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  • Crosley CR8005D Cruiser Portable 3-Speed Turntable (On Sale) 9 COLORS AVAILABLE Crosley CR8005D Cruiser Portable 3-Speed Turntable (On Sale) On Sale Quick View

    $89.99 $69.99 Save $20.00 (22%)

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    Crosley CR8005D Cruiser Portable 3-Speed Turntable (On Sale)


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Crosley's most popular turntable, the Cruiser, just got an upgrade. Introducing the Crosley Cruiser Deluxe! This record player still rocks its charming suitcase-style shell, but now you can dial in the record's speed with advanced pitch control adjustments or easily sync to the Bluetooth connection and stream digital music right through the built-in speakers.


    Have one-on-one jams with the headphone jack, or add powered speakers through the RCA ports to blast out loud. Choose from a rainbow of sound to start your vinyl adventure with this portable three-speed record player.


    Crosley
    $89.99 $69.99 Save $20.00 (22%)
    CR8005D Cruiser Portable 3-Speed Turntable - 9 Colors Available
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  • Crosley CR7007D-MA Patriarch Turntable Crosley CR7007D-MA Patriarch Turntable Quick View

    $179.99
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    Crosley CR7007D-MA Patriarch Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Bring back a musical tradition with the handsome Patriarch. Spin classic vinyl on the three-speed turntable, put in a CD, flip on the radio, or even plug in an auxillary cord to listen to modern music devices. With beautiful wood cabinetry and built-in speakers, enjoy generations of music history on the Patriarch.


    Crosley
    $179.99
    CR7007D-MA Patriarch Turntable Buy Now
  • Studio Album Vinyl Box Studio Album Vinyl Box Quick View

    $349.99
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    Studio Album Vinyl Box

    Box Set Includes All 8 Of Rhianna's Studio Albums Across 15 LPs


    Elegant Black, High-Gloss Slipcase With Foil Stamped Signature


    186-Page Hardback Book


    Turntable Slipmat w/ Rihanna's Signature


    Rihanna will release all eight studio albums in her catalog in a deluxe 15 LP vinyl box set on December 16, including five titles never previously available on vinyl, including Music Of The Sun (2005), Rated R (2009), Loud (2010), Talk That Talk (2011) and Unapologetic (2012). Seven of the individual titles will come as 2 LP vinyl sets, while Talk That Talk will be a single disc. The package - encased in an elegant black, high-gloss slipcase with Rihanna's signature foil stamped on front -- also includes a 186-page hardback book comprised of every image from every studio album and reproductions of all the original CD booklets. The set also boasts an all-black turntable slipmat adorned with Rihanna's autograph.

    This Box Set Includes:


    Music of the Sun (2005) [2xLP]
    A Girl like Me (2006) [2xLP]
    Good Girl Gone Bad (2007) [2xLP]
    Rated R (2009) [2xLP]
    Loud (2010) [2xLP]
    Talk That Talk (2011) [1 LP]
    Unapologetic (2012) [2xLP]
    Anti (2016) [2xLP]

    Rihanna
    $349.99
    Vinyl LP Box Set - 15 LPs Sealed Buy Now
  • Vinyl Styl Groove Portable Turntable (Black) (Discontinued) Vinyl Styl Groove Portable Turntable (Black) (Discontinued) Quick View

    $99.00
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    Vinyl Styl Groove Portable Turntable (Black) (Discontinued)


    Have a question about this product? Please email our href=mailto:audioadvisor@soundstagedirect.com>audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    In a variety of custom designs, the Vinyl Styl™ Groove portable turntable comes equipped with two full range stereo speakers, stylus with protective cover, 3.5mm headphone output jack, RCA outputs and a belt driven platter allowing you to choose from 3 speeds; 33 1/3, 45 & 78 RPM.


    This 3 Speed Belt Driven Suitcase Turntable Includes: Stereo RCA Cable, AC Power Adaptor, Record Slip Mat, User Manual and Built-in Speakers.




    This item is not eligible for discount.

    Vinyl Styl
    $99.00
    Portable Turntable - Black Buy Now
  • Marantz TT42 Turntable Marantz TT42 Turntable Quick View

    $329.00
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    Marantz TT42 Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Fully Automatic Belt Drive Turntable


    Combining classic turntable design with modern audio technologies, the Marantz TT42 Turntable plays back your vinyl collection with stunning audio quality. This turntable features a fully automatic mechanism that plays records with a touch of a button. A low-coloration tone arm, DC servo motor, and belt drive ensure pristine, interference-free playback.


    Enjoy your vinyl collection with stunning audio quality thanks to modern audio technologies. Low-coloration tone arm, DC servo motor, and belt drive ensure pristine, interference-free playback.


    Vinyl Record Playing with Modern Convenience


    Have you noticed the resurgence of vinyl record sales in recent years? Fueled by the fact that many treasured albums have not been issued in digital format, and with newer artists continuing to release music on vinyl, turntables are popping up in living rooms all over the world.


    The Marantz TT42 Turntable combines old school record playing with convenient, high-performance features. The turntable is fully automatic: with a push of the play button, the tone arm precisely lifts itself onto the record groove, saving you the trouble of having to manually position the stylus. Once playback has concluded, the tone arm safely returns to its resting position without scuffing your record.


    A Quality Mechanism for High-Fidelity Playback


    The TT42 turntable is outfitted with a low-coloration tone arm that resists resonance for a clear, balanced sound. A high quality, moving magnet cartridge is preset at the factory for proper tracking and smooth response. In addition, the turntable's DC servo belt drive keeps the motor running at a constant speed for optimum performance. The TT42 is designed to produce a stunning, nuanced, and distortion-free audio performance.


    A version of the TT42 with a phono preamp, the TT42P, which features built-in phono input circuitry, is also available to accommodate multi-channel receivers that lack a proper phono input.


    The Marantz TT42 Turntable comes complete with a clear plastic dust cover and is backed by a three-year limited warranty, subject to the full warranty terms and conditions.


