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I can feel you creep into my private lifeTune-Yards' magnum opus will arrive in the form of new album I can feel you creep into my private life. Thematically, the 12 new songs tackle race, politics, intersectional feminism and environmental prophecies head on. But in the billows of intense subject matter, the album arrives as Tune-Yards' most immediate and upbeat music yet- this is Tune-Yards' music to dance to.
On I can feel you creep into my private life, Tune-Yards is officially a duo. Garbus is joined by longtime collaborator Nate Brenner who produced and wrote the album together with lyrics by Garbus. Tune-Yards worked with mixer Mikaelin "Blue" BlueSpruce (Solange, Kendrick Lamar). Tune-Yards' 2014 release Nikki Nack was one of the most well-received albums of the year. New York Magazine called it "possibly the catchiest record of the year," the New Yorker praised its "joyful energy" and "surprisingly sweet singing and catchy tunes," and Entertainment Weekly said, "life needs joyful noise like this."
Since the release of Nikki Nack, Tune-Yards has kept busy collaborating with legendary musicians David Byrne, Laurie Anderson and Yoko Ono, as well as penning the standout track, "Action," from Mavis Staples' 2016 album.1. Heart Attack
2. Coast to Coast
3. ABC 123
4. Now As Then
7. Look At Your Hands
10. Who Are You
11. Private Life
12. Free$22.99Vinyl LP - Sealed Buy Now
Red Hot + Fela
18th In A Series Of Original Albums To Raise Money And Awareness In The Global Fight Against HIV/AIDS
Fela Kuti lives on. Since his death in 1997, he's been transformed from musician's musician with a cult-like following to a worldwide musical icon. The last four years have seen the Broadway hit FELA! win Tony Awards and tour the world, Knitting Factory Records reissue the prolific Nigerian's back catalogue, and now, Red Hot.
Red Hot is an AIDS awareness organization currently partnering with cross-genfre collaborators representing rock, hip-hop, Americana, and classical for a forthcoming album release of Fela Kuti compositions, Red Hot + Fela. The release includes classic Fela anthems like Lady recorded by tUnE-yArDs, Questlove, Angelique Kidjo, and Akua Naru, Zombie recorded by Spoek Mathambo, Cerebral Cortex, and Frown, and Trouble Sleep Yanga Wake Am recorded by My Morning Jacket, Merrill Garbus (from tUnE-yArDs), and Brittany Howard (from Alabama Shakes) and Sorrow, Tears & Blood reworked by the Kronos Quartet along with TV On The Radios' Kyp Malone and Tunde Adembimpe.1. Buy Africa - Baloji & L'Orchestre de la Katuba featuring Kuku
2. Lady - tUnE-yArDs, Questlove, Angelique Kidjo + Akua Naru
3. Yellow Fever - Spoek Mathambo + Zaki Ibrahim
4. No Buredi - Nneka, Sinkane, Amayo + Superhuman Happiness
5. Who No Know Go No - Just A Band + Childish Gambino
6. Trouble Sleep Yanga Wake Am - My Morning Jacket w/ Merrill Garbus + Brittany Howard
7. Sorrow Tears and Blood - TV on the Radio's Kyp Malone and Tunde Adebimpe, Kronos Quartet + Stuart Bogie
8. ITT - Superhuman Happiness w/ Sahr Ngaujah, Abena Koomson + Rubblebucket
9. Afrodisco Beat 2013 - Tony Allen, M1 + Baloji
10. Gentleman - Just A Band, Bajah + Chance the Rapper
11. Hi Life Time - GendEr Infinity
12. Zombie - Spoek Mathambo + Cerebral Cortex + Frown
13. Go Slow - King$22.99Vinyl LP - 2 LPs Sealed Buy Now
WhokillWhokill is the second album from New England native Merrill Garbus' Tune-Yards. The release was recorded shortly after Garbus transplanted herself from Montreal to sunny Oakland, California. Whokill retains the honesty of the lonely bedroom confessionals of her early work, but with the addition of the fangs, claws and dented metal of her new surroundings.
Indeed, Oaklands particular landscapes serve as primer for what you hear on Whokill, with the citys unique vitality fuelling the album's brightness. By applying the Tune-Yards live approach to her studio work for the first time, Garbus added more buttons and joints to those already being used, one essential new joint is dexterous bass member Nate Brenner, who co-wrote a few songs.
