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  • GrooveWasher Record Cleaning Kit 3 COLORS AVAILABLE GrooveWasher Record Cleaning Kit Quick View

    $32.99
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    GrooveWasher Record Cleaning Kit

    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    I have been using this cleaner since it was released...the results are amazing! This is a must for any record collector and would recommend this to anyone looking for the best way to clean their vinyl records! GrooveWasher...or nothing for me! Christopher Burns


    Hands down, the best record cleaner on the market. Levi E.


    The GrooveWasher Record Cleaning Kit includes:



    • Hand painted poplar wood handle in Red Hot Red or South Beach Green -OR- Solid Milled American Black Walnut handle* with hand rubbed oil polyurethane finish
    • One All Purpose Cleaning Pad (Red Base)--with velcro on the base to secure the pad to the handle and allow easy removal for cleaning or replacement.
    • One 2 oz bottle of G2 Fluid with mist spray applicator.
    • Record label protector mask
    • GrooveWasher Record Cleaning Booklet

    *The GrooveWasher Starter Kit handle is milled from a single piece of American poplar wood, hand painted with oil enamel. We designed the handle shape to be easy to grip while cleaning your records. Hand crafted in our plant in North Kansas City, MO, USA.


    G2 Fluid--Science


    The GrooveWasher G2 Fluid is the result of years of research and testing. The selection of ingredients was guided by the formulations of the D series fluids of the 1970s. G2 Fluid is designed for maximum cleaning effectiveness of the delicate vinyl surface and microgroove. Anti-static action on contact. Honest cleaning to release the honest sound of the recording.


    G2 does not fix scratches or scuffs. Once the analog signal in the microgroove is lost, nothing will recover it.


    A two ounce spray bottle has more than 300 fine mist sprays. Enough to clean both sides of 50 records! (YMMV). 2 oz-4 oz Combo Fluid Packs and 8 ounce refill bottles are available for separate purchase.


    Some vinyl record cleaning fluids on the market today are plain distilled water. Or worse, have a high level of alcohol which is an ineffective cleaner and can harm vinyl records. Some can leave a layer in the microgroove that reduces sound fidelity.


    G2 Fluid Contains:


    • Surfactants: State of the art surfactants, designed to dissolve the oils from fingerprints and effectively clean the vinyl record's delicate surface.
    • Super wetting agents:A specialty chemical combined with a blending agent that reduces the fluid's viscosity so it can penetrate to the bottom of the microgroove and spread the G2 Fluid across the record evenly.
    • Emulsifiers: Holds the oils, dirt, mildew and microdust particles in suspension until the microfiber fabric cleaning pad absorbs and pulls the contaminants from the record surface. The emulsifiers restore the record's natural shiny surface.
    • Purified, deionized water: Deionized water is the best carrier for the active cleaning ingredients and eliminates static electric charges on the record's surface on contact.

    Cleaning Pad Design & Science


    The GrooveWasher cleaning pads feature the highest quality split microfiber and other absorbent fabrics. These fabrics are effective in removing the contaminants borne in the G2 Fluid from the record's microgroove. The velcro backed pad design allows the pad to be washed or replaced. The cleaning pads are hand made in our plant in North Kansas City, MO, USA.


    Record Cleaning Instruction Booklet


    Each GrooveWasher Starter Kit includes an Instruction Booklet with helpful information on record cleaning and using the GrooveWasher System.


    GrooveWasher is the best manual record cleaner on Earth. And likely Mars and Jupiter too. Nate Goyer, The Vinyl Guide Podcast


    Designed and hand crafted by GrooveWasher in North Kansas City, MO, USA

    GrooveWasher
    $32.99
    Record Cleaning Kit - 3 Colors Available
    Buy Now
  • Spin Clean Wash Fluid 8 Oz. Spin Clean Wash Fluid 8 Oz. Quick View

    $9.99
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    Spin Clean Wash Fluid 8 Oz.

    Using the Spin-Clean system is easy. Simply mix the record cleaning solution with water in the tank, rotate the record through the solution and a pair of record brushes located on each side scrub the record clean, then remove the record, place on flat surface and wipe dry with the drying cloth, flip over and wipe dry the other side.


    15 Reasons Why You Should Buy A SPIN CLEAN Record Washing System


    Beyond Compare in Record Care


    1. Spin Clean is the only record washing system on the market that is a bath type complete record cleaning system.


    2. Spin Clean is the ultimate in record care, easy to use. Just spin the record two or three times in the Spin Clean record washing system, remove and wipe dry with the special lint-free cloth. Presto, it's clean.


    3. Spin Clean leaves no residue on the record to build up and come off on your needle later.


    4. Spin Clean removes the static from your record as it is cleaned.


    5. Spin Clean removes fingerprints, grease, smoke, film and dirt from any size record: 45s, LPs & 78s.


    6. Spin Clean is the only record washing system that has a special washer fluid that encapsulates the dirt and keeps the dirt suspended in the system instead of re-depositing it back onto the record.


