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  • Crosley CR8005D Cruiser Portable 3-Speed Turntable (On Sale) 9 COLORS AVAILABLE Crosley CR8005D Cruiser Portable 3-Speed Turntable (On Sale) On Sale Quick View

    $89.99$69.99Save $20.00 (22%)

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    Crosley CR8005D Cruiser Portable 3-Speed Turntable (On Sale)


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Crosley's most popular turntable, the Cruiser, just got an upgrade. Introducing the Crosley Cruiser Deluxe! This record player still rocks its charming suitcase-style shell, but now you can dial in the record's speed with advanced pitch control adjustments or easily sync to the Bluetooth connection and stream digital music right through the built-in speakers.


    Have one-on-one jams with the headphone jack, or add powered speakers through the RCA ports to blast out loud. Choose from a rainbow of sound to start your vinyl adventure with this portable three-speed record player.


    Crosley
    $89.99 $69.99 Save $20.00 (22%)
    CR8005D Cruiser Portable 3-Speed Turntable - 9 Colors Available
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  • Crosley CR7007D-MA Patriarch Turntable Crosley CR7007D-MA Patriarch Turntable Quick View

    $179.99
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    Crosley CR7007D-MA Patriarch Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Bring back a musical tradition with the handsome Patriarch. Spin classic vinyl on the three-speed turntable, put in a CD, flip on the radio, or even plug in an auxillary cord to listen to modern music devices. With beautiful wood cabinetry and built-in speakers, enjoy generations of music history on the Patriarch.


    Crosley
    $179.99
    CR7007D-MA Patriarch Turntable Buy Now
  • Vinyl Styl Groove Portable Turntable (Red) (Discontinued) Vinyl Styl Groove Portable Turntable (Red) (Discontinued) Quick View

    $99.00
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    Vinyl Styl Groove Portable Turntable (Red) (Discontinued)


    Have a question about this product? Please email our href=mailto:audioadvisor@soundstagedirect.com>audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    In a variety of custom designs, the Vinyl Styl™ Groove portable turntable comes equipped with two full range stereo speakers, stylus with protective cover, 3.5mm headphone output jack, RCA outputs and a belt driven platter allowing you to choose from 3 speeds; 33 1/3, 45 & 78 RPM.


    This 3 Speed Belt Driven Suitcase Turntable Includes: Stereo RCA Cable, AC Power Adaptor, Record Slip Mat, User Manual and Built-in Speakers.




    This item is not eligible for discount.

    Vinyl Styl
    $99.00
    Portable Turntable - Red Buy Now
  • Studio Album Vinyl Box Studio Album Vinyl Box Quick View

    $349.99
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    Studio Album Vinyl Box

    Box Set Includes All 8 Of Rhianna's Studio Albums Across 15 LPs


    Elegant Black, High-Gloss Slipcase With Foil Stamped Signature


    186-Page Hardback Book


    Turntable Slipmat w/ Rihanna's Signature


    Rihanna will release all eight studio albums in her catalog in a deluxe 15 LP vinyl box set on December 16, including five titles never previously available on vinyl, including Music Of The Sun (2005), Rated R (2009), Loud (2010), Talk That Talk (2011) and Unapologetic (2012). Seven of the individual titles will come as 2 LP vinyl sets, while Talk That Talk will be a single disc. The package - encased in an elegant black, high-gloss slipcase with Rihanna's signature foil stamped on front -- also includes a 186-page hardback book comprised of every image from every studio album and reproductions of all the original CD booklets. The set also boasts an all-black turntable slipmat adorned with Rihanna's autograph.

    This Box Set Includes:


    Music of the Sun (2005) [2xLP]
    A Girl like Me (2006) [2xLP]
    Good Girl Gone Bad (2007) [2xLP]
    Rated R (2009) [2xLP]
    Loud (2010) [2xLP]
    Talk That Talk (2011) [1 LP]
    Unapologetic (2012) [2xLP]
    Anti (2016) [2xLP]

    Rihanna
    $349.99
    Vinyl LP Box Set - 15 LPs Sealed Buy Now
  • Marantz TT42 Turntable Marantz TT42 Turntable Quick View

    $329.00
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    Marantz TT42 Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Fully Automatic Belt Drive Turntable


    Combining classic turntable design with modern audio technologies, the Marantz TT42 Turntable plays back your vinyl collection with stunning audio quality. This turntable features a fully automatic mechanism that plays records with a touch of a button. A low-coloration tone arm, DC servo motor, and belt drive ensure pristine, interference-free playback.


    Enjoy your vinyl collection with stunning audio quality thanks to modern audio technologies. Low-coloration tone arm, DC servo motor, and belt drive ensure pristine, interference-free playback.


    Vinyl Record Playing with Modern Convenience


    Have you noticed the resurgence of vinyl record sales in recent years? Fueled by the fact that many treasured albums have not been issued in digital format, and with newer artists continuing to release music on vinyl, turntables are popping up in living rooms all over the world.


    The Marantz TT42 Turntable combines old school record playing with convenient, high-performance features. The turntable is fully automatic: with a push of the play button, the tone arm precisely lifts itself onto the record groove, saving you the trouble of having to manually position the stylus. Once playback has concluded, the tone arm safely returns to its resting position without scuffing your record.


    A Quality Mechanism for High-Fidelity Playback


    The TT42 turntable is outfitted with a low-coloration tone arm that resists resonance for a clear, balanced sound. A high quality, moving magnet cartridge is preset at the factory for proper tracking and smooth response. In addition, the turntable's DC servo belt drive keeps the motor running at a constant speed for optimum performance. The TT42 is designed to produce a stunning, nuanced, and distortion-free audio performance.


    A version of the TT42 with a phono preamp, the TT42P, which features built-in phono input circuitry, is also available to accommodate multi-channel receivers that lack a proper phono input.


    The Marantz TT42 Turntable comes complete with a clear plastic dust cover and is backed by a three-year limited warranty, subject to the full warranty terms and conditions.