Produced by Garbus herself and working with engineer Eli Crews, they show theres no substitute for a good microphone, and the sonic nuances that can only be achieved through masterful recording techniques.1. My Country
8. You Yes You
9. Wooly Wolly Gong
$22.99Vinyl LP - Sealed Buy Now
Thao And MirahIn 2010, Thao Nguyen, leader of Thao With the Get Down Stay Down, and singer/songwriter Mirah (K Records), linked up for a tour. And now, the two have joined forces to release the self-titled album, Thao & Mirah. The duo recorded the album in a two-week period, with Tune-Yards mastermind Merrill Garbus co-producing, guesting, and writing one song. Various Bay Area musicians also contribute.1. Eleven
3. Little Cup
4. Rubies and Rocks
6. Spaced Out Orbit
7. How Dare You
8. Sugar and Plastic
9. Likable Man
11. Squareneck$15.99Vinyl LP - Sealed Buy Now
Livin' On A High NoteMavis Staples has been a soul and gospel music legend for more than 50 years. Her work fronting the legendary Staples Singers defined the sound of politically-committed soul and influenced generations of musicians. As a solo artist in her own right she has helped to define much of what is righteous and soulful in American music.
With Livin' On A High Note, Mavis Staples has delivered the most joyful and uplifting record of her career. 12 original songs written exclusively for Mavis by some of the finest songwriters of our time including M .Ward, Ben Harper, Valerie June, Neko Case, tune-yards, Nick Cave, John Baptiste, Justin Vernon, Aloe Blacc, and more.1. Take Us Back
2. Love And Trust
3. If It's A Light
5. High Note
6. Don't Cry
9. History Now
10. One Love
11. Jesus Lay Down Beside Me
12. MLK Song$19.99Vinyl LP - Sealed Buy Now
ADAD-POL-1310xSonny & The Sunsets
Moods Baby Moods
180-Gram Orange Vinyl
On previous records, the Sunsets have plundered a
wide spectrum of musical appropriation (garage-rock,
forgotten AM radio fodder, Modern Lovers, late-era
Clash, Doo-Wop, and the Velvet Underground, to
name a few.)
Mood Baby Moods follows suit, and on this outing we
find the Sunsets, along with producer Merrill Garbus
of tUnE-yArDs, repurposing early '80s funk and new
wave with rap beats and collages from both sides of
the ocean (be it Niles Rogers, Jah Wobble, The Gap
Band, Orange Juice, Trans-era Neil Young or The Tom
Tom Club.) These are songs that juxtapose the haze of
today with a vibrant and colorful explosion of sounds
and 180 degree turns.1. Death Cream part 2 "Watch Out for the Cream"
3. Modern Age
4. Well But Strangely Hung Man
6. Reject of the Lowest Planet
7. White Cops on Trial
8. Check Out
10. My Little Death
11. Dead Meat on the Beach
12. The Hospital Grounds at Night$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
SONM-MAS-5711xThe Blind Boys Of Alabama
I'll Find A Way
Features Special Guests: Casey Dienel of White Hinterland, Justin Vernon of Bon Iver, Merrill Garbus of tUnE-yArDs, Patty Grifn, Sam Amidon, And Shara Worden of My Brightest Diamond
Produced by Justin Vernon (Bon Iver, Kathleen Edwards), I'll Find a Way is a unique collaboration between one of popular music's longest-running acts and one of its fastest-rising stars. Known primarily for his work in the indie and folk realms, the Bon Iver frontman proved a perfect fit to work with the Blind Boys, exhibiting a deep knowledge and
appreciation of gospel music. Vernon, and old friend and band mate Phil Cook (Megafaun, The Shouting Matches) corralled a lively backing band for the album and hand-picked a range of songs for the Blind Boys to sing. I'll Find a Way features some of the Blind Boys' most fervent vocals as well as contributions by a new generation of Blind Boys
fans - Sam Amidon, Shara Worden of My Brightest Diamond, Merrill Garbus of tUnE-yArDs, Casey Dienel of White Hinterland, Patty Grifn and Justin Vernon himself. The result is a rousing collection of gospel songs, new and old, that address life's most desperate hours but also savor the triumphs and reassurances of faith.
I'll Find a Way represents a strong new chapter for the Blind Boys of Alabama, whose career stretches back more than seventy years. Formed in the late 1930s at the Alabama Institute for the Negro Blind in Talladega, the group has harmonized throughout
the turbulent twentieth century and well into the twenty-rst: from Jim Crow through Civil Rights and into the Obama era. They have, however, enjoyed some of their biggest and most rousing successes in the last ten years, during which they've won ve Grammys, four Gospel Music Awards and multiple invitations to sing at the White House.
