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Waiting On A Song'
Waiting On A SongWaiting On A Song is Dan Auerbach's much-anticipated follow-up to 2009's Keep It Hid.1. Waiting on a Song
2. Malibu Man
3. Livin' in Sin
4. Shine on Me
5. King of a One Horse Town
6. Never in My Wildest Dreams
8. Stand by My Girl
10. Show Me$22.99Vinyl LP - Sealed Buy Now
WaitingColored Vinyl With 7 Single!
On December 7, 1999, the then-fledgling Eyeball Records released the debut album by New Jersey band called Thursday. Waiting, in itself, made modest waves during its initial release, but as the band prepared its follow-up-2001's breakthrough Full Collapse-Thursday's debut quickly became more of a herald than an introduction: This is the sound of a band in the middle of a discovery process that would eventually take them to legendary status around the world. Having officially gone out of print when Eyeball ceased operations, Waiting has been unavailable in physical, digital, and streaming formats since 2012. But this year, on the fifteenth anniversary of its release, Collect Records is finally giving this classic album the special deluxe edition reissue package it deserves. Waiting: The 15-Year Anniversary Edition features the original album remastered and repackaged with a die-cut sleeve, original liner notes, and a bonus 7 EP featuring previously unreleased demos from this period-including one never-before-released song.1. Porcelain
2. This Side of Brightness
3. Ian Curtis
5. Streaks in the Sky
6. In Transmission
7. Dying in New Brunswick
8. The Dotted Line
9. Where the Circle Ends
1. This Side of Brightness (Demo)
2. Dying in New Brunswick (Demo)
3. Mass as Shadows (Previously Unreleased)$19.99Colored Vinyl LP + 7 - Sealed Buy Now
Waiting To Exhale SoundtrackMasterfully Produced And All But One Track Written By Kenneth "Babyface" Edmonds
Featured R&B Divas Old School (Aretha Franklin, Patti Labelle, Chaka Khan) And New School (Whitney Houston, Brandy, Mary J. Blige)
Released In Purple Vinyl (Whitney Houston's Favorite Color)
Waiting to Exhale was a phenomenon on so many levels. First, it was a literary phenomenon, as the 1992 novel launched author Terry McMillan to superstardom. Then, when the feature film based on the book was released in 1995, it became a broader cultural phenomenon-a mainstream Hollywood film focusing on the lives of four African-American women was a genuinely revolutionary act at the time. And, finally, it was a musical phenomenon, as its soundtrack seamlessly blended female R&B divas new school (Whitney Houston, Brandy, Mary J. Blige, etc.) and old school (Aretha Franklin, Patti LaBelle, Chaka Khan) in a masterful suite of songs composed and produced by Kenneth "Babyface" Edmonds.
Critical and commercial reaction to the soundtrack was over the top; The New York Times deemed the album one of the Top Ten releases of the year, and the record topped the Billboard Pop and R&B charts for five and ten weeks, respectively, spawning the #1 hit singles "Exhale (Shoop Shoop)," "Not Gon' Cry," and "Let It Flow." Yet, because the album came out in 1995 at the height of the CD era, Waiting to Exhale never came out on LP in the U.S., and was released in Europe as a low-budget 2-LP set with both records stuffed inside a single album jacket pocket.
Now, Real Gone Music is releasing this landmark '90s R&B album on vinyl in America for the first time in a limited edition (of 1000) gatefold double-LP package sporting a luminous photo of the movie's four principal actors (Whitney Houston, Angela Bassett, Lela Rochon, and Loretta Devine) on the inside spread and pristine vinyl pressed in purple (Whitney's favorite color).