    Marantz
    $329.00
    Marantz TT42 Turntable Buy Now
  • Vinyl Check Vinyl Check Quick View

    $34.99
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    Vinyl Check

    This record creates new possibilities of inspecting and adjusting record players. Most tests (except for frequency response) can also be carried out without measuring instruments, just by listening, and are therefore particularly well-suited for the ambitious music listener who wants to know how well his system deals with demanding signals under realistic conditions, and whether there is a need for repairs or improvements.


    Thanks to Albrecht Krieger for his ideas and advice.

    Part 1: Trackability
    Part 2: Wow and Flutter
    Part 3: Phase
    Part 4: Crosstalk
    Part 5: Tracking angle error
    Part 6: Skating
    Part 7: Pick-up arm resistance
    Part 8: Strident sibilants and fricatives
    Part 9: Frequency response
    Part 10: Dynamics
    Part 11: Strident sibilants and fricatives, repitition
    Tacet Records
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Player Piano Player Piano Quick View

    $14.99
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    Player Piano

    Includes Download Card


    Player Piano is the second full length from Davye Hawks Memory Tapes. It was, like its predecessor, the highly acclaimed Seek Magic, recorded at Dayves home studio in rural New Jersey. While Seek Magic was quite an electronic sounding record with lots of dance music tropes, Player Piano is all about the melody.


    Simply put, there are lots of catchy tunes here: sing-along choruses throughout the album and songs that feel very immediate and accessible, despite consistently dark lyrics that describe a disconnected mindset and a profound sense of isolation.


    The template for Player Piano was that it would be keyboard-based psychedelic girl group songs, a sort of Motown suicide note. Largely eschewing modern beats this time in favor of drums that sound like The Kinks 60s records, there are still the spaces of modern R&B, along with '50s doo wop, krautrock and a couple of nods to Aphex Twin.

    1. Musicbox (in)

    2. Wait In The Dark
    3. Today Is Our Life
    4. Yes I Know
    5. Offers
    6. Humming
    7. Sunhits
    8. Worries
    9. Fell Thru Ice
    10. Fell Thru Ice II
    11. Trance Sisters
    12. Musicbox (out)
    Memory Tapes
    $14.99
    Vinyl LP - Sealed Buy Now
  • H.R. Is A Dirty Guitar Player H.R. Is A Dirty Guitar Player Quick View

    $24.99
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    H.R. Is A Dirty Guitar Player

    In the pantheon of under-the-radar American guitar heroes, Howard Roberts looms large. A remarkably versatile musician who was one of Los Angeles' most in-demand session players from the early 1950s through the 1970s, Roberts' career encompassed an incredible array of studio assignments. He recorded with a dizzying assortment of acts, including Elvis Presley, Frank Sinatra, the Beach Boys, the Monkees, Dean Martin, Sonny and Cher, the Jackson 5, Peggy Lee, Eddie Cochran, Chet Atkins and the Electric Prunes. He also played on countless film and television soundtracks; his guitar work is featured prominently in the iconic theme music of The Twilight Zone, The Munsters and I Dream of Jeannie.


    Roberts was also an accomplished musical educator, co-founding Hollywood's Guitar Institute of Technology, writing a regular instructional column on jazz improvisation for Guitar Player magazine, and penning several highly-regarded guitar instruction books. As a guitar teacher, one of his students was a teenaged Phil Spector, for whom Roberts would later work as a session man.


    Impressive as his session resume is, for many guitar aficionados, the real highlights of Howard Roberts' body of work are the instrumental albums he released under his own name throughout his career. One of his best-loved solo releases is the memorably titled H.R. Is A Dirty Guitar Player, originally released by Capitol Records in 1963. Recorded at the legendary Studio A in the Capitol Tower, with a band that includes fellow studio legends Chuck Berghofer and Earl Palmer on bass and drums, H.R. Is A Dirty Guitar Player is a potent showcase for Roberts' fluid, swinging guitar work. The material offers ample opportunity for the artist to demonstrate his versatility, encompassing pop standards 9Lerner, Loewe If Ever I Would Leave You), bossa nova (Antonio Carlos Jobim's One Note Samba) and jazz (tunes by Herbie Hancock, Count Basie and Duke Ellington), along with such Roberts originals as Smolderin', Turista, Deep Fry and Dirty Old Bossa Nova.


    Long unavailable in its original form, this vintage instrumental gem has been restored to its original vinyl glory by Sundazed Music. The album has been sourced from the original stereo masters and pressed on 180 gram vinyl, with complete original cover art.
    1.Watermelon Man
    2. Smolderin'
    3. Liâl Darlin'
    4. Turista
    5. If Ever I Would Leave You
    6. One O'Clock Jump
    7. Deep Fry
    8. Rough Ridin'
    9. Satin Doll
    10. Smokin'
    11. One Note Samba
    12. Dirty Old Bossa Nova
    Howard Roberts
    $24.99
    180 Gram Audiophile Virgin Vinyl LP- Sealed Buy Now
  • The Smoker You Drink, The Player You Get (200 Gram) The Smoker You Drink, The Player You Get (200 Gram) Quick View

    $34.99
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    The Smoker You Drink, The Player You Get (200 Gram)

    200-Gram Vinyl Pressed At Quality Record Pressings


    Mastered From The Original Analog Master Tapes By Ryan K. Smith At Sterling Sound


    Deluxe Tip-On Gatefold Jacket From Stoughton Printing


    Walsh's ability to swing wildly from one end of the rock scale to the other is unparalleled and makes for an album to suit many tastes.


    This is the album that proved to be Joe Walsh's commercial breakthrough, largely on the strength of two rock classics, one of the most beloved rock songs of the 1970s, "Rocky Mountain Way" and "Meadows." This isn't your typical '70s classic rock album with bass, drum, guitar and vocals - it is a masterful score covering so many moods from the dark "Wolf" to the bouncy "Happy Ways" to the breezy "Days Gone By." The Smoker You Drink, The Player You Get is essential for Joe Walsh fans, a superb album by anyone's standards.


    This title is not eligible for discount.

