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  • Songs Of Experience Songs Of Experience Quick View

    $39.99
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    Songs Of Experience

    Blue Colored Vinyl


    U2, the biggest name in rock music is back with their highly anticipated 14th studio album Songs of Experience.
    A collection of 13 songs in the form of intimate letters to places and people including family, friends and fans,
    featuring tracks 'The Blackout" and first single 'You're The Best Thing About Me'.

    LP 1
    1. Love Is All We Have Left
    2. Lights Of Home
    3. You're The Best Thing About Me
    4. Get Out Of Your Own Way
    5. American Soul
    6. Summer Of Love
    7. Red Flag Day
    8. The Showman (Little More Better)
    9. The Little Things That Give You Away


    LP 2
    1. Landlady
    2. The Blackout
    3. Love Is Bigger Than Anything In Its Way
    4. (There is A Light)
    5. Ordinary Love (Extraordinary Mix)
    6. Book Of Your Heart
    7. Lights Of Home (St Peter's String Version)

    U2
    $39.99
    Colored Vinyl LP -2 LPs Sealed Buy Now
  • Songs Of Innocence Songs Of Innocence Quick View

    $35.99
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    Songs Of Innocence

    Songs of Innocence is U2's most personal work to date, charting the band's earliest influences from 70s rock and punk rock to early 80s electronica and
    ambient music and giving insight into how and why the band came together. The album deals with themes of home and family, relationships and
    discovery and was recorded in Dublin, London, New York and Los Angeles and is produced by Danger Mouse, along with Paul Epworth, Ryan Tedder,
    Declan Gaffney and Flood.

    1. The Miracle (of Joey Ramone)
    2. Every Breaking Wave
    3. California (There Is No End To Love)
    4. Song For Someone
    5. Iris (Hold Me Close)
    6. Volcano
    7. Raised By Wolves
    8. Cedarwood Road
    9. Sleep Like A Baby Tonight
    10. This Is Where You Can Reach Me Now
    11. The Troubles
    U2
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Songs Of Experience (Deluxe Box Set) Songs Of Experience (Deluxe Box Set) Quick View

    $99.99
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    Songs Of Experience (Deluxe Box Set)

    Deluxe Box Set Includes:

    • 12" x12" rigid box (numbered)
    • 2 LP gatefold vinyl
    • Deluxe CD
    • Fold-out poster
    • Songs of Experience Newspaper

    U2, the biggest name in rock music is back with their highly anticipated 14th studio album Songs of Experience.
    A collection of 13 songs in the form of intimate letters to places and people including family, friends and fans,
    featuring tracks 'The Blackout" and first single 'You're The Best Thing About Me'.
    LP 1
    1. Love Is All We Have Left
    2. Lights Of Home
    3. You're The Best Thing About Me
    4. Get Out Of Your Own Way
    5. American Soul
    6. Summer Of Love
    7. Red Flag Day
    8. The Showman (Little More Better)
    9. The Little Things That Give You Away


    LP 2
    1. Landlady
    2. The Blackout
    3. Love Is Bigger Than Anything In Its Way
    4. (There is A Light)
    5. Ordinary Love (Extraordinary Mix)
    6. Book Of Your Heart
    7. Lights Of Home (St Peter's String Version)


    CD
    1. Love Is All We Have Left
    2. Lights of Home
    3. You're The Best Thing About Me
    4. Get out of Your Own Way
    5. American Soul
    6. Summer of love
    7. Red Flag Day
    8. The Showman (Little More Better)
    9. The Little Things That Give You Away
    10. Landlady
    11. The Blackout
    12. Love Is Bigger Than Anything in Its Way
    13. (There is a Light)
    14. Ordinary Love (Extraordinary Mix)
    15. Book Of Your Heart
    16. Lights of Home (St Peter's String Version)
    17. You're The Best Thing About Me (U2 vs Kygo)

    U2
    $99.99
    Colored Vinyl LP Box Set + CD -2 LPs Sealed Buy Now
  • U2:  Best Of 1980-1990 (Pre-Order) U2: Best Of 1980-1990 (Pre-Order) Quick View

    $34.99
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    U2: Best Of 1980-1990 (Pre-Order)

    U2's first compilation release, The Best Of 1980-1990 went straight to Number 1 in the UK, Ireland, Canada and around the world on its original release in November 1998. The 16-track collection features seminal songs from early in the band's career, as well as many of their biggest global hits.


    • The 2LP format includes the track 'One Tree Hill' from The Joshua Tree, only available on vinyl formats of this compilation.
    • Remastered and pressed on 180gsm black vinyl.
    • Artwork faithfully reproduced from the original, including a gatefold outer and printed inner sleeves.


    LP 1
    1. Pride (In The Name Of Love)
    2. New Year's Day
    3. With Or Without You
    4. Still Haven't Found What I'm Looking For
    5. Sunday Bloody Sunday
    6. Bad
    7. Where The Streets Have No Name
    8. I Will Follow


    LP 2
    1. The Unforgettable Fire
    2. Sweetest Thing
    3. Desire
    4. When Love Comes To Town
    5. Angel Of Harlem
    6. All I Want Is You
    7. One Tree Hill
    8. October

    U2
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Waterboys Waterboys Quick View

    $24.99
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    Waterboys


    Reissued On 180gm Vinyl, With Original Artwork And Audio Cut From 2002 Digital Remaster


    Available On Vinyl For The First Time


    The Waterboys' eponymous debut album finds Mike Scott essaying his vision of big music. Part Van Morrison, part U2, it was sweeping and romantic, with nearly every song stretched out to epic length.


    - Stephen Thomas Erlewine (All Music Guide)

    1. December (2002 - Remaster)
    2. A Girl Called Johnny (2002 - Remaster)
    3. The Three Day Man (2002 - Remaster)
    4. Gala (Unedited; 2002 - Remaster)
    5. I Will Not Follow (2002 - Remaster)
    6. It Should Have Been You (2002 - Remaster)
    7. The Girl In The Swing (2002 - Remaster)
    8. Savage Earth Heart (2002 - Remaster)
    The Waterboys
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Reality Bites Soundtrack Reality Bites Soundtrack Quick View

    $19.99
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    Reality Bites Soundtrack

    Reality Bites is a 1994 American romantic comedy-drama film written by Helen Childress and directed by Ben Stiller. It stars Winona Ryder, Ethan Hawke and Stiller, with supporting roles by Janeane Garofalo and Steve Zahn. The plot follows Lelaina (Ryder), an aspiring videographer working on a documentary called Reality Bites about the disenfranchised lives of her friends and roommates. Their challenges exemplify some of the career and lifestyle choices faced by Generation X.