Gently pulsating and seductive, Waiting to Exhale is Babyface's masterpiece, one of the great make-out records of all time; now you can get that slow jam groove in the grooves!LP 1
1. Exhale (Shoop Shoop) - Whitney Houston
2. Why Does It Hurt So Bad - Whitney Houston
3. Let It Flow - Toni Braxton
4. It Hurts Like Hell - Aretha Franklin
5. Sittin' Up In My Room - Brandy
6. This Is How It Works - TLC
7. Not Gon' Cry - Mary J. Blige
8. My Funny Valentine - Chaka Khan
1. And I Gave My Love To You - Sonja Marie
2. All Night Long - SWV
3. All Night Long - Chante Moore
4. My Love, Sweet Love - Patti LaBelle
5. Kissing You - Faith Evans
6. Love Will Be Waiting At Home - For Real
7. How Could You Call Her Baby - Shanna
8. Count On Me - Whitney Houston & CeCe Winans$35.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Waiting For A SignWaiting for a Sign marks the return of Githead after a five-year break from recording and pushes fur-ther than their previous records, underscoring the band's commitment to pursuing new directions. Fans will recognize many of the classic Githead tropes here: the hypnotic, motorik repetition, the weighty bass lines, and the dreamy melodicism that have come to define the band's aesthetic. But Waiting for a Sign isn't about sticking with a proven formula: Githead are forward-looking musicians, committed to reinvention rather than recycling. As previous releases such as Art Pop (2007) and Landing (2009) show, Githead's fortÉ has increasingly been to bring the synergy and inventiveness of their live performances to bear on the studio process. For this album, however, they upped the ante, arriving at the studio without any written material and trusting that their response to each other's ex-temporization, as well as to the mood and the surroundings, would get the creative juices flowing. "Slow Creatures" is a good example, kicking off in an almost heretically bluesy mode, although this flavour eventually dissolves into a larger hypnotic groove as the track builds. There's a similar effect on "Air Dancing," its introduction combining Kala bass and acoustic guitar. Most memorable is "For the Place We're In," whose melodic structure makes it Githead's first bona fide folk song. Approaching the project as something of a blank slate, their minds free of predefined ideas and open to creativity makes this their most accomplished release thus far.1. Not Coming Down
2. Bringing The Sea To The City
3. To Somewhere
4. For The Place We're In
5. Air Dancing
6. Slow Creatures
8. What If
9. Waiting For A Sign$28.99Vinyl LP - Sealed Buy Now
Waiting A LifetimeSplashh was formed in 2012 by friends Sasha Carlson and Toto Vivian. The pair have been making music together since they were teenagers in the suburbs of Australia, which to be fair, was only a few years ago.
Their debut album, Comfort, recorded entirely on their own with a home studio in their London flat, was released in 2013 to critical acclaim. With praise from NME, BBC, CLASH, The Guardian, Clash, Drowned in Sound, Q, and many other tastemakers, the band hit the road in support of the album touring extensively through the UK, Europe, America and Australia.
In 2015, the band divided themselves between London and New York City, for a time of "self-imposed exile to write." The idea being that the time apart, and the different influences of the two cities, would bring a new dimension to the music. With the addition of new members, and the production skills of Nicolas Vernhes, (War on Drugs, Deerhunter, Dirty Projectors) the sound that this creative time had cultivated has been beautifully captured on Waiting A Lifetime, their sophomore effort, to be released on by Cinematic Music Group in early 2017.
"When we first went in the studio, we had a different idea of how we wanted the record to sound," says Vivian. "We had been sitting with the demos for 3 years, so we had an idea of what we thought the album should sound like. When we went into the studio with Nicolas, we started fresh and tore the songs apart. It was a lot of fun to experiment and take it as far as we could. It was liberating."
Adding another layer to the album is the band's aesthetic. The album artwork is by artist Lucien Smith, who created original works of sculpture he then photographed for the band to use. The first round of press photos is by drummer Zachary Chick.
"It's fast and in your face. Loud, but also pretty," says Toto. "The whole record has a lot to offer. If people like 'Rings' then I think they will love the record or not :)"1. Rings
2. See Through
3. Gentle April
5. Honey And Salt
6. Look Down To Turn Away
7. Waiting A Lifetime
9. Under The Moon
10. No. 1 Song In Hell$20.99Vinyl LP - Sealed Buy Now
Wait Don't WaitWait Don't Wait is the band's second full-length album - and their first release via Tender Loving Empire. Joy as an act of revolutionary defiance in the face of oppression is the name of their game, and it sounds too damn good to ignore. On the New Wave by way of Progressive Jazz banger, "Sleepy Eyes", an imposing kick and warping synth take o like a supersonic jet. In an 'I mean Serious Business' manner, Westman declares, "When the time is right I will take you home oh oh oh / When the feeling's right I will let you know," and it is clear that this is her call to make. The bounce continues, and - out of nowhere - the dancefloor falls into space and soothing jazz chords float over the classic puttering of a Roland CompuRhythm CR-78.
Just as suddenly, the four-on-the-floor beat returns, and soon saxophone, flute, guitar, and synth stabs pop in and out. Not since Beasties Boys' Paul's Boutique have such abrupt changes within one song felt so damn right. "Let Me Go", another knockout, begins with a grimy bassline and a classic hip hop clap with Westman and Vait trading verses, asking those universal questions of love and love lost. On a dime, the song transforms to near power ballad - soaring upward and lifting the listener out of the muck of the day with the refrain "Home is where I'd be if my heart could just decide", and in the same way all pop masterpieces do, it seems to end too soon - a serious 'back button' burner. With the release of Wait Don't Wait, SISTERS are not only presenting a pop record full of bangers that demands repeat listens, they are also methodically working toward creating a world that is safe for everyone. SISTERS deliver unrestrained joy, and it is desperately needed right now. The world has been waiting, but it needs wait no more.1. Scene Here
