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  • The Times They Are A Changin' (MONO) The Times They Are A Changin' (MONO) Quick View

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    The Times They Are A Changin' (MONO)

    The Times They Are A-Changin', the third album featured in our ongoing campaign to restore Bob Dylan's legacy on vinyl, is also the third album Dylan recorded for Columbia. Released in February 1964, the incisive title track quickly became an anthem for all those seeking social justice, and served as the soundtrack for an entire generation.
    This Sundazed edition is an exact reproduction of the rare original 1964
    mono album, featuring the original 11 Outlined Epitaphs insert and
    all-analog mastering from the absolute original source tapes.
    1. The Times They Are A-Changin'
    2. Ballad Of Hollis Brown
    3. With God On Our Side
    4. One Too Many Mornings
    5. North Country Blues
    6. Only A Pawn In Their Game
    7. Boots Of Spanish Leather
    8. When The Ship Comes In
    9. The Lonesome Death Of Hattie Carroll
    10. Restless Farewell
    Bob Dylan
    $28.99
    Vinyl Mono LP - Sealed Buy Now
  • The Times They Are A-Changin' The Times They Are A-Changin' Quick View

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    The Times They Are A-Changin'

    The Times They Are A-Changin' on Numbered Limited Edition 180 Gram 45RPM 2LP from Mobile Fidelity


    Stark, Austere, Acoustic Record Dylan's First With All-Original Material


    Title Track, The Lonesome Death of Hattie Carroll, With God on Our Side Establish Dylan as Voice of Social Consciousness


    The Bard Addresses Issues Such as Equality, Racism, and Poverty and Helps Ignite 1960s Political Movements


    Faithful to the Source: Information-Rich 45RPM Pressing Brings the Simple Sounds of Dylan's Voice, Acoustic Guitar, and Harmonica into Lifelike Perspective


    Immediately distinguished by the you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are A Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner unlike few albums before or since.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed on 180 gram LP at RTI, this restored 45RPM analog version delivers the landscape-shifting music in reference-quality sound that practically transports you to Columbia's Studio A. Reflecting the austerity of the topics and Dylan's mood, the sonics are direct and unadorned-each word hitting with weight, each phrase lingering until it pulls you under, each storyline echoing as fact. The hollow body of Dylan's guitar, internal mechanisms of his harmonica, and graininess of his throat come across in full-on detail. Wider grooves mean more information reaches your ears.


    Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin' Bob Dylan, The Times They Are A-Changin' skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy's assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.


    In doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are A Changin' is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction "The Lonesome Death of Hattie Carroll," assertive "Restless Farewell," and semi-autobiographical "North Country Blues," Dylan casts hardships, greed, and victimization in such relatable terms it's impossible to turn away and ignore their implications.


    As correctly relayed by Dylan expert and cultural critic Greil Marcus, "[The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man 'able to see through metal' (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break."


    This title is not eligible for discount.

    1. The Times They Are A-Changin'
    2. Ballad of Hollis Brown
    3. With God on Our Side
    4. One Too Many Mornings
    5. North Country Blues
    6. Only a Pawn in Their Game
    7. Boots of Spanish Leather
    8. When the Ship Comes In
    9. The Lonesome Death of Hattie Carroll
    10. Restless Farewell
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • The Times They Are A-Changin' (Mono) The Times They Are A-Changin' (Mono) Quick View

    $49.99
    Buy Now
    x

    The Times They Are A-Changin' (Mono)

    The Times They Are A-Changin' on Numbered Limited Edition 180 Gram 45RPM Mono Vinyl 2LP from Mobile Fidelity


    Stark, Austere, Acoustic Record Dylan's First With All-Original Material


    Title Track, The Lonesome Death of Hattie Carroll, With God on Our Side Establish Dylan as Voice of Social Consciousness


    The Bard Addresses Issues Such as Equality, Racism, and Poverty and Helps Ignite 1960s Political Movements


    Strictly Limited to 3,000 Copies and Mastered from the Original Master Tapes, Mobile Fidelity's 45RPM Mono Vinyl Set Presents Dylan's Voice, Guitar, and Harmonica in Superlative Sound


    Immediately distinguished by the direct mono sound and you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are A Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner like few albums before or since.


    Mastered from the original master tapes and pressed on 180g LP at RTI, Mobile Fidelity's restored 45RPM analog version delivers the landscape-shifting music in reference-quality mono sound that transports you to Columbia's Studio A. Reflecting the austerity of the topics and Dylan's mood, the sonics are direct and unadorned-each word hitting with weight, each phrase lingering until it pulls you under, each storyline echoing as fact. The hollow body of Dylan's guitar, internal mechanisms of his harmonica, and graininess of his throat come across in full-on detail. Wider grooves mean more information reaches your ears.


    As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album-making the mono mix all the more historically valuable and truthful.


    Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin' Bob Dylan, The Times They Are A-Changin' skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy's assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.


    In doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are A-Changin' is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction The Lonesome Death of Hattie Carroll, assertive Restless Farewell, and semi-autobiographical North Country Blues, Dylan casts hardships, greed, and victimization in such relatable terms it's impossible to turn away and ignore their implications.


    As correctly relayed by Dylan expert and cultural critic Greil Marcus, [The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man 'able to see through metal' (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break.


    This title is not eligible for discount.