    The film's soundtrack includes songs by U2, Lenny Kravitz, World Party, Squeeze, The Knack (My Sharona featured prominently in one scene from the film), Juliana Hatfield, Dinosaur Jr, and Crowded House in addition to the runaway hit Stay (I Missed You) by Lisa Loeb, which earned Loeb the distinction of being the first artist to top the Hot 100 before being signed to any record label.

    1. My Sharona (The Knack)
    2. Spin The Bottle (The Juliana Hatfield 3)
    3. Bed Of Roses (The Indians)
    4. When You Come Back To Me (World Party)
    5. Going, Going, Gone (The Posies)
    6. Stay (I Missed You) (Lisa Loeb & Nine Stories)
    7. All I Want Is You (U2)
    8. Locked Out (Crowded House)
    9. Spinning Around Over You (Lenny Kravitz)
    10. I'm Nuthin' (Ethan Hawke)
    11. Turnip Farm (Dinosaur Jr.)
    12. Revival! (Me Phi Me)
    13. Tempted (94) (Squeeze)
    14. Baby, I Love Your Way (Big Mountain)
    Various Artists
    $19.99
    Vinyl LP - Sealed Buy Now
  • Recently Recently Quick View

    $34.99
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    Recently


    Mastered By Kevin Gray At Cohearent Audio From The Original Analog Tapes


    200-Gram Vinyl Pressing By Quality Record Pressings!


    Deluxe Tip-On Gatefold Jacket


    In 1987, the Madonna of Folk returned to U.S. record shops with a vengeance, delivering here interpretations of songs by Dire Straits, Johnny Clegg, U2 and Peter Gabriel - performers, writes AllMusic, whose political consciousness had been formed by listening to old Joan Baez albums.


    We've taken a classic and kicked it up a notch. Several notches, in fact. This 200-gram stunner, pressed at Quality Record Pressings, was expertly remastered by Kevin Gray at Cohearent Audio. Lacquer plating was by
    QRP's master technician Gary Salstrom, topped off by a heavy cardboard gatefold jacket from Stoughton Printing with vibrantly reproduced original artwork. How does it get any better?


    The title track from Recently is a stunning Joan Baez original, where she boldly answers ex-husband David Harris' downbeat memoir of the '60s, Dreams Die Hard, as well as other '80s revisionists.


    The track Asimbognagna was nominated for a Grammy Award for Best Contemporary Folk Recording.


    This title is not eligible for discount.

    1. Brothers In Arms
    2. Recently
    3. Asimbonanga
    4. The Moon Is A Harsh Mistress
    5. James & The Gang
    6. Let Us Break Bread Together/Freedom
    7. MLK
    8. Do Right Woman, Do Right Man
    9. Biko
    Joan Baez
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • U218 Singles U218 Singles Quick View

    $39.99
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    U218 Singles

    U218 Singles is U2's most recent Greatest Hits album. Originally released in 2006 and featuring two new songs, The Saints are Coming (with Green Day) and Window in The Skies.

    LP 1
    1. Beautiful Day
    2. I Still Haven't Found What I'm Looking For
    3. Pride (In The Name Of Love)
    4. With Or Without You
    5. Vertigo
    6. New Year's Day
    7. Mysterious Ways
    8. Stuck In A Moment You Can't Get Out Of


    LP 2
    1. Where The Streets Have No Name
    2. Sweetest Thing
    3. Sunday Bloody Sunday
    4. One
    5. Desire
    6. Walk On
    7. Elevation
    8. Sometimes You Can't Make It On Your Own
    9. The Saints Are Coming (U2 and Green Day)
    10. Window In The Skies

    U2
    $39.99
    Vinyl LP -2 LPs Sealed Buy Now
  • Boy Boy Quick View

    $24.99
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    Boy

    Ranked 417/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    There's little in U2's 1980 debut to suggest that this was a band bent on world domination. Indeed, there's a charming, if naive, coming-of-age urgency in songs such as 'I Will Follow,' 'Stories for Boys' and 'Out of Control' that may startle listeners more familiar with U2's latter-day bombast and stadium-scale theatrics. Bono's viewpoint, still tantalizingly vague and wide-eyed, showed that his penchant for strident polemics hadn't yet gotten the best of him; his anthems are those of a yearning Dubliner barely out of his teens rather than those of a world-weary multimillionaire. The band's sometimes-ragged musical chops work in its favor here, gently burnished to then-fresh new-wave sheen by producer Steve Lillywhite. If the Edge's dense, effects-laden guitar work seems overly familiar, it's only because this album was such a key influence on the whole 'rock of the '80s' sound. Though not quite as moody or musically accomplished as October, arguably the band's first masterpiece, Boy still ranks as one of U2's best albums.

    1. I Will Follow
    2. Twilight
    3. An Cat Dubh
    4. Into The Heart
    5. Out Of Control
    6. Stories For Boys
    7. The Ocean
    8. A Day Without Me
    9. Another Time, Another Place
    10. The Electric Co.
    11. Shadows And Tall Trees
    U2
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Sueno De La Maquina (Awaiting Repress) Sueno De La Maquina (Awaiting Repress) Quick View

    $16.99
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    Sueno De La Maquina (Awaiting Repress)

    Latin GRAMMY nominees Kinky's new album 'Sueño de la Maquina' was produced and mixed by legendary Dust Brother, John King, who has produced Beck, Rolling Stones and Beastie Boys. The album was mastered by Howie Weinberg, whose credits include iconic albums like Red Hot Chili Peppers' Blood Sugar Sex Magik, Nirvana's Nevermind and U2's Pop.


    More than 10 years ago, Kinky submitted a demo to the Latin Alternative Music Conference (LAMC), where they ended up winning the conference's prestigious LAMC Discovery Contest. At LAMC, Kinky first connected with British producer Chris Allison (The Beta Band, Coldplay) and recorded their self-titled debut album, which was received with rave reviews from both international and domestic press. The album featured massive hit songs such as "Mas" and "Soun Tha Mi Primer Amor".


    Kinky's music has been featured in numerous soundtracks, TV commercials (Motorola, Smirnoff Ice, Nissan, Honda), and video games like EA Sports
    'FIFA and Tiger Woods' PGA Tour. The band's popularity is palpable in each of its concerts. Their popular live shows have allowed the band to tour around the world, performing at Coachella, New Orleans' Jazz Fest, Voodoo Fest, Bumbershoot, Outside Lands and many more.

