Know What to Do With Myself.LP 1
1. Seven Nation Army
2. Black Math
3. There's No Home For You Here
4. I Just Don't Know What To Do With Myself
5. In The Cold, Cold Night
6. I Want To Be The Boy To Warm Your Mother's Heart
7. You've Got Her In Your Pocket
1. Ball And Biscuit
2. The Hardest Button To Button
3. Little Acorns
5. The Air Near My Fingers
6. Girl, You Have No Faith In Medicine
7. It's True That We Love One Another$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Merry Christmas From...Available again! 333 copies were printed on red vinyl and included as part of the White Stripes 2010 Holiday Merchandise package, but copies are now to be had on black vinyl. The A-side was originally recorded in 1998 and its title has been appropriated by Stripes fans as a term to describe themselves as a group. The b-side features Meg singing an a cappella version of Silent Night coupled with Jack reading the Story of the Magi from the Bible. The whole thing is a warming, heartfelt pile of Christmas goodness...dig in!1. Candy Cane Children
2. Story Of The Magi
3. Silent Night$6.997 Vinyl 45 RPM LP - Sealed Buy Now
Live At The Cellar Door
Mastered By Chris Bellman At Bernie Grundman Mastering And Pressed At Pallas In Germany
Neil Young will release Live At The Cellar Door, the latest in his Archives Performance Series, on Reprise Records. The album collects recordings made during Young's intimate six-show solo stand at The Cellar Door in Washington D.C. between November 30th and December 2nd, 1970, a few months after Reprise released his classic third solo album After The Gold Rush in August.
The album, which features Young performing on acoustic guitar and piano, includes tracks that are interesting for several reasons, such as stunning live versions of songs that appeared on After The Gold Rush (Tell Me Why, Only Love Can Break Your Heart, Birds, Don't Let It Bring You Down and the title track) and solo performances of the Buffalo Springfield songs Expecting To Fly (from their 1967 second album Buffalo Springfield Again), I Am A Child (from their third and final album Last Time Around and Young's 1977 Decade compilation), and Flying On The Ground Is Wrong, from their 1966 self-titled debut.
In addition, Live At The Cellar Door features early, raw performances of songs that wouldn't appear until subsequent Young albums, including the rarity Bad Fog Of Loneliness (which appears on Live At Massey Hall '71 - released in 2007-but was previously unreleased until the studio band version was included on Archives Vol. 1 1963-1972), Old Man (released two years later on 1972's Harvest album), a rare solo performance of Cinnamon Girl on piano (the full band version appears on Young's 1969 second solo album Everybody Knows This Is Nowhere), and Down By The River, also from Everybody Knows This Is Nowhere.
Live At The Cellar Door was recorded by Henry Lewy and produced by Young.1. Tell Me Why
2. Only Love Can Break Your Heart
3. After the Gold Rush
4. Expecting To Fly
5. Bad Fog of Loneliness
6. Old Man
8. Don't Let It Bring You Down
9. See the Sky About to Rain
10. Cinnamon Girl
11. I Am A Child
12. Down By the River
13. Flying On The Ground Is Wrong$24.99180 Gram Audiophile Classic Vinyl LP - Sealed Buy Now
Quentin Tarantino's The Hateful Eight Soundtrack
2LP, 180 Gram
60''x12'' & 36''x12'' poster
Tri-Fold Reversible Jacket With Soft-Touch Finish
The Hateful 8 is the eighth film by two-time Academy Award winner Quentin Tarantino, and the first time he has made a film with a dedicated score. Who better to help create and coordinate his first dedicated score than the legendary film composer and Academy Award winner, Ennio Morricone? Tarantino has used Morricone pieces in each of his most recent six films, including Django Unchained and Inglorious Basterds. The Hateful 8 marks the first time the two have collaborated throughout the production of the film to create a complete picture: bringing together the sounds, sights, and passionate grit to fabricate a truly well rounded piece of smart art.