    1. The Times They Are A-Changin'
    2. Ballad of Hollis Brown
    3. With God on Our Side
    4. One Too Many Mornings
    5. North Country Blues
    6. Only a Pawn in Their Game
    7. Boots of Spanish Leather
    8. When the Ship Comes In
    9. The Lonesome Death of Hattie Carroll
    10. Restless Farewell
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Buy Now
  • Hard Times And Nursery Rhymes Hard Times And Nursery Rhymes Quick View

    $21.99
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    Hard Times And Nursery Rhymes

    Legendary Punk Rock Band's 1st Studio Record Since 2004



    Group Embraces Gritty, Soulful Currents on Can't-Miss Set



    Social Distortion's first new studio record in nearly six years, Hard Times and Nursery Rhymes builds on singer Mike Ness twin footings, one in the haunted American landscapes of Hank Williams and the other in the raw swagger of Exile On Main Streetâ€era Rolling Stones. While these twin pillars have always been behind Social Distortions anthemic songs, on Hard Times and Nursery Rhymes they come roaring to the fore, in one of the hardest rocking, most soulful albums of Ness career.



    From opener California (Hustle and Flow), a song with enough attitude to redline a 40 Merc, to the dark rockin cover of Hank Williams' Alone and Forsaken, longtime fans will find the trademark punk roar they love. New fans, too, will be drawn to Ness maturing songwriting and vocals with an eye to his rock and roll legacy. Ness also produced Hard Times and Nursery Rhymes (his first time at the production helm).



    Cigar-puffing hoodlums, sleazy pimps, staggering winos, down-and-out blue-collar stiffs, on-the-run hustlers, wounded romantics, and spurned lovers are among the crowds that congregate on the street corners of Hard Times and Nursery Rhymes, one of the most consistent, complete, soulful, and tunefully gritty records of Social Distortions career. The set reflects the groups progressive embrace of organ into arrangements. As such, subtle spiritual undercurrents coarse through several tunes.

    --Bob Gendron, TONE Audio, Issue 34

    1. Road Zombie
    2. California (Hustle and Flow)
    3. Gimme The Sweet And Lowdown
    4. Diamond In The Rough
    5. Machine Gun Blues
    6. Bakersfield
    7. Far Side Of Nowhere
    8. Alone And Forsaken
    9. Writing On The Wall
    10. Can't Take it with You
    11. Still Alive
    Social Distortion
    $21.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • They Only Come Out At Night They Only Come Out At Night Quick View

    $29.99
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    They Only Come Out At Night

    Mastered from the Original Epic Records Tapes by Joe Reagoso and Kevin Gray


    Edgar Winter, the multi-talented superstar brother of blues rock legend Johnny Winter, has been a fixture on the rock music scene now for several decades. While launching his own successful career with his solo albums and Edgar Winters White Trash, the natural progression for this man was to develop his own supergroup which would become the platinum and gold selling The Edgar Winter Group.


    Releasing their first album in 1973, They Only Come Out At Night was an overnight success, thanks to the mind altering studio jam Frankenstein which has since become one of classic rocks finest moments. This instrumental smash featured the stunning keyboard of Edgar Winter, the incredible guitar of resident shredder Ronnie Montrose, the thumping bass of the late great Dan Hartman and of course the solid percussive hits of Chuck Ruff.


    The album went onto receive more attention from radio programmers across the globe as even further hit songs would rapidly develop including the blues rocker Undercover Man, the country rock feel of Round & Round and of course another top charter with the summer Top 40 Rock driving sounds of Dan Hartmans Free Ride. The Rick Derringer produced album would go on to stay on the charts for a long time and receive multiple platinum status in a very short time. Truly, one of classic rocks finest albums ever recorded!


    Now for the first time ever on audiophile vinyl, Friday Music announces the first installment of their Edgar Winter 180 Gram Audiophile Vinyl Series with his platinum plus album They Only Come Out At Night. This first time audiophile vinyl release is mastered from the original Epic Records tapes by Joe Reagoso (Johnny Winter/Alice Cooper/Boston) at Friday Music Studios with Kevin Gray and pressed at RTI.


    For this special release, the limited edition album comes in the original gatefold album cover, which features the photography of Francesco Scavullo and Norman Seeff and artwork design of John Berg. To keep your album in impeccable condition, they are also including a poly lined sleeve to protect your vinyl investment as well as a poly bag for the classic album cover art.

    1. Hangin Around
    2. When It Comes
    3. Alta Mira
    4. Free Ride
    5. Undercover Man
    6. Round & Round
    7. Rock N Roll Boogie Woogie Blues
    8. Autumn
    9. We All Had A Real Good Time
    10. Frankenstein
    Edgar Winter
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Are You Serious Are You Serious Quick View

    $21.99
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    Are You Serious

    Andrew Bird has always been highly respected and has held a captive audience with his story telling prowess, but it's with his new album, Are You Serious, that he has made a breakthrough record. Coming out via his new label home, Loma Vista Recordings (Spoon, St. Vincent, HEALTH), and produced by Tony Berg, the album propels him into a new category of American songwriters. It's his most direct lyrically to date with key contributions from Fiona Apple and Blake Mills.


    Three years ago while traveling west to California to start a new life with his wife and young child they stopped at the family farm in rural Illinois for two weeks to catch their breath. The previous two years had been intense to say the least: raising a child in New York City as his wife battled a serious illness. With these dark days behind them he spent the next seven days on the front porch writing the lyrics for what became Are You Serious. It's a breakthrough for him in that it gets to the quick of the matter. This is the record he needed to make right now and is certain to put him in the leading class of American songwriter.


    The album was put together with a rigor akin to a novelist or playwright and musically crafted like a wrecking crew session where you have to be good right in that moment. There's little folksy quaintness or whimsical flights of fancy. There's less wordplay and more intent to process some difficult times that he went through. From the album art, created by the godfather of conceptual art John Baldessari to foregoing his traditional writing process, Bird has emerged from challenging times and a new process with an album that may be his best.


    The first single Capsized" begins to take you down the path that Bird so carefully crafted on the record, speaking from an unguarded point of view while keeping with the melodic, syntactic standards that he has held true to since the beginning of his career.