    1. Inmovil
    2. Perfecta
    3. Negro Dia
    4. Tripolar
    5. Despues Del After
    6. Alma De Neon
    7. Intoxicame
    8. Back in 1999
    9. Se Borro La Noche
    10. Control
    Kinky
    $16.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • American III: Solitary Man American III: Solitary Man Quick View

    $24.99
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    American III: Solitary Man

    For younger generations of musicians, having their song cut by Johnny Cash must be a little like scaling the Washington Monument. On his third album
    for producer Rick Rubin's American label, Cash makes Tom Petty's I Won't Back Down sound like a companion classic to I Walk the Line. He
    transforms U2's One into a sturdy testament of plainspoken faith, while he plumbs the netherworld of Nick Cave's The Mercy Seat and Will Oldham's I
    See a Darkness. Amid more familiar fare (including Neil Diamond's title track), the album's sing-along standout is the deadpan, down-and-out, talking
    blues of Nobody. Cash's recent originals have the age-old purity of Appalachian music, while the traditional closing of Wayfaring Stranger offers
    bittersweet benediction. Merle Haggard, Sheryl Crow, and June Carter Cash provide vocal cameos. -Don McLeese


    Recorded at The Cash Cabin Studio, Hendersonville, Tennessee and The Akademie Mathematique Of Philosophical Sound Research, Los Angeles,
    California.Includes liner notes by Johnny Cash.Solitary Man won the 2001 Grammy Award for Best Male Country Vocal Performance. AMERICAN III
    was nominated for the 2001 Grammy Award for Best Contemporary Folk Album.

    1. I Won't Back Down
    2. Solitary Man
    3. That Lucky Old Sun (Just Rolls Around Heaven All Day)
    4. One
    5. Nobody
    6. I See A Darkness
    7. The Mercy Seat
    8. Would You Lay With Me (In A Field Of Stone)
    9. Field Of Diamonds
    10. Before My Time
    11. Country Trash
    12. Mary Of The Wild Moor
    13. I'm Leavin' Now
    14. Wayfaring Stranger
    Johnny Cash
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ultra Ultra Quick View

    $19.99
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    Ultra

    Ultra is the ninth studio album by English electronic group Depeche Mode, which was originally released by Mute Records on 14 April 1997


    Ultra both reprises an earlier Mode and entices with a taste of Modes to come. The band has wisely left behind the forced arena rock of their last album and evolved towards a more richly nuanced hybrid of conventional and electronic instrumentation. The resulting sound is both engaging in its diversity and surprising in its consistency. The aplomb with which Depeche Mode fuses electronic beats, cascading violins, and guitar hooks into a soulful and coherent whole puts the new techno-geek incarnation of U2 to shame. Where U2's Pop! crashes waves of sound upon the listener, Ultra achieves an equally rich sonic texture through delicacy and understatement.


    Lyrically and musically, Ultra depicts the band grappling with its recent scars, particularly Gahan's smack problem. From the self-loathing and acoustic turbulence of Barrel of a Gun, the first sequel, to the mechanical gurgling of the outro, Painkiller, the shadow of a syringe falls over the album. Gahan sings of a vicious appetite and pines for the spirit of love with an earnest intensity that usually overcomes Gore's occasionally banal lyrics. His high register and emotionally laden delivery on songs such as Love Thieves and Sister of Night (Little 15 redux) are reminiscent of the days of See You and Get the Balance Right, before Gahan settled into the deadpan baritone croon that carries most of the Mode's later hits.


    Perhaps due to the band's travails, Ultra is the most experimental Mode album since 1983's A Broken Frame, when these same three fellows lost their leading songwriter, Vince Clarke, to Yaz (and subsequently Erasure). As a result, with the exception of It's No Good, a catchy and confident tune that's A-1 formula Mode, there's no hit single potential on Ultra. There are, however, a good number of interesting songs that gradually seep into your system. The Bottom Line finds Gore at his most emotive, once again singing the bittersweet woes of infatuation over an aural fabric that alternates between jazz trio cool, electropop bounce, and country twang. With arpeggiating violins and arena-rock-style guitar bridges, Home is an intriguing Disneyesque ditty. And both Jazz Thieves and Uselink prove that the Mode haven't lost their knack for atmospheric instrumentals.


    - Kevin C. Murphy

    1. Barrel Of A Gun
    2. Love Thieves
    3. Home
    4. It's No Good
    5. Uselink
    6. Useless
    7. Sister Of Night
    8. Jazz Thieves
    9. Freestate
    10. Bottom Line
    11. Insight
    Depeche Mode
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ventura Ventura Quick View

    $22.99
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    Ventura

    In 2010, Antoine Hilaire and Florent Lyonnet released the first Jamaica album. Produced by Peter Franco, an American engineer known for his work with Daft Punk and Xavier de Rosnay, one half of Justice, 'No Problem' is boosted by a terrific single: 'I Think I Like U 2. Jamaica is taking off. Followed an almost two year tour, more than 150 shows around the world, and success from Paris to Tokyo.


    Jamaica felt ambitious when it was time to start working on their second album, without any weight or pressure : "On the contrary! We felt extremely light. We only realised that in a way we had to write our second first album."


    They started writing 'Ventura' in Paris, knowing they would start recording in Los Angeles, fed by both fantasies of American culture, gathered from records or movies, and the reality they discovered while touring several months in the U.S. "We often played in the U.S. during our first tour, and America as we know it now is not only spectacular and Hollywood-centered. It's also filled with clubs and cranked up amps."


    When they tell about the month they spent with Peter Franco in a rented house in Los Angeles to give life to their new songs, Antoine and Florent mention a discovery in a literal sense: "We thought about for a while naming this album 'Pinta, Nina, Santa Maria', like Christopher Columbus's ships." In the end, they named it 'Ventura'. For the musicians, the name reminds of its literal translation of "luck" and "fate", but also of the 72 Pontiac and of course, of Ventura Boulevard, one of the biggest roads in the San Fernando valley. It's also on Ventura Boulevard that Peter Franco set a house into a studio, where Jamaica locked itself for a month, surrounded by instruments borrowed from local musician friends, sometimes recording vocal takes while friends would walk across the living room to get fresh beverages from the fridge, heading to the pool.