2. Heart Beats
3. Let Me Go
4. Sleepy Eyes
5. Glitter Lights
8. Posing In The Field
9. My Little Head
10. Night Walk
11. Y Do U Take So Long?
12. Love You Too$19.99Vinyl LP - Sealed Buy Now
Wait 'Til NightCooly G returns with Wait 'Til Night , an album of sensitive, lo-fi bedroom music, it s lyrics sketching dreamy scenarios of seduction, lust and sex. The moody South London house of her debut album 'Playin Me' and her DJ sets has given way to a near-horizontal, sometimes melancholy and highly original take on R n B. The tracks swing effortlessly with no-fuss musical arrangements that are filtered through reggae sound system culture and US R n B in equal amounts, with a slight hint of dark synthpop wound throughout. The pace has come down from the deep, tribal house she's known for so far, with the only constants that run through the album her intimate vocals and smokey synths cross-hatched with her characteristic broken rhythmic sense. Opening with title track, Cooly coos about a date, over an infectious synth lead that wouldn't sound out of place on a Depeche Mode song. 'Like A Woman Should' is twilight music, synths rolling out like clouds over pulsing drums, while the vocals whisper invitations. 'Your Sex' is a fantasy with synths and surprisingly stabbing, hooky and distorted rhythm guitar. 'I Like' feels like the opening of an especially dreamy jungle track stretched into a full pop song. 'Dancing' rolls out drums and a mini guitar figure into a gently dizzy waltz, while 'Quick Question' plays out the scenario after the dance. 'Want's' barely-there song structure of drum and occasional bass with a wiry synth lead, is accompaniment to a near-whispered vocal. The pace steps up with the smouldering 'So Deep', with a deep synth bassline and a muscular hip hop beat. '1st Time' is all depth charge bleeps, guitars and piano. 'Freak You' is spacious and guitar driven, with Cooly beaming in directives through a distant voice transmission. The album's final honest, angry and forlorn track, 'The 3 Of Us', comes down hard on an absent parent, a full stop on the romance that the album narrates. It also reveals Cooly G as a skilled rap artist, something she s kept hidden until now, with double-time flows casting off a missing babyfather. Wait Til Night finds Cooly G casting her net wider than her debut album, with songs that are more confident, accessible and stylistically consistent. The album comes laced with Cooly's unique honesty and charm and is sure to win her new fans with her catchy melodies, slow-jammed stories of blighted urban romance, and engaging lack of pretension.1. Wait til Night
2. Like a Woman Should
3. Your Sex
4. I Like
6. A Quick Question
8. So Deep
9. 1st Time
10. Freak You
11. Fuck with You
12. The 3 of Us$17.99Vinyl LP - Sealed Buy Now
If You Wait
"Longing, loving, leaving: Those are the boundaries of the impeccable
pop universe that London Grammar has built for itself."
- The New York Times
"A stylish debut that demonstrates both their immense
talent and impressive instincts."
THE NEXT BIG THING. Such a label serves at once as a curse and a blessing, for messianic crowns come studded with thorns, and chalices emblazoned with this inscription are often tainted with poison. Custodians of the title can implode under the weight of expectation, or fail to bottle further the magic of that first hit single.
Not so for English art-rock trio London Grammar. Hannah Reid, Dot Major and Dan Rothman have been careful to avoid the dangers of over-exposure in the nine months since first single "Hey Now" seared itself into the collective consciousness of the blogosphere, instead releasing work after work of gradually escalating beauty from the safety of the shadows.
That was until Disclosure dropped their album Settle, at which point London Grammar vocalist Hannah Reid came to wider attention on sweeping album closer "Help Me Lose My Mind," where her spine-tingling soulful singing combined with the wash of swooning synths and downbeat 80's percussion. It will come as no surprise to fans of this track to learn that Reid's magnificent vocals are integral to London Grammar's sound, serving as the perfect accompaniment to the band's discreet production and minimalist instrumentation.
The same words will be used ceaselessly to describe Reid's vocals in coming weeks - "haunting", "brooding", "ethereal". Yet none of these terms adequately conveys the way her voice melts and evolves to suit the temperament and melody of each song on If You Wait, flowing like molten gold on "Interlude", or acquiring the varied textures of a vast swathe of satin and silk on "Nightcall". Her vocal is always underscored by an enduring brittle beauty and an underlying otherworldliness, as if she honed her craft singing amidst the forests of Lothlórien, or some far-flung corner of Westeros.
Though her voice may be otherworldly, the thematic concerns of the album are very much rooted in this world - youth's timeless preoccupation with finding not only love but the nature of ourselves. These soundscapes and the lyrics that populate them are characterised by broken hearts, fractured dreams and people falling in and out of love. Perhaps the most telling lyric of all is on "Wasting My Young Years", with the heart-breaking concession of "I've heard it takes some time to get it right".