Morricone started writing music at the age of six and has been composing critically acclaimed film scores since the 1960's when his career was launched after composing the score to The Man with No Name trilogy starring Clint Eastwood. Morricone established himself as the master of spaghetti western scores and later on began working in all genres of film with directors such as Franco Zeffirelli, Federico Felini, Roman Polanski, and Roland Joffe putting him on par with the major composers and establishing him as one of the all-time greats, composing soundtracks for over 400 film and TV projects. He has made his mark on film by blending jazz, folk, blues, funk, and classical music to make for brilliantly simple scores that set him apart from the rest. In Tarantino's tradition of not confining his soundtrack selections to space or time periods, the soundtrack also features songs from Roy Orbison, David Hess, and The White Stripes to round everything out. Hateful 8 is the most sweeping and narrative soundtrack Tarantino has released yet, and is sure to become a classic.
Two 180-gram vinyl LPs, Tri-fold reversible jacket, double LP, soft-touch finish with spot UV, includes a 60'' x 12'' poster, a 36'' x 12'' poster and a 12-page booklet insert with stills from the movie
United Record PressingLP 1
1. L' Ultima Diligenza di Red Rock (versione integrale) by Ennio Morricone
2. Overture by Ennio Morricone
3. ''Major Warren Meet Daisy Domergue'' by Kurt Russell, Samuel L. Jackson, and Jennifer Jason Leigh
4. Narratore Letterario by Ennio Morricone
5. Apple Blossom by The White Stripes
6. ''Frontier Justice'' by Tim Roth and Kurt Russell
7. L'Ultima Diligenza di Red Rock #2 by Ennio Morricone
8. Neve (versione integrale) by Ennio Morricone
9. ''This Here Is Daisy Domergue'' by Kurt Russell and Michael Madsen
10. Sei Cavalli by Ennio Morricone
11. Raggi di Sole Sulla Montagna by Ennio Morricone
12. ''Son of the Bloody Nigger Killer of Baton Rouge'' by Walton Goggins, Bruce Dern, and Samuel L. Jackson
1. Jim Jones at Botany Bay by Jennifer Jason Leigh featuring Kurt Russell
2. Neve #2 by Ennio Morricone
3. ''Uncle Charlie's Stew'' by Samuel L. Jackson, Demian Bichir, and Walton Goggins
4. I Quattro Passeggeri by Ennio Morricone
5. La Musica Prima del Massacro by Ennio Morricone
6. L'Inferno Bianco (synth) by Ennio Morricone
7. The Suggestive Oswaldo Mobray by Tim Roth, Walton Goggins, and Kurt Russell
8. Now You're All Alone by David Hess
9. Sangue e Neve by Ennio Morricone
10. L'Inferno Bianco (ottoni) by Ennio Morricone
11. Neve #3 by Ennio Morricone
12. Daisy's Speech by Walton Goggins, Jennifer Jason Leigh and Michael Madsen
13. La Lettera di Lincoln (strumentale) by Ennio Morricone
14. La Lettera di Lincoln (con dialogo) by Ennio Morricone and Walton Goggins
15. There Won't Be Many Coming Home by Roy Orbison
16. La Puntura Della Morte by Ennio Morricone$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Bathtub Love KillingsBathtub Love Killings is the debut solo LP from Olivia Jean, the
multi-instrumentalist who cut her teeth in the Third Man stable backing
folks as varied as Karen Elson, Wanda Jackson and Jack White in
addition to fronting the much-loved Black Belles. Jean has accrued a
lifetime of experience in a few short years, from highlight performances
on The Colbert Report, Conan, Late Show With David Letterman and
the Grand Old Opry stage to having one of her songs used as the
theme for the television series Elvira's Movie Macabre.
Produced by Jack White, Bathtub Love Killings showcases Jean as a
songwriting force to be reckoned with. Playing damn-near every instrument
she could get her hands on, the result is a well-rounded, catchy record that's
chockfull of ear worm moments.1. Mistakes
2. Merry Widow
4. Green Honeycreeper
5. Haunt Me
6. After The Storm
9. Cat Fight
11. Deadly Hex$17.99Vinyl LP - Sealed Buy Now
The Shaw Tapes: Live In Detroit 5/27/88"The best garage band in America since the '60s. Very primitive they made
people with Les Pauls and Marshall amps look like idiots."