    1. Capsized
    2. Roma Fade
    3. Truth Lies Low
    4. Puma
    5. Chemical Switches
    6. Left Handed Kisses
    7. Are You Serious
    8. Saints Preservus
    9. The New Saint Jude
    10. Valleys Of The Young
    11. Bellevue
    Andrew Bird
    $21.99
    Vinyl LP - Sealed Buy Now
  • We Are Miracles We Are Miracles Quick View

    $18.99
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    We Are Miracles


    Colored-Vinyl


    Sarah Silverman: We Are Miracles, the acclaimed performer's
    Emmy-nominated and first headline special for HBO, will be available
    for the first time on LP via Sub Pop Records. We Are Miracles',
    recorded at the famed Largo in Los Angeles, California, was written by
    Silverman, directed by Liam Lynch and produced by Funny Or Die and
    Black Gold Films. The special was executive produced by Heidi Herzon,
    Mike Farah, Anna Wenger, Betsy Koch, Amy Zvi and Silverman.


    Emmy winner Sarah Silverman is as versatile of a performer as they
    come. Her repertoire includes everything from film and television,
    stand-up comedy, to iconic online videos. She voiced the role of 'Vanellope'
    in the Oscar nominated Disney animated film Wreck It Ralph, alongside
    John C. Reilly, and recently co-starred in Seth McFarlane's A Million
    Ways to Die in the West. She stars as the lead in the drama feature, I
    Smile Back, a film adaption of a novel by Amy Koppelman and was
    previously seen starring in Take This Waltz. In 2004 Silverman made
    an impressive splash with her concert film "Sarah Silverman: Jesus is
    Magic," which garnered major attention at the Toronto Film Festival,
    and she also received critical praise for her work on the documentary
    feature, The Aristocrats.


    Silverman was nominated for a 2009 Primetime Emmy in the
    Outstanding Actress in a Comedy Series category for her work on the
    Comedy Central series The Sarah Silverman Program. This marked
    Comedy Central's first ever Emmy nomination in a scripted acting category.
    She also received a WGA nomination for her work on the show. Silverman
    won a Primetime Emmy in 2008 in the Outstanding Original Music and
    Lyrics category for her musical collaboration with Matt Damon. In addition,
    she was honored with a Best Actress Webby Award for her online video
    "The Great Schlep." She is now a part of JASH, a comedy collective on
    YouTube featuring original content by Silverman and friends. She has
    guest starred in a slew of acclaimed and notable television shows such
    as the Emmy nominated drama The Good Wife, and Monk, which earned
    her an Emmy nomination in 2008 in the Guest Actress category, and
    she has lent her voice to Fox's Emmy nominated animated series, Bob's
    Burgers. She also released a book in 2010, New York Times Bestseller,
    The Bedwetter: Stories of Courage, Redemption, and Pee. Silverman
    was dubbed "the most outrageously funny woman alive," by Rolling
    Stone. She grew up in New Hampshire and attended New York University.
    In 1993 she joined Saturday Night Live as a writer and feature performer
    and has not stopped working since.

    1. Nighttime Rituals
    2. Speaking of Cum, My Mother's Been Sick
    3. Killing Jesus
    4. Planting the Seeds of Insecurity
    5. Looking Inward
    6. A Heartbreaking Story
    7. Rape Jokes, Comedy's Hidden Gem
    8. Muster
    9. Senator Obama
    10. Human Puppies
    11. Diva
    Sarah Silverman
    $18.99
    Colored Vinyl LP - Sealed Buy Now
  • Where Are We From Where Are We From Quick View

    $18.99
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    Where Are We From

    There is protectiveness in the fist that holds a bag of wolf teeth. These incisors are each of the songs held inside Tender Forever's fourth EP. To spend time with this magic while the first of the fall leaves suicide bomb your bare feet, and the cicadas are strangely silent, is like feeling the phantom sting of your own baby wolf fangs where they once bit into your most vulnerable parts.
    1. Where Are We From
    2. The Road Was Unkind
    3. Blue
    4. Wrestle
    5. You Get Into My Face
    6. Runaway
    7. You Have the Woods
    Tender Forever
    $18.99
    Vinyl LP - Sealed Buy Now
  • These Are The JBs These Are The JBs Quick View

    $24.99
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    These Are The JBs

    The Unreleased Album By James Brown's Backing Band: The Bootsy Collins-lead JB's


    Never-before-heard James Brown and J.B.'s originals and covers of Jimi Hendrix, Kool & the Gang, the Meters. Contains a 12-page booklet with full annotation, liner notes by Brown historian Alan Leeds and never-before-published photos.


    This album is the Rosetta Stone of funk's dominant idioms, yet its existence has barely been a rumor. In 1970 James Brown perfectly captured a definitive moment in modern music when he ordered Bootsy Collins into the studio to record the tracks that would be test pressed on King Records as These Are The J.B.'s. This album is the epitome of funk music, Brown's innovation that influenced everything that came after it, from Afro-beat to disco to hip-hop. And if there is any funk ensemble as influential as Brown's, in the post-"Cold Sweat" musical landscape, it's the Parliament/Funkadelic contingent. Those two streams, as Grammy Winning James Brown historian Alan Leeds details in this album's liner notes, converged for the first time here.


    This link between Brown's funk and all that followed features Bootsy and his young band running through twelve-minute instrumental take of Marva Whitney's "It's My Thing," replete with blues chord changes, alongside interpretations of the Meters, Kool and the Gang and none other than Jimi Hendrix. This is a young band's James Brown-turned-on-his-head style of funk that they nail in a one-minute vamp that pre-dates their obscure but important work as the Houseguests ensemble and embodies the essence of the psychedelic-flavored music that would propel them into the orbit of
    George Clinton and his mothership, where they poked cosmic holes in funk's polyrhythmic ozone layer in the mid-1970s.