    Marantz
    $329.00
    Marantz TT42 Turntable Buy Now
  • Vinyl Styl Groove Portable Turntable (Red) (Discontinued) Vinyl Styl Groove Portable Turntable (Red) (Discontinued) Quick View

    $99.00
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    Vinyl Styl Groove Portable Turntable (Red) (Discontinued)


    Have a question about this product? Please email our href=mailto:audioadvisor@soundstagedirect.com>audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    In a variety of custom designs, the Vinyl Styl™ Groove portable turntable comes equipped with two full range stereo speakers, stylus with protective cover, 3.5mm headphone output jack, RCA outputs and a belt driven platter allowing you to choose from 3 speeds; 33 1/3, 45 & 78 RPM.


    This 3 Speed Belt Driven Suitcase Turntable Includes: Stereo RCA Cable, AC Power Adaptor, Record Slip Mat, User Manual and Built-in Speakers.




    This item is not eligible for discount.

    Vinyl Styl
    $99.00
    Portable Turntable - Red Buy Now
  • Vinyl Check Vinyl Check Quick View

    $34.99
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    Vinyl Check

    This record creates new possibilities of inspecting and adjusting record players. Most tests (except for frequency response) can also be carried out without measuring instruments, just by listening, and are therefore particularly well-suited for the ambitious music listener who wants to know how well his system deals with demanding signals under realistic conditions, and whether there is a need for repairs or improvements.


    Thanks to Albrecht Krieger for his ideas and advice.


    This title is not eligible for discount.

    Part 1: Trackability
    Part 2: Wow and Flutter
    Part 3: Phase
    Part 4: Crosstalk
    Part 5: Tracking angle error
    Part 6: Skating
    Part 7: Pick-up arm resistance
    Part 8: Strident sibilants and fricatives
    Part 9: Frequency response
    Part 10: Dynamics
    Part 11: Strident sibilants and fricatives, repitition
    Tacet Records
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Pro-Ject Record Box E - White Pro-Ject Record Box E - White Quick View

    $89.00
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    Pro-Ject Record Box E - White


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    For MM Cartridges With A/D Converter


    Record Box E is an high-quality phono preamplifier, that offers the possibility to convert your valuable vinyls into computer music data. Re-cord Box E accepts both MM & MC cartridges and gives audiophile music experience at an entry-level price. The integrated A/D converter operates with Windows and MAC operating systems and connects via USB to your computer. Therefore your valuable vinyl collection can be digitised, especially for use in portable music players. Advanced circuitry and SMD construction keep noise and distortion at a surprisin-gly low level. A built-in internal shielding and an outboard DC power supply leave no risk for external interference. Because of its small casing, Record Box E can be placed near the turntable. Input and output sockets are gold-plated for preservation of quality. Record Box E can be connected easily to a line-input (AUX etc) of your amplifier.


    Pro-Ject
    $89.00
    Record Box E Buy Now
  • Player Piano Player Piano Quick View

    $14.99
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    Player Piano

    Includes Download Card


    Player Piano is the second full length from Davye Hawks Memory Tapes. It was, like its predecessor, the highly acclaimed Seek Magic, recorded at Dayves home studio in rural New Jersey. While Seek Magic was quite an electronic sounding record with lots of dance music tropes, Player Piano is all about the melody.


    Simply put, there are lots of catchy tunes here: sing-along choruses throughout the album and songs that feel very immediate and accessible, despite consistently dark lyrics that describe a disconnected mindset and a profound sense of isolation.


    The template for Player Piano was that it would be keyboard-based psychedelic girl group songs, a sort of Motown suicide note. Largely eschewing modern beats this time in favor of drums that sound like The Kinks 60s records, there are still the spaces of modern R&B, along with '50s doo wop, krautrock and a couple of nods to Aphex Twin.

    1. Musicbox (in)

    2. Wait In The Dark
    3. Today Is Our Life
    4. Yes I Know
    5. Offers
    6. Humming
    7. Sunhits
    8. Worries
    9. Fell Thru Ice
    10. Fell Thru Ice II
    11. Trance Sisters
    12. Musicbox (out)
    Memory Tapes
    $14.99
    Vinyl LP - Sealed Buy Now
  • H.R. Is A Dirty Guitar Player H.R. Is A Dirty Guitar Player Quick View

    $24.99
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    H.R. Is A Dirty Guitar Player

    In the pantheon of under-the-radar American guitar heroes, Howard Roberts looms large. A remarkably versatile musician who was one of Los Angeles' most in-demand session players from the early 1950s through the 1970s, Roberts' career encompassed an incredible array of studio assignments. He recorded with a dizzying assortment of acts, including Elvis Presley, Frank Sinatra, the Beach Boys, the Monkees, Dean Martin, Sonny and Cher, the Jackson 5, Peggy Lee, Eddie Cochran, Chet Atkins and the Electric Prunes. He also played on countless film and television soundtracks; his guitar work is featured prominently in the iconic theme music of The Twilight Zone, The Munsters and I Dream of Jeannie.


    Roberts was also an accomplished musical educator, co-founding Hollywood's Guitar Institute of Technology, writing a regular instructional column on jazz improvisation for Guitar Player magazine, and penning several highly-regarded guitar instruction books. As a guitar teacher, one of his students was a teenaged Phil Spector, for whom Roberts would later work as a session man.


    Impressive as his session resume is, for many guitar aficionados, the real highlights of Howard Roberts' body of work are the instrumental albums he released under his own name throughout his career. One of his best-loved solo releases is the memorably titled H.R. Is A Dirty Guitar Player, originally released by Capitol Records in 1963. Recorded at the legendary Studio A in the Capitol Tower, with a band that includes fellow studio legends Chuck Berghofer and Earl Palmer on bass and drums, H.R. Is A Dirty Guitar Player is a potent showcase for Roberts' fluid, swinging guitar work. The material offers ample opportunity for the artist to demonstrate his versatility, encompassing pop standards 9Lerner, Loewe If Ever I Would Leave You), bossa nova (Antonio Carlos Jobim's One Note Samba) and jazz (tunes by Herbie Hancock, Count Basie and Duke Ellington), along with such Roberts originals as Smolderin', Turista, Deep Fry and Dirty Old Bossa Nova.