- Jack White
Recorded at a party in a Detroit storefront in 1988, this live recording of the
Gories captures the band at their apex. The ferocity, intensity and grit that come
through this record is a testament to why the Gories oeuvre has been heavily
mined for the past two decades by hundreds of poseurs, pretenders and johnny-come-latelys
The dual-guitar attack of Dan Kroha's smooth Fender Jaguar and
Mick Collins screechy Kent Videocaster, coupled with the snare-less, cymbal-less,
bass drum-less primitive drumming of Peggy O'Neill forms a perfect meld of
40's blues, 50's R&B, 60's garage and 70's punk. Dare we say it, but in terms of
in uence and reach, the Gories were the Velvet Underground of their day1. Nautiloid Reef
2. Leavin' Here
3. I Think I've Had It
4. To Find Out
5. Boogie Chillen
6. Real Cool Time
7. Charm Bag
8. Sovereignty Flight
9. Again and Again
10. Thunderbird ESQ
12. Train Kept a Rolling
13. I Just Wanna Make Love to You / Give Me Love$17.99Vinyl LP - Sealed Buy Now
Live At Third Man RecordsFucked Up is a rare band. They're a mutant strain of post-hardcore, arena punk super-talents capable of reworking the strange and the beautiful into something cohesive, but never at the expense of their signature, addictive, furious entropy. They are truly a blitzkrieg of song and lyric.
Is it work-shy and lazy to call a live record whose songs flow seamlessly into one another ''epic?'' What if every track is a battering ram of rabid guitar, fugitive vox, death match bass and roaring drums? No matter how you dice it one word won't ever be enough to explain a band like Fucked Up. All substitutions will pale in comparison to the experience itself. That goes for every blurb and every pixelated cell phone video out there. But our record does the show justice.
Fucked Up got their start as many often do, making the rounds on punk and DIY circuits in Toronto, around Canada and later into the USA. Punk is a genre known for its velocity, brevity, and politics, although here we have an almost complete inversion of those core traits: songs don't race the clock, mythology and storytelling weaving fully realized narratives, and a bipartisan set with a 100% approval rating.1. Year of the Rat
2. David Comes to Life
3. Son the Father
4. I Hate Summer
5. Year of the Ox
6. California Cold$14.99Vinyl LP - Sealed Buy Now
URPD-THI-3384xBilly Wayne Davis
Live At Third Man Records (Pre-Order)You don't need to be from the South to understand Billy Wayne Davis' particular brand of humor, but being the Nashvillians we are (both transplanted and native), this up-and-comer is one of our favorite used-to-be local (and soon-to-go-global) stand-up comedians. Davis has gone from surprising crowds at the comedy club down the road with his ''like-hillbill-ity,'' to winning over the alt comedy scene of Seattle, to hangin' with Marc Maron and working with the likes of Lisa Lampanelli, Louis CK, and Mitch Hedberg since his most recent move to Los Angeles. Third Man Records was thrilled to have Tennessee's much-missed ''thinking man's hillbilly'' to our stage for a little Southern hospitality and to record another addition to what is becoming a pretty formidable series of live comedy records. Some of our absolute favorite releases over the past seven years have been made without the use of a single guitar, and we expect Billy Wayne Davis Live at Third Man Records to join those very ranks.1. Rambling Heartfelt Intro
2. Opening Prayer
3. The Middle East
7. Crossville, TN
8. Coon's Age
9. Honest Dime
11. More Kentucky
13. Thanks Marty & Storme$14.99Vinyl LP - Sealed PRE-ORDER Buy Now
URPD-TMR-081xCold War Kids
Cold War Kids - Live At Third Man RecordsLive recording from the performance at Third Man Records on 12.12.101. Royal Blue
3. Louder Than Ever
4. I've Seen Enough
5. Cold Toes On The Cold Floor
6. Skip The Charades
7. Hospital Beds
9. Santa Ana Winds
10. We Used To Vacation
11. Goodnight Tennessee$14.99Vinyl LP - Sealed Buy Now
ThirdThird is the first studio album from Portishead in over ten years so it's about as highly anticipated as it gets! The album incorporates a lot of samples and synthesizers and drum tracks meld seamlessly with violins and pianos. Haunting, emotional, moody, raw and modern, Third is an incredible record.