    There are only two extant copies of the original King Records test press LP of These Are The J.B.'s. This, the first commercial issue of this album, was overseen by Now-Again's Egon alongside Leeds and Universal Music Group's James Brown expert Harry Weinger. It was mastered specifically for vinyl by Elysian Master's Dave Cooley from the original two-track stereo master that James Brown and his engineer Ron Lenhoff delivered to production forty-four years ago. It comes with a 12-page booklet with liner notes by Leeds and Egon and many unpublished photographs and ephemera.

    1. These Are The JBs (Part 1 & 2)
    2. I'll Ze
    3. The Grunt (Part 1 & 2)
    4. When You Feel It, Grunt If You Can
    The J.B.'s
    $24.99
    Vinyl LP - Sealed Buy Now
  • Are We There Are We There Quick View

    $19.99
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    Are We There

    For all the attention that was paid to her 2012 break-through Tramp, Sharon Van Etten is an
    artist with a hunger to turn another corner and to delve deeper,writing from a place of honesty
    and vulnerability to create a bond with the listener that few contemporary musicians can match.
    Compelled by a restless spirit, Van Etten is continuously challenging herself. Now, the result is
    Are We There, a self-produced album of exceptional intimacy,sublime generosity, and immense
    breadth.


    Most musicians are quite happy to leave the production end of things to someone else. It's
    enough to live your music without taking on the role of producer as well. Yet Van Etten knew it
    was time to make a record entirely on her terms. The saying goes "fortune favors the bold" and
    yet this boldness had to be tempered. For this,Van Etten found a kindred spirit in veteran music
    producer Stewart Lerman. Originally working together on Boardwalk Empire,they gently moved
    into new roles,rallying around the idea of making a record together in Lerman's studio in New
    Jersey. Lerman's studio expertise gave Van Etten the freedom to make Are We There the way she
    imagined.Van Etten also enlisted the individual talents of her band, consisting of Heather Woods
    Broderick, Doug Keith and Zeke Hutchins, and brought in friends Dave Hartley and Adam
    Granduciel from The War on Drugs, Jonathan Meiberg (Shearwater),Jana Hunter(Lower Dens),
    Peter Broderick, Mackenzie Scott(Torres), Stuart Bogie, Jacob C. Morris and Mickey Freeze.


    It is clear from the opening chords in the first song, Afraid of Nothing, that we are witnessing a
    new awareness, a sign of Van Etten in full stride, writing,producing and performing from a place
    that seems almost mythical, were it not so touchable and real. Always direct, and never shying
    away even from the most personally painful narratives, Van Etten's songwriting continues to
    evolve. Many of the songs deal with seemingly impossible decisions, anticipation, and then
    resolution. She sings of the nature of desire, memory, of being lost, emptiness, of promises and
    loyalty, fear and change, of healing and the true self, violence and sanctuary,waiting, of silence.
    The artist who speaks in such a voice is urging us to do something,to take hold and to go deeper.
    Living in this way,the questions of life remain alive, as close and steady as breathing. Many of the
    ballads of old are as dark as pitch, and people for whom the issues of life and death were as vivid
    as flame wrote them.You could turn off the electricity,remove all the instruments and Sharon's
    voice and words would remain.They connect her to the mystic stratum which flows just beneath
    the everyday, which is rarely acknowledged as the forces of distraction sweep our attention away.

    1. Afraid of Nothing
    2. Taking Chances
    3. Your Love is Killing Me
    4. Our Love
    5. Tarifa
    6. I Love You But I'm Lost
    7. You Know Me Well
    8. Break Me
    9. Nothing Will Change
    10. I Know
    11. Every Time the Sun Comes Up
    Sharon Van Etten
    $19.99
    Vinyl LP - Sealed Buy Now
  • Deep Time Deep Time Quick View

    $13.99
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    Deep Time

    Deep Time (YellowFever) are from Austin TX, a bewitching pop duo, comprised of Jennifer Moore on organ, electric guitar and vocal microphone, and Adam Jones on drums; who are as infectious and delightful as this time demands.


    Moore, once the torchbearer for girl-group legends The Carrots is something altogether unusual in the modern age; a singer with those endangered qualities: personality, style, and an arresting delivery. Jones is the jazzy 'batterista,' as musical and dynamic a drummer as you will see on the scene today. Once upon a time, creatures such as these roamed the earth in the dozens; now they are as rare as the barely glimpsed yeti.


    But it's not just their personality that recommends them, it's the tunes. Just listen to the new-wave polka-soul-serenading madness of Gold Rush, the toe-tapping Italo-mutation of Sgt Sierra, the easy-listening doom-incantation of Gilligan, every song on the record is a bon-a-fide catastrophe for the forces of predictability and boredom.

    1. Bermuda Triangle
    2. Sgt. Sierra
    3. Coleman
    4. Clouds
    5. Homebody
    6. Gilligan
    7. Gold Rush
    8. Marathon
    9. Horse
    Deep Time
    $13.99
    Vinyl LP - Sealed Buy Now
  • Mockingbird Time Mockingbird Time Quick View

    $29.99
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    Mockingbird Time

    During their heyday in the first half of the 1990's, The Jayhawks perfected a captivating sound that seamlessly blended the elegant folk-rock of The Byrds, the adventurousness of Buffalo Springfield, the hippiebilly soulfulness of The Flying Burrito Brothers, and the soaring harmonies of The Beach Boys. So it's richly ironic that their reappearance coincides with a dramatic resurgence of the musical approach they played such a central role in perpetuating. But this time around, The Jayhawks themselves are revered as icons by the young bands carrying on those same traditions, and it's their own legacy that they're advancing.