    The duo is greeted with prestigious guests. One day, Tunde Adebimpe, TV On The Radio singer, sings soulful and worried vocals on 'Golden Times', another day, Chris Caswell, longtime collaborator of Paul Williams's gives them a hand with a few keyboard arrangements. Their friend DVNO writes and sings the song 'Goodbye Friday' with them in a few simple and entertaining work sessions.


    Jamaica comes back to Paris, where Antoine and Florent take back the numerous tracks recorded in the U.S., helped by their producer friend Samy Osta and his 2001 studio. They listen, select, arrange the many layers of music Peter Franco led them to gather, under the influence of his recent work on Daft Punk's 'Random Access Memories'.


    Jamaica then settles in the Paris studio Tranquille Le Chat, where the owner Laurent d'HerbÉcourt just finished the recording of Phoenix's 'Bankrupt!'. Antoine and Florent find the perfect place to finish their record: it is bathed in daylight thanks to three large windows, which is seldom found in a studio. "To us, 'No Problem' shows a clubby and nightly aspect of the band, while 'Ventura' is meant to be the daylight album for Jamaica."


    The band came in to record a few tracks, but never left the place or Laurent d'HerbÉcourt. They kept pushing in the direction they fancied in Los Angeles, helped by the huge Neve mixing desk that stands in the middle of the studio. The intent was to create a new depth to the band's sound, mixing electronic habits and an almost magical approach to analogue gear: "Depending on the moment of the day, the sound of analogue gear changes, machines heat up, like living things. It was very exciting for us, Jamaica being usually digitally driven."


    Antoine and Florent's belief in a more organic sound was strengthened by Laurent d'HerbÉcourt: "While mixing, he definitely pushed us further towards a "radio" oriented direction, in the most noble and Fleetwood Mac sense of the word. A sunny pop that hides more sensibility when one really pays attention."


    Songs like 'Two on Two', 'Golden Times', 'All Inclusive' or 'Ferris Wheeler' are fueled by this feel good music to listen to while driving along the Pacific Ocean. Other tracks reveal new leads for Jamaica, from 'Turbo' and 'Same Smile's' post surf music to 'Rushmore's' power balladry.


    On the album cover stand the two Jamaica members, in a desert, in front of a plane and a wall made of guitar amps. Ready to take off?

    1. Two on Two
    2. Hello Again
    3. Houdini
    4. Golden Times
    5. All Inclusive
    6. Ferris Wheeler
    7. High Then Low
    8. Ricky
    9. Rushmore
    10. Turbo
    11. Same Smile
    12. Goodbye Friday
    Jamaica
    $22.99
    Vinyl LP - Sealed Buy Now
  • Wonderful Wonderful Wonderful Wonderful Quick View

    $25.99
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    Wonderful Wonderful

    Wonderful Wonderful is The Killers' fifth studio album and features the top 10 Alternative hit The Man.


    Brandon Flowers revealed in May 2015 that he and guitarist Dave Keuning were exchanging ideas for The Killers' fifth studio album. The four members reconvened in October 2015, a few months earlier than originally planned. The band began work on the album at their own Battle Born Studios and also rented houses in Joshua Tree National Park and San Diego. They briefly recorded with Ryan Tedder and other producers in Los Angeles before beginning work with Jacknife Lee, who had been recommended to them by U2 frontman Bono. Lee worked with the band between September 2016 and May 2017 at his home studio in Topanga, California, and at National SouthWestern Recording studios in Las Vegas, Nevada. Lee produced all tracks on the album alongside The Killers, with Additional Production by Erol Alkan on The Man and Stuart Price on Out Of My Mind.


    The Killers enlisted Mark Knopfler (of Dire Straits) for a guitar part on Have All the Songs Been Written?. Additionally, Flowers wrote the lyrics for Some Kind of Love over music by Brian Eno. Australian artist Alex Cameron contributed lyrics to the track Run for Cover, which was originally written for the band's third studio album, Day & Age.

    1. Wonderful Wonderful
    2. The Man
    3. Rut
    4. Life To Come
    5. Run For Cover
    6. Tyson vs Douglas
    7. Some Kind Of Love
    8. Out Of My Mind
    9. The Calling
    10. Have All The Songs Been Written?
    The Killers
    $25.99
    Vinyl LP - Sealed Buy Now
  • Paranormal Paranormal Quick View

    $29.99
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    Paranormal

    "Paranormal" is Alice Coopers 20th studio album, his first album of original material in six years. It's a weird and wonderful collection of guitar-driven delights and produced by long-time collaborator Bob Ezrin (Pink Floyd, Deep Purple), and featuring guests like ZZ Top guitarist Billy Gibbons, U2 drummer Larry Mullen, Deep Purple bassist Roger Glover, as well as a highly anticipated mini-reunion of the original Alice Cooper band members. "Paranormal" is full of surprises and riveting turns.


    In keeping with his passion for the unexpected, the singer decided to steer clear of writing another concept album like 2011's "Welcome 2 My Nightmare," and focused on creating an explosive collection of unforgettable standalone songs. On "Paranormal", Alice Cooper and Bob Ezrin go back to their roots and create the raw garage sound that fans loved and still love. With the beloved sound of Cooper's early days, fans will feel like they're taken back straight to the 70s.


    Perhaps the biggest surprise on "Paranormal" is the historic two-song mini-reunion with his former bandmates, guitarist Michael Bruce, bassist Dennis Dunaway and drummer Neal Smith. The two songs, "Genuine American Girl" and the Who-inspired "You and All Your Friends" stand out, as in their iconic sound being instantly recognizable.

    1. Paranormal
    2. Dead Flies
    3. Fireball
    4. Paranoiac Personality
    5. Fallen In Love
    6. Dynamite Road
    7. Private Public Breakdown
    8. Holy Water
    9. Rats
    10. The Sound of A
    11. Genuine American Girl
    12. You And All Of Your Friends
    Alice Cooper
    $29.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • New Moon Daughter (Pure Pleasure) (Awaiting Repress) New Moon Daughter (Pure Pleasure) (Awaiting Repress) Quick View

    $49.99
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    New Moon Daughter (Pure Pleasure) (Awaiting Repress)

    This is no easy listen ... sparse, complex, often brooding arrangements coupled with Cassandra Wilson's deep, earthy voice and complicated phrasing demand your attention. Waver and you're lost. But ... give this album the listening time & space it deserves and reap the rewards. Unusual, highly atmospheric tracks that combine superb singing and marvellously 'distant' musical backings to weave real magic.