    7. Spin Clean record washing system comes with enough washer fluid to clean over 700 records (Spin Clean comes with enough washer fluid to fill the system 14 times. Each filling will clean up to 50 records just add 3 capfuls to water and go.)


    8. Spin Clean is the most economical way to clean any record, less than a penny a record.


    9. Spin Clean contains no alkalines, soap solutions or phosphates and is biodegradable.


    10. Spin Clean is safe to use, easy on your hands, and it works with hard or soft water and warm or cold water.


    11. Spin Clean does not leave any solutions on your record to evaporate and leave behind dirt deposits (you remove all the fluid when you dry the record).


    12. Spin Clean extends the life of your records by removing dirt, thus reducing needle wear and keeping your records like new improving their sound.


    13. Spin Clean was tested by a private laboratory and the results were remarkable. After Spin Clean had been used output sensitivity was substantially increased and channel separation was improved. Also, amplified record noise was reduced. (An STR 100 test record was used. Test report furnished on request).


    14. Spin Clean has dual velvet brushes that gently and effectively remove dirt particles. No other system cleans both sides of the record at the same time.


    15. Spin Clean uses no electric or other costly power source. For a few minutes of your time and very little money, Spin Clean will work for you. It's a sound investment to protect your investment in sound. No record collector can afford not to have the Spin Clean record washing system. It makes a perfect gift every time.


    This product not available for discount

    Accessories
    $9.99
    Record Cleaning Fluid Buy Now
  • You Can't Use My Name You Can't Use My Name Quick View

    $22.99
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    You Can't Use My Name


    Audio Completely Mixed And Re-mastered Under The Direction Of Jimi's Long Time
    Sound Engineer, Eddie Kramer


    Includes The Previously Unreleased 1966 Recording, "Station Break"


    This special compilation presents Jimi Hendrix's 1965-
    1967 sessions with Curtis Knight & The Squires prior to his
    international fame leading the Jimi Hendrix Experience.


    While Jimi Hendrix's intermittent tenure as a guitarist for
    Curtis Knight & The Squires in 1965 and 1966 was relatively
    brief, more than 100 albums have been crafted from
    approximately forty studio recordings and consumer grade
    stage recordings by the group. Most featured low fidelity
    variations, remixes, edited versions, and instrumentals of
    the same material-often with their song titles changed.
    These albums were poorly annotated and all too often
    featured cover art that depicted the guitarist at the peak
    of his Jimi Hendrix Experience fame (and not as 'Jimmy
    Hendrix,' a sideman to Curtis Knight) and thus snared
    unwitting fans throughout the world that were starved for
    new Hendrix music for decades.


    Jimi Hendrix was hamstrung throughout his career by
    litigation over these recordings in the US and UK and these
    fights continued until his family ultimately prevailed in
    litigation. You Can't Use My Name stands as their first
    attempt to present this music in its original context.


    You Can't Use My Name is newly mixed and prepared
    for release by Eddie Kramer and includes the previously
    unreleased 1966 recording "Station Break," the full length
    versions of "Knock Yourself Out [Flying On Instruments],"
    "No Such Animal," and the 1967 recording of "Gloomy
    Monday" that includes dialogue between Hendrix and
    producer Ed Chalpin (featuring the guitarist's request that
    the producer not use his name on this session because of
    the ongoing litigation between them).

    1. How Would You Feel
    2. Gotta Have a New Dress
    3. Don't Accuse Me
    4. Fool for You Baby
    5. No Such Animal
    6. You Don't Want Me
    7. Welcome Home
    8. Knock Yourself Out (Flying on Instruments)
    9. Strange Things
    10. Station Break
    11. Gloomy Monday
    Curtis Knight & The Squires, Feat. Jimi Hendrix
    $22.99
    Vinyl LP - Sealed Buy Now
  • Trackability Test Record Trackability Test Record Quick View

    $80.00
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    Trackability Test Record

    Useful for the following tests: left-right assignment, anti-skating adjustment, concentric groove for eccentricity check, azimuth adjustment and wow and flutter test.


    The Clearaudio Trackability Test Record provides information on the sampling characteristics of your tonearm / cartridge combination. The higher the value achieved, the better the particular tonearm / cartridge combination is able to scan hard groove modulation distortion.