The album's first single and opening track "Hey Now" has lost none of its grandeur and remains as devastatingly beautiful as it did when released at the tail-end of 2012. It's the main track on If You Wait that justifies the comparisons with The XX - especially in terms of how the band forges the space and atmosphere from reverb-tinged percussion and Rothman's discreet, almost-spectral guitars. "Wasting My Young Years" further showcases how perfectly the band balance the interplay between Reid's vocal and the twinkling keys and subtle instrumentation that floats around it, allowing it to drive the song and dictate proceedings but never once to feel overbearing.
Latest single "Strong" mirrors the intricately weaved threadwork of sounds and elaborately crafted sense of space showcased on the opening track, but utilises a more hypnotic vocal from Reid that manages to sound simultaneously heart-rending and inspiring. Elsewhere "Interlude" is as refined a paean to love and devotion as you will hear all year, matching dual melancholic piano lines and subtly building percussion to Reid's sublime wistful singing.
There is not a single weak track, but amongst the many highlights is a spellbinding cover of French house artist Kavinsky's "Nightcall". There's a particularly gorgeous moment around the two-minute-thirty-second mark when the instrumentation is peeled away and, for a few seconds, you think the song will end - before Reid's dazzling vocal is re-introduced amidst a haze of swirling keys. It's nothing short of transcendent. Also, the flawless sequencing leads to an album that begs you to drink in its beauty by listening to it from beginning to end.
This is an enthralling, stunning, deeply emotive album that perfectly marries understated electronica to sublime vocals and melodies. In a year dominated by titanic LPs, London Grammar have not only made the most perfectly formed debut album of the year - they've made one of the best LPs, period. [A-]
- Benji Taylor (Pretty Much Amazing)1. Hey Now
2. Stay Awake
4.Wasting My Young Years
8. Metal & Dust
9. Interlude (Live)
11. If You Wait
13. High Life*
14. Strong (US Radio Edit)*
*US Bonus Track$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Fumblin' On The RadioLimited Edition 140 Gram Vinyl
This 1974 live Tom Waits radio broadcast from KPFK-FM out of Los Angeles includes 20 tracks in all, with 10 songs and 10 interview segments. This recording is a legendary part of the Tom Waits archive and would make a great addition to every fan's collection.LP 1
1. Intro / Better Off Without A Wife
2. Interview 1
3. On A Foggy
4. Interview 2
5. The Ghosts Of Saturday Night
6. (Looking For) The Heart Of Saturday Night
7. Interview 3
8. Semi Suite
9. Interview 4
10. Drunk On The Moon
1. Interview 5
2. Depot Depot
3. Interview 6
4. Diamonds On My Windshield
5. Interview 7
6. San Diego Serenade
7. Interview 8
9. Interview 9
10. Fumblin' With The Blues$37.99Vinyl LP - 2 LPs Sealed Buy Now
Girl On Fire'Girl On Fire' is about finding your voice, about being unleashed and about trusting your instincts and trusting yourself, says Keys. I can't wait to share it with the world.
Girl On Fire features powerful anthems and intimate ballads, led by Keys' signature soulful voice and personable and relatable lyrics. Keys collaborated with acclaimed and emerging talents, including longtime song writing partner, Krucial, Grammy Award-winner Babyface, renowned writer and vocalist Jeff Bhasaker, critically-acclaimed artist Gary Clarke Jr., up and comers, Pop and Oak, as well as emerging talent from the U.K., Emeli Sande and Jamie XX, among others. The songs on Girl On Fire are anchored by Keys' powerful vocals and trademark piano, but are sonically broadened by heavy drums, electric sounds, reggae and future soul, which gives the album an evolved, modern-day feel while simultaneously sounding like a classic body of timeless music. The album features an inspirational mix of the rich sounds Keys discovered while recording and traveling the world, particularly time she spent in London and Jamaica, layered within her New York City roots.LP1
1. De Novo Adagio
2. Brand New Me
3. When It's All Over
4. Listen To Your Heart
5. New Day
6. Girl On Fire
7. Fire We Make
1. Tears Always Win
2. Not Even The King
3. That's When I Knew
5. One Thing
6. 101$29.99Vinyl LP - 2 LPs Sealed Buy Now
Last Night On Earth"At times sounding like Hendrix operating a theremin, and elsewhere resembling the mournful cries of lonesome satellites."
"It's great to hear the third voice in Sonic Youth stretching out... a reminder of their irreplaceable magic."
- Rolling Stone
Inspired by time spent trapped in his apartment during Hurricane Sandy last fall, Lee Ranaldo's new album with his band The Dust tackles themes of despair, rage and societal shift. The songs on the new album are darker, longer and more intense than those of its predecessor. In particular, the intertwining guitar play between Ranaldo (Sonic Youth) and Alan Licht (Love Child, Run On, acclaimed solo work) enlivens these beautiful, scary songs.
The Dust also features the incredible drumming of Steve Shelley (Sonic Youth) and bass work of Tim LÜntzel (who has worked with artists from Van Dyke Parks to Norah Jones). The rock-solid rhythm section grounds the exploratory, inviting music. "Every time I wait for the revolution to come," Ranaldo sings on "Home Chds." "Every night I think it's here and then it's gone."