    1. Rocky Mountain Way
    2. Book Ends
    3. Wolf
    4. Midnight Moodies
    5. Happy Ways
    6. Meadows
    7. Dreams
    8. Days Gone By
    9. Day Dream (Prayer)
    Joe Walsh
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • KirmussAudio Model KA-RC-1 Ultrasonic Vinyl Restoration System (On Sale) KirmussAudio Model KA-RC-1 Ultrasonic Vinyl Restoration System (On Sale) On Sale Quick View

    $845.00$795.00Save $50.00 (6%)

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    KirmussAudio Model KA-RC-1 Ultrasonic Vinyl Restoration System (On Sale)


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Introducing An Affordable Solution For Maintaining And Restoring Your Vinyl Collection


    No matter how you store and use your records they inevitably will require maintenance. When playing records, dust particles and contaminants always build up on the stylus as the tone arm moves across the record. This accumulation on the needle also "dulls" the sound.


    The emergence of the dreaded "audible pops" and "crackle sounds" heard are caused by dirt, grime and particles lodged in the record grooves themselves being hit by the needle, as well as static discharges, all amplified by the cartridge. All are annoying.


    Even new and latest pressings are subject to the same conditions as your old collection. Their release agents are found on the record from the pressing process and must be removed prior to use, otherwise they attract at an alarming rate dust and other airborne contaminants.


    Therefore, recommended is the continual maintenance and care of your records by way of regular cleanings which in turn reduces these unwanted pops and augments therefore one's listening pleasure and audition. Cleaning WILL NOT remove unwanted sounds caused by scratches on the record surface and depending on the age and condition of the record, even repeated cleanings may or may not restore the record to like new condition, but reduces the overall undesirable effect previously described.


    Everyone's an expert! There is much nonsense published regarding the cleaning of records. Soaps, chemical mixes and brews, and especially the use of large portions of alcohol etc., these all affect the record negatively either during or after cleaning. Air drying of chemicals that are not physically removed further creates issues that are cumulative over time. Indeed, to the rescue, ultrasonic cleaners have been around for decades and its use and attributes are well known and while care must also be taken as to the introduction of chemicals in the ultrasonic bath, this cleaning technology is a very valuable tool to use. We differ in how we handle the record itself. Nonsense though, are some of the extravagant prices on cleaning machines available as all ultrasonics operate the same way. >>Many add 2.5 L of alcohol to 6 L of water, dangerous!<<<


    The KirmussAudio Model KA-RC-1 revolutionizes the way we clean records. First and foremost: a Patented record suspension system assures where records of any speed and size see their grooves cleaned safely. No damage to the record by mechanical intrusion of skewers and the like.


    Secondly, only distilled water with a maximum of 45 mL ( 1.5 oz) of ISA 71% solution constitutes the bath and where applied to the record in its second cycle is an anti-bacterial surfactant, pre and post wash neutral liquid agent is used. Ultrasonics need a surfactant to aid in the cavitation of the water solution to better clean and remove contaminants.


    Third: affordability. At a price of $845, everyone can enjoy their collection and restore and maintain it.


    The Team: After 3 years of extensive research and trials audiophile and business owner Charles Kirmuss and recognized turntable restoration expert Dr. Eric Watson developed an affordable, simple to use system. With cUl and UL/CE Electrical and Safety Approvals our affordable system will increase your listening pleasure by removing most of those annoying unwanted pops and crackling sounds from both new and old records. This is not some home-made product. With Patents both issued and pending, ware also sure that You will be very pleased with the results and benefit from many years of satisfaction with our revolutionary ultrasonic based cleaner.


    KirmussAudio
    $845.00 $795.00 Save $50.00 (6%)
    Ultrasonic Record Cleaning System Buy Now
  • King's Record Shop King's Record Shop Quick View

    $19.99
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    King's Record Shop

    The 30th Anniversary of King's Record Shop is on 12 180-gram vinyl.

    Originally released through Columbia Records on June 26, 1987, King's Record Shop proved a pivotal album in the career of Rosanne Cash and in the emergence of Americana as an heir to traditional country music. After working on a series of albums which contained singles introducing a new wave/pop sound to America's country charts, producer Rodney Crowell shifted gears on King's Record Shop to bring a more roots-oriented, contemporary folk approach to the genre.

    One of the most critically-acclaimed albums of Cash's discography, King's Record Shop generated four #1 hits on the Billboard Country charts: her covers of Johnny Cash's (her father's) Tennessee Flat Top Box, John Hiatt's The Way We Make a Broken Heart, and John Stewart's Runaway Train as well as If You Change Your Mind, a song she'd co-written with steel guitar player Hank DeVito (who shot the photos used on the iconic front cover of King's Record Shop).

    1. Rosie Strike Back
    2. The Way We Make A Broken Heart

    3. If You Change Your Mind
    4. The Real Me

    5. Somewhere Sometime

    6. Runaway Train

    7. Tennessee Flat-Top Box

    8. I Don't Have To Crawl

    9. Green, Yellow And Red

    10. Why Don't You Quit Leaving Me Alone
    Rosanne Cash
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Pro-Ject Record Box E - Black Pro-Ject Record Box E - Black Quick View

    $89.00
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    Pro-Ject Record Box E - Black


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    For MM Cartridges With A/D Converter


    Record Box E is an high-quality phono preamplifier, that offers the possibility to convert your valuable vinyls into computer music data. Re-cord Box E accepts both MM & MC cartridges and gives audiophile music experience at an entry-level price. The integrated A/D converter operates with Windows and MAC operating systems and connects via USB to your computer. Therefore your valuable vinyl collection can be digitised, especially for use in portable music players. Advanced circuitry and SMD construction keep noise and distortion at a surprisin-gly low level. A built-in internal shielding and an outboard DC power supply leave no risk for external interference. Because of its small casing, Record Box E can be placed near the turntable. Input and output sockets are gold-plated for preservation of quality. Record Box E can be connected easily to a line-input (AUX etc) of your amplifier.