    1. Left 1kHz 0dB
    2. Right 1kHz 0dB
    3. Mono lateral 1kHz 0dB
    4. 50µ tracking ability test: 333 Hz mono lateral
    5. 60µ
    6. 70µ
    7. 80µ
    8. 90µ
    9. 100µ
    10. 50µ tracking ability test: 333 Hz mono lateral
    11. 60µ
    12. 70µ
    13. 80µ
    14. 90µ
    15. 100µ
    16. No signal, endless duration
    17. 3150 Hz mono lateral
    Clearaudio Accessories
    $80.00
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • I Used to Spend So Much Time Alone I Used to Spend So Much Time Alone Quick View

    $16.99
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    I Used to Spend So Much Time Alone

    I Used to Spend So Much Time Alone is Chastity Belt's third and finest full-length to date. Recorded live in July of 2016, at Jackpot! in Portland, Oregon, it's a dark and uncommonly beautiful set of mood-driven rock that's also unabashedly introspective. More personal and more direct than 2015's marvelous Time to Go Home, this one aims for the heart-from the shimmering insights of "Different Now" to the stunning clarity of "This Time of Night," this is a serious record but not a serious departure, a tangle of mixed emotions and haunting melody, a brave step forward.
    1. Different Now
    2. Caught in a Lie
    3. This Time of Night
    4. Stuck
    5. Complain
    6. It's Obvious
    7. What the Hell
    8. Something Else
    9. Used to Spend
    10. 5am
    Chastity Belt
    $16.99
    Vinyl LP - Sealed Buy Now
  • Use Your Illusion II Use Your Illusion II Quick View

    $24.99
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    Use Your Illusion II

    Guns N' Roses' Use Your Illusion II is even more serious and ambitious than part I. Featuring no less than four songs that run over six minutes, II is heavy on epics, whether it's the charging funk metal of Locomotive, the antiwar Civil War, or the multi-part Estranged.
    1. Civil War
    2. 14 Years
    3. Yesterdays
    4. Knockin' on Heaven's Door
    5. Get in the Ring
    6. Shotgun Blues
    7. Breakdown
    8. Pretty Tied Up
    9. Locomotive
    10. So Fine
    11. Estranged
    12. You Could Be Mine
    13. Don't Cry - (alternate version)
    14. My World
    Guns N' Roses
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Use Your Illusion I Use Your Illusion I Quick View

    $24.99
    Buy Now
    x

    Use Your Illusion I

    Part one of Guns N' Roses' ambitious third album stays closer to the band's bluesy hard-rock roots and it is largely considered the better of the two part release. Use Your Illusion I scored three Top 40 hits with the Wings cover Live and Let Die, the piano-driven, Elton John-flavored epic November Rain and the hard-edged ballad Don't Cry. Celebrity cameos include a then unknown Shannon Hoon, Hanoi Rocks' Mike Monroe and Alice Cooper, who makes a particularly sinister contribution to The Garden.
    1. Right Next Door to Hell
    2. Dust N' Bones
    3. Live and Let Die
    4. Don't Cry - (original)
    5. Perfect Crime
    6. You Ain't the First
    7. Bad Obsession
    8. Back Off Bitch
    9. Double Talkin' Jive
    10. November Rain
    11. The Garden
    12. Garden of Eden
    13. Don't Damn Me
    14. Bad Apples
    15. Dead Horse
    16. Coma
    Guns N' Roses
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Use Your Illusion II Use Your Illusion II Quick View

    $52.99
    Buy Now
    x

    Use Your Illusion II

    Import


    Guns N' Roses' Use Your Illusion II is even more serious and ambitious than part I. Featuring no less than four songs that run over six minutes, II is heavy on epics, whether it's the charging funk metal of Locomotive, the antiwar Civil War, or the multi-part Estranged.

    1. Civil War
    2. 14 Years
    3. Yesterdays
    4. Knockin' on Heaven's Door
    5. Get in the Ring
    6. Shotgun Blues
    7. Breakdown
    8. Pretty Tied Up
    9. Locomotive
    10. So Fine
    11. Estranged
    12. You Could Be Mine
    13. Don't Cry - (alternate version)
    14. My World
    Guns N' Roses
    $52.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Use Your Illusion I Use Your Illusion I Quick View

    $52.99
    Buy Now
    x

    Use Your Illusion I

    Import


    Part one of Guns N' Roses' ambitious third album stays closer to the band's bluesy hard-rock roots and it is largely considered the better of the two part release. Use Your Illusion I scored three Top 40 hits with the Wings cover Live and Let Die, the piano-driven, Elton John-flavored epic November Rain and the hard-edged ballad Don't Cry. Celebrity cameos include a then unknown Shannon Hoon, Hanoi Rocks' Mike Monroe and Alice Cooper, who makes a particularly sinister contribution to The Garden.