"A solo record works best when you feel like you're opening a window into somebody's life, experiencing the things they're going through or thinking about, places they're seeing, through their eyes. At its best, you find a universality in it." - Lee Ranaldo1. Lecce, Leaving
2. Key / Hole
3. Home Chds
4. The Rising Tide
5. Last Night On Earth
6. By The Window
7. Late Descent #2
9. Blackt Out$22.99Vinyl LP - 2 LPs Sealed Buy Now
Songs For RoundersThe late 50s. A time of crushing conformity. Of well-manicured lawns, white picket fences, and men in grey flannel suits. Not in Hank Thompsons world. With its tales of drunkenness, prostitution , drug abuse, gambling and vagrancynot to mention one of the most notorious album covers in the history not just of country music, but of all popular musicThompsons 1959 LP Songs for Rounders remains one of countrys most essential albums. It all started
when Thompson brought Ken Nelson, Capitols head of country A&R at the time, a song he often featured in his live performances called Cocaine Blues. Nelson told him there was no way the song would ever get any airplay as a single, but suggested it might work as part of an album concept.
Thompson then proceeded to round up a collection of tunes taken from every walk of American popular song and every walk of American lifelike the walk taken in Dallas red light district in Deep Elm. The spirit of the album even extended to the photo shoot. After the cover shots were taken in the morning, Thompson spent the rest of the day in the studio recording. He then went down the street to a bar and found one of the women who had posed with him. She had been drinking since the shoot had ended. She didnt even remember him. This Real Gone vinyl reissue offers the optimum way to experience this landmark album. Remastered by Maria Triana at Battery Studios in New York, cut by Peter Black at FM Mastering, and and manufactured on 160-gram vinyl at Bill Smith Custom Records, this release features the stereo mix of Songs for Rounders, as this record was not only Hanks first stereo recording but also one of the earliest country albums to be released in stereo (just wait til you hear some of those sparkling Merle Travis leads)!
And, we have included an album-size insert with a full-color reproduction of the album cover suitable for framing on one side and notes from Grammy®-winning liner note writer Colin Escott on the other. Essential American music released in its original format, with improved packaging to boot.1. Three Times Seven
2. I'll Be a Bachelor Till I Die
3. Drunkard's Blues
4. Teach 'Em How to Swim
5. Dry Bread
6. Cocaine Blues
7. Deep Elm
8. Bummin' Around
9. Little Blossom
10. Rovin' Gambler
11. Left My Gal in the Mountains
12. May I Sleep in Your Barn Tonight Mister?$21.99160 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Axis: Bold As Love (Music On Vinyl) (Mono) (Awaiting Repress)Ranked 82/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Axis: Bold as Love, the second Experience album, was released merely six months after their debut LP Are You Experienced, at the end of 1967. Many of the album's songs were composed with complex studio recording techniques in mind and as a result were rarely performed live. Only Spanish Castle Magic and every-guitar-player's-ultimate-study-material Little Wing became staples during concerts.
The album shows an incredible growth in Hendrix' songwriting and sonical versatility. Radio friendly rockers like Wait Until Tomorrow and You Got Me Floatin' are mixed with ballads such as Castles Made Of Sand - the album's variety makes it a delightful listen.
The original mono pressing was intended to cater to those listeners with outdated hifi equipment, and therefore this is a rare piece of Hendrix' legacy. The Music On Vinyl reissue of the mono mix makes this evergreen available for contemporary ears again.1. Exp
2. Up From The Skies
3. Spanish Castle Magic
4. Wait Until Tomorrow
5. Ain't No Telling
6. Little Wing
7. If 6 Was 9
8. You Got Me Floatin'
9. Castles Made Of Sand
10. She's So Fine
11. One Rainy Wish
12. Little Miss Lover
13. Bold As Love$38.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed AWAITING REPRESS Buy Now
$16.99 $8.99 Save $8.00 (47%)
Worship Music (On Sale)Worship Music is the long-awaited new studio album from Anthrax, one of the four original architects of speed and thrash-metal. Not only is Worship Music Anthraxs first studio release in eight years, but the album marks the return of vocalist Joey Belladonna, whose last studio work with the band was 1990s Persistence of Time. Belladonna is now firmly back in the Anthrax line up with drummer Charlie Benante, guitarists Scott Ian and Rob Caggiano, and bassist Frank Bello.
Getting Joey back in as our full-time, permanent singer solidified us as a unit like we hadnt been in years, said Ian. All of us were on the same page creatively, working together, writing together, and becoming a band again.
I get goosebumps listening to the new music, Benante admitted. Scott and Robs guitars are absolutely on fire, Frankie kicks butt on bass, and hearing Joey sing, well, the band sounds like Anthrax, Joeys back and its great.