    Cassandra Wilson's own excellent, jazz tinged compositions sit alongside a stunning set of ingenious covers from a highly diverse spectrum of composers. Last Train To Clarksville is transformed from a catchy pop song into a stripped-down and genuinely effective jazz vocal work-out. Harvest Moon slows down Neil Young's already wistful ballad to an almost painful level and, in so doing, takes it to an even higher level of gentle reflection. Hank Williams' I'm So Lonesome I Could Cry & U2's Love Is Blindness are transformed into three in the morning jazz club classics.
    The vocals and backing to Robert Johnson's 32-20 are simplified to the point where only the essence of the blues is allowed to shine and, Lewis Allan's Strange Fruit becomes as desolate and challenging as it's horrific lyrics.


    Clever, very effective and worth the required effort!

    Musicians:



    • Cassandra Wilson (vocal)

    • Graham Haynes (cornet)

    • Chris Whitley, Brandon Ross, Kevin Breit (guitar)

    • Charlie Burnham (violin)

    • Tony Cedras (accordion)

    • Gary Breit (organ)

    • Lonnie Plaxico (bass)

    • Dougie Bowne (drums, percussion)

    • Cyro Baptista (percussion)



    Recording: 1995 at the Turtle Creek Barn, Bearsville, NY / Sound on Sound, New York City / Beartracks, Suffern, NY / Bearsville Studio B , Bearsville, NY.

    Production: Craig Street




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    LP 1

    1. Strange Fruit

    2. Love Is Blindness

    3. Solomon Sang

    4. Death Letter

    5. Skylark

    6. Find Him
    7. I'm So Lonesome I Could Cry


    LP 2

    1. Last Train to Clarksville
    2. Until
    3. A Little Warm Death
    4. Memphis
    5. Harvest Moon
    6. 32-20

    Cassandra Wilson
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Saosin (Awaiting Repress) Saosin (Awaiting Repress) Quick View

    $25.99
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    Saosin (Awaiting Repress)

    Saosin is the debut album by post-hardcore band Saosin. Includes a matte finish with spot UV gatefold jacket and full color inner sleeve.


    The long wait is over. California's Saosin issued their debut EP Translating the Name in 2003. They already had a well-developed fan base for their unique, even enigmatic brand of post-hardcore screamo. The band, having undergone some personnel changes -- most notably singer Anthony Green's departure in 2004 and the enlisting of Cove Reber as his replacement -- also underwent a sonic change on their self-titled 2005 EP. That primer was a guidebook to the band's new sound. Their Capitol debut, produced by Howard Benson, who also plays keyboards and does minimal programming, is a much slicker and far more imaginative outing than the band's underground fans may appreciate. That's not to say it's not impressive. It is. Quite so. This quintet are fine songwriters, excellent musicians, and have actually taken their post-underground hardcore beginnings and turned them into something that may indeed further rock music itself. This is not an idle claim. The songs on this album are tight, finished, and full of unexpected twists and turns, varied dynamics, fine lyrics, and, most of all, they're surprising. The hard twin-guitar sound at the front drives a rhythm section that is always in the pocket. Justin Shekoski and Beau Burchell work symbiotically with one another. They twin riffs and single lines without ever devolving into guitar heroics. They play as a unit. Reber's beautiful high-pitched voice walks the line but never resorts to screaming, because he doesn't have to: his instrument is powerful enough to ride the top of the musical swirl. The rhythm section carries the cradle of all this innovation, never slipping or abandoning these songs to mere workmanship. Check the killer counterpoint leads on Follow and Feel, and how drummer Alex Rodriguez takes the beat to the band inside the tune. When Reber enters with Don't let them know you're watching their situation crumble... his lyric is one of dislocation and the futile attempt to understand distance and dissolution. The killer, all-out rock riff in It's So Simple is beguiling as the song's dynamics and pace change three times inside of four minutes. That's the other beauty of this record; all but one track are under four minutes. The album flows from top to bottom; songs bleed into one another yet keep their distinctive identities. It's a strange comparison, but Saosin are as unique in their way as U2 were in their right from the beginning. Though they are seasoned road warriors, it's no mean achievement that a debut album carrying so much weight seemingly so effortlessly, is so utterly sophisticated and complete . Sure, Capitol will try to make them the next big thing, and maybe they should -- when's the last time you heard anything really new in rock music? Bury Your Head is the only track here that is a carry-over from Saosin's EP. Its woven textures, explosive singing, knotty basslines, and call and response vocals are chilling and utterly effective. Saosin walk that line between metal, indie rock, post-hardcore, and many other things. But that tautness is what gives their songs such power and ruddy grace. The album may garner the charges of sell-out from the underground, but musicians grow. In a relatively short time, Saosin has evolved into a smart, utterly talented and perhaps even visionary unit that is rewriting the book in the 21st century. They have delivered a debut album that is mature, truly original, that can garner the attention of those kids -- and hopefully, older adults who still care about rock -- from almost any side of the rock & roll spectrum. - Allmusic.com

    1. It's Far Better to Learn
    2. Sleepers
    3. It's So Simple
    4. Voices
    5. Finding Home
    6. Follow and Feel
    7. Come Close
    8. I Never Wanted To
    9. Collapse
    10. You're Not Alone
    11. Bury Your Head
    12. Some Sense of Security
    Saosin
    $25.99
    180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
  • Dove (Awaiting Repress) Dove (Awaiting Repress) Quick View

    $17.99
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    Dove (Awaiting Repress)

    The dream-rock band Belly blazed a bright trail in the '90s, releasing two albums full of taut, yet wondrous music that was memorable for its rumbling bass lines and insistent drumming as it was for its glittering riffs and airy vocals. Their new album Dove, which was recorded with friend of the band Paul Q. Kolderie, places Belly back on that trail, bridging the gaps between reverbed-out bliss and spaghetti-western drone and muscular, hook-forward pop.


    Belly came together in 1991, when vocalist-guitarist Tanya Donelly (Throwing Muses, The Breeders) began playing with brothers (and fellow Rhode Islanders) Tom (guitar) and Chris (drums) Gorman, as well as bassist Fred Abong. He left before the band's 1993 debut Star came out, and Gail Greenwood, then playing around Providence, joined. Star was a hit with critics and listeners alike, spawning the alt-radio and MTV staple "Feed the Tree." The band toured extensively behind the gold-certified album, touring with the likes of Radiohead, the Cranberries, and Pavement and playing a show at the Hippodrome in Paris where they opened for U2 and the Velvet Underground.