    Pro-Ject
    $89.00
    Record Box E Buy Now
  • Pro-Ject Record Box E - White Pro-Ject Record Box E - White Quick View

    $89.00
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    Pro-Ject Record Box E - White


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    For MM Cartridges With A/D Converter


    Record Box E is an high-quality phono preamplifier, that offers the possibility to convert your valuable vinyls into computer music data. Re-cord Box E accepts both MM & MC cartridges and gives audiophile music experience at an entry-level price. The integrated A/D converter operates with Windows and MAC operating systems and connects via USB to your computer. Therefore your valuable vinyl collection can be digitised, especially for use in portable music players. Advanced circuitry and SMD construction keep noise and distortion at a surprisin-gly low level. A built-in internal shielding and an outboard DC power supply leave no risk for external interference. Because of its small casing, Record Box E can be placed near the turntable. Input and output sockets are gold-plated for preservation of quality. Record Box E can be connected easily to a line-input (AUX etc) of your amplifier.


    Pro-Ject
    $89.00
    Record Box E Buy Now
  • Long Players 92-99 (Box Set) (Awaiting Repress) Long Players 92-99 (Box Set) (Awaiting Repress) Quick View

    $188.99
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    Long Players 92-99 (Box Set) (Awaiting Repress)

    Limited To 1000 Copies


    Pressed By Gotta Groove On 150 Gram Vinyl


    Contains 5 Original LPs Released From 1992-1999


    Includes An Additional "Rarities" LP Only Available With This Box Set


    In 1992, Dean Wareham followed the posthumous buzz of Galaxie 500 by forming a new band: Luna. Initially joined by Justin Harwood (of the Chills) and Stanley Demeski (of the Feelies), the group went on to sign to Warner Brothers sub-label Elektra, tour with the Velvet Underground, collaborate with Tom Verlaine and Sterling Morrison and ultimately release five stunning albums over the course of the 90s.


    Deemed "the best band you've never heard of" by Rolling Stone, Luna remained under the radar for most of their career despite gathering a rabid cult following. It's not hard to see why this is the case, as the three albums featuring the original lineup (plus guitarist Sean Eden on the latter two) act as a perfect synthesis of the members past bands, blending the simplicity of Galaxie, the heavenly pop melodies of the Chills and the quick and intensely precise drumming of the Feelies into one fluid package. This is particularly evident on 1995's fan-favorite Penthouse, in which the band created a masterpiece of lush, late night music that's now considered one of the best of the 90s.


    Following Penthouse, the band saw the replacement of Stanley with Lee Wall on drums but no slump in quality. The psychedelic textures of 1997's Pup Tent and the clean and beautiful pop of 1999's Days of Our Nights proved that Luna was a consistently reliable band and not one that would wane with age. Elektra didn't feel the same way, though, and eventually decided not to release Days of Our Nights after paying for the recording.


    This box set gathers together those five albums from the 90s as well as a compilation of demos and B-sides recorded contemporaneously, all housed in a beautiful textured canvas box. Accompanying the records is a 12" x 12" book featuring archival imagery, an interview with Dean Wareham conducted by Noah Baumbach and an oral history with the band and their producers. As the majority of these records were never released on vinyl outside of limited pressings, this is a boon to longtime fans and new listeners alike.

    LP 1: Lunapark (1992)
    1. Slide
    2. Anesthesia
    3. Slash Your Tires
    4. Crazy People
    5. Time
    6. Smile
    7. I Can't Wait
    8. Hey Sister
    9. I Want Everything
    10. Time To Quit
    11. Goodbye
    12. We're Both Confused


    LP 2: Bewitched (1994)
    1. California (All The Way)
    2. Tiger Lily
    3. Friendly Advice
    4. Bewitched
    5. This Time Around
    6. Great Jones Street
    7. Going Home
    8. Into The Fold
    9. I Know You Tried
    10. Sleeping Pill


    LP 3: Penthouse (1995)
    1. Chinatown
    2. Sideshow By The Seashore
    3. Moon Palace
    4. Double Feature
    5. 23 Minutes in Brussels
    6. Lost in Space
    7. Rhythm King
    8 .Kalamazoo
    9. Hedgehog
    10. Freakin' And Peakin'


    LP 4: Pup Tent (1997)
    1. Ihop
    2. Beautiful View
    3. Pup Tent
    4. Bobby Peru
    5. Beggar's Bliss
    6. Tracy I Love You
    7. Whispers
    8. City Kitty
    9. The Creeps
    10. Fuzzy Wuzzy


    LP 5: The Days of Our Nights (1999)
    1. Dear Diary
    2. Hello, Little One
    3. The Old Fashioned Way
    4. Four Thousand Days
    5. Seven Steps To Satan
    6. Superfreaky Memories
    7. Math Wiz
    8. Words Without Wrinkles
    9. The Rustler
    10. U.S. Out Of My Pants!
    11. The Slow Song
    12. Sweet Child O' Mine


    LP 6: Rarities
    1. Egg Nog
    2. Indian Summer
    3. Ride Into The Sun
    4. That's What You Always Say
    5. Anesthesia (Demo)
    6. In The Flesh
    7. Bonnie And Clyde
    8. I Know You Tried (Demo)
    9. Roll In The Sand
    10. Dear Paulina

    Luna
    $188.99
    Vinyl LP Box Set + Book - 6 LPs Sealed AWAITING REPRESS Buy Now
  • First Recordings (Awaiting Repress) First Recordings (Awaiting Repress) Quick View

    $17.99
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    First Recordings (Awaiting Repress)

    Junior Kimbrough is one of the most influential and original blues players in the past 50 years. Hailed by U2's Bono and Iggy Pop as a primal force in blues music, Junior never reached the mass audience that he deserved while alive, but his music endures and continues to be discovered by music fans from all walks of life.
    1. Lonesome Road
    2. Feels So Good #1
    3. Done Got Old
    4. Meet Me In The City
    5. Feels So Good #2
    6. Feels So Bad
    Junior Kimbrough
    $17.99
    10 Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Chopin: The Legendary 1965 Recording Chopin: The Legendary 1965 Recording Quick View

    $22.99
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    Chopin: The Legendary 1965 Recording

    Martha Argerich, born in 1941, is widely regarded as one of the greatest pianists of the 20th century. She was born in Buenos Aires, Argentina.


    She recorded this recital in 1965, shortly after her victory in the prestigious Chopin Competition, but it only became available in 1999, when it appeared on CD.