The 11-track Worship Music was produced by Anthrax, Rob Caggiano and Jay Ruston and recorded over a four-year period at studios in New York, Los Angeles and Chicago. Belladonnas return to the band prompted some of the songs originally recorded to be re-crafted with fresh lyrics or tweaked to better suit his overall vibe and energy. Some of the songs were completely replaced with brand-new songs and, of course, all have Belladonnas inimitable vocal stamp on them.
Im very happy with the record, it sounds like Anthrax, said Belladonna. There are some interesting twists and turns on it, and plenty of tunes for fans to get their fingers on. I felt very comfortable working with Jay Ruston, and I think everyone brought to the table what they needed to. Now its time for the fans to listen and get what theyve been waiting for. Ill tell you, Im really excited.
This title is not eligible for further discount.1. Worship (intro)
2. Earth On Hell
3. The Devil You Know
4. Fight 'Em Til You Can't
5. Im Alive
6. Hymn 1
7. In The End
8. The Giant
9. Hymn 2
10. Judas Priest
12. The Constant
13. Revolution Screams$16.99 $8.99 Save $8.00 (47%)Vinyl LP - Sealed Buy Now
REDD-PRA-0017xLes Claypool Frog Brigade
Purple OnionPrimus fans will dig it because it harkens aback to the band's early material. But it is also very eclectic, reminiscent of old Peter Gabriel, Tom Waits and Pink Floyd, explains virtuoso bassist, songwriter, and Primus frontman Les Claypool. This is my first real attempt at a solo record. Its been about coming up with ideas and then finding the right people and instruments to flesh them out. The album features guests such as Norwood Fisher and Fish Fisher from Fishbone, and Warren Haynes of The Allman Brothers and Govt Mule. Purple Onion will be released on Les own Prawn Song Records.1. Purple Onion
2. David Makalaster
3. Buzzards of Green Hill (featuring Warren Haynes)
4. Long In The Tooth
5. Whamola (with Fish Fisher of Fishbone)
6. Ding Dang
7. Barrington Hall
8. D's Diner (with Fish & Norwood Fisher)
9. Lights In The Sky
10. Up On The Roof
11. David Makalaster II
12. Cosmic Highway$19.99Vinyl LP Reissue - Sealed Buy Now
Dressed To KillBy the release of their third album, 1975's Dressed to Kill, Kiss were fast becoming America's top rock concert attraction, yet their record sales up to this point did not reflect their ticket sales. Casablanca label head Neil Bogart decided to take matters into his own hands, and produced the new record along with the band. The result is more vibrant sounding than its predecessor, 1974's sludgefest Hotter Than Hell, and the songs have more of an obvious pop edge to them. The best-known song on the album by far is the party anthem Rock and Roll All Nite, but it was the track C'Mon and Love Me that became a regional hit in the Detroit area, giving the band their first taste of radio success. Since the band was on the road for a year straight, songs such as Room Service and Ladies in Waiting dealt with life on the road (i.e., groupies), and a pair of songs were reworked from Kiss' precursor band, Wicked Lester (Love Her All I Can and She). With Dressed to Kill's Top 40 showing on the Billboard charts, the stage was now set for Kiss' big commercial breakthrough with their next release.
- Greg Prato (All Music Guide)1. Room Service
2. Two timer
3. Ladies In Waiting
5. Rock Bottom
6. C'mon and Love Me
7. Anything For My Baby
9. Love Her All I Can
10. Rock and Roll All Nite$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
b'lieve i'm goin down...Kurt Vile does his own myth making; a boy/man with an old soul voice in the age of digital everything becoming something else, which is why this focused, brilliantly clear and seemingly candid record is a breath of fresh air. Recorded and mixed in a number of locations, including Los Angeles and Joshua Tree, b'lieve I'm goin' down... is a handshake across the country, east to west coast, thru the dustbowl history ("valley of ashes") of woody honest strait forward talk guthrie , and a cali canyon dead still nite floating in a nearly waterless landscape. The record is all air, weightless, bodyless, but grounded in convincing authenticity, in the best version of singer songwriter upcycling. In Kurt's words, "I wanted to get back into the habit of writing a sad song on my couch, with nobody waiting on me. I really wanted it to sound like it's on my couch -- not in a lo-fi way, just more unguarded and vulnerable." It's a weird, accepting, mature record, acknowledging the inherent immaturity of being a person whether father, husband , partner, adult, musician, not perfect, but compelling for its understanding that's life though so sad to say - Kim Gordon1. Pretty Pimpin
2. I M An Outlaw
3. Dust Bunnies
4. That S Life Tho (Almost Hate To Say)
6. Life Like This
7. All In A Daze Work
8. Lost My Head There
9. Stand Inside
10. Bad Omens
11. Kidding Around
12. Wild Imagination$27.99Vinyl LP - 2 LPs Sealed Buy Now
Velvet Underground - CollectedLimited First Pressing Of 3000 Individually Numbered Copies On 'Banana Peel' Coloured Vinyl, Black Vinyl Thereafter
180 Gram Audiophile Vinyl
High-Quality PVC Protective Sleeve
4-Page Booklet With Liner Notes And Photos
Experimental Art/Rock Group From New York, Tracks Selection Include I'm Waiting For The Man, Venus In Furs, Heroin And More Classics
An album by The Velvet Underground needs to be in the collection of every legitimate music lover. Those who do not yet have an album from this legendary group can now fill this gap by purchasing the new Collected.