    Long unavailable in its original form, this vintage instrumental gem has been restored to its original vinyl glory by Sundazed Music. The album has been sourced from the original stereo masters and pressed on 180 gram vinyl, with complete original cover art.
    1.Watermelon Man
    2. Smolderin'
    3. Liâl Darlin'
    4. Turista
    5. If Ever I Would Leave You
    6. One O'Clock Jump
    7. Deep Fry
    8. Rough Ridin'
    9. Satin Doll
    10. Smokin'
    11. One Note Samba
    12. Dirty Old Bossa Nova
    Howard Roberts
    $24.99
    180 Gram Audiophile Virgin Vinyl LP- Sealed Buy Now
  • King's Record Shop King's Record Shop Quick View

    $19.99
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    King's Record Shop

    The 30th Anniversary of King's Record Shop is on 12 180-gram vinyl.

    Originally released through Columbia Records on June 26, 1987, King's Record Shop proved a pivotal album in the career of Rosanne Cash and in the emergence of Americana as an heir to traditional country music. After working on a series of albums which contained singles introducing a new wave/pop sound to America's country charts, producer Rodney Crowell shifted gears on King's Record Shop to bring a more roots-oriented, contemporary folk approach to the genre.

    One of the most critically-acclaimed albums of Cash's discography, King's Record Shop generated four #1 hits on the Billboard Country charts: her covers of Johnny Cash's (her father's) Tennessee Flat Top Box, John Hiatt's The Way We Make a Broken Heart, and John Stewart's Runaway Train as well as If You Change Your Mind, a song she'd co-written with steel guitar player Hank DeVito (who shot the photos used on the iconic front cover of King's Record Shop).

    1. Rosie Strike Back
    2. The Way We Make A Broken Heart

    3. If You Change Your Mind
    4. The Real Me

    5. Somewhere Sometime

    6. Runaway Train

    7. Tennessee Flat-Top Box

    8. I Don't Have To Crawl

    9. Green, Yellow And Red

    10. Why Don't You Quit Leaving Me Alone
    Rosanne Cash
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Long Players 92-99 (Box Set) Long Players 92-99 (Box Set) Quick View

    $188.99
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    Long Players 92-99 (Box Set)

    Limited To 1000 Copies


    Pressed By Gotta Groove On 150 Gram Vinyl


    Contains 5 Original LPs Released From 1992-1999


    Includes An Additional "Rarities" LP Only Available With This Box Set


    In 1992, Dean Wareham followed the posthumous buzz of Galaxie 500 by forming a new band: Luna. Initially joined by Justin Harwood (of the Chills) and Stanley Demeski (of the Feelies), the group went on to sign to Warner Brothers sub-label Elektra, tour with the Velvet Underground, collaborate with Tom Verlaine and Sterling Morrison and ultimately release five stunning albums over the course of the 90s.


    Deemed "the best band you've never heard of" by Rolling Stone, Luna remained under the radar for most of their career despite gathering a rabid cult following. It's not hard to see why this is the case, as the three albums featuring the original lineup (plus guitarist Sean Eden on the latter two) act as a perfect synthesis of the members past bands, blending the simplicity of Galaxie, the heavenly pop melodies of the Chills and the quick and intensely precise drumming of the Feelies into one fluid package. This is particularly evident on 1995's fan-favorite Penthouse, in which the band created a masterpiece of lush, late night music that's now considered one of the best of the 90s.


    Following Penthouse, the band saw the replacement of Stanley with Lee Wall on drums but no slump in quality. The psychedelic textures of 1997's Pup Tent and the clean and beautiful pop of 1999's Days of Our Nights proved that Luna was a consistently reliable band and not one that would wane with age. Elektra didn't feel the same way, though, and eventually decided not to release Days of Our Nights after paying for the recording.


    This box set gathers together those five albums from the 90s as well as a compilation of demos and B-sides recorded contemporaneously, all housed in a beautiful textured canvas box. Accompanying the records is a 12" x 12" book featuring archival imagery, an interview with Dean Wareham conducted by Noah Baumbach and an oral history with the band and their producers. As the majority of these records were never released on vinyl outside of limited pressings, this is a boon to longtime fans and new listeners alike.

    LP 1: Lunapark (1992)
    1. Slide
    2. Anesthesia
    3. Slash Your Tires
    4. Crazy People
    5. Time
    6. Smile
    7. I Can't Wait
    8. Hey Sister
    9. I Want Everything
    10. Time To Quit
    11. Goodbye
    12. We're Both Confused


    LP 2: Bewitched (1994)
    1. California (All The Way)
    2. Tiger Lily
    3. Friendly Advice
    4. Bewitched
    5. This Time Around
    6. Great Jones Street
    7. Going Home
    8. Into The Fold
    9. I Know You Tried
    10. Sleeping Pill


    LP 3: Penthouse (1995)
    1. Chinatown
    2. Sideshow By The Seashore
    3. Moon Palace
    4. Double Feature
    5. 23 Minutes in Brussels
    6. Lost in Space
    7. Rhythm King
    8 .Kalamazoo
    9. Hedgehog
    10. Freakin' And Peakin'


    LP 4: Pup Tent (1997)
    1. Ihop
    2. Beautiful View
    3. Pup Tent
    4. Bobby Peru
    5. Beggar's Bliss
    6. Tracy I Love You
    7. Whispers
    8. City Kitty
    9. The Creeps
    10. Fuzzy Wuzzy


    LP 5: The Days of Our Nights (1999)
    1. Dear Diary
    2. Hello, Little One
    3. The Old Fashioned Way
    4. Four Thousand Days
    5. Seven Steps To Satan
    6. Superfreaky Memories
    7. Math Wiz
    8. Words Without Wrinkles
    9. The Rustler
    10. U.S. Out Of My Pants!
    11. The Slow Song
    12. Sweet Child O' Mine


    LP 6: Rarities
    1. Egg Nog
    2. Indian Summer
    3. Ride Into The Sun
    4. That's What You Always Say
    5. Anesthesia (Demo)
    6. In The Flesh
    7. Bonnie And Clyde
    8. I Know You Tried (Demo)
    9. Roll In The Sand
    10. Dear Paulina

    Luna
    $188.99
    Vinyl LP Box Set + Book - 6 LPs Sealed Buy Now
  • Pro-Ject Record Box E - Black Pro-Ject Record Box E - Black Quick View

    $89.00
    Buy Now
    x

    Pro-Ject Record Box E - Black


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    For MM Cartridges With A/D Converter


    Record Box E is an high-quality phono preamplifier, that offers the possibility to convert your valuable vinyls into computer music data. Re-cord Box E accepts both MM & MC cartridges and gives audiophile music experience at an entry-level price. The integrated A/D converter operates with Windows and MAC operating systems and connects via USB to your computer. Therefore your valuable vinyl collection can be digitised, especially for use in portable music players. Advanced circuitry and SMD construction keep noise and distortion at a surprisin-gly low level. A built-in internal shielding and an outboard DC power supply leave no risk for external interference. Because of its small casing, Record Box E can be placed near the turntable. Input and output sockets are gold-plated for preservation of quality. Record Box E can be connected easily to a line-input (AUX etc) of your amplifier.