    This is its first release on LP, the format originally intended.


    Argerich was quite the most formidable player we had ever come across, said the album's producer, Suvi Raj Grubb, Nothing would have been beyond this woman. All this adds up to a recording that is indeed legendary.

    1. Piano Sonata No.3 In B Minor, Op.58: I. Allegro maetoso
    2. Piano Sonata No.3 In B Minor, Op.58: II. Scherzo: Molto vivace
    3. Piano Sonata No.3 In B Minor, Op.58: III. Largo
    4. Piano Sonata No.3 In B Minor, Op.58: IV. Finale: Presto, non tanto
    5. Mazurka No.36 In A Minor, Op.59 No.1
    6. Mazurka No.37 In A-flat, Op.59 No.2
    7. Mazurka No.38 In F-sharp Minor, Op.59 No.3
    8. Nocturne No.4 In F, Op.15 No.1
    9. Scherzo No.3 In C-sharp Minor, Op.39
    10. Polonaise No.6 In A-flat, Op.53
    Martha Argerich
    $22.99
    Vinyl LP - Sealed Buy Now
  • In Paris: The ORTF Recordings In Paris: The ORTF Recordings Quick View

    $35.99
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    In Paris: The ORTF Recordings

    Limited Edition 180 Gram Vinyl Pressing Of 2,000


    Gatefold LP Includes Booklet With Essays, Unpublished Photos, Collector Postcards


    Mastered By The Legendary Engineer Bernie Grundman


    Resonance Records, in partnership with the National Audiovisual Institute (INA) of France, is pleased to announce the release of Larry Young In Paris/The ORTF Recordings. Presenting groundbreaking performances by jazz organist and pianist, Larry Young, these studio and live recordings from 1964 and 1965 made for French Radio and never before issued on record will be released in a limited edition 2-LP set.


    Producer Zev Feldman notes, It's particularly exciting because none of this music has ever been heard before except on its initial broadcast in France five decades ago. I think that's something to celebrate and a call for us all - as we often do with the archival recordings we at Resonance Records uncover - to revisit and discuss this legendary artist's legacy.


    Musicians featured on these recordings include trumpet legend Woody Shaw, tenor saxophonist and bandleader Nathan Davis and drummer Billy Brooks. An international cast of supporting players: French pianist Jack DiÉval tenor saxophonist Jean-Claude Fohrenbach and bassist Jacques B. Hess; Italian drummer Franco Manzecchi, Jamaican trumpet player Sonny Grey and Guadaloupean percussionist Jacky Bamboo round out the personnel. This album marks the first new release of Larry Young music in thirty-eight years.


    This project came about in 2012 when Resonance Records producer Zev Feldman traveled to France to explore the ORTF (Office of French Radio and Television) archives (the media vaults overseen by the French National Audiovisual Institute (INA) in the hope of finding undiscovered treasures, which he suspected he might find there. Feldman asked INA executives about specific artists and was stunned to learn that the vaults contained recordings documenting some of the greatest American jazz musicians who lived in - or visited - Paris in the 1960's, including Larry Young. Resonance Records presents in this album tapes that had been sitting idly in the vaults for nearly 50 years, scrupulously maintained by INA. Resonance will also be releasing other future projects from the INA vaults. More details to come soon. Producer Feldman states, It's been a thrill of the lifetime working with Christiane Lemire, Laure Audinot and Pascal Rozat at INA France to find this great music and shepherd this release. No question about it, this project represents jazz through diplomacy and the greater good of a mission. These recordings showcase American artists who found their home and voice in Europe at a time when the American landscape wasn't always as supportive. Feldman continues, When we started to explore the vaults of ORTF and search for recordings to release, we had a wish list of various artists we were on the hunt for, but Larry was the one artist whom I personally felt we needed to look extra hard for. I couldn't be more thrilled with what we found and which we are now releasing. I hope we'll all revisit this genius's legacy and appreciate why he mattered so much.


    While in France, Larry Young recorded at the ORTF Studios in Paris (now Maison de Radio France) as a sideman with the Nathan Davis Quartet, the Jazz aux Champs-ÉlysÉes All-Stars and with his own piano trio which included bassist Jacques B. Hess drummer and Franco Manzecchi. Larry Young In Paris/The ORTF Recordings includes selections from the original tapes, which were recorded specifically to be broadcast on French Radio. As noted, the only time these recordings have been shared with the public were on their original broadcasts on two iconic monthly French radio programs: Musique aux Champs-ÉlysÉes, hosted by French musician and producer Jack DiÉval; and Jazz sur scène, hosted by producer and jazz scholar AndrÉ Francis. Shortly after these recordings were made, Larry Young returned to New York to record the classic album Unity, his second album for Blue Note.


    Larry Young died at the tragically young age of 38 in 1978. Larry Young In Paris: The ORTF Recordings is a tribute to his memory and endorsed by the estate of Larry Young. Produced by Zev Feldman with Executive Producers George Klabin and Michael Cuscuna. Sound Restoration by Fran Gala and George Klabin. Mastering by Fran Gala at Resonance Records Studios.

    LP 1
    1. Trane of Thought
    2. Talkin' About J.C.
    3. Mean to Me
    4. La Valse Grise
    5. Discothèque


    LP 2
    1. Luny Tune
    2. Beyond All Limits
    3. Black Nile
    4. Zoltan
    5. Larry's Blues

    Larry Young
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Boston (Red Vinyl) (Pre-Order) Boston (Red Vinyl) (Pre-Order) Quick View

    $32.99
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    Boston (Red Vinyl) (Pre-Order)

    180 Gram Red Colored Vinyl


    There are groundbreaking albums, then there are extraordinary mega-classic masterworks that have stood the test of time during their time and for decades beyond, Boston's debut masterpiece Boston is one such rare recording feat.


    Thanks to the strong masterful lead guitar and production chops of Tom Scholz, the late great Brad Delp on power vocals, guitar great Barry Goudreau, plus Fran Sheehan on bass and the late great Sib Hashian on drums, the number one Boston lp took the rock music world by storm, and it continues to be one of the most enduring and much loved albums of all time.