The band, with artistic exponents of text and music writers Lou Reed and John Cale, influenced generations of rock musicians and groups. Certainly, in the 70s and early 80s the cult status of this group, briefly managed by Andy Warhol, reached extraordinary proportions. The Velvet Underground was already a real punk band ten years before the rise of this music genre. This was reflected in their lifestyle, drug use and attitude. Musically, however, you can hardly compare them with punk music. With songs like Heroin, I'm Waiting For The Man and White Light / White Heat, they released a new definition of rock and roll.
The Collected compilation consists of 2 LPs with a total of 23 songs. One of the above-mentioned classics is I'm Waiting For The Man, in which the protagonist's addiction forces him to wait for his dealer with his twenty-six dollars in hand, a number that expresses an addict in an unprecedented direct and realistic way. The chaotic and sometimes atonal music confirm the grim narrative. In addition, we will find What Goes On, Pale Blue Eyes, Venus In Furs and many more songs from the pivotal band.LP 1
1. I'm Waiting For The Man
2. Venus In Furs
3. All Tomorrow's Parties
4. There She Goes Again
6. Femme Fatale
7. I Heard Her Call My Name
8. White Light / White Heat
9. Here She Comes Now
10. Sister Ray
1. Hey Mr. Rain
2. Stephanie Says
3. She's My Best Friend
4. Andy's Chest
5. Candy Says
6. What Goes On
7. Some Kinda Love
8. Lisa Says
9. Pale Blue Eyes
10. The Murder Mystery
11. We're Gonna Have A Real Good Time Together
12. Foggy Notion
13. One Of These Days$42.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Highwayman180 Gram Audiophile Vinyl
Four Legendary Country Artists In One Super-group: Johnny Cash, Willie Nelson, Waylon Jennings And Kris Kristofferson
Featuring The Hit-Singles Highwayman And Desperados Waiting For A Train
The Highwaymen were a country music super-group composed of four of the biggest outlaw country artists: Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson. The band was active as a group between 1985 and 1995.
In 1984, Glen Campbell first played the song Highwayman for Johnny Cash. The four were all together in Switzerland doing a television special and decided that they should do a project together. While the four were recording their first album, Marty Stuart again played the song for Cash, saying it would be perfect for them-four verses, four souls, and four of them.
Campbell then played the song and the quartet had the name for their new super-group The Highwaymen, the name of their first album, Highwayman, and the name of their first single. The four thought it was a perfect name for them because they were always on the road and all four had the image of being outlaws in country music.
Both the album and the single eventually reached the top spot on the country music charts.
Their remake of Guy Clark's Desperados Waiting for a Train reached the Top 20. (Clark is frequently referred to as The Fifth Highwayman.)
The four original members starred together in the 1986 film Stagecoach.1. Highwayman
2. The Last Cowboy Song
3. Jim, I Wore A Tie Today
4. Big River
5. Committed To Parkview
6. Desperados Waiting For A Train
7. Deportee (Plane Wreck At Los Gatos)
8. Welfare Line
9. Against The Wind
10. The Twentieth Century Is Almost Over$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sand In The SkySanta Cruz, CA-based reggae-rock-metal band THE EXPENDABLES will kick start 2015 with the release of their sixth full-length studio album SAND IN THE SKY.
SAND IN THE SKY-mixed by Butthole Surfer guitarist and legendary producer Paul Leary (Sublime, Slightly Stoopid, U2, Weezer) and co-produced by THE EXPENDABLES and Gordon Brislawn (who was a co-producer on their Getting' Filthy album)-features the new song "Starry Night." SAND IN THE SKY marks the follow up to their 2010 full-length album Prove It (Stoopid Records), which debuted at #4 on Billboard's Heatseekers Chart and #30 on the Independent Chart, and 2012's acoustic album Gone Soft.
"We are beyond excited to finally release Sand In the Sky," the band shares. "We know our fans have been waiting for new music and we can't wait for everyone to hear it!