    Pro-Ject
    $89.00
    Record Box E Buy Now
  • Chopin: The Legendary 1965 Recording Chopin: The Legendary 1965 Recording Quick View

    $22.99
    Buy Now
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    Chopin: The Legendary 1965 Recording

    Martha Argerich, born in 1941, is widely regarded as one of the greatest pianists of the 20th century. She was born in Buenos Aires, Argentina.


    She recorded this recital in 1965, shortly after her victory in the prestigious Chopin Competition, but it only became available in 1999, when it appeared on CD.


    This is its first release on LP, the format originally intended.


    Argerich was quite the most formidable player we had ever come across, said the album's producer, Suvi Raj Grubb, Nothing would have been beyond this woman. All this adds up to a recording that is indeed legendary.

    1. Piano Sonata No.3 In B Minor, Op.58: I. Allegro maetoso
    2. Piano Sonata No.3 In B Minor, Op.58: II. Scherzo: Molto vivace
    3. Piano Sonata No.3 In B Minor, Op.58: III. Largo
    4. Piano Sonata No.3 In B Minor, Op.58: IV. Finale: Presto, non tanto
    5. Mazurka No.36 In A Minor, Op.59 No.1
    6. Mazurka No.37 In A-flat, Op.59 No.2
    7. Mazurka No.38 In F-sharp Minor, Op.59 No.3
    8. Nocturne No.4 In F, Op.15 No.1
    9. Scherzo No.3 In C-sharp Minor, Op.39
    10. Polonaise No.6 In A-flat, Op.53
    Martha Argerich
    $22.99
    Vinyl LP - Sealed Buy Now
  • In Paris: The ORTF Recordings In Paris: The ORTF Recordings Quick View

    $35.99
    Buy Now
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    In Paris: The ORTF Recordings

    Limited Edition 180 Gram Vinyl Pressing Of 2,000


    Gatefold LP Includes Booklet With Essays, Unpublished Photos, Collector Postcards


    Mastered By The Legendary Engineer Bernie Grundman


    Resonance Records, in partnership with the National Audiovisual Institute (INA) of France, is pleased to announce the release of Larry Young In Paris/The ORTF Recordings. Presenting groundbreaking performances by jazz organist and pianist, Larry Young, these studio and live recordings from 1964 and 1965 made for French Radio and never before issued on record will be released in a limited edition 2-LP set.


    Producer Zev Feldman notes, It's particularly exciting because none of this music has ever been heard before except on its initial broadcast in France five decades ago. I think that's something to celebrate and a call for us all - as we often do with the archival recordings we at Resonance Records uncover - to revisit and discuss this legendary artist's legacy.


    Musicians featured on these recordings include trumpet legend Woody Shaw, tenor saxophonist and bandleader Nathan Davis and drummer Billy Brooks. An international cast of supporting players: French pianist Jack DiÉval tenor saxophonist Jean-Claude Fohrenbach and bassist Jacques B. Hess; Italian drummer Franco Manzecchi, Jamaican trumpet player Sonny Grey and Guadaloupean percussionist Jacky Bamboo round out the personnel. This album marks the first new release of Larry Young music in thirty-eight years.


    This project came about in 2012 when Resonance Records producer Zev Feldman traveled to France to explore the ORTF (Office of French Radio and Television) archives (the media vaults overseen by the French National Audiovisual Institute (INA) in the hope of finding undiscovered treasures, which he suspected he might find there. Feldman asked INA executives about specific artists and was stunned to learn that the vaults contained recordings documenting some of the greatest American jazz musicians who lived in - or visited - Paris in the 1960's, including Larry Young. Resonance Records presents in this album tapes that had been sitting idly in the vaults for nearly 50 years, scrupulously maintained by INA. Resonance will also be releasing other future projects from the INA vaults. More details to come soon. Producer Feldman states, It's been a thrill of the lifetime working with Christiane Lemire, Laure Audinot and Pascal Rozat at INA France to find this great music and shepherd this release. No question about it, this project represents jazz through diplomacy and the greater good of a mission. These recordings showcase American artists who found their home and voice in Europe at a time when the American landscape wasn't always as supportive. Feldman continues, When we started to explore the vaults of ORTF and search for recordings to release, we had a wish list of various artists we were on the hunt for, but Larry was the one artist whom I personally felt we needed to look extra hard for. I couldn't be more thrilled with what we found and which we are now releasing. I hope we'll all revisit this genius's legacy and appreciate why he mattered so much.


    While in France, Larry Young recorded at the ORTF Studios in Paris (now Maison de Radio France) as a sideman with the Nathan Davis Quartet, the Jazz aux Champs-ÉlysÉes All-Stars and with his own piano trio which included bassist Jacques B. Hess drummer and Franco Manzecchi. Larry Young In Paris/The ORTF Recordings includes selections from the original tapes, which were recorded specifically to be broadcast on French Radio. As noted, the only time these recordings have been shared with the public were on their original broadcasts on two iconic monthly French radio programs: Musique aux Champs-ÉlysÉes, hosted by French musician and producer Jack DiÉval; and Jazz sur scène, hosted by producer and jazz scholar AndrÉ Francis. Shortly after these recordings were made, Larry Young returned to New York to record the classic album Unity, his second album for Blue Note.


    Larry Young died at the tragically young age of 38 in 1978. Larry Young In Paris: The ORTF Recordings is a tribute to his memory and endorsed by the estate of Larry Young. Produced by Zev Feldman with Executive Producers George Klabin and Michael Cuscuna. Sound Restoration by Fran Gala and George Klabin. Mastering by Fran Gala at Resonance Records Studios.