    1. Right Next Door to Hell
    2. Dust N' Bones
    3. Live and Let Die
    4. Don't Cry - (original)
    5. Perfect Crime
    6. You Ain't the First
    7. Bad Obsession
    8. Back Off Bitch
    9. Double Talkin' Jive
    10. November Rain
    11. The Garden
    12. Garden of Eden
    13. Don't Damn Me
    14. Bad Apples
    15. Dead Horse
    16. Coma
    Guns N' Roses
    $52.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Use of Ashes The Use of Ashes Quick View

    $21.99
    Buy Now
    x

    The Use of Ashes

    The fourth album from this psychedelic folk group (second for Warner/Reprise) was released in 1970 and features songs written by Tom Rapp while living in Holland. Recorded in Nashville with the towns top session musicians including Charlie McCoy, Kenny Buttrey and Neil Young producer David Briggs. A subversive, tender, moving, goofy, maddening, and profound record.
    1. The Jeweler
    2. From The Movie Of The Same Name
    3. Rocket Man
    4. God Save The Child
    5. Song About A Rose
    6. Tell Me Why
    7. Margery
    8. The Old Man
    9. Riegal
    10. When The War Began
    Pearls Before Swine
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Live At Third Man Records Live At Third Man Records Quick View

    $14.99
    Buy Now
    x

    Live At Third Man Records

    You don't need to be from the South to understand Billy Wayne Davis' particular brand of humor, but being the Nashvillians we are (both transplanted and native), this up-and-comer is one of our favorite used-to-be local (and soon-to-go-global) stand-up comedians. Davis has gone from surprising crowds at the comedy club down the road with his ''like-hillbill-ity,'' to winning over the alt comedy scene of Seattle, to hangin' with Marc Maron and working with the likes of Lisa Lampanelli, Louis CK, and Mitch Hedberg since his most recent move to Los Angeles. Third Man Records was thrilled to have Tennessee's much-missed ''thinking man's hillbilly'' to our stage for a little Southern hospitality and to record another addition to what is becoming a pretty formidable series of live comedy records. Some of our absolute favorite releases over the past seven years have been made without the use of a single guitar, and we expect Billy Wayne Davis Live at Third Man Records to join those very ranks.
    1. Rambling Heartfelt Intro
    2. Opening Prayer
    3. The Middle East
    4. Texas
    5. Matthew
    6. Beef
    7. Crossville, TN
    8. Coon's Age
    9. Honest Dime
    10. Kentucky
    11. More Kentucky
    12. Salvation
    13. Thanks Marty & Storme
    Billy Wayne Davis
    $14.99
    Vinyl LP - Sealed Buy Now
  • Live At Third Man Records 10-10-2012 Live At Third Man Records 10-10-2012 Quick View

    $14.99
    Buy Now
    x

    Live At Third Man Records 10-10-2012

    This record captures a show we had been wanting to see at Third Man since day Numero Uno. Jamie Hince and Alison Mosshart are two of the most talented and creative people we know and we couldn't be more pleased that they rocked our stage and committed it to wax so we can finally have a release on the label by the one and only KILLS. These 8 songs were recorded direct-to-acetate on October 10, 2012.


    Three very special live records - The Shins, The Kills, and Seasick Steve - all recorded in the Third Man Blue Room last October, and the first three releases recorded live using their one-of-a-kind direct-to-acetate recording process. Without overdubs or editing, these three records were mixed in real time on a Rupert Neve 5008 console by Grammy Award winning engineer Vance Powell, and instantly cut to vinyl by master cutter George Ingram using a 1953 Scully Lathe that previously churned out masters for Cincinnati's legendary King Records (the story goes that James Brown's It's A Man's World was cut on this lathe among many more great sides...)

    1. Heart is a Beating Drum
    2. Future Starts Slow
    3. Kissy Kissy
    4. DNA
    5. Baby Says
    6. Tape Song
    7. Pots and Pans
    8. Last Goodbye
    The Kills
    $14.99
    Vinyl LP (Direct-to-Acetate) - Sealed Buy Now
  • Elvis' Golden Records No. 1 (Speakers Corner) Elvis' Golden Records No. 1 (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Elvis' Golden Records No. 1 (Speakers Corner)

    Have we got the lot? The King of Rock'n'Roll certainly didn't need to ask whether his entourage had collected together all their favourite hits. They had gathered them all together - a collection of Golden Records, rather like a selection box of favourite chocolates, greedily swallowed down and enjoyed to the full. And how they loved them all - whether 'complete works' collectors or fans. To this very day, this collection from 1958 is quite set apart from the normal 'best of' collections. It shines out like a precious jewel among mere pebbles. This was the first of four Gold volumes, and it set the standard for those to come. Before any of the immemorable songs came to be included, they had to have sold at least a million copies and won an undeniable and unforgettable reputation as a heart-string plucker. To name a title is more than superfluous. It's quite enough just to listen and enjoy. Whoever wants the ultimate basic Elvis collection can't go wrong here.