    Belly opened 1994 with two Grammy nominations, scoring nods for Best Alternative Music Album and Best New Artist at that year's edition of the awards. That summer, the band began work on King, their harder-edged second album. Belly toured behind that 1995 release extensively, opening for R.E.M. in Europe and bringing along Catherine Wheel and Superchunk for the American tour; their last gig was in November 1995, and the band officially dissolved in 1996.


    Since then, Belly's members kept busy, with Donelly releasing a string of hailed solo albums and touring with Throwing Muses, Greenwood performing with brash rockers L7 and revved-up punker Bif Naked, and Tom Gorman performing with fellow New England alt-rockers Buffalo Tom and Donelly's Throwing Muses partner Kristin Hersh before launching a photography business in New York with his brother. They had occasionally broached the topic of getting back together in individual settings; Greenwood and Tom Gorman separately collaborated with Donelly on her Swan Song Series omnibus.


    The idea of a Belly reunion, though, gained serious traction a few years ago. "We had just gotten to the point where we were just missing each other, and missing the music," says Donelly. "The music I've been doing in the past several years has been very collaborative, which made me kind of homesick for Belly; I missed that sense of having a band."


    Early rehearsals showed that Belly was still very much a unit, the years falling away as the quartet went to work on older material. "We immediately fell back into our original relationship and musical dynamics," says Donelly. "Just a lot of laughing-it felt like a real reunion in the best and truest sense from the first practice on. We had a bit of trepidation: 'Is this going to work?' But the first practice really set all our anxiety to rest."


    Eventually, though, the band's members, who had collaborated sporadically in the interim, got the itch to bring new songs into their set as a curveball for listeners-and for themselves, too. "You almost want to put yourself in the deep end," says Chris Gorman. "That just seems to be the inclination for creative people-you never just want to feel comfortable. You're always going, 'Well, what's the part of the night that's really going to make me really, really nervous and freaked out?' And that usually is, 'Let's try a new song.' When it works, that's the most the rewarding moment in the night."


    Belly previewed some of their new songs, including the prowling "Army of Clay" and the folk-tinged "Human Child," at their early reunion dates to effusive audiences. "The crowds have been amazing," says Donelly. "We've never really operated on a level before where live shows feel genuinely communal. We got such great feedback on the new stuff-people were just as enthusiastic about it," Donelly recalls. That handful of tracks blossomed into Dove, a dozen songs that nod to past glories while also showcasing the four members' growth as songwriters and musicians, adding dramatic flourishes like strings and vibed-out guitars to the group's already widescreen sound.


    Belly recorded most of the rhythm tracks for Dove at Stable Sound Studios in Portsmouth, RI, vocals at Greenwood's home studio, and guitars and overdubs in Tom's and Tanya's home studios. The songs spun out of a new songwriting system that was necessitated by the four members' far-flung hometowns. "It required a lot of trust," says Donelly, "because we were sending raw snippets to each other-anything from 30-second pieces to full songs. Tom and Gail and I would send demos back and forth, and then Chris would add drums to whatever snippets he'd heard, and Tom would sew everything together. It would sometimes be a very circuitous route to a song, but it was really fun."


    "All three of the songwriters were locked in and working in a way that complemented the others' strengths," says Chris Gorman. "Gail's writing was in top form. Tanya is able to make anybody's song her own-she's got that gift. And Tom has really honed his arrangement and production style."


    The shimmering, expansive "Shiny One," which pairs dreamy vocal harmonies with urgent riffing and dramatic string flourishes, is one of the best examples of Belly's new process. "I have a lot of affection for that one," says Donelly. "It was the first completely collaborative song we've ever done-Gail wrote the riff and the chorus, Tom and I wrote the verse and bridge, Chris's parts shaped the direction and vibe. When I hear it, I hear all four of us equally."


    While Dove's flight was aided by previews of some new tracks during the band's reunion tour, the band is excited to release the album in full, and to show it off to audiences around the world. "We're all looking forward to presenting these songs in a live setting, and having the opportunity to play together again," says Chris Gorman. "We should be in for a really exciting year."

    1. Stars Align
    2. Shiny One
    3. Girl
    4. Faceless
    5. Suffer the Fools
    6. Mine
    7. Human Child
    8. Army of Clay
    9. Artifact
    10. Heartstrings
    Belly
    $17.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Rock Steady Rock Steady Quick View

    $24.99
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    Rock Steady


    Ranked 316/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    They say you can never go home again.


    Yet, on their new Interscope Records release and fifth album, Rock Steady, No Doubt has embarked on a globe-spanning musical adventure that proves, once and for all, that home is where the heart is.


    At the heart of the quartet's fifteen-year musical journey is a sound, a style and a sensibility that celebrates their enduring bond with millions of fans worldwide: the sheer pleasure of pure pop - danceable, hummable, instantly accessible songs that have become indispensable additions to the soundtrack of our life and times. And now with Rock Steady, that soundtrack signals a return to some of the key creative elements that have made No Doubt one of today's most popular and enduring bands. Simply put, No Doubt is ready to party.


    "It's the hardest thing in the world just to be simple, to let the music and the words speak for what you're feeling and, hopefully, to share that feeling. And the feeling we all shared on this album turned out to be pretty simple, too: we were in a good mood."


    So says vocalist, lyricist and glorious gamine Gwen Stefani on the inspiration that ignited the dozen deliriously entertaining new tracks comprising Rock Steady. With all-original material penned by Gwen and No Doubt's dynamic songwriting duo of Tony Kanal and Tom Dumont and a roster of producers that pretty much covers the cutting edge of the studio art, Rock Steady, recorded in such far flung locations as London and Los Angeles, San Francisco and Jamaica, is without question the most eclectic, wide-ranging and stylistically diverse offering in the band's extraordinary career. It is also a loving tribute to the musical roots that have nourished No Doubt from their very inception.


    "We were on tour pretty much all of last year," explains drummer Adrian Young, "and whenever we had some down time, we found ourselves listening to lots of dancehall. It was kind of like getting back to where we once belonged." Dancehall, the exuberant evolution of reggae, ska and calypso currently rocking the clubs and studios of Jamaica, proved a potent point of departure for the group when they convened in early 2001 to begin work on a new album. "We were part of the whole ska revival back when we first got together," continues Adrian. "The fact is, we had to work hard to prove we had a wider range, and I guess we did that. Because this time around we didn't feel like we had anything to prove. The whole point was to follow the music, wherever it led."