    LP 1
    1. Trane of Thought
    2. Talkin' About J.C.
    3. Mean to Me
    4. La Valse Grise
    5. Discothèque


    LP 2
    1. Luny Tune
    2. Beyond All Limits
    3. Black Nile
    4. Zoltan
    5. Larry's Blues

    Larry Young
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • MMF-1.3 Turntable MMF-1.3 Turntable Quick View

    $299.00
    Buy Now
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    MMF-1.3 Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Music Hall's new entry-level turntable provides a feature set that is unrivaled at its price. With a built-in phono preamplifier and a quality, pre-mounted cartridge, the mmf-1.3 is everything you need to start listening to vinyl right out of the box!


    The Music Hall mmf-1.3 turntable sets a new benchmark for affordable audiophile turntables. A 3-speed belt driven turntable that comes complete with a tonearm, mounted cartridge, and built-in phono amp. The construction of the mmf-1.3 has been simplified to focus on the critical components; the bearing, the motor, and the tonearm.


    Music Hall Turntables
    $299.00
    MMF-1.3 - With Cartridge & Built-In Phono Amp Buy Now
  • Hurry Up, We're Dreaming (Colored Vinyl) Hurry Up, We're Dreaming (Colored Vinyl) Quick View

    $28.99
    Buy Now
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    Hurry Up, We're Dreaming (Colored Vinyl)

    Pressed On Clear Pink & Clear Blue Vinyl


    With these soft spoken words on the simply-titled opening track-"Intro"- M83 mastermind Anthony Gonzalez introduces us to his sixth record and first double disc album, Hurry Up, We're Dreaming.


    Dauntlessly singing into the void that was left behind since Saturdays=Youth, Gonzalez suddenly surges with overwhelming emotion as the music mounts an invisible precipice. Historically, he softly eased you into his world, introducing you to the lush and radiant spaces between captivating melodies and intimate lyrics, but not this time. Not on this record.


    Graduating from the fuzzy, fumbling emotional cobwebs and draped ambiance of past records, Hurry Up, We're Dreaming careens past its audience. Brazenly stretching out along the horizon, spilling glittery, golden arms of sound across the landscape, it holds your breath hostage without you even noticing you were missing it. If it seemed that Anthony was basking in the sunshine-drenched days of his youth when he released Saturdays in 2008, then it can be said that in 2011, at the age of 30, he is tempestuously charging towards his future with Hurry Up, We're Dreaming.


    Relocating to Los Angeles from Antibes, Gonzalez surrounded himself with players pivotal to completing his childhood dream of a double disc record. Producer Justin Meldal-Johnsen (Beck, NIN, The Mars Volta, Goldfrapp) and guitarist Brad Laner (from 90s band Medicine) had been hugely influential on Anthony growing up and now were central to the new record's creation.


    "In France there is this show on TV where at the end there is a musical guest who plays one or two songs. I remember one night when I was a teenager being at home watching the best of performances and looking at this crazy bass player with a big afro and thinking, 'Wow this guy is so cool.' "And now I am working with him. It's so intense that thinking about it makes me feel weird. But it's weird in a super good way. Same thing with Brad, I was listening to his music when I was first getting into music and now he's on my album."


    Anthony and Justin met backstage in 2009 at Scotland's T In The Park. Later, "he came to me very genuinely stating that 'he was a fan and that he would love to work with me,'" explains Gonzalez. "I love when people do that because I can tell it's coming from the heart. He was sincere and that's the way I like to work with people."


    Stepping away from his work with producers Ken Thomas and Ewan Pearson on Saturday, Gonzalez freckles his new chapter with signature M83 fingerprints while pushing himself beyond the constricting emotions of a guarded musician. Bored with being frustrated and shy, Anthony is respectful of the precious time given to him and doesn't want to leave behind any regrets, thus thrusting himself into the spotlight vocally. He tests out different ways of singing, ranging from a spectral breathy whisper to a howling scream, and each voice clings to us like a dew-heavy spider web at dawn.


    Fans will recognize band member Morgan Kibby, her vocals flirting with the shadowy places in between verses, leaping off the record in spoken word or blending with an adult choir. Morgan will join Anthony on tour but she was never meant to sing as much on this record as she had on pervious projects. Quenching his desire to work with a different person on each record, Gonzalez added LA-based chanteuse Zola Jesus to the mix for the completion of "Intro." "The song was already written but I really wanted a female vocal on it and I was kind of struggling to find the right person, but then I heard her music and it just made sense."


    Where Saturday=Youth is drenched in lustful exploration and hungry adolescent wonder, Hurry Up is decadently cunning and seductive. "Intro" and "My tears are becoming a sea" eerily croon to you, swirling all of the glitter and growth from the past records into an epic swell, mysteriously and dramatically warning you of the impact you are about to experience. "Midnight City" (disc one) and "OK Pal" (disc two) are humid, adrenaline driven dreams unlike anything we have heard from M83 in the past. "Midnight City" adeptly sweeps you through abandoned concrete streets swimming in broken neon light and aggressively pushing and pulsating to synthetic beats. While "OK Pal" catcalls you to a locker full of mapped out Peter Gabriel-esque echoing lyrics, leaving you stranded in a post-apocalyptic landscape. These journeys are about awakening, craving and conquering. Throughout Hurry Up, We're Dreaming Anthony carries the listener to different countries of sound in his own universe, "We didn't need a story, we didn't need a real world. We just had to keep walking and we became the stories- we became the places." Drifting away from his previous records and reigned in politeness he unleashes all that he has been dreaming of and yearning for. Even when he takes a second to look back on "Echoes of Mine" the velvety, elderly voice of a woman heartbreakingly tells the story of a girl drenched in the shadows of her youth, knowing she has to grow up.


    Grandiose in scale and inspired by Smashing Pumpkin's revered double disc Melancholy & The Infinite Sadness, Anthony has long had the goal to create his own monumental double disc record. "I saw when I was a teenager that I could dig into it [the album]. It was like a treasure. If I were a teenager nowadays I would try to find something as creative as this album. They had so much to say in their songs."