    On Mockingbird Time, their eighth album, and the first with the original lineup since 1995's Tomorrow The Green Grass, they're once again pushing the envelope on songs and performances of rarefied dynamism and grace. The album's shapes and textures range from the string-laden grandeur of Hide Your Colors and the widescreen vistas of Tiny Arrows to the streamlined 12-string jangle of She Walks in So Many Ways and the amphetamine frenzy of High Water Blues.

    1. Hide Your Colors
    2. Closer To Your Side
    3. Tiny Arrows
    4. She Walks In So Many Ways
    5. High Water Blues
    6. Mockingbird Time
    7. Stand Out In The Rain
    8. Cinnamon Love
    9. Guilder Annie
    10. Black-Eyed Susan
    11. The Pouring Rain At Dawn
    12. Hey Mr. Man
    The Jayhawks
    $29.99
    Vinyl LP - Sealed Buy Now
  • Lost Time Lost Time Quick View

    $18.99
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    Lost Time

    Greg Fox (Guardian Alien, Liturgy, Zs) and Kid Millions (Man Forever, Oneida, People of the North) each approach their drums with a spiritual reverence. Together, they test the boundaries of rhythmic interplay through subtle and ecstatic means. They are often highlights of the groups they're respectively known for, Liturgy and Oneida, while concurrently leading cutting-edge ensembles and collaborating with some of the most innovative musicians of our time. Explorative by nature, each drummer is constantly challenging themselves and setting new musical goals, and it is these qualities that have made them in demand not only in New York, but through out the world. Lost Time is their first collaborative album, sparked by a mutual admiration and cemented by a deep and abiding friendship that has grown over the past five years. Improvisation is a language, and this album is a dialogue between two skilled musicians whose hunger to cover new musical ground binds them together. Their friendship is not only an essential foundation for, but also a key ingredient of, this display of improvisational and compositional mastery Lost Time is comprised of two long pieces that represent opposite ends of a musical spectrum, one blasting and one meditative. "Telegy/Time Lapse" is an astounding array of rhythm and noise, with Fox and Millions using their amplified heartbeats as the backdrop for percussive mayhem. Both musicians are maniacal, playing frantic but precise patterns bolstered by synthesizer loops and bursts of noise programmed by Fox. The incorporation of their heartbeats, the synchronization of their internal and external rhythms, was inspired by Fox's mentor and legendary free-jazz drummer Milford Graves. "Post Encounter Effect" exists in a space of relative calm, its complexity less conspicuous but no less profound. Fox and Millions play a slow and steady pattern that phases in and out of sync like a slow-motion Reich composition throughout the piece's 20 minute run-time. Perhaps most surprising is the emphasis on non-percussive instruments, guitars, keyboard, and even trumpet, that provide a tonal base drone and further the rhythmic exchange significantly.
    1. Telegy/Time Lapse
    2. Post Encounter Effect
    Fox Milions Duo
    $18.99
    Vinyl LP - Sealed Buy Now
  • Time Travel Is Lonely Time Travel Is Lonely Quick View

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    Time Travel Is Lonely

    In ten short years, John Vanderslice's musical legacy already leaves listeners with seven critically-acclaimed and carefully crafted albums. JV's meticulous consideration to color, warmth, and depth of sound (his all-analog recording studio, Tiny Telephone, contributing additionally as an instrument) as well as his sophisticated narrative lyrical content have secured his place in the canon of great American songwriters. As much as JV's albums are for those who love great melodies and words into which to sink their teeth, they are also for audiophiles.
    1. You Were My Fiji
    2. Keep the Dream Alive
    3. Little Boy Lost
    4. Interlude 1
    5. Everything Changed
    6. My Old Flame
    7. Interlude 3
    8. Time Travel is Lonely
    9. If I Live or If I Die
    10. Emma Pearl
    11. Interlude 2
    12. Do You Remember?
    13. Gainesville, Fla
    John Vanderslice
    $17.99
    Vinyl LP Reissue - Sealed Buy Now
  • Time To Go Home Time To Go Home Quick View

    $15.99
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    Time To Go Home

    Chastity belt is a rock band consisting of four friends - guitarists Julia Shapiro and Lydia Lund, bassist Annie Truscott, and drummer Gretchen Grimm. They met in a tiny college town in eastern Washington, but their story begins for real in Seattle, that celebrated home of Macklemore and the twelfth man. Following a post-grad summer apart, a handful of shows and enthusiastic responses from the city's diy community led them, as it has countless others, into a cramped practice space. They emerged with a debut album, No Regerts, sold it out faster than anyone involved thought possible, and toured America, a country that embraced them with open-ish arms. Now they're back and the tab is settled, the lights are out, the birds are making noise even though the sun isn't really up yet: it's time to go home, their second long-player and first for hardly art. In the outside world, they realized something crucial: they didn't have to play party songs now that their audience didn't consist exclusively of inebriated 18-22 year olds, as it did in that college town. Though still built on a foundation of post-post-punk energy, jagged rhythms, and instrumental moves that couldn't be anyone else's, the songs they grew into in the months that followed are equal parts street-level takedown and gray-skied melancholy. They embody the sensation of being caught in the center of a moment while floating directly above it; shapiro's world spins around her on on the floor, grounded by Grimm and Truscott's most commanding playing committed to tape. They pay tribute to writer Sheila Heti on drone and John Carpenter with the thing, and deliver a parallel-universe stoner anthem influenced by electrelane with joke. recorded by JosÉ Díaz Rohena at the unknown, a desecrated church and former sail factory in anacortes, and mixed with a cathedral's worth of reverb by Matthew Simms (guitarist for legendary british post-punks and one-time tourmates Wire), time to go home sees Chastity Belt take the nights out and bad parties of their past to their stretching points, watch the world around them break apart in anticipatory haze, and rebuild it in their own image with stunning clarity before anyone gets hungover.
    1. Drone

    2. Trapped

    3. Why Try

    4. Cool Slut

    5. On the Floor

    6. The Thing

    7. Joke
    8. Lydia

    9. IDC

    10. Time To Go Home
    Chastity Belt
    $15.99
    Vinyl LP - Sealed Buy Now
  • Last Days and Time Last Days and Time Quick View

    $34.99
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    Last Days and Time

    Last Days and Time is the third studio album by American R&B group Earth, Wind & Fire, released in 1972, their debut album on Columbia Records. It was recorded at the legendary Sunset Sound Studios in Hollywood, California, with founder and multi-instrumentalist Maurice White, Verdine White and Philip Bailey.