    Musicians:



    • Elvis Presley (guitar, vocal)

    • The Jordanaires (vocal)

    • and various bands




    Recordings: January 1956 - September 1957 in Hollywood, New York and Nashville in mono

    Production: Steve Sholes


    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Hound Dog
    2. Loving You
    3. All Shook Up
    4. Heartbreak Hotel
    5. Jailhouse Rock
    6. Love Me
    7. Too Much
    8. Don't Be Cruel
    9. That's When Your Heartaches Begin
    10. (Let Me Be Your) Teddy Bear
    11. Love Me Tender
    12. Treat Me Nice
    13. Anyway You Want Me (That's How I Will Be)
    14. I Want You, I Need You, I Love You
    Elvis Presley
    $34.99
    180 Gram Audiophile Virgin Vinyl Mono - Sealed Buy Now
  • Elvis Presley: Gold Records Vol. 4 (Speakers Corner) Elvis Presley: Gold Records Vol. 4 (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Elvis Presley: Gold Records Vol. 4 (Speakers Corner)

    At first sight, it does not look as though Elvis's 31st album was destined to be a hit. But if you take a look at his artistic biography in the year of its release - 1968 - then you will recognise the clever gimmicks that his wide-awake management employed to captivate rock 'n' roll fans when Elvis was somewhat 'stiff in the hips'. In this fourth Gold Edition, a tried and tested method was used to create a new LP: namely, a compilation of single hits from the years 1961 to 1967. The result was just what fans wanted! Alongside sentimental songs such as Love Letters, the tearjerker Lonely Man and the sobbing, heartstring tugging ballad It Hurts Me, we find spirited rock 'n' roll (Witchcraft, Ain't That Loving You Baby) and honky-tonk blues (A Mess Of Blues) in a toned-down 12-beat measure. In contrast, Don't Drag That String Around is cheerful, light and springy and, - for a change - not a blues number.
    Then we have the country song Devil In Disguise with its angry lyrics, and the soul title What'd I Say by Ray Charles with an electric sound that is lent by the Rhodes piano. All in all, this LP is a great collection from the grand old days of rock 'n' roll.



    Musicians:



    • Elvis Presley (guitar, vocal)

    • The Jordanaires (vocal)

    • and various bands




    Recordings: Juyl 1960 - June 1966 at RCA Studio B in Nashville, Tennessee, RCA Studios and Radio Recorders in Hollywood

    Production: Steve Sholes, Chet Atkins, George Stoll, Felton Jarvis, a.o.


    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Love Letters
    2. Witchcraft
    3. It Hurts Me
    4. What'd I Say
    5. Please Don't Drag That String Around
    6. Indescribably Blue
    7. You're The Devil In Disguise
    8. Lonely Man
    9. A Mess Of Blues
    10. Ask Me
    11. Ain't That Loving You Baby
    12. Just Tell Her Jim Said Hello
    Elvis Presley
    $34.99
    180 Gram Audiophile Virgin Vinyl - Sealed Buy Now
  • Klipsch Heritage Heresy III Capitol Records Floorstanding Speaker 2 COLORS AVAILABLE Klipsch Heritage Heresy III Capitol Records Floorstanding Speaker Quick View

    $1,299.00
    Buy Now
    x

    Klipsch Heritage Heresy III Capitol Records Floorstanding Speaker




    Klipsch and Capitol Records®, two iconic voices each celebrating over seventy years of bringing sound to life, have partnered to honor and pay tribute to the integral role music plays in our everyday lives. The Capitol Heresy III three-way loudspeaker is a prime example of the quality that Klipsch demands from each and every one of its audio products to bring the live music experience into the home.




    Recording Legend

    In 1942, Capitol Records was founded as the first West Coast-based record label in the United States. Over the years, Capitol has released some of the most influential and iconic singers and songwriters ever. Artists currently signed to Capitol Records include the Beatles, Paul McCartney, Mary J. Blige, the Beach Boys, Beastie Boys, Neil Diamond, Eagles, Katy Perry and many more.




    Free Vinyl Album With Purchase of Klipsch Capitol Records Speakers

    Each Klipsch Capitol Records special edition speaker includes a free redemption code for an album of your choice from The Sound of Vinyl.




    Special Edition Finishes

    This Heresy III special edition model is being offered in either an ebony finish with salt & pepper grille cloth or a blonde cherry finish with tan grille cloth. A co-branded Klipsch and Capitol Records logo is featured on each grille, and the back of each speaker will include a special edition plaque hand-signed by the craftsmen.




    Designed And Made In The USA Using Domestic And Imported Components

    The Klipsch Capitol Heresy III speaker is a prime example of the quality that Klipsch demands from all of its audio products. Remember great sound? We do, too. The Klipsch Capitol Heresy III enclosure is still made in the USA, by proud craftsmen in Hope, Arkansas. Just like Paul W. Klipsch (PWK) intended.