    Impressed with the juxtaposing sun and moon artwork featured on Melancholy, Anthony focuses in on another natural duality: siblings. The cover artwork mirrors this relationship, featuring a photograph of a little boy with a little girl sitting on a bed. The photograph perpetuates the conversation for the two distinct voices we behind each disc, representing two sides of an overall piece that are almost the same. "I want people to listen to it as two different human beings that are connected somehow, but every song on the album has a secret on the other side."


    Soaring and scraping up against the sky while sharing each uncharted frontier with new collaborators is what M83 does best. Gracefully coming into the next decade of his life, Anthony delivers what makes each record sincere, innocent, and full of joy: he gives us his past and his future.


    "I think it is a reflection of my 30 years of being a human being. It's a compilation of all my previous music together. It's a retrospective of myself."

    LP 1
    1. Intro
    2. Midnight City
    3. Reunion
    4. Where The Boats Go
    5. Wait
    6. Raconte moi une histoire
    7. A Train To Pluton
    8. Claudia Lewis
    9. This Bright Flash
    10. When Will You Come Home?
    11. Soon, My Friend


    LP 2
    1. My Tears Are Becoming A Sea
    2. New Map
    3. OK Pal
    4. Another Wave From You
    5. Splendor
    6. Year One, One UFO
    7. Fountains
    8. Steve McQueen
    9. Echoes Of Mine
    10. Klaus I love You
    11. Outro

    M83
    $28.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • The Grinding Wheel (Yellow And Black Vinyl) The Grinding Wheel (Yellow And Black Vinyl) Quick View

    $31.99
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    The Grinding Wheel (Yellow And Black Vinyl)

    Pressed On Yellow And Black Vinyl

    Armed with pioneering pure metal proposals like Death Rider, The Beast Within, and Raise The Dead already in 1982, New Jersey's Overkill were a rock-solid part of the first clutch of bands forging in fire this music known as thrash metal. Along with Metallica, Exodus, Slayer and cross-town doppelgangers Anthrax, D.D. Verni and Bobby Blitz Ellsworth were helping to create a new form of metal that is still as vibrant today as when the band's first album, Feel the Fire was issued by Jonny Zazula's Megaforce Records back in the spring of '85.

    Witness Overkill's 18th album of blistering yet precise and thought-provoking thrash magic, The Grinding Wheel, a record on which thrash's ultimate team of five machined parts shows up and executes to perfection with a little punk thrown in for bad measure.

    But a life dedicated to metal can be a grind, hence the title of this sparks-a-flyin' record. It just makes sense for us, reflects D.D. If you've been making metal for almost 40 years like we have, it can be a grind. But we also liked the old school metal idea of referencing Grinder, the Judas Priest song, which suits the album because it has classic metal parts on it as well as the thrash parts. There's a blue collar feel to that title too, and that's how we approach Overkill. The guitar case is basically a lunchbox and we go to work.

    One of the principles-if not characteristics-of the band is that it's been grinding through for long, long periods of time, seconds Blitz. Decades to this point. And not necessarily with huge gains with regards to popularity, but for sure, with huge gains in as much as we can earn a living while doing the kind of music that we want. And so the idea of grinding it out over the decades became a device for writing the album, whether it would be riffs or lyrics.

    Despite, as D.D. says, the album's classic metal references (such as Black Sabbath in Come Heavy and Iron Maiden in The Long Road and the epic and cinematic title track), when the band gets up a full head of thrash steam, they bring to the party a trademark punk aesthetic, forged from trips on the train to CBGB and Max's Kansas City to witness original punk legends such as The Damned and The Dead Boys.

    Punk is huge for Overkill, confirms Verni. And it's something we very specifically brought back to the band in a sort of second wave, beginning with Ironbound in 2010 and then The Electric Age and White Devil Armory. I know from my end, it came from talking to the band and talking to fans. We had some of those metal records in the middle of our career where I wasn't paying enough attention to the punk rock vibe of the band. But just before we started writing Ironbound, I was very specific about getting back into that mentality, picking up on that energy again. You're not going to hear any Green Day or Ramones in us, but the energy and the attitude of punk mixed with the New York vibe that's what Overkill is, compared to other bands. You don't hear any of that in Megadeth; you don't hear any of that in Slayer. It's more specific to what we brought to the thrash world.

    Central to that premise is the incendiary Let's All Go to Hades which is sure to become a pit favourite. This one was a hell of a lot of fun, says Blitz. You know, I've always written abstractly. I'm not the guy who says, 'I'm going to crush your skull into dust.' I like writing more so from an abstract point of view, putting a slew of thoughts together that create one idea, like a puzzle more than a specific black or white. And when I looked at all these lyrics when I was done, I said, oh my God, I'm 57 and I finally matured (laughs). Oh, this is gross! (laughs). But I do like tongue-in-cheek songs like 'Hades,' where it says, sort of let's all go to the Bataclan, you know, stand arm in arm and sing 'Killed by Death.' I kind of tied in not long ago events, specifically what happened in Paris, with losing Lemmy. After that, I'm on a train from Paris to Istanbul on the Orient express, which actually existed (laughs)-it actually went from Paris to Istanbul. So that one is mapped out a bit more.

    Adds D.D., It's not a 'smash your face into the wall' kind of song. It got a little bit of fun in it. I know any time you talk to the really heavy thrash guys, they go, 'Oh, no, no, no-no fun allowed. It's got to be heavy and brutal every second.' But that song definitely has a bit of fun in it. And we've done that before, with things like 'Old School' and 'Fuck You.' We're not afraid to do a bit of that sometimes.

    Another favorite lyric of Blitz', which is set to a non-nonsense old school thrash track, is Our Finest Hour. It's about the recognition of sameness, explains Ellsworth. I think people are comfortable when they recognize themselves in someone else. And 'Our Finest Hour' is kind of a detailed journey through that concept. It's like, 'Come on over here; I recognize you.' I've always been a firm believer in the fact that it's great to accomplish things on your own, but people are always stronger as a group-that's the basic outline of that tune.

    At the other end of the spectrum from punk is a song like The Long Road. D.D. readily agrees that there was a Maiden influence as part of this one's crafting. Oh yeah, for sure. The opening, along with a little section in there with the vocals, definitely feels like New Wave of British Heavy Metal.