    Due to their live performances it cemented their status as the main funk band and set the stage for the band's blockbuster breakthrough. Songs on the album like Make It With You (originally from Bread) the pre-Brazilian Rhyme powerful funk sax style Power, (which sounds like an early version of Serpentine Fire) and Remember The Children are excellent examples of the great songs and albums they have made during their career.

    1. Time Is On Your Side
    2. They Don't See
    3. Make It With You
    4. Power
    5. Remember The Children
    6. Where Have All The Flowers Gone
    7. I'd Rather Have You
    8. Mom
    Earth, Wind & Fire
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Old World Underground, Where Are You Now? Old World Underground, Where Are You Now? Quick View

    $19.99
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    Old World Underground, Where Are You Now?

    They say there's no time like the present; what they really mean is there's no such thing as the present. Five seconds into the future will be five seconds in the past once you finish reading this sentence. Translated into rock 'n' roll, terms, it means you're either ahead of your time or past your prime. And we're cool with that. We like categories and demographics and timelines because they allow us not to think; everything can be explained with the check of a box or a dot on a graph. But Metric don't let you off that easy. Their measures are decidedly cubist: eternal, multilayered portraits of instantaneous moments, the luminous blur of street life rendered as a freeze-tableaux, daily rituals portrayed in a fantastical light. This is music born out of sly, considered observation instead of gratuitous introspection - which makes it refreshingly anomalous in an era when so much popular music fudges the line between self-absorption and self-parody. Their debut album, OLD WORLD UNDERGROUND, WHERE ARE YOU NOW? launched Metric's career and helped to usher in a wave (or New Wave) of Canadian indie bands such as Broken Social Scene and Arcade Fire. They have since gone on to sell over a million singles and 500,000 albums worldwide.Finally available on vinyl, the album sounds as urgent and timeless today as it did in 2003 and like all of Metric's music to date, OLD WORLD UNDERGROUND, WHERE ARE YOU NOW? isn't so much a summation of influences as experiences. The old world underground they so romanticize; they're not sure if it ever truly existed.
    1. IOU
    2. Hustle Rose
    3. Succexy
    4. Combat Baby
    5. Calculation Theme
    6. Wet Blanket
    7. On a Slow Night
    8. The List
    9. Dead Disco
    10. Love Is a Place
    Metric
    $19.99
    Vinyl LP - Sealed Buy Now
  • Time To Die Time To Die Quick View

    $25.99
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    Time To Die

    A cultural as well as a musical force, ELECTRIC WIZARD has left an indelible mark on a host of different genres, the likes of doom, stoner and sludge; at heart, however, they stand as an iconic British metal band, cast in the great tradition, with lyrics and artwork reflecting the hypnotic weight of the music, and subject to the same intelligence and detail.


    Wreathed in occult ritual and drug-culture references, with classic '70s horror an inspirational seam, ELECTRIC WIZARD is poised to turn a page; there's the new deal with Spinefarm Records, plus - after a nine-year hiatus - the return of Mark Greening (the drummer on Dopethrone), who completes the lineup of Oborn, American guitarist Liz Buckingham, a key member since 2003, and new bassist Clayton Burgess (SATAN'S SATYRS).


    Fueled by strong emotion and the harder sounds of late-'60s Detroit, the remodeled lineup - isolated by choice, giant stacks glowing red - set about crafting an eighth studio album to both rival and exceed the milestone recordings of the past, with Buckingham keeping things suitably monolithic and the band generally looking back to some of their earliest influences. Toerag Studios in London was once again charged with capturing The Sound, and (encouragingly) words like raw, hateful and sickeningly heavy are being traded.


    Founding member Jus Oborn said the following: All of our albums in the past have had a theme - revenge, drugs, black magick - and the theme of this one is death. Of course, death to us really means rebirth, so this album is a manifestation of a very primal occult belief in the final sacrifice. We have gone full circle - it was inevitable, but we had to do it. We had to kill the band so we could be reborn. It was the only way to ensure we could come back even stronger.

    LP1
    1. Incense For The Damned
    2. Time To Die
    3. I Am Nothing
    4. Destroy Those Who Love God
    5. Funeral Of Your Mind


    LP2
    1. We Love The Dead
    2. Sadiowitch
    3. Lucifer's Slave
    4. Saturn Dethroned

    Electric Wizard
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Besnard Lakes Are The Divine Wind The Besnard Lakes Are The Divine Wind Quick View

    $13.99
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    The Besnard Lakes Are The Divine Wind

    Early in 2016, The Besnard Lakes released their finest album to date, the magisterial A Coliseum Complex Museum and toured worldwide throughout the following months. Jace Lasek and Olga Goreas, the couple at the heart of the band, had spent the previous summer on their annual retreat to their namesake Besnard Lake. In a place with so much personal significance, they spent time writing the music that was to form the album. Culling the tracks down to an album proved a difficult task and inevitably there were tracks they loved that just didn't quite fit with the overall album.


    So it is with delight that almost exactly a year on, the band are able to release this 12 of two brand new, exclusive tracks written and recorded at the same time as the album. Laura Lee is a sibling track to the album's illustrious first single, The Golden Lion - spacious reverb-y drums echo around an almost sci-fi vocal line sung by Olga Goreas. Meanwhile, the title track The Divine Wind is the Besnard Lakes at their expansive, psychedelic best: a sustained keyboard building through to a bombastic coda, complete with Lasek's unmistakable falsetto.