    Friday Music is very pleased to bring to you one of the finest albums ever recorded - Boston by Boston. Mastered impeccably by Joe Reagoso, this stunning masterpiece now boasts premium classic rock memories on first time 180 Gram Audiophile Translucent Blue Vinyl, a stunning gatefold cover, and of course, all of the hits you remember like More Than A Feeling, Rock And Roll Band, Long Time and many more time honored classics.


    This essential limited edition masterpiece is being released right in time for the holidays and should be on the list of every rock fan who owns a turntable. It sounds amazing, it gives us the chills and all of the good feelings you would expect from this incredible and historic rock debut.


    Boston by the iconic rock legends Boston, one of the essential classic rock albums of all time on Friday Music 180 Gram Audiophile Red Vinyl... its' more than a feeling!

    1. More Than A Feeling
    2. Peace of Mind
    3. Foreplay/Long Time
    4. Rock & Roll Band
    5. Smokin'
    6. Hitch a Ride
    7. Something About You
    8. Let Me Take You Home Tonight
    Boston
    $32.99
    180 Gram Audiophile Virgin Vinyl LP PRE-ORDER Buy Now
  • MMF-1.3 Turntable MMF-1.3 Turntable Quick View

    $299.00
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    MMF-1.3 Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Music Hall's new entry-level turntable provides a feature set that is unrivaled at its price. With a built-in phono preamplifier and a quality, pre-mounted cartridge, the mmf-1.3 is everything you need to start listening to vinyl right out of the box!


    The Music Hall mmf-1.3 turntable sets a new benchmark for affordable audiophile turntables. A 3-speed belt driven turntable that comes complete with a tonearm, mounted cartridge, and built-in phono amp. The construction of the mmf-1.3 has been simplified to focus on the critical components; the bearing, the motor, and the tonearm.


    Music Hall Turntables
    $299.00
    MMF-1.3 - With Cartridge & Built-In Phono Amp Buy Now
  • The Grinding Wheel (Yellow And Black Vinyl) The Grinding Wheel (Yellow And Black Vinyl) Quick View

    $31.99
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    The Grinding Wheel (Yellow And Black Vinyl)

    Pressed On Yellow And Black Vinyl

    Armed with pioneering pure metal proposals like Death Rider, The Beast Within, and Raise The Dead already in 1982, New Jersey's Overkill were a rock-solid part of the first clutch of bands forging in fire this music known as thrash metal. Along with Metallica, Exodus, Slayer and cross-town doppelgangers Anthrax, D.D. Verni and Bobby Blitz Ellsworth were helping to create a new form of metal that is still as vibrant today as when the band's first album, Feel the Fire was issued by Jonny Zazula's Megaforce Records back in the spring of '85.

    Witness Overkill's 18th album of blistering yet precise and thought-provoking thrash magic, The Grinding Wheel, a record on which thrash's ultimate team of five machined parts shows up and executes to perfection with a little punk thrown in for bad measure.

    But a life dedicated to metal can be a grind, hence the title of this sparks-a-flyin' record. It just makes sense for us, reflects D.D. If you've been making metal for almost 40 years like we have, it can be a grind. But we also liked the old school metal idea of referencing Grinder, the Judas Priest song, which suits the album because it has classic metal parts on it as well as the thrash parts. There's a blue collar feel to that title too, and that's how we approach Overkill. The guitar case is basically a lunchbox and we go to work.

    One of the principles-if not characteristics-of the band is that it's been grinding through for long, long periods of time, seconds Blitz. Decades to this point. And not necessarily with huge gains with regards to popularity, but for sure, with huge gains in as much as we can earn a living while doing the kind of music that we want. And so the idea of grinding it out over the decades became a device for writing the album, whether it would be riffs or lyrics.

    Despite, as D.D. says, the album's classic metal references (such as Black Sabbath in Come Heavy and Iron Maiden in The Long Road and the epic and cinematic title track), when the band gets up a full head of thrash steam, they bring to the party a trademark punk aesthetic, forged from trips on the train to CBGB and Max's Kansas City to witness original punk legends such as The Damned and The Dead Boys.

    Punk is huge for Overkill, confirms Verni. And it's something we very specifically brought back to the band in a sort of second wave, beginning with Ironbound in 2010 and then The Electric Age and White Devil Armory. I know from my end, it came from talking to the band and talking to fans. We had some of those metal records in the middle of our career where I wasn't paying enough attention to the punk rock vibe of the band. But just before we started writing Ironbound, I was very specific about getting back into that mentality, picking up on that energy again. You're not going to hear any Green Day or Ramones in us, but the energy and the attitude of punk mixed with the New York vibe that's what Overkill is, compared to other bands. You don't hear any of that in Megadeth; you don't hear any of that in Slayer. It's more specific to what we brought to the thrash world.

    Central to that premise is the incendiary Let's All Go to Hades which is sure to become a pit favourite. This one was a hell of a lot of fun, says Blitz. You know, I've always written abstractly. I'm not the guy who says, 'I'm going to crush your skull into dust.' I like writing more so from an abstract point of view, putting a slew of thoughts together that create one idea, like a puzzle more than a specific black or white. And when I looked at all these lyrics when I was done, I said, oh my God, I'm 57 and I finally matured (laughs). Oh, this is gross! (laughs). But I do like tongue-in-cheek songs like 'Hades,' where it says, sort of let's all go to the Bataclan, you know, stand arm in arm and sing 'Killed by Death.' I kind of tied in not long ago events, specifically what happened in Paris, with losing Lemmy. After that, I'm on a train from Paris to Istanbul on the Orient express, which actually existed (laughs)-it actually went from Paris to Istanbul. So that one is mapped out a bit more.

    Adds D.D., It's not a 'smash your face into the wall' kind of song. It got a little bit of fun in it. I know any time you talk to the really heavy thrash guys, they go, 'Oh, no, no, no-no fun allowed. It's got to be heavy and brutal every second.' But that song definitely has a bit of fun in it. And we've done that before, with things like 'Old School' and 'Fuck You.' We're not afraid to do a bit of that sometimes.