For I'll Find a Way, their ninth studio album of the twenty-rst century, the Blind Boys of Alabama - which includes Jimmy Carter, Eric "Ricky" McKinnie, Joey Williams, Tracy Pierce, Ben Moore and newest addition Paul Beasley - decamped to the wintry wild of rural Wisconsin to record at Vernon's April Base studio. Known primarily for his work in the indie and folk realms, the Bon Iver frontman proved a perfect t to work with the Blind Boys, exhibiting a deep knowledge and appreciation of gospel
"It's not just singing," explains the 82-year-old Carter. "We're bringing the message to the people, and that message is the good news of God. We sing from the heart, and what comes from the heart reaches the heart. If you have any feeling in you,
you will feel the Blind Boys."1. God Put A Rainbow In The Cloud
2. I'll Find A Way (to Carry It All) (Featuring Shara Worden Of My Brightest Diamond)
3. I Am Not Waiting Anymore (Featuring Sam Amidon)
4. I Shall Not Be Moved
5. Take Me To The Water
6. I've Been Searching (Featuring Merrill Garbus Of Tune-yards)
7. There Will Never Be Any Peace (until God Is Seated At The Conference Table) (Featuring Casey Dienel Of White Hinterland)
8. Take Your Burden To The Lord And Leave It There
9. Every Grain Of Sand (Featuring Justin Vernon Of Bon Iver)
10. My God Is Real
11. Jubilee (Featuring Patty Griffin)$19.99Vinyl LP - Sealed Buy Now
BeingMozart's Sister - the solo project of Montreal's Caila Thompson-Hannant she started back in early 2011 - delights in making glittering, celebratory pop with an underlying strain of brittle, claustrophobic energy. By marrying the accessible with the decidedly off-kilter, she displays a similar vigor and charisma to female contemporaries Grimes and tUnE-yArDs, both of whom too learned their trade among the same fertile hometown scene as her.
Since attracting a ton of buzz for her entrancing live shows and for first EP Hello, Mozart's Sister (aka Caila Thompson-Hannant) has been head-down in her bedroom writing her debut album. For anyone who's been following her work - and for new listeners - Being is Mozart's Sister expressing macrocosmic ideas about life with panache and abundant hooks.
Inspired by Discovery-era Daft Punk, Post-era Bjork, and Betty Davis, Caila produced, recorded and wrote the album using a cheap sound card and Ableton software, approaching it with a do-it-all-by-my-self ideology.
Being is fundamentally a pop record. But if you're looking to catalog her music more than that, you're going to have a hard time; Caila describes Being as an intentionally fractured album. "It was far reaching. Things didn't always connect, but that was part of the whole idea," she says. Which is representative of the best music, and maybe the best of life: looking for order in chaos, not always finding it, and living with whatever happens next.1. Good Thing Bad Thing
4. Lone Wolf
5. A Move
6. Bow a Kiss
7. Salty Tear
8. Do It to Myself (Run Run)
9. Don't Leave It to Me
10. My House Is Wild
11. Chained Together$16.99Vinyl LP - Sealed Buy Now
La Isla Bonita
Gray Colored Vinyl
For years, Deerhoof was the only band that sounded like Deerhoof. Deerhoof's
neck-snapping syncopations, classical melody, minimal gear and maximal music has
slowly become part of the vocabulary: St. Vincent, Flaming Lips, Tune-Yards and Dirty
Projectors are just a few of the bands to have absorbed some Deerhoof DNA.
Deerhoof banged out recordings to send to producer and Godmode Records
honcho Nick Sylvester. No one gave much thought to microphone placement and
other technical matters, or playing the parts perfectly, or even staying in tune. It was
unselfconscious, spontaneous and fun, all four musicians playing in the same tiny
room at the same time. "We forgot," says Greg, "that the camera was there." The
music was ineffably evocative and powerful.
In May, Sylvester recorded the vocals, and that's where the album's pop side comes
out: Satomi's singing is front and center, and if it sounds like she's commanding the
band, it's because she was. Satomi was determined to make a record that was not
just for hardcore Deerhoof fans but instead would speak to everybody.