Portishead was formed in Bristol, U.K. in 1991 by Geoff Barrow, Beth Gibbons and Adrian Utley. After releasing a short film entitled To Kill A Dead Man and its accompanying music, they were signed to a record deal with Go! Beat Records.
Portisheads first album, Dummy, was released in 1994 and the first single was Numb. The album was successful in both Europe and the United States (where it sold more than 150,000 copies even before the band toured there). Dummy spawned two hit singles, Glory Box and Sour Times, and went on to win the prestigious Mercury Music Prize in 1995. After their initial success, Portishead withdrew from the spotlight for three years until their second and self titled album, Portishead, was released in 1997. The albums sound differed from Dummy, the main differences being that much of the music was composed and played by the band, not sampled from records, and had a grainy, harsher sound. Three singles, Cowboys, Over and All Mine were released, the latter achieving a Top 10 placing in the U.K. In 1997, the band performed a one-off show with strings by the New York Philharmonic Orchestra at Roseland Ballroom in New York. A live album primarily featuring these new orchestral arrangements of the groups songs was released in 1998. For the next few years, the band members concentrated on solo and other pursuits, until in February 2005, the band appeared live for the first time in seven years at the Tsunami Benefit Concert in Bristol.1. Silence
3. Nylon Smile
4. The Rip
6. We Carry On
7. Deep Water
8. Machine Gun
10. Magic Doors
11. Threads$24.99Vinyl LP - 2 LPs Sealed Buy Now
Third Man Live 05-10-2011Known the world-over for his highly-acclaimed work with Chisel and the Pharmacists, Ted Leo is found here performing solo at Jack White's Third Man Records in Nashville, TN on May 10th, 2011. Just voice and electric guitar and a man known to speak the truth. Recorded direct-to-analog tape and pressed to vinyl as is the nature with concerts at Third Man. 12 black vinyl LP in plain black sleeve.1. Nothing Much To Say
2. The Sword In The Stone
3. Bleeding Powers
4. Me And Mia
5. The Nice People Argument
6. The High Party
7. The Gold Finch And The Red Oak Tree
8. Bottled In Cork
9. The Little Smug Supper Club
10. One Polaroid A Day
11. A Bottle Of Buckie
12. Timorous Me
13. Fisherman's Blues$14.99Vinyl LP - Sealed Buy Now
URPD-THI-076xThe 5, 6, 7, 8'S
5,6,7,8's Third Man Live 10-22-2010Live recording of Japan's finest female garage rockers, The 184.108.40.206's performing at Third Man Records on 10/22/10. Features a guest appearance by Jack White, playing guitar on I Walk Like Jayne Mansfield.No Listing Available.$14.99Vinyl LP - Sealed Buy Now
UNIM-PRI-0133xSilkk The Shocker
Made ManMade Man is the third studio album by American rapper Silkk the Shocker, originally released on January 19, 1999, via No Limit Records. Production for the album was handled by hip hop producers Master P and Beats By the Pound and features guest appearances from Snoop Dogg, Mýa, and Jay-Z.LP 1
1. The Day I Was Made
2. Somebody Like Me (feat. Mýa)
3. It Ain't My Fault Pt. 2 (feat. Mystikal)
4. Ghetto Rain (feat. Master P & Odell (producer))
5. This Is 4 My (feat. Short Circuit)
6. Commercial One
7. You Know What We Bout (feat. Master P & Jay-Z)
8. I Want to Be with You (feat. Odell producer)
9. All Because of You (feat. Mia X)
10. No Limit (feat. Fiend & Mystikal)
1. End of the Road (feat. Sons of Funk)
2. We Won't Stop (feat. Master P & C-Murder)