    If you ever needed a reminder of just how unique, beautiful and far-reaching this band is, then The Besnard Lakes Are the Divine Wind delivers. They'll be on tour on the west coast of North America in December and worldwide throughout 2017.

    1. Laura Lee
    2. The Divine Wind
    Besnard Lakes
    $13.99
    12'' Vinyl Single - Sealed Buy Now
  • What Were Once Vices Are Now Habits What Were Once Vices Are Now Habits Quick View

    $29.99
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    What Were Once Vices Are Now Habits

    180 Gram Anniversary Edition in First Time Gatefold Cover with Artwork Elements Not Seen in Years


    Mastered by Joe Reagoso from the Original Warner Brothers Tapes at Friday Music Studios and at Capitol Mastering with Ron McMaster


    Known for their ability to churn out hit songs, chart-topping albums and sell-out shows across the globe, The Doobie Brothers continue to be a force in the music business, garnering them success now for over four decades. They were also leaders in creating excellent sounding recordings and utilizing their masterful skills in the studios. Their amazing catalog of albums has truly stood the test of time.


    1974 was a banner year for the band as they took their Bay Area soul and rock driven sounds to a further dimension, thanks to the hits on their fourth smash LP What Were Once Vices Are Now Habits. Produced by Ted Templeman, this multi-platinum event would go on to become one of the most successful albums by The Doobie Brothers, as the LP gave them a huge number-one single with Patrick Simmons' Black Water. Plus the hard rockin' session yielded more hits like the Memphis R&B sounds of Eyes Of Silver and Tom Johnston's classic summertime ballad Another Park, Another Sunday.


    Fronted by dual lead vocalists and guitar mavens Tom Johnston and Patrick Simmons, Tiran Porter on bass, and the dual drummers John Hartman and the late great Michael Hossack, The Doobie Brothers continued their trek to the top of the music charts as the LP went even deeper on album radio with more amazing hits like the hard rocker Pursuit on 53rd Street, the funk/acoustic vibe of Daughters Of The Sea, and the tour de force masterpiece Road Angel.
    Even superstar friends like future Doobie Brothers Jeff "Skunk Baxter" and the late Keith Knudsen, Billy Payne from Little Feat, the legendary Arlo Guthrie and The Memphis Horns are all featured on this once in a lifetime classic rocker.

    1. Song to See You Through
    2. Spirit
    3. Pursuit on 53rd St
    4. Black Water
    5. Eyes of Silver
    6. Road Angel
    7. You Just Can't Stop It
    8. Tell Me What You Want (And I'll Give You What You Need)
    9. Down in the Track
    10. Another Park, Another Sunday
    11. Daughters of the Sea
    12. Flying Cloud
    The Doobie Brothers
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • All My Friends Are Funeral Singers All My Friends Are Funeral Singers Quick View

    $19.99
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    All My Friends Are Funeral Singers

    Califone's releases are full of layers and textures, offering endless depth, entire universes to lose yourself in, and beyond the thick spectrum of sound, they do something even more important: they write great songs that will stand the test of time. The band is at the peak of its powers on All My Friends Are Funeral Singers, its sixth song based album. The long-awaited follow-up to 2006's acclaimed Roots and Crowns, the album is the strongest collection of songs in a career with no shortage of strength. The subtlety and detail of Califone's previous work is present here; the atmospheres are carefully nuanced, the percussion is both rattling and melodic, and the melodies are rich and soulful.


    All My Friends Are Funeral Singers is a dense collage of sounds, expertly formed into fully realized pop songs and it's the record that the great Roots and Crowns hinted at. The songwriting is fleshed out, the musical vision is boiling over, the sonic experimentation is indulgent and dense, yet there's a great cohesion, a sense of purpose and a newfound focus to this Califone effort. Never has the band felt so vibrant and so alive!


    This double LP edition contains music exclusive to the vinyl edition of the release on side 4.

    1. Giving Away the Bride
    2. Polish Girls
    3. 1928
    4. Funeral Singers
    5. Snakes Tooth = Protection Against Fever And Luck In Gambling
    6. Buñuel
    7. Ape-like
    8. A Wish Made While Burning Onions Will Come True
    9. Evidence
    10. Alice Marble Gray
    11. Salt
    12. Krill
    13. Seven, Fourteen, Or Twenty Knots
    14. Better Angels
    Califone
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Some Days Are Better Than Others Some Days Are Better Than Others Quick View

    $19.99
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    Some Days Are Better Than Others

    Temporary Residence has waited with eager anticipation to release Matthew Coopers spellbinding soundtrack to Some Days Are Better Than Others since before his creative breakthrough album, Similes (released under his more widely known Eluvium moniker) was even made. The film stars James Mercer (Broken Bells, The Shins) and Carrie Brownstein (Portlandia, Sleater-Kinney) as strangers whose lives occasionally intersect as they navigate their way through the struggles of personal attachment and disconnection.


    When viewing the film, Cooper observed themes being presented regarding our throw-away society, and realized that both he and Some Days Are Better Than Others director Matt McCormick shared a common interest in this world of things left behind and the emotional baggage that is connected to it, whether broken or simply tossed aside for something new; something once considered the future, turning into antiquated rubble. Cooper decided that using a collection of damaged instruments would be a fitting way to underscore this aspect of the film.


    A long-time collector of odds and ends and junked musical instruments, Cooper has amassed an impressive array of thrift store and garage sale keyboards, foot pedals, and electronics over the years, always hoping to discover the ghosts hidden within and the unique properties they may possess.