    "Following the music" would lead the quartet to a variety of exotic locales as they indulged their instincts and experimented with sounds and settings that would capture the sensational new music beginning to emerge. "This album was less about technique and more about attitude," asserts Tony. "We took it one day at a time and it became a very spontaneous process. Tom had set up a studio at his place in L.A. and we'd meet there just to try out different ideas. Whereas before we'd write everything with a guitar or bass, this time we started with just beats and grooves and keyboards and built from there. After a week or two of songwriting, Gwen had a trip planned to London. Since we were having such a good time we just packed up and followed her over there. We knew we were onto something."


    "It felt like starting over," is Tom's assessment. "We had spent two years working on Return Of Saturn because we felt it was important to prove we could do a record that had depth and substance. Once we got that out of our system it was time to have some fun."


    Return Of Saturn, the group's smash 2000 release, did indeed establish No Doubt's ability to fashion songs of substance as well as style. It also conclusively demonstrated that the group's 1995 breakthrough release, Tragic Kingdom was more than a flash in the pan, although it was a distinctly dazzling flash that elevated the group to world class status with a solid string of hit singles. "We'd already done most of what we'd set out to accomplish," continues Tom. "We wanted try something fresh."


    Something fresh and, as it turned out, something tried and true. "With all the dancehall we'd been listening to it was only natural that some of that rhythm would seep into our new songs," Gwen adds. "We ended up going to Jamaica without really knowing exactly what we'd find when we got there. That was the whole plan from the beginning not to have a plan."


    What No Doubt found in the lush musical environs of the island was a creative collaboration with some of Jamaica's most revered producers including the legendary team of Sly & Robbie who sat behind the board for the album's debut single "Hey Baby" and "Underneath It All," a tune written by Gwen with Eurthymics mainstay Dave Stewart during the group's London sojourn. They would also go on record with the fast rising dancehall duo of Steely & Clevie, who worked their magic for the incendiary selection, "Start The Fire." Remarks Tom, "Going to Jamaica and working with the great artists there had always been a dream of ours. Having that opportunity is one the best things about having some success. It's more important than any amount of fame or fortune."


    As the spring of 2001 turned to summer the pace of recording stepped up, along with the group's increasingly bold ventures into new creative territory. In Los Angeles they added hip-hop to the mix with the streetwise sensibilities of The Neptunes, co-writers on the album's opening track, the scorching "Hella Good." Next they huddled with high-profile mixmaster Nellee Hooper on Rock Steady's title track as well as such standout selections as "In My Head," "Running," "Detective" and the above mentioned "Hella Good." Along the way they logged time with William Orbit for "Making Out," Ric Ocasek on "Platinum Blonde Life" and "Don't Let Me Down," and the inimitable Prince who co-produced and provided backing vocals on the drop dead gorgeous "Waiting Room."


    But mixing and matching songs and producers was only part of the creative evolution that took place with Rock Steady. Says Tony, "Our attitude from the beginning was that we'd do whatever it took to make the music work. We've always been a very self-contained unit. This time we wanted to open it up, to find out what other people could bring to the party."


    "The whole album was an exercise in spontaneity," adds Gwen, "and that challenged me to write more directly from my thoughts and feelings. I threw away my thesaurus and put aside my influences, everyone from Joni Mitchell to Sylvia Plath. I wanted to write songs about how it felt to be alive right now and that feeling, despite everything that going on in the world, is optimistic and full of hope. This is a time to affirm what's good and positive in our lives and if we can convey even a small part of the fun and excitement we had making this music, then we've done what we set out to do."


    Hot on the heels of Rock Steady's release comes news of an extensive touring schedule that includes select dates with U2 as well as an extensive itinerary of international headlining dates. "We're primarily a live band," comments Tony. "That's how we started and that's how we maintain contact with our fans. Over the past couple of years, as the No Doubt machine got bigger, it's been more difficult to maintain that connection. But this time around,we're determined to stay true to the spirit of the music. It's about having a good time, about dancing in aisles and singing along. We all need that and it's what this tour is going to be about."


    "After fifteen years together you naturally create all kinds of rules about how things should be," concludes Gwen. "There comes a time when you've got to throw the rules out and start all over again. That's what keeps it fun and interesting. For us that time has come."


    It's a sentiment that gets to the heart of the brilliant music on Rock Steady, an album that finds No Doubt comfortable at home with the risks and rewards of true originality. It's also proof positive that, when No Doubt throws a party, everyone's invited.

    LP1
    1. Intro
    2. Hella Good
    3. Hey Baby
    4. Making Out
    5. Underneath It All

    6. Detective
    7. Don't Let Me Down


    LP2
    1. Start The Fire
    2. Running
    3. In My Head
    4. Platinum Blonde Life
    5. Waiting Room
    6. Rock Steady

    No Doubt
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Yes It's True Yes It's True Quick View

    $19.99
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    Yes It's True

    Yes, It's True is the first proper studio album by The Polyphonic Spree since 2007s The Fragile Army.


    "The songs here are from many different periods in the last few years," frontman Tim DeLaughter explains. "This record feels like a collection of "songs" rather than a long listening piece which we've done previously in the Spree stylistically. It's kind of refreshing."


    The album was recorded in stages and produced by The Speekers alongside Eric Drew Feldman (PJ Harvey, Captain Beefheart) with mixing done by Tim Palmer (Pearl Jam, U2).

    1. You Don't Know Me
    2. Popular by Design

    3. Hold Yourself Up
    4. Carefully Try
    5. You're Golden
    6. Heart Talk

    7. Blurry Up the Lines
    8. Let Them Be
    9. Raise Your Head
    10. What Would You Do?
    11. Battlefield
    The Polyphonic Spree
    $19.99
    Vinyl LP - Sealed Buy Now
  • Mystery Girl Expanded Mystery Girl Expanded Quick View

    $39.99
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    Mystery Girl Expanded

    Everyone involved with Mystery Girl sensed the magic in Roy Orbison, who, in 1988, was enjoying a full creative renaissance and resurgence of popularity. One of Roy's classic recordings, "In Dreams," memorably lip-synched into a hurricane lamp by Dean Stockwell, had served as a key thematic element in David Lynch's "Blue Velvet," igniting a renewed interest in the Big O.


    In a series of bold aesthetic moves, Orbison directly addressed his legacy, first with Class of '55 (a 1986 reunion album with fellow Sun Records alumni Johnny Cash, Jerry Lee Lewis and Carl Perkins) and then, In Dreams: The Greatest Hits, where Orbison recut many of his biggest songs, using 1980s technology to produce results often surpassing his original recordings.