But there's a darkness to the songs. While Satomi's voice might ring like a sweet bell,
John and Ed's guitars resound with uncanny, virtuosic abandon, and Greg drums
with his ingenious wallop, the gnomic lyrics juxtapose images of false paradise with a
sense of declining empires and decay, a foreboding portrait of an American Weimar.
La Isla Bonita is the glorious sound of four musicians owning their own hard-won and
richly deserved legacy. Even as western civilization goes down the tubes.
-- Michael Azerrad1. Paradise Girls
2. Mirror Monster
4. Last Fad
5. Tiny Bubbles
6. Exit Only
7. Big House Waltz
8. God 2
9. Black Pitch
10. Oh Bummer$18.99Colored Vinyl LP - Sealed Buy Now
This Is SteveThis is Steve, DELICATE STEVE's first new record in 4 years, and first for the ANTI- imprint, is an articulation of his spirit. Joy. Love. Positivity. Perseverance. Meditation. A general communion with the people and world around him. Easy to call such things hackneyed in this cynical time, but in Steve's case, it's very hard to separate the person from the art. It's real. It's pure. This, is Steve. Melody begins with the needle drop on This is Steve, and it's this hallmark as a songwriter on display in tune after tune that has defined all of DELICATE STEVE's work. It's his incredible capacity to write wordless songs that are impossible not to sing along to. He works in no genre, there are no words, but there is never a question as to what he is saying.
DELICATE STEVE (aka Steve Marion) had cornered the status of 'your favorite band's favorite band', as Steve himself became a fixture in and an on-demand collaborator among disparate scenes, players, and bands, making some of the most celebrated and forward thinking music today: Co-signs and work with David Byrne, Dirty Projectors, tUnE-yArDs, Mac DeMarco, Dr. Dog, and most recently, providing guitar on Paul Simon's new record. Likely the only guitarist alive who will cut records with Sondre Lerche and Death Grip's Zach Hill.
Steve produced and played all the instruments on this record. He created it as an introduction from himself to you, and named it appropriately. If there is a question as to who This is Steve's creator is, you'll find it imbued in these ten songs. As he has done from the start, Steve lets the music speak for itself. Without a word.1. Animals
3. Cartoon Rock
10. This Is Steve$19.99Vinyl LP - Sealed Buy Now
Changing LightOn her fifth solo album, Mirah breaks it down and builds it back up
again with the street smarts that only years behind the wheel of
love can inspire. Ready with the maps and driven to the rhythms
on the radio dial, Changing Light's ten songs carry us from
heartbreak to wholeness and all the places in between.
Uprooted from her home after a scorching break-up, Mirah spent
four years rambling and recording. Tracks were laid down in almost
two dozen houses and apartments - from the Northwest to
Southern California to the East Coast. Sparse demos were
recorded with co-producer Christopher Doulgeris in Portland and
Los Angeles. Embellishments were then added by a slew of friends
and collaborators, including Greg Saunier (Deerhoof), Mary
Timony, Emily Wells, and Heather McEntire (Mount Moriah). In
Philadelphia, Mirah and her sister Emily Zeitlyn (Divers) penned
"LC," an homage to childhood inspiration Leonard Cohen.
Seattle-based composer Jherek Bischoff drew up intricate string
arrangements which were recorded in the living rooms of each
individual player. And Tune-Yards producer Eli Crews
co-produced several tracks with Mirah in her new hometown of
Brooklyn, New York.
Changing Light's reassuring compass is found in Mirah's
shimmering vocals and incisive descriptions. There is yearning
("Gold Rush" and "Fleetfoot Ghost") and hot anger ("Goat
Shepherd"), but no shortage of lyrical and musical playfulness.
Whether it be the T. Rex-inspired rough edges of "Radiomind,"
the rollicking lo-fi bang-and-pop of "Goat Shepherd," or the lush
pop balladry of "Turned the Heat Off," the album corrals string
sections and vintage synths with horns, a multitude of guitar tones
and overdriven drums. With calm and clamor, Mirah brings us all
closer together through her universal honesty and occasional use
of the vocoder.
"It's a break-up record. It has some moments of darkness, some
twists and turns , but ultimately, there's a resolution," says Mirah.