    Another favorite lyric of Blitz', which is set to a non-nonsense old school thrash track, is Our Finest Hour. It's about the recognition of sameness, explains Ellsworth. I think people are comfortable when they recognize themselves in someone else. And 'Our Finest Hour' is kind of a detailed journey through that concept. It's like, 'Come on over here; I recognize you.' I've always been a firm believer in the fact that it's great to accomplish things on your own, but people are always stronger as a group-that's the basic outline of that tune.

    At the other end of the spectrum from punk is a song like The Long Road. D.D. readily agrees that there was a Maiden influence as part of this one's crafting. Oh yeah, for sure. The opening, along with a little section in there with the vocals, definitely feels like New Wave of British Heavy Metal.

    More evident in the band's panoramic classic metal passages, but even articulated here on Our Finest Hour, is another storied Overkill trademark, the definition one gets in the band's bass parts. Combine this with the Mensa-like percussive wizardry of Ron Lipnicki (laid bare for all to hear at headphone levels through the smack of his gravity-defying double bass work), and The Grinding Wheel emerges as a record with a remarkable rhythm section foundation from which to rise.

    I've had that kind of sound now for a long time, says Verni. There are a lot of bass players that say, 'I want to feel the bass.' And it's like, I just couldn't give a shit about feeling the bass. To me that's low-end. Guitars have low-end, kick drums have low-end, bass has low-end-I want to hear the bass, not feel it. So from a long time ago, that's what I would be doing on my EQ. I would be tweaking and turning knobs until not only could I feel it, but I can hear it separate from the guitars. And as a result, the bass just got more and more aggressive. I'm not a finesse player at all, on a bass. I bang the shit out of it, and I kind of do that to get away from the guitars and give it its own identity, its own sound, its own thing, so the bass has its own personality, not just serving as a foundation for the guitars.

    This affects the writing as well, says Blitz. Don't forget, D.D. is a guitarist. He's been playing guitar probably more so than bass in his spare time since the late '80s. This is a guy who has two-and-a-half decades of six strings under his belt. So we get more of a unique perspective; it gives this band its unique qualities when it comes to songwriting. Because it's a guy holding six strings who's got plenty of experience playing those six strings, but thinking from the other perspective. So you get a punchier thing; you don't get a lot of fluff. When you compare Overkill to some of our contemporaries, there you get a guitar player writing guitar-based songs. D.D. is writing, first and foremost, from a rhythm perspective, and that's what drives the songs. Add Dave Linsk to the picture, once there's a ten-note riff written, then you have the best of both worlds.

    Which brings us back to the aforementioned machine-like efficiency of the five guys that comprise Overkill, this idea that there are no weak links within this particular classic five-piece with two guitars lineup of metal warriors.

    That's the strength of the band, explains Blitz. Dave is really the one that holds the guitar reigns in this band. He's a writer at his core. You know, he's one of these guys who brushes his teeth and hears a rhythm the way the bristles are hitting the enamel (laughs). He's that dude. 'Oh wait a second, I have another idea.' He has an idea a minute, and if that's the case, some of them are going to be great. So he holds the reins. When it comes to Derek, he's more the opinionated thought later on. And so when it runs through the machine, being D.D. and myself, then Dave, Derek comes in and can change that song. It's always kind of good to have, let's say, a chief and some Indians. And it depends who's wearing the chief hat at any particular time. But I think at the end of the day, when you're looking for a clean perspective, it goes through Derek-that's usually what his contribution is, more of a finalization.

    And Ron? He's one-of-a-kind, says Verni. He's a great drummer. I've worked with him for a bunch of records now. This is our fifth record together and so I really understand how he plays at this point. Working with him in the studio is just a pleasure, because he's so right on it.

    After heaping all manner of praise on legendary producer Andy Sneap (brought on only for mix given Verni's proven acumen at the task), D.D. further clarifies the reason Overkill can be at the top of their game 18 records into their distinguished run.

    I have a studio and I did most of it at my place; I've been doing it that way for a while now. And now the group of guys we have in the band has been pretty consistent for a while. So we have a nice mix; everybody kind of knows their role, and is good at their role. Everybody brings a little something to the party. And I think that's why these last couple of records people ask, 'How is it that your records get better after 25 years?' And I think part of it is that everybody has a role in the band, everybody is comfortable with their role, and they're really good at the part they have. So the records actually get better. It's like having a team, instead of having a whole bunch of chiefs and no Indians.

    But a proven people's band like Overkill-a more personable bunch you'll never meet-fully recognizes that part of the band's success in being able to survive and thrive with the grind is due to the allegiance of the band's considerable worldwide fan base.

    For sure, says Blitz. One of the things with regard to grind, with regard to four decades of Overkill, it's good to be here, but it's obviously earned, not just by us but by the people that support this in general. The fact is that it's not just us grinding it out. I mean, maybe it is when it comes to the studio and writing and recording songs, from that selfish perspective. But the reason something exists for decades is based on group effort. Like we had talked about earlier with 'Our Finest Hour,' people are stronger together. In that light, this band is, let's say, not just our project, but it's a project by and for all those who hold it dear.

    1. Mean, Green, Killing Machine
    2. Goddamn Trouble
    3. Our Finest Hour
    4. Shine On
    5. The Long Road
    6. Let's All Go To Hades
    7. Come Heavy
    8. Red, White And Blue
    9. The Wheel
    10. The Grinding Wheel
    11. Emerald
    Overkill
    $31.99
    Colored Vinyl LP - Sealed Buy Now
  • In The Beginning (200 Gram Vinyl) In The Beginning (200 Gram Vinyl) Quick View

    $34.99
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    In The Beginning (200 Gram Vinyl)


    Mastered From The Original Tapes By Ryan Smith At Sterling Sound


    200-Gram Pressing By Quality Record Pressings


    With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.


    Before the Montreaux Jazz Festival, before Bowie's Let's Dance album, before Texas Flood, before the Grammys, before the cocaine and alcohol abuse, before the redemption of sobriety, before the joyful In Step and Family Style ..... before August 27, 1990..... before the all-star tributes, before The Legendary Stevie Ray Vaughan......