    1. Curious Moments

    2. Drifting
    3. Pursuance
    4. Into Dust
    5. Expectation
    6. What You Leave Behind
    7. Reprieve
    8. Worry And Care
    9. Time And Abandonment
    10. Its Never What It Seems
    11. Camille And The Ocean
    12. Some Days Are Better Than Others
    13. Katrina Outtake

    Matthew Cooper
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Place And The Time The Place And The Time Quick View

    $36.99
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    The Place And The Time

    + Vinyl Only Bonus Track


    Despite a myriad of obstacles, Moby Grape managed to persevere and create a potent and enduring body of recorded work, recording four albums during its original 1967-1969 lifespan. While 1967's Moby Grape is widely acknowledged as a classic and one of rock's greatest debut albums, the subsequent Wow, Moby Grape '69 and Truly Fine Citizen are all underrated gems.


    It's a measure of the musicians' abundance of talent and creativity that, despite the multiple roadblocks that they confronted, Moby Grape recorded prolifically and cut a wealth of originally unreleased material. The Place and the Time offers a scintillating assortment of rare tracks cut during the band's heady 1967-1968 heyday and it is the first time any of these tracks have appeared on vinyl! Encompassing audition recordings, album outtakes, alternative versions, live material and more, the recordings offer a powerful testament to the remarkable rapport that made the band such a unique musical force. The fact that music this stunning and originally sat on the shelf for so long is just another in the litany of injustices that haunt the Moby Grape story. Fortunately, the band's majestic recorded legacy has outlasted the bad luck. The music remains as fresh and inspiring as ever, and the vintage material featured in this collection constitutes a crucial addition to Moby Grape's already monumental body of work.

    1. Indifference (Columbia Records audition recording (1967)
    2. Looper (Columbia Records audition recording (1967)
    3. Stop (Demo Recording (1967)
    4. Rounder (Instrumental Outtake Recording from the Moby Grape sessions (1967)
    5. Sweet Ride (Never Again) (Unedited Version, recorded for the motion picture The Sweet Ride (1967)
    6. Loosely Remembered (Demo Recording (1967)
    7. The Place and the Time (Alternate Version from the Wow album sessions (1967)
    8. Bitter Wind (Demo Recording (1967)
    9. Seeing (Alternate Version from the Wow album sessions (1968)
    10. What's to Choose (Alternate Version from the Wow album sessions (1968)
    11. Miller's Blues* (Alternate Version from the Wow album sessions (1968)
    12. Soul Stew (Outtake Recording from the Moby Grape '69 album sessions (1968)
    13. If You Can't Learn From My Mistakes (Demo Recording (1968)
    14. You Can Do Anything (Demo Recording (1967)
    15. Skip's Song (Demo Recording (1967)
    16. It's a Beautiful Day Today (Demo Recording (1968)
    17. What's to Choose (Demo Recording (1967)
    18. Hoochie (Demo Recording (1968)
    19. Big (Demo Recording (1968)
    20. Rounder (Live Recording (1968)
    21. Miller's Blues (Live Recording (1968)
    22. Changes (Live Recording (1968)
    23. Looper (Demo Recording (1967)
    24. Soul Stew (Instrumental Outtake Recording from the Moby Grape '69 album sessions (1968)
    25. Cockatoo Blues (Tongue-Tied) (Demo Recording (1968)


    * Vinyl Only Bonus Track

    Moby Grape
    $36.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Right Time (Pure Pleasure) The Right Time (Pure Pleasure) Quick View

    $34.99
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    The Right Time (Pure Pleasure)

    I first heard Etta James as a young teenager when she had a hit with Tell Mama, a tune that has easily stood the test of time. She recorded this album a quarter-century later and sounded even better.

    For The Right Time she returns to the Muscle Shoals studio where she recorded Tell Mama, this time with producer Jerry Wexler, and it's an outstanding match. She hits nary a forced or false note and is backed with a stellar band that includes saxophonist Hank Crawford, guitarist Steve Cropper and bassist Willie Weeks. They plow ahead like a great offensive line blocking for an all-star running back -- one who isn't afraid to lower the shoulder and knock somebody over.

    There's plenty of manufactured emotion on records, but you won't find any of it here. Etta just rocks naturally. It's like sitting next to a seasoned story teller in full command of the narrative. Nothing for you to do but sit back, close your eyes and listen.

    A sign of great singers for me is how they put a stamp on songs that have been done many times. In that regard, Etta makes Love and Happiness and Ninety And A Half Won't Do her own. She tears up The Night Time Is the Right Time with the help of Crawford's sax. Of course she has the blues well covered, my personal favorite being Down Home Blues, and flashes her humorous side with the trash-talking Wet Match. She hits any note she wants without straining and with total conviction.

    But all the songs are top-notch. The best advice for anyone reading this is to just pick up the album and discover the old-school glory of Etta James. - Tyler Smith

    Musicians:

    • Etta James (vocal)
    • Lucky Peterson (organ, guitar)
    • Steve Cropper, Doug Bartenfeld (guitar)
    • Hank Crawford (alto saxophone)
    • Jim Horn (bassoon)
    • Gary Armstrong (trumpet)
    • Kirk 'Jelly Roll' Johnson (harmonica)
    • Clayton Ivey (piano)
    • Frank Crawford (synthesizer)
    • David Hood(bass)
    • Steve Ferrone, Roger Hawkins (drums)

    About Pure Pleasure

    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.

    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. I Sing The Blues
    2. Love And Happiness
    3. Evening Of Love
    4. Wet Match
    5. You're Taking Up Another Man's Place
    6. Give It Up (Duet With Steve Winwood)
    7. Let It Rock
    8. Ninety Nine And A Half (Won't Do)
    9. You've Got Me
    10. Nighttime Is The Right Time
    11. Down Home Blues
    Etta James
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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