3. Mr. '99
4. It Takes More (feat. Ghetto Commission)
5. If It Don't Make $
6. It's Going Around Outside (feat. Rico of Sons of Funk)
7. Put It on Something (feat. Mia X)
8. Commercial Two (feat. Fiend)
9. Southside Niggas (feat. C-Murder)
10. Get It Up (feat. Snoop Dogg)$24.99Vinyl LP - 2 LPs Sealed Buy Now
American III: Solitary ManFor younger generations of musicians, having their song cut by Johnny Cash must be a little like scaling the Washington Monument. On his third album
for producer Rick Rubin's American label, Cash makes Tom Petty's I Won't Back Down sound like a companion classic to I Walk the Line. He
transforms U2's One into a sturdy testament of plainspoken faith, while he plumbs the netherworld of Nick Cave's The Mercy Seat and Will Oldham's I
See a Darkness. Amid more familiar fare (including Neil Diamond's title track), the album's sing-along standout is the deadpan, down-and-out, talking
blues of Nobody. Cash's recent originals have the age-old purity of Appalachian music, while the traditional closing of Wayfaring Stranger offers
bittersweet benediction. Merle Haggard, Sheryl Crow, and June Carter Cash provide vocal cameos. -Don McLeese
Recorded at The Cash Cabin Studio, Hendersonville, Tennessee and The Akademie Mathematique Of Philosophical Sound Research, Los Angeles,
California.Includes liner notes by Johnny Cash.Solitary Man won the 2001 Grammy Award for Best Male Country Vocal Performance. AMERICAN III
was nominated for the 2001 Grammy Award for Best Contemporary Folk Album.1. I Won't Back Down
2. Solitary Man
3. That Lucky Old Sun (Just Rolls Around Heaven All Day)
6. I See A Darkness
7. The Mercy Seat
8. Would You Lay With Me (In A Field Of Stone)
9. Field Of Diamonds
10. Before My Time
11. Country Trash
12. Mary Of The Wild Moor
13. I'm Leavin' Now
14. Wayfaring Stranger$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Man Of The WoodsTen-time Grammy® winner and four-time Emmy® winner Justin Timberlake is set to release his fourth studio album, Man of the Woods via RCA Records.
Man of the Woods marks Timberlake's most ambitious album to date, both sonically and lyrically. Combining the sounds of traditional American rock with the modern influences of collaborators The Neptunes, Timbaland, Chris Stapleton, and Alicia Keys, this new material explores storytelling inspired by his son, his wife, and his personal journey from Memphis to where he is today.
Multi-talented actor and musician Justin Timberlake has sold over 32 million albums worldwide, sold out arenas all across the globe, received numerous awards and nominations and has wildly become one of the most highly respected entertainers in the business.
All three of Timberlake's solo albums (Justified, FutureSex/LoveSounds and The 20/20 Experience) have received various platinum or multi-platinum certifications worldwide. In the US, Timberlake has received five #1 songs on the Billboard Hot 100 with seventeen being in the top ten as well as garnered the most Mainstream Top40 Top 10's among solo males in the chart's 25-year history (18 total).
Most recently, Timberlake released the 4X platinum-selling song "CAN'T STOP THE FEELING!" from the film TROLLS which debuted #1 on the Billboard Hot 100, became the singer's first #1 debut on the chart and ultimately the best-selling US single for 2016. Additionally, it marked Timberlake's tenth Grammy Award® and garnered a nomination for an Academy Award® and Golden Globe Award®.