    Compact, Three-Way Loudspeaker

    The Heresy was introduced back in 1957 as a compact three-way design combining a 12" woofer and horn-loaded midrange and tweeter. In 2006, the Heresy III was upgraded with a stronger woofer, bi-wire network, as well as midrange and tweeter compression drivers, featuring a titanium diaphragm for smooth and accurate definition.




    Book-Matched Wood Veneer

    Klipsch only uses book-matched wood veneers for the Heritage series. The veneer leaves are kept in order as they are delicately sliced from the timber and carefully arranged to provide a mirror image at the splice joint - like turning the pages of a book. This gives each speaker an aesthetically pleasing and consistent appearance that is cherished more than any other cut of wood veneer.




    Matched Pairs

    Each pair of Heritage Series loudspeakers is grain-matched using wood veneer panels that come from the same timber. Each cabinet is precisely matched so that each speaker in the pair is indistinguishable from the other. The speakers move easily together through the factory. Each finished product is inspected and labeled with sequential serial numbers, ensuring that the Heritage series speakers leave the factory as a meticulously crafted set.


    rockrollkeepers


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Klipsch Speakers
    $1,299.00
    Heritage Heresy III Capitol Records Floorstanding Speaker - Single
    Buy Now
  • MFSL Record Brush MFSL Record Brush Quick View

    $19.99
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    MFSL Record Brush

    The Mobile Fidelity Record Brush is Our All-Time Best-Selling LP Brush! Heres an inexpensive tool for keeping all of your irreplaceable records clean and cared for! We are very proud to offer the latest in essential record care products: The MoFi LP Record Brush! Easy to use, easy to clean; this record brush is guaranteed to keep all of your LPs clean and quiet! It gets really deep into the grooves and helps scrub all that nasty, noisy dirt out. The key to its great vinyl cleaning is found in Mobile Fidelitys proprietary cleaning pad and ergonomic brush handle. Its been designed for multi-purpose use: it can be used as a wet-cleaning brush (we recommend using it as part of your intensive record cleaning machine workout) or as simply the best dry record brush ever designed. One cleaning pad will clean hundreds of your favorite LP's. For best results, we recommend the use of a simple, single step record cleaning fluid like our best selling Mobile Fidelity fluids. Not only is the best record brush ever designed, its also the cheapest! Stock up on a few of these brushes and keep you records in pristine condition!


    For cleaning: We recommend keeping an unused toothbrush around for cleaning the pads on the MD LP Brush. Remember...a clean brush is a happy brush...and one that will not transfer debris onto other records!

    Accessories
    $19.99
    MFSL Record Brush Buy Now
  • AudioQuest Conductive Record Brush AudioQuest Conductive Record Brush Quick View

    $19.95
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    AudioQuest Conductive Record Brush


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Back in 1973, I became a dedicated user of the Decca Carbon Fiber Record Brush. The British Decca Brush was so wonderfully more effective than any of the wet-cloth-pad cleaners that smeared dirt around on one's records.


    As often happens to truly superior products, the Decca Brush was mostly ignored - the overall record-cleaning market was dominated by cleaning pads attached to wood handles - not because they worked well, but because many hi-fi stores preferred to sell a cleaner that forced customers to come back to buy "special" fluid, again and again.


    After creating AudioQuest in 1980, and with the wild success of the AQ 404 phono cartridge in 1982, and because I personally used a Carbon Fiber record brush every single day - AudioQuest began making the AQ Carbon Fiber Record Brush - now a 35-year old success story, and maybe the world's favorite way to respect and care for LPs.


    Except - we eventually learned that the AQ Record Brush (and every other brand of carbon Fiber brush), doesn't have a good electrical path between the fibers and the handle, and that the print-protecting coating on the metal handle prevents a proper electrical connection to the user's hand. The user is the "ground" for static electricity, so having a good electrical contact from fibers-to-hand is a big deal!


    In creating AQ's new Conductive Carbon Fiber Brush, AudioQuest created new tooling for every part of our new design. AQ's reborn Brush has ideal conductivity from the Carbon Fibers, through the internal parts of the brush, to the conductive Gold Contacts placed right where your fingers need them.


    We also reinvestigated what is possible with Carbon Fibers, finally choosing for our new Brush a far greater quantity of new smaller fibers in order to more effectively sweep away micro-dirt, not just the less relevant visible dust.


    To everyone who has an AQ Record Brush (thank you), or any brand of Carbon Fiber brush, and to everyone who hasn't yet discovered how simple it is to keep records clean:


    We invite you to experience the reborn AudioQuest Conductive Record Brush.


    Your records will thank you!


    • Safe, fast, and effective tool for removing dust and debris from vinyl records
    • Conductive carbon fiber bristles and conductive gold contacts remove microscopic dust before it becomes embedded in the vinyl
    • Keeps records sounding like new
    • Also perfect for computer keyboards and much more


    AudioQuest
    $19.95
    Record Cleaner Brush Buy Now
  • King's Record Shop King's Record Shop Quick View

    $19.99
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    King's Record Shop

    The 30th Anniversary of King's Record Shop is on 12 180-gram vinyl.