    There was an unknown, hardworking 24-year-old gunslinger named Little Stevie Vaughan, learning his craft the hard way in the trenches of the Austin Texas clubs, trying his darndest to get out of the shadow of his famous older brother Jimmie.


    It wouldn't be long.


    Anyone lucky enough to have been in the audience at this early live show, on April Fools Day in 1980, could have told you that. Young Stevie Vaughan (he had yet to become Stevie Ray) blasted the hometown crowd with a style that was already very well-formed. With Chris Layton on drums and bassist Jackie Newhouse (Tommy Shannon would join up a year later), his basic sound was already in place, albeit still in need of some polishing.


    Taken from the surviving two-track master, Vaughan's guitar is raw and in your face every note of the way. His takes on Freddie King's In the Open and the lengthy Tin Pan Alley are the real highlights here.


    As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200-gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings.


    There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.


    This title is not eligible for discount.

    1. In The Open
    2. Slide Thing
    3. They Call Me Guitar Hurricane
    4. All Your Love (I Miss Loving)
    5. Tin Pan Alley (aka Roughest Place in Town)
    6. Love Struck Baby
    7. Tell Me
    8. Shake for Me
    9. Live Another Day
    Stevie Ray Vaughan
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • J. J. Cale: Collected (Gold Vinyl) J. J. Cale: Collected (Gold Vinyl) Quick View

    $47.99
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    J. J. Cale: Collected (Gold Vinyl)


    Limited Pressing Of 3,000 Individually Numbered Copies On 180 Gram Gold Vinyl


    Import


    Collected, the ultimate J.J. Cale collection from 2013 already proved to be a highlight of Music On Vinyl's catalog. Now we're revisiting this essential compilation in a slightly slimmer package: without printed innersleeves, and with a 4-page booklet instead of the 8 pages of liner note material previously included.


    This American cult legend has turned his laidback style into a trademark. J.J. Cale has forged an inspiring career that spans four decades. He received his first major exposure in 1970 thanks to Eric Clapton, who turned J.J. Cale's After Midnight into a hit song overnight. A few years later, Clapton repeated the trick with Cocaine.


    But the legacy of J.J. Cale has much more to offer: collected on three 180 gram LPs chock full of rootsy Americana songs that will stay in the back of your head long after you turned off the record player.

    LP 1
    1. After Midnight
    2. Crazy Mama
    3. Call Me The Breeze
    4. Magnolia
    5. Crying Eyes
    6. Lies
    7. I'll Kiss The World Goodbye
    8. If You're Ever In Oklahoma
    9. Changes
    10. Crying
    11. Cajun Moon
    12. Okie
    13. Anyway The Wind Blows
    14. Cocaine
    15. Travelin' Light
    16. Hey Baby
    17. Cherry
    18. You Got Something


    LP 2
    1. I'll Make Love To You Anytime
    2. Don't Cry Sister
    3. Sensitive Kind
    4. Thirteen Days
    5. Mona
    6. Carry On
    7. Mama Don't
    8. If You Leave Her
    9. City Girls
    10. Don't Wait
    11. Downtown L.a.
    12. Devil In Disguise
    13. Grasshopper
    14. Money Talks
    15. Hard Times
    16. Teardrops In My Tequila
    17. Trouble In The City


    LP 3
    1. Change Your Mind
    2. Lady Luck
    3. Lonesome Train
    4. Jailer
    5. Borrowed Time
    6. Low Down
    7. Guitar Man
    8. Stone River
    9. The Problem
    10. Midnight In Memphis
    11. Woke Up This Morning
    12. Durango
    13. Things Ain't Simple
    14. Santa Cruz

    J.J. Cale
    $47.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • George Harrison Pro-Ject Turntable George Harrison Pro-Ject Turntable Quick View

    $499.00
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    George Harrison Pro-Ject Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    EXTREMELY LIMITED!!! Only 500 Made!


    Pro-Ject Audio Systems have teamed up with the estate of legendary musician George Harrison to produce a special turntable, coinciding with the release of George Harrison - The Vinyl Collection LP box-set from USM.


    The limited edition Pro-Ject George Harrison record player boasts an entirely unique appearance created by design specialists, Studio Number One. Studio Number One was founded by Shepard Fairey, and the Pro-Ject George Harrison record player makes use of an image taken from the world-famous artist's work.


    The turntable itself is based on Pro-Ject Audio Systems' coveted Essential III design with an Acryl-IT E platter. The Essential III benefits from a sturdy MDF plinth mounted on anti-vibration feet. Supplied with an acrylic platter, high-quality tonearm and Ortofon OM 10 cartridge, the sound performance puts the turntable in a class of its own when compared to rival products.


    The Pro-Ject George Harrison turntable is the perfect product for any George Harrison fan who takes their sound quality seriously. It's also the ideal companion to the new vinyl box set, which features all twelve of Harrison's studio albums as well as the classic live album Live In Japan (2LP) and two 12" single picture discs of When We Was Fab and Got My Mind Set On You.


    Released to commemorate George Harrison's birthday (February 25th), the whole vinyl box set has been pressed onto high-quality 180g heavyweight vinyl with re-masters taken from the original analogue master tapes and newly cut at the legendary Capitol studios. With such a high-quality vinyl collection, it's essential that you play these iconic tracks on a good record player, and the Pro-Ject George Harrison is just the player you need.


    Pro-Ject
    $499.00
    George Harrison Pro-Ject Turntable Buy Now
  • VPI Prime Scout Turntable VPI Prime Scout Turntable Quick View

    $2,199.00
    Buy Now
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    VPI Prime Scout Turntable



    Need help choosing the right turntable for you? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    **All Cartridges Installed Free Of Charge**


    The Prime Scout features:


    • 300 (US) / 500(OS) RPM motor
    • Rounded black motor housing
    • MDF chassis vinyl wrapped with steel plate (black finish)
    • JMW 9 tonearm (VPI wire)
    • Standard VTA base
    • Machined aluminum 11-inch diameter platter, 1 1/3 inch thick
    • Delrin clamp - Scout Clamp


    VPI Turntables
    $2,199.00
    Scout 2017
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