So much can happen in four years, even forgiveness"
While Mirah has been making independent pop records for well
over a decade, Changing Light is the debut release on her new
imprint, Absolute Magnitude Recordings.1. Goat Shepherd
2. Oxen Hope
3. Turned the Heat Off
4. Gold Rush
5. Fleetfoot Ghost
6. I am the Garden
7. No Direction Home
8. 24th St
10. Radiomind$18.99Vinyl LP - Sealed Buy Now
Lily-OLily-O, a new album of reimagined folk songs by Vermont-born singer/fiddler/banjoist/guitarist Sam Amidon will be released by Nonesuch Records. The album was produced by Valgeir Sigurðsson (Björk, Bonnie "Prince" Billy, Feist) and features the innovative jazz guitarist and composer Bill Frisell, along with Amidon's other frequent collaborators, bassist Shahzad Ismaily and drummer Chris Vatalaro.
Frisell has been a hero of Amidon's since the young Vermont native first heard the guitarist play at the Village Vanguard during a teenage visit to New York City. The two musicians stayed in touch and had their first live collaboration in 2011; not long after, Amidon began contemplating a return to Iceland to make a third album at Sigurðsson's Greenhouse Studios. He eventually invited Frisell to join him and Sigurðsson, along with Ismaily and Vatalaro, to record what became Lily-O.
"I decided to put us all in a room together in Reykjavik for a few days," Amidon said. "I knew if I got Bill together with those guys they would get into a deep situation. I imagined that we would do something weird and fiddle-based, but when we got in there it just felt great to sing the songs I had gathered. Recording took about four days. I'd teach them the basic structure of the song; we'd do a few takes, and move on to a new one. There's maybe one or two overdubs but otherwise you're hearing what we played."
Lily-O's ten songs are mostly traditional folk songs gathered from disparate sources and refashioned in Amidon's signature way. The interplay between the four musicians is informed by their backgrounds in improvised music and the spontaneous nature of the sessions. As always, the central element is Amidon's voice, which, in his deceptively understated manner, tells tales of adventure, love, violence and redemption.
Lily-O follows four albums by Amidon including his 2013 Nonesuch debut, Bright Sunny South. 2010's I See The Sign and 2008's All Is Well were made for the Icelandic label Bedroom Community and featured orchestral arrangements by composer Nico Muhly. Along the way Amidon has performed worldwide in myriad contexts, collaborating with musicians such as Muhly, Thomas Bartlett/Doveman, Beth Orton and Glen Hansard. He has appeared as a guest artist on recent albums by Tune-Yards, Aoife O'Donovan and the Blind Boys of Alabama.1. Walkin' Boss
2. Down The Line
3. Blue Mountains
4. Pat Do This, Pat Do That
6. Groundhog Variations
7. Won't Turn Back
8. Maid Lamenting
9. Your Lone Journey
10. Devotion$24.99Vinyl LP - Sealed Buy Now
Swim (Out of Stock)Blue Colored Vinyl
Blue Cranes are a key player in the Portland, Oregon creative music/DIY scene and are a microcosm of what "post-jazz" has become at the regional level as a result of bands like The Bad Plus, The Claudia Quintet, Happy Apple, Dave Douglas and others.
Swim, produced by The Decemberists' bassist Nate Query, highlights the band's song-centered esthetic.
This is the band's fourth full length release, and first to come out on vinyl. The vinyl pressing includes a digital download card and is on blue vinyl.
This record will receive full service to all jazz, college and freeform radio stations and key regional and national press in the US by Cuneiform, Groov Marketing & Fully Altered Media. The individual members of the band bring a unique array of experiences to the group, including work with The Decemberists, Laura Veirs, AU, Rebecca Gates, Laura Gibson, Ethan Rose, Black Prairie, and Spoon.
Guest performances by violist Eyvind kang (Bill Frisell, Laura Veirs) and members of tUnE-yArDs, Los Lobos, the Devil Makes three, Portland Cello Project, Radiation City, and Au. Blue Cranes have toured regularly up and down the West Coast since 2007 and in 2011 they embarked on acrowd-sourced 30-day national tour by Amtrak train. More touring will commence with the release of this long awaited album!
Blue Cranes are: reed Wallsmith (alto saxophone),
Joe Cunningham (tenor saxophone), rebecca
Sanborn(keyboards), keith Brush (bass), and Ji Tanzer (drums) and this the band's fourth full length release.1. Beautiful Winners
2. Everything Is Going To Be Okay
3. Cass Corridor
5. Great Dane Small Horse
7. For Chris
8. Painted Birds
9. Goldfinches$23.99Vinyl LP - Sealed Temporarily out of stock