    Originally released through Columbia Records on June 26, 1987, King's Record Shop proved a pivotal album in the career of Rosanne Cash and in the emergence of Americana as an heir to traditional country music. After working on a series of albums which contained singles introducing a new wave/pop sound to America's country charts, producer Rodney Crowell shifted gears on King's Record Shop to bring a more roots-oriented, contemporary folk approach to the genre.

    One of the most critically-acclaimed albums of Cash's discography, King's Record Shop generated four #1 hits on the Billboard Country charts: her covers of Johnny Cash's (her father's) Tennessee Flat Top Box, John Hiatt's The Way We Make a Broken Heart, and John Stewart's Runaway Train as well as If You Change Your Mind, a song she'd co-written with steel guitar player Hank DeVito (who shot the photos used on the iconic front cover of King's Record Shop).

    1. Rosie Strike Back
    2. The Way We Make A Broken Heart

    3. If You Change Your Mind
    4. The Real Me

    5. Somewhere Sometime

    6. Runaway Train

    7. Tennessee Flat-Top Box

    8. I Don't Have To Crawl

    9. Green, Yellow And Red

    10. Why Don't You Quit Leaving Me Alone
    Rosanne Cash
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Cork Record Mat Cork Record Mat Quick View

    $50.00
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    Cork Record Mat

    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Kick out the jams with our new cork record mat. Instruments pop to life. Crackle is reduced. Vocals are clearer and more dramatic. The background is quieter, soundstage wider and deeper. How does this thing work? The secret is in the 12 isolation discs surrounding the outside of the mat and the single larger disc for the center label. The discs lift and support the record while floating it above and decoupling it from the platter. This lowers record vibration and reduces acoustic feedback. Stylus tracking is improved and record wear reduced. The mat eliminates the grunge and leaves behind a rich, clear, dynamic sound.


    Cork is the perfect material. It sucks up unwanted vibrations and releases the life and energy of the music. It's naturally non-static and non-adhesive making the mat perfectly safe for use on all platters and it won't harm your records. Cork grips the record better than felt so there's less record slippage and fewer timing errors. The mat is thin, lightweight, and generally doesn't require a VTA adjustment. Listen for yourself, the improvement is easy to hear.


    This product is not eligible for discount.

    Music Hall
    $50.00
    Music Hall Cork Record Mat Buy Now
  • Music-Pickup Test Record Music-Pickup Test Record Quick View

    $45.00
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    Music-Pickup Test Record

    Finally, you have the option of using a variety of music to optimize your entire stereo in the sound as well as different components to compare.


    Perfect recording quality sound without any manipulations, such as through equalizer, mixer, or the like is the hallmark of this LP and can be used perfectly as a sales and demonstration object.
    The new clear audio audiophile 180 gram pressings are cut from the original analog master tapes, the first shot.


    Willem Makkee, the editor of the Emil Berliner Studios, made the headquarters of Deutsche Grammophon GmbH, the paint film on the Neumann VMS 80 cutting machine with a CUTTER HEAD Neumann SX 74
    The galvanization of the film and the subsequent pressing records takes place in Germany. The panel weight is 180g and is made from 100% virgin vinyl. Of each stamper maximum 1,200 pressings are created, the edition is limited.

    1. Peoria Jazz band New Sides Milenberg Joys. Jelly Roll Morton / Paul Mares / Leon Rappolo.
    2. Bach. Gelobet seist du, Jesu Christ. J.S. Bach. BWV 604. Rune Engso Organ
    3. Pipor och strangar Muylinda, Antony Holborne, Pro Musica Instrumentalis.
    4. When I Look at You. Bert Deivert and friends
    5. Prelude on the Welsh Hymn Tune Rhosymedre Ralph Vaughan Williams. David Patrick organ.
    6. Solera Flamenco, Companilleros, traditional music.
    7. Sakralt, du Helge Ande, O Olsson, Lidaskoren.
    8. Goldberg Varationen Aria, J.S. Bach BWV 988.
    9. Peoria Jazzband New Sides Flat Foot Floogie Slim Gallard / Slam Steward / Bud Green
    10. Louis Vierne, Syphonie No. 1, Op. 14 Prelude. Torvald Toren, organ.
    11. Nilla Pierrou, violin plays T. Aulin (+1914). Idyll from Akvareller for violin and piano.
    12. Crooks, Temptation Rag, Henry Lodge.
    13. Audete Gaudete, anon, Kammarkoren Sangkraft.
    Clearaudio Accessories
    $45.00
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • MFSL Super Record Wash 32oz MFSL Super Record Wash 32oz Quick View