A gifted actor, Timberlake has appeared in diverse films including ALPHA DOG, BLACK SNAKE MOAN and SHREK THE THIRD. He won strong reviews for his performance in Oscar®-nominated THE SOCIAL NETWORK. His other credits include BAD TEACHER, FRIENDS WITH BENEFITS, IN TIME, INSIDE LLEWYN DAVIS, RUNNER RUNNER, TROLLS and WONDER WHEEL. Timberlake has also won four Emmys for his appearances on "Saturday Night Live."1. Filthy
2. Midnight Summer Jam
4. Man of the Woods
5. Higher, Higher
8. Morning Light (feat. Alicia Keys)
9. Say Something (feat. Chris Stapleton)
10. Hers (Interlude)
13. Breeze Off the Pond
14. Livin' Off the Land
15. The Hard Stuff
16. Young Man$19.99Vinyl LP - 2 LPs Sealed Buy Now
All A Man Should DoFollowing the release of 2012's Women and Work, Lucero's new album All A Man Should Do contains some of the most resonant lyrics Ben Nichols has ever written. They read like chapters from his life: the duality of relationships, getting older, finding where you want to be in this world and more.
Working with producer Ted Hutt (Old Crow Medicine Show, Flogging Molly) for a third time at Memphis's Ardent Studios, the band felt comfortable enough to take some chances with a palette of new tones that sound understated yet powerful, bringing life to the stories behind the lyrics without overshadowing them.
This is a Memphis record in the greatest sense and a perfect finish to the three-part love letter to a city that brought them up and made Lucero what they are today.1. Baby Don't You Want Me
2. Went Looking for Warren Zevon's Los Angeles
3. The Man I Was
4. Can't You Hear Them Howl
5. I Woke Up In New Orleans
6. Throwback No. 2
7. They Called Her Killer
8. Young Outlaws
9. I'm in Love with a Girl
10. My Girl & Me in '93$19.99Vinyl LP - Sealed Buy Now
Acoustic Recordings 1998-2016JACK WHITE ACOUSTIC RECORDINGS 1998-2016 collects 26 acoustic songs from throughout White's wide-ranging musical career, spanning album tracks, B-sides, remixes, alternate versions, and previously unreleased tracks. The album, arranged in chronological order, includes acoustic songs made famous by The White Stripes, beginning with ''Sugar Never Tasted So Good'' (originally found on The White Stripes' second-ever 7-inch single) and then lighting upon favorites like ''Apple Blossom'' and ''I'm Bound To Pack It Up'' (remixed here from the original recordings on 2000's DE STIJL), ''Hotel Yorba'' and ''We're Going To Be Friends'' (from 2001's WHITE BLOOD CELLS), ''You've Got Her In Your Pocket'' and ''Well It's True That We Love One Another'' (from 2003's GRAMMY® Award-winning ELEPHANT), ''Forever For Her (Is Over For Me),'' ''White Moon'' and ''As Ugly As I Seem'' (from 2005's GET BEHIND ME SATAN) ''Effect & Cause'' (from 2007's ICKY THUMP), and the Beck-produced ''Honey, We Can't Afford To Look This Cheap,'' first found on the B-side to The White Stripes' final single, 2007's ''Conquest.''
''City Lights'' (below) was written for The White Stripes' GET BEHIND ME SATAN but then forgotten until White revisited the 2005 album for Third Man's Record Store Day 2015 vinyl reissue and finished the recording in 2016. The track is the first new, worldwide commercially released White Stripes song since 2008.
Also featured are ''Never Far Away'' (recorded for 2003's COLD MOUNTAIN: MUSIC FROM THE MIRAMAX MOTION PICTURE) and ''Love Is The Truth'' (written and recorded for Coca-Cola's 2006 What Goes Around campaign) as well as the Bluegrass Version of ''Top Yourself'' and an acoustic mix of the epic murder ballad, ''Carolina Drama,'' both written by White and Brendan Benson for The Raconteurs' GRAMMY® Award-winning 2008 album, CONSOLERS OF THE LONELY. White's two chart-topping solo albums, 2012's BLUNDERBUSS and 2014's LAZARETTO, are represented by a remarkably diverse range of material including ''Love Interruption,'' ''On And On And On,'' ''Blunderbuss,'' ''Entitlement,'' ''Want And Able,'' and alternative mixes of ''Hip (Eponymous) Poor Boy,'' ''Just One Drink,'' ''I Guess I Should Go To Sleep,'' and B-side, ''Machine Gun Silhouette.''