    At this same time, Roy Orbison became a founding member of the Traveling Wilburys, the roots rock supergroup also featuring Bob Dylan, George Harrison, Jeff Lynne, and Tom Petty. It was during work with the Wilburys that the vision for Mystery Girl, a new Roy Orbison album made of original songs from a variety of writers-including Roy Orbison, Diane Warren, Elvis Costello, Wesley Orbison and U2s Bono and the Edge (among others)-began taking shape.


    "When he sang it, it was absolutely magnificent," said Jeff Lynne, who would produce tracks for Mystery Girl. "His voice, I had never heard a voice like that live, you know, in the studio, ever . He had this wonderful spirit, almost like a kid in many ways.


    He was just a happy guy. I love him . One of the proudest things I've ever done is to have become his friend. I'd look at him and just go, 'Wow, it's him. The Big O.'"


    Roy's core group of musicians on the original Mystery Girl recordings included Jeff Lynne (guitar, piano, bass, backing vocals), Tom Petty (acoustic guitar, backing vocals), Mike Campbell (guitar, bass, mandolin), Jim Keltner (drums), Howie Epstein (bass, backing vocals), and Benmont Tench (piano, organ, cheap strings). Contributing artists on the album include Barbara Orbison, Roy Orbison, Jr., Al Kooper, George Harrison, Bono, T Bone Burnett, Steve Cropper, The Memphis Horns, and more.


    "I was just taken by how amazing this guy was. Just sitting, singing softly, sitting on the sofa with an acoustic guitar, his voice was unbelievable." remembers Tom Petty. "The music will live on, you know; it's very timeless music."


    Mike Campbell added, "Any time I hear one of Roy's songs, wherever I am, I just stop and listen to it and he's there, you know. His artistry and his voice and his spirit and the depth of his soul is so unique and it just connects with you in such a deep way . He just had a way of getting into your heart."


    "He was a real innovator, truly a great singer," said Bono. "The real rebels to me always had manners. Elvis, you know, and Roy, Roy was a true gentleman. And that's a scary thing in a man, do you know what I mean? A man that's so sure in himself that he can be polite."


    The legendary guitarist Steve Cropper confided that, "I've only met basically three, maybe three-and-a-half, of what I call 'light bulbs' in my life. And what I mean by 'light bulbs' is they're the brightest one in the room and when they walk in the door every head turns. Every head. Not just a few, not some people still talking in the corner. It's like everyone stops what they are doing. Elvis Presley, Otis Redding and Roy Orbison. And I saw that happen to Bill Clinton. So, there you go and I've never seen that happen to anybody else, ever."

    LP1
    1. You Got It
    2. In the Real World
    3. (All I Can Do Is) Dream You
    4. A Love So Beautiful
    5. California Blue
    6. She's a Mystery to Me
    7. The Comedians
    8. The Only One
    9. Windsurfer
    10. Careless Heart


    LP2
    1. The Way Is Love
    2. She's a Mystery to Me (Studio Demo)
    3. (All I Can Do Is) Dream You (Studio Demo)
    4. The Only One (Studio Demo)
    5. The Comedians (Studio Demo)
    6. In the Real World (Studio Demo)
    7. California Blue (Studio Demo)
    8. Windsurfer (Work-Tape Demo)
    9. You Are My Love (Work-Tape Demo)

    Roy Orbison
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • #3 #3 Quick View

    $23.99
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    #3

    #3 follows up The Script's critically acclaimed 2010 Science & Faith album, which rocketed to No. 3 on Billboard's Top 200 and led to a string of sold out US tour dates in Fall 2011. Science and Faith debuted at #1 in Ireland and the UK.


    The Script have enjoyed an epic rise to fame following the success of their 2008 self-titled debut album and their massive platinum selling single, Breakeven. That single rewrote history on Billboard's Adult Pop Songs airplay radio chart, taking the #1 spot, where the song completed a record-setting 36 week rise to the summit. Impressively, the band has sold over five million singles in the US, and has played stadium shows with Paul McCartney and their mentors, U2.

    1. Good Ol' Days
    2. Six Degrees of Separation
    3. Hall of Fame (feat. will.i.am)
    4. If You Cold See Me Now
    5. Glowing
    6. Give the Love Around
    7. Broken Arrow
    8. Kaleidoscope
    9. No Words
    10. Millionaires
    The Script
    $23.99
    Vinyl LP - Sealed Buy Now
  • The Bends The Bends Quick View

    $22.99
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    The Bends


    Ranked 110/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attack that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair -- it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M., or the Pixies, but Radiohead turn clichÉs inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen, and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock.


    - Stephen Thomas Erlewine (All Music Guide)

    1. Planet Telex
    2. The Bends
    3. High And Dry
    4. Fake Plastic Trees
    5. Bones
    6. (Nice Dream)
    7. Just (You Do It To Yourself)
    8. My Iron Lung
    9. Bullet Proof...I Wish I Was
    10. Black Star
    11. Sulk
    12. Street Spirit (Fade Out)
    Radiohead
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Exploding Head Exploding Head Quick View

    $20.99
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    Exploding Head

    Exploding Head is A Place To Bury Strangers' sophomore album and first for Mute. The band had one simple goal during the recording process: The original idea, says vocalist/guitarist Oliver Ackermann, was to create the craziest, most f'ed-up recording ever.


    In late 2008, shortly following a support slot on MGMT's U.K. tour, APTBS began tracking new songs at Death By Audio, the rehearsal/recording/living space that Ackermann helped build in 2005. The DIY-or-die building is also an independent venue and the headquarters of Ackermann's Death By Audio company, a customized guitar pedal manufacturer that counts U2, TV on the Radio and My Bloody Valentine among its many happy customers.


    During the Exploding Head recording process engineer Andy Smith (Paul Simon, David Bowie) took the band to a whole other level says Ackermann. I love the interplay and contrasts between something that's pretty and something that's scary, he explains. Taking listeners to different places, even in one song, is so important, whether it makes them cry or pissed off. If you listen closely, some of the riffs on this record are actually like Ramones songs or '60s bubblegum pop.

    1. It Is Nothing

    2. In Your Heart

    3. Lost Feeling

    4. Deadbeat

    5. Keep Slipping Away

    6. Ego Death

    7. Smile When You Smile

    8. Everything Always Goes Wrong

    9. Exploding Head

    10. I Live My Life to Stand in the Shadow of Your Heart
    A Place To Bury Strangers
    $20.99
    Vinyl LP - Sealed Buy Now
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