    $24.99
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    MFSL Super Record Wash 32oz

    Our all-time, best-selling record cleaning fluid is better than ever. Its been improved to be more powerful, but still perfectly safe for all record surfaces. Completely alcohol free, Mobile Fidelity Super Record Wash incorporates non-toxic, natural degreasers and dirt solvents in combination with quadruple-distilled, hyper-pure water base. MoFi Super Record Wash will keep your records sounding quiet and looking great! This is the best one-step record cleaning fluid for use with any Record Cleaning Machine or any hand cleaning system.
    Mobile Fidelity
    $24.99
    Super Deep Record Cleaner Buy Now
  • Mobile Fidelity's PURE Record Rinse Mobile Fidelity's PURE Record Rinse Quick View

    $19.99
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    Mobile Fidelity's PURE Record Rinse

    Mobile Fidelity PURE RECORD RINSE is the Purest of All Record Rinses... PERIOD! You Cannot Find a Fluid Anywhere this... PURE!


    Recommended as a Final Rinse Stage to Be Used With ANY Record Cleaning Solution to Remove Any and All Residual Detergents and Debris!


    Mobile Fidelity's PURE Record Rinse is the purest water you can find for cleaning records. Ultra-high purity Mobile Fidelity PURE Record Rinse is also used as the base of our other record cleaning fluids and is perfect for use as the final rinse step before putting LPs back into their sleeves (preferably into MoFi inner sleeves!).


    Every serious vinyl fan knows you should never rinse your records with tap water. Tap water contains trace minerals, chemicals and microscopic organic matter all of which can be deposited in freshly cleaned grooves. Bottled water comes from either the same sources as tap water or from natural springs which have an even larger amount of minerals.


    Purified water isnt subject to the same restrictions and regulations that apply to food or drugs, so purified doesn't necesarily mean PURE. Distilled water without additives is harder to find than ever and even water that has been distilled once or twice can still have contaminants.


    We highly recommend rinsing with Mobile Fidelity PURE Record Rinse. PURE is water that has gone through four stages of deionization, after which it is triple-distilled, then treated with high intensity ultraviolet light to kill all bacteria and microbiological particles. This leaves nothing in PURE to damage your vinyl.


    Mobile Fidelity has a history of setting industry standards. Now, we are the first to provide this extraordinary level of quality in our rinse water. Call us today to learn more about how analog lovers can benefit from Mobile Fidelity PURE Record Rinse.

    Mobile Fidelity
    $19.99
    32 oz. Record Cleaning Solution Buy Now
  • Pro-Ject VC-S Record Cleaning Machine Pro-Ject VC-S Record Cleaning Machine Quick View

    $499.00
    Buy Now
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    Pro-Ject VC-S Record Cleaning Machine


    Have a question about this product? Please email our href=mailto:audioadvisor@soundstagedirect.com>audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Extremely capable wet cleaning machine that removes dirt and dust from your valuable records


    VC-S is a radical new development. There are features which are new for record cleaning machines in this price range:


    • It is super powerful and cleans a record in 1 max 2 rotations (best is 1 turn forward, 1 turn backward)
    • It turns the record superfast within 2 seconds per rotation, which is about 3 times faster than usual cleaning machines do. The result is a much faster cleaning of records as well as much cleaner and 100% dry records with NO residual humidity!
    • A new type of clamp seales the record label from cleaning fluid and avoids damage on the label!!
    • Robust metal arm, which is easy to use, mechanically stable fixing! (no springs)
    • Big container (2.5 l) for used fluid, that shows fill-up capacity and guarantees no spillage of used cleaning fluid. Discharging of used fluid is extremely easy to do.
    • Newly developed vinyl cleaning concentrate Wash it offers very good cleaning results and reduces static charge, so record wear as well as stylus wear is significantly reduced.




    Pro-Ject
    $499.00
    Pro-Ject Record Cleaning Machine Buy Now
  • AcousTech - Big Record Brush AcousTech - Big Record Brush Quick View

    $36.99
    Buy Now
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    AcousTech - Big Record Brush

    Stereophile


    For record cleaning and effective static control.


    Dissipate static and wipe away harmful dust, lint and dirt with one simple stroke of this handle-held large brush. Unlike some record brushes, this model fits across the entire radius of a 12-inch LP. Its bristles are made of a unique blend of soft natural hairs and conductive synthetic fibers that result in effective static dissipation. Packaged in a re-sealable pouch. For use on LPs, film, glass, plastics and negatives.


    This large-handled brush has soft bristles of both natural hairs and conductive synthetic fibers, and makes dusting LPs nearly foolproof.

    - Stereophile Recommended Components - Stereophile, October 2008

    Turntable Accessories
    $36.99
    AcousTech Record Brush Buy Now
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