''This, like (Son House's) 'Grinnin' In Your Face,' is mirror-music,'' writes renowned music journalist Greil Marcus of ''City Lights'' in the album's exclusive liner notes, ''the singer talking to himself, trying to tell himself the truth, which he's going to need if he's going to step out of his door, walk into the world, and fool himself, for just a second, that he's ready to take it on. As you listen, it's no surprise at all that it took most of White's music-making life to bring the song home.''
The 26 tracks featured on JACK WHITE ACOUSTIC RECORDINGS 1998-2016 were remastered by Andrew Mendelson at Nashville, TN's Georgetown Masters. All songs were written and produced exclusively by Jack White, except ''Never Far Away'' (produced by T Bone Burnett), ''Honey, We Can't Afford To Look This Cheap'' (produced by Beck), ''Top Yourself (Bluegrass Version)'' and ''Carolina Drama'' (written & produced by White & Brendan Benson), and ''Machine Gun Silhouette'' (written by White & Rob Jones).LP 1
1. Sugar Never Tasted So Good
2. Apple Blossom (Remixed)
3. I'm Bound To Pack It Up (Remixed)
4. Hotel Yorba
5. We're Going To Be Friends
6. You've Got Her In Your Pocket
7. Well It's True That We Love One Another
8. Never Far Away
9. Forever For Her (Is Over For Me)
10. White Moon
11. As Ugly As I Seem
12. City Lights (Previously Unreleased White Stripes Track)
13. Honey, We Can't Afford To Look This Cheap
14. Effect & Cause
1. Love Is The Truth (Acoustic Mix)
2. Top Yourself (Bluegrass Version)
3. Carolina Drama (Acoustic Mix)
4. Love Interruption
5. On And On And On
6. Machine Gun Silhouette (Acoustic Mix)
8. Hip (Eponymous) Poor Boy (Alternate Mix)
9. I Guess I Should Go To Sleep (Alternate Mix)
10. Just One Drink (Acoustic Mix)
12. Want And Able$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Hamburg Recordings 1967The Monks - a strange, rare group with a story that sounds like a drunk friend's generous
hyperbole. A group of American G.I.s stationed in Germany on the precipice of Western
cultural revolution starts playing music loosely connected to the rock n' roll craze,
contrastingly incorporating a critical and often offensive avant-garde edge. Nothing
was off limits - screeching vocals, dark aesthetics, staccato-strummed banjo, sardonic
lyricism, critiques of the Vietnam War and full monk costuming down to the tonsure.
When viewed on the whole, it seems like an art school student's senior thesis on what
the craze means and its future possibilities. Due in large part to original Polydor vinyl
collectability and years in the word-of-mouth hype machine, their legend and cult status
has steadily blossomed since their last shows in 1967.
Fast forward to 2017, the crew at Third Man, already huge fans, are presented with an
honest-to-God treasure trove of original Monks photos, newspaper clippings, business
cards, letterhead, contracts, postcards and, yes, analog tapes, containing trailblazing,
wild compositions completely unheard by public ears.
"I'm Watching You" would have been recorded on February 28th, 1967 at the same
sessions that would produce the Monks' final single "Love Can Tame the Wild" b/w "He
Went Down to the Sea." The remaining four songs were recorded after hours in the Top
Ten Club later that year, just prior to the break-up of the band.
These songs have been unreleased for 50 years and are quite possibly the last music left
to be heard by this legendary band.1. I'm Watching You
3. P.O. Box 3291
4. I Need U Shatzi
5. Yellow Grass$9.99Vinyl LP - Sealed Buy Now
A Letter HomeThird Man Records unearths Neil Young's A Letter Home and shares it with his current day record company, Reprise Records. An unheard collection of rediscovered songs from the past recorded on ancient electro-mechanical technology captures and unleashes the essence of something that could have been gone forever. - Homer Grosvenor1. A Letter Home intro
2. Changes (Phil Ochs)
3. Girl from the North Country (Bob Dylan)
4. Needle of Death (Bert Jansch)
5. Early Morning Rain (Gordon Lightfoot)
6. Crazy (Willie Nelson)
7. Reason to Believe (Tim Hardin)
8. On the Road Again (Willie Nelson)
9. If You Could Read My Mind (Gordon Lightfoot)
10. Since I Met You Baby (Ivory Joe Hunter)
11. My Hometown (Bruce Springsteen)
12. I Wonder If I Care as Much (Don Everly)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) (Awaiting Repress)
Six LPs, 800 Digital Tracks, Two Definitive Large-Format Books. All Housed In A Polished Aluminum Case Evoking The Era's High Art Deco Stylings And America's Own Machine Age Modernism.