THE EXPENDABLES is Geoff Weers (guitar/vocals), Adam Patterson (drums/vocals), Raul Bianchi (lead guitar) and Ryan DeMars (bass).1. Starry Night
2. Music Move Me
3. Anti Social
4. We Are the Fire
5. Up All Night
6. That Spark
7. Weather Man
8. Take Me
9. Zombies In America
10. Nothing I Wouldn't Do
11. Black Heart
12. Stereo$17.99Vinyl LP - Sealed Buy Now
Take It Like A ManWhen Athens, GA outfit the Packway Handle Band sought Jim White out to produce an album, the quintet learned he had a massive stash of bluegrass songs just waiting to be sprung on the world - and they would make the perfect slingshot. In the hands of White and the ebullient Packway Handle Band, the whole album adds up to a huge dose of fun, with just a dash of sorrow.1. Smack Dab In A Big Tornado
2. Breathing Room
3. Corn Pone Refugee
4. Not A Song
5. Jim 3:16
6. Gravity Won't Fail
7. Wordmule Revisited
8. Paranormal Girlfriend
9. Blood On The Fiddle, Blood On The Bow
10. Sorrow's Shine
11. Sinner!$19.99180 Gram Audiophile Virgin Vinyl LP + CD - Sealed Buy Now
Blood MoneyBlood Money is based on the socio/political play Woyzeck, originally written by a young German poet Georg Buchner as a spare, cinematic piece in 1837 and inspired by the true story of a German soldier who was driven mad by bizarre army medical experiments and infidelity, which led him to murder his lover. Waits, along with wife and collaborator Kathleen Brennan, wrote songs for an avant-garde production of Woyzeck directed by Robert Wilson, which premiered in November 2000 at the Betty Nansen Theater in Copenhagen and went on to win Denmark's version of the Tony for Best Musical. The album careens from the brutal to the tender with assaulting rhythms and romantic melodies. It's a grim musical deposition on the human condition, a dark mortality play where Tin Pan Alley meets the Weimer Republic.Blood Money is flesh and bone, earthbound, said Waits. The songs are rooted in reality: jealousy, rage, the human meat wheel...They are more carnal. I like a beautiful song that tells you terrible things. We all like bad news out of a pretty mouth. I like songs to sound as though they've been aging in a barrel and distressed.1. Misery Is the River
2. Everything Goes to Hell
3. Coney Island Baby
4. All the World Was Green
5. God's Away on Business
6. Another Man's Vine
7. Knife Chase
9. Starving in the Belly of a Whale
10. The Part You Throw Away
13. A Good Man Is Hard to Find$21.99Vinyl LP - Sealed Buy Now
AliceAlice has been called Wait's long-lost masterpiece. Originally performed as an opera directed by Robert Wilson for Hamburg's Thalia Theatre in 1992, but left unrecorded until 2001. The show ran for a year and a half using an unusual orchestra designed by Waits to underpin the songs co-written with his wife Kathleen Brennen. Rather than being directly based on Lewis Carroll's Alice In Wonderland and Through The Looking Glass, the Waits-Brennen Alice takes inspiration from feelings remembered and dreams recalled after reading the books. Released simultaneously with Blood Money.1. Alice
2. Everything You Can Think
3. Flowers Grave
4. No One Knows I'm Gone
6. Poor Edward
7. Table Top Joe
8. Lost In The Harbor
9. We're All Mad Here
10. Watch Her Disappear
12. I'm Still Here
13. Fish & Bird
15. Fawn$24.99Vinyl LP - 2 LPs Sealed Buy Now
Glitter And Doom LiveIn 2008, Tom Waits launched a soldâ€out national tour, garnering intense critical praise and thrilling fans across the country and the world, some in cities where he had never performed before. Now comes the document of those concerts, 17 performances handâ€picked by Waits from along the tour. Leaning heavily on songs from his ANTI-releases including a haunting Trampled Rose from Real Gone and a roaring Get Behind the Mule from Mule Variations, Waits also digs into the vaults for tracks like a re-imagined Singapore from 1985s Rain Dogs. Glitter and Doom Live will reside in the Waits catalog alongside earlier live albums like Nighthawks at the Diner and Big Time.1. Lucinda / Ain't Goin Down (Birminghamâ€07/03/08)
2. Singapore (Edinburghâ€07/28/08)
3. Get Behind The Mule (Tulsaâ€06/25/08)
4. Fannin Street (Knoxvilleâ€06/29/08)
5. Dirt In The Ground (Milanâ€07/19/08)
6. Such A Scream (Milanâ€07/18/08)
7. Live Circus (Jacksonvilleâ€07/01/08)
8. Goin' Out West (Tulsa â€06/25/08)
9. Falling Down (Paris - 07/25/08)
10. The Part You Throw Away (Edinburghâ€07/28/08)
11. Trampled Rose (Dublinâ€08/01/08)
12. Metropolitan Glide (Knoxvilleâ€6/29/08)
13. I'll Shoot The Moon (Parisâ€07/24/08)
14. Green Grass (Edinburghâ€07/27/08)
15. Make It Rain (Atlantaâ€07/05/08)
16. Story (Columbusâ€06/28/08)
17. Lucky Day (Atlantaâ€07/05/08)$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now