    More evident in the band's panoramic classic metal passages, but even articulated here on Our Finest Hour, is another storied Overkill trademark, the definition one gets in the band's bass parts. Combine this with the Mensa-like percussive wizardry of Ron Lipnicki (laid bare for all to hear at headphone levels through the smack of his gravity-defying double bass work), and The Grinding Wheel emerges as a record with a remarkable rhythm section foundation from which to rise.

    I've had that kind of sound now for a long time, says Verni. There are a lot of bass players that say, 'I want to feel the bass.' And it's like, I just couldn't give a shit about feeling the bass. To me that's low-end. Guitars have low-end, kick drums have low-end, bass has low-end-I want to hear the bass, not feel it. So from a long time ago, that's what I would be doing on my EQ. I would be tweaking and turning knobs until not only could I feel it, but I can hear it separate from the guitars. And as a result, the bass just got more and more aggressive. I'm not a finesse player at all, on a bass. I bang the shit out of it, and I kind of do that to get away from the guitars and give it its own identity, its own sound, its own thing, so the bass has its own personality, not just serving as a foundation for the guitars.

    This affects the writing as well, says Blitz. Don't forget, D.D. is a guitarist. He's been playing guitar probably more so than bass in his spare time since the late '80s. This is a guy who has two-and-a-half decades of six strings under his belt. So we get more of a unique perspective; it gives this band its unique qualities when it comes to songwriting. Because it's a guy holding six strings who's got plenty of experience playing those six strings, but thinking from the other perspective. So you get a punchier thing; you don't get a lot of fluff. When you compare Overkill to some of our contemporaries, there you get a guitar player writing guitar-based songs. D.D. is writing, first and foremost, from a rhythm perspective, and that's what drives the songs. Add Dave Linsk to the picture, once there's a ten-note riff written, then you have the best of both worlds.

    Which brings us back to the aforementioned machine-like efficiency of the five guys that comprise Overkill, this idea that there are no weak links within this particular classic five-piece with two guitars lineup of metal warriors.

    That's the strength of the band, explains Blitz. Dave is really the one that holds the guitar reigns in this band. He's a writer at his core. You know, he's one of these guys who brushes his teeth and hears a rhythm the way the bristles are hitting the enamel (laughs). He's that dude. 'Oh wait a second, I have another idea.' He has an idea a minute, and if that's the case, some of them are going to be great. So he holds the reins. When it comes to Derek, he's more the opinionated thought later on. And so when it runs through the machine, being D.D. and myself, then Dave, Derek comes in and can change that song. It's always kind of good to have, let's say, a chief and some Indians. And it depends who's wearing the chief hat at any particular time. But I think at the end of the day, when you're looking for a clean perspective, it goes through Derek-that's usually what his contribution is, more of a finalization.

    And Ron? He's one-of-a-kind, says Verni. He's a great drummer. I've worked with him for a bunch of records now. This is our fifth record together and so I really understand how he plays at this point. Working with him in the studio is just a pleasure, because he's so right on it.

    After heaping all manner of praise on legendary producer Andy Sneap (brought on only for mix given Verni's proven acumen at the task), D.D. further clarifies the reason Overkill can be at the top of their game 18 records into their distinguished run.

    I have a studio and I did most of it at my place; I've been doing it that way for a while now. And now the group of guys we have in the band has been pretty consistent for a while. So we have a nice mix; everybody kind of knows their role, and is good at their role. Everybody brings a little something to the party. And I think that's why these last couple of records people ask, 'How is it that your records get better after 25 years?' And I think part of it is that everybody has a role in the band, everybody is comfortable with their role, and they're really good at the part they have. So the records actually get better. It's like having a team, instead of having a whole bunch of chiefs and no Indians.

    But a proven people's band like Overkill-a more personable bunch you'll never meet-fully recognizes that part of the band's success in being able to survive and thrive with the grind is due to the allegiance of the band's considerable worldwide fan base.

    For sure, says Blitz. One of the things with regard to grind, with regard to four decades of Overkill, it's good to be here, but it's obviously earned, not just by us but by the people that support this in general. The fact is that it's not just us grinding it out. I mean, maybe it is when it comes to the studio and writing and recording songs, from that selfish perspective. But the reason something exists for decades is based on group effort. Like we had talked about earlier with 'Our Finest Hour,' people are stronger together. In that light, this band is, let's say, not just our project, but it's a project by and for all those who hold it dear.

    1. Mean, Green, Killing Machine
    2. Goddamn Trouble
    3. Our Finest Hour
    4. Shine On
    5. The Long Road
    6. Let's All Go To Hades
    7. Come Heavy
    8. Red, White And Blue
    9. The Wheel
    10. The Grinding Wheel
    11. Emerald
    Overkill
    $31.99
    Colored Vinyl LP - Sealed Buy Now
  • George Harrison Pro-Ject Turntable George Harrison Pro-Ject Turntable Quick View

    $499.00
    Buy Now
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    George Harrison Pro-Ject Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    EXTREMELY LIMITED!!! Only 500 Made!


    Pro-Ject Audio Systems have teamed up with the estate of legendary musician George Harrison to produce a special turntable, coinciding with the release of George Harrison - The Vinyl Collection LP box-set from USM.


    The limited edition Pro-Ject George Harrison record player boasts an entirely unique appearance created by design specialists, Studio Number One. Studio Number One was founded by Shepard Fairey, and the Pro-Ject George Harrison record player makes use of an image taken from the world-famous artist's work.


    The turntable itself is based on Pro-Ject Audio Systems' coveted Essential III design with an Acryl-IT E platter. The Essential III benefits from a sturdy MDF plinth mounted on anti-vibration feet. Supplied with an acrylic platter, high-quality tonearm and Ortofon OM 10 cartridge, the sound performance puts the turntable in a class of its own when compared to rival products.


    The Pro-Ject George Harrison turntable is the perfect product for any George Harrison fan who takes their sound quality seriously. It's also the ideal companion to the new vinyl box set, which features all twelve of Harrison's studio albums as well as the classic live album Live In Japan (2LP) and two 12" single picture discs of When We Was Fab and Got My Mind Set On You.


    Released to commemorate George Harrison's birthday (February 25th), the whole vinyl box set has been pressed onto high-quality 180g heavyweight vinyl with re-masters taken from the original analogue master tapes and newly cut at the legendary Capitol studios. With such a high-quality vinyl collection, it's essential that you play these iconic tracks on a good record player, and the Pro-Ject George Harrison is just the player you need.