800 Newly-remastered Digital Tracks, Representing 175 Artists
90+ Fully-restored Original 1920s-30s Paramount Ads From Chicago Defender
6 X 180g LPs Pressed On Alabaster-white Label-less Vinyl, Each Side With Its Own Hand-Etched Numeral And Holographic Image
250 Pg. Large-Format Clothbound Hardcover Book Featuring Original Paramount Art And The Label's Curious Tale
400 Pg. Encyclopedia-Style Softcover Field Guide Containing Artist Bios & Portraits And Full Paramount Discography
Polished Aluminum And Stainless Steel Cabinet, Evoking 1930s High Art Deco Stylings And America's Own Machine Age Modernism
First-Of-Its-Kind Music And Image Player App Containing All Tracks And Ads, Housed On Sculpted Metal USB Drive
Last November, Jack White's Third Man and John Fahey's Revenant issued The Rise & Fall of Paramount Records, Volume One (1917-27), the first installment of the curious tale of America's most important record label. It was called spectacular (New York Times), unprecedented (Rolling Stone), breathtaking (Boing Boing), a cabinet of wonder, indeed (Pitchfork), and the most perfectly realized attempt to combine music and documentation (Fretboard Journal) and damnedest musical objet d'art (Nashville Scene) folks had ever seen.
Third Man-Revenant now presents the final volume in the Paramount story - The Rise & Fall of Paramount Records, Volume Two (1928-32).
As Volume Two begins, Paramount is entitled to a breather - in the previous 5 years it's been home to giants like King Oliver, Jelly Roll Morton, Louis Armstrong, Blind Lemon Jefferson, Alberta Hunter, Blind Blake, Ethel Waters, Ma Rainey, Papa Charlie Jackson, Eubie Blake, Fletcher Henderson, Big Bill Broonzy, Roosevelt Sykes, James P. Johnson, Jaybird Coleman, Clarence Williams, and Fats Waller.
But just as it seems the label might be losing steam, it begins a second act that threatens to dwarf its first. In its final 5 year push from 1928-32, Paramount embarks on a furious run for the ages, birthing the entire genre of Mississippi Delta blues and issuing some of the most coveted recordings in the history of wax - a staggering playlist including Skip James, Charley Patton, Son House, Tommy Johnson, Blind Roosevelt Graves, Willie Brown, King Solomon Hill, Tampa Red, Georgia Tom Dorsey, Little Brother Montgomery, Lottie Kimbrough, Rube Lacy, Meade Lux Lewis, Buddy Boy Hawkins, Ramblin' Thomas, Jaydee Short, George Bullet Williams, Cow Cow Davenport, Clifford Gibson, Ishman Bracey, Charlie Spand, Jabo Williams, Louise Johnson, Blind Joe Taggart, Geeshie Wiley & Elvie Thomas, and The Mississippi Sheiks.
Paramount simply killed. But more than that, it changed how this country thought of itself. It was the first and most comprehensive chronicler of what America really sounded like in the 1920s and '30s - on its street corners, at its fish fries and country suppers, in its nightclubs and dance halls and showtents. In the process, Paramount - not some preservationist-minded enterprise like the Library of Congress - inadvertently created the most significant repository of this young nation's greatest art form.6 LPs feature tracks from the collection.
USB Drive contains 800 digital tracks by 175 artists across the Paramount family of labels.$469.99180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed AWAITING REPRESS Buy Now