    Pro-Ject
    $499.00
    George Harrison Pro-Ject Turntable Buy Now
  • VPI Prime Scout Turntable VPI Prime Scout Turntable Quick View

    $2,199.00
    Buy Now
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    VPI Prime Scout Turntable



    Need help choosing the right turntable for you? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    **All Cartridges Installed Free Of Charge**


    The Prime Scout features:


    • 300 (US) / 500(OS) RPM motor
    • Rounded black motor housing
    • MDF chassis vinyl wrapped with steel plate (black finish)
    • JMW 9 tonearm (VPI wire)
    • Standard VTA base
    • Machined aluminum 11-inch diameter platter, 1 1/3 inch thick
    • Delrin clamp - Scout Clamp

    VPI Turntables
    $2,199.00
    Scout 2017
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  • Rega Planar 1 Turntable 4 OPTIONS AVAILABLE Rega Planar 1 Turntable Quick View

    $475.00
    Buy Now
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    Rega Planar 1 Turntable

    40th
    What


    Need help choosing the right turntable for you? Please contact our audio advisor at 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Welcome the Rega Planar 1, the best offering in entry level audiophile turntables.


    The new Planar 1 is the most user friendly Rega turntable to date. Now with preset bias force on the brand new RB110 tonearm, the Planar 1 is set up in seconds after unpacking. Simply slide the balance weight onto the rear of the tonearm as far as it will go, remove the stylus guard and start spinning your favourite vinyl.


    Performance beyond price

    Every single aspect of the Planar 1 has been meticulously designed to improve performance. For the first time the Planar 1 is now running a 24v, low noise, synchronous motor to reduce vibration transfer combined with our brand new RB110 tonearm fitted with Rega's bespoke zero play bearings. Only sharing the drive belt, sub platter and dust cover from the outgoing RP1, this is truly a new turntable for 2016.


    If you are looking to get back into vinyl and want serious performance that will last you a lifetime, then look no further.


    Features:


    • Plug and Play design, set-up in less than thirty seconds.
    • Hand assembled RB110 tonearm.
    • High quality, low vibration motor.
    • Phenolic resin, flywheel effect platter.
    • Factory fitted Carbon moving magnet cartridge.
    • Performance Pack upgrade available (optional).

    The Performance Pack Kit Includes:

    • Rega-built Bias 2 MM cartridge
    • thick black 100% wool platter mat
    • reference drive belt (the white belt)

    Free installation of the Performance Pack upgrade is optional.


    Rega Turntables
    $475.00
    Planar Turntable - Black or White - Performance Pack Option
    Buy Now
  • Pro-Ject Primary Turntable 2 COLORS AVAILABLE Pro-Ject Primary Turntable Quick View

    $249.00
    Buy Now
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    Pro-Ject Primary Turntable



    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Audiophile "Plug & Play" turntable with easiest possible set-up and class-leading sound!


    It comes with an included dustcover and is pre-mounted with the capable Ortofon OM 5E moving magnet cartridge. The silicone drive belt along with a low-vibration synchronous motor is powered by an onboard DC to AC generator to ensure silent motor operation. The 8.6 aluminum tonearm with sapphire bearings is terminated with a gold-plated RCA cable for accurate and precise audio signal transmission. The low resonance platter features a stainless steel spindle and a brass bushing with a low-friction Teflon layer to virtually eliminate any bearing noise. Pro-Ject's Primary turntable take your vinyl playback to the next level without cleaning out your wallet. Available in matte Black or White.



    Pro-Ject
    $249.00
    Primary Turntable - 2 Colors Available
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  • Pro-Ject Signature 10 Turntable 6 OPTIONS AVAILABLE Pro-Ject Signature 10 Turntable Quick View

    $6,000.00
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    Pro-Ject Signature 10 Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Audiophile beauty with "state of the art" quality for vinyl lovers!


    Signature 10 is a non-compromise highend turntable/arm configuration with a sophisticated concept combining mass-loaded withfloating turntable principles. Magnetic feet and TPE-pillows decouple the resonance-free metal granulate filled MDF-chassis fromsurface. The subsequently benefits from a wonderfully resonance-free, heavy platter, that runs ultra-silently on an inverted ceramicball bearing with magnetic suspension and is also TPE damped. The new 10" single-pivot tonearm is a genuine Pro-Ject design.
    With its wide range of adjustment possibilities and the choice of adequate counterweights, nearly all cartridges can be mounted.


    Signature 10 is an audiophile marvel, that represents our championship in precision engineering and our deep love for music!


    Optional SuperPack includes Sumiko Pearwood Celebration II Cartridge at a significantly reduced price.


    Pro-Ject
    $6,000.00
    Signature 10 Turntable - 3 Colors Available - SuperPack Option
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  • Axis: Bold As Love (Music On Vinyl) (Mono) Axis: Bold As Love (Music On Vinyl) (Mono) Quick View

    $38.99
    Buy Now
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    Axis: Bold As Love (Music On Vinyl) (Mono)

    Ranked 82/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Axis: Bold as Love, the second Experience album, was released merely six months after their debut LP Are You Experienced, at the end of 1967. Many of the album's songs were composed with complex studio recording techniques in mind and as a result were rarely performed live. Only Spanish Castle Magic and every-guitar-player's-ultimate-study-material Little Wing became staples during concerts.


    The album shows an incredible growth in Hendrix' songwriting and sonical versatility. Radio friendly rockers like Wait Until Tomorrow and You Got Me Floatin' are mixed with ballads such as Castles Made Of Sand - the album's variety makes it a delightful listen.


    The original mono pressing was intended to cater to those listeners with outdated hifi equipment, and therefore this is a rare piece of Hendrix' legacy. The Music On Vinyl reissue of the mono mix makes this evergreen available for contemporary ears again.

    1. Exp
    2. Up From The Skies
    3. Spanish Castle Magic
    4. Wait Until Tomorrow
    5. Ain't No Telling
    6. Little Wing
    7. If 6 Was 9
    8. You Got Me Floatin'
    9. Castles Made Of Sand
    10. She's So Fine
    11. One Rainy Wish
    12. Little Miss Lover
    13. Bold As Love
    Jimi Hendrix
    $38.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
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