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  • Walking The Dog (Discontinued) Walking The Dog (Discontinued) Quick View

    $34.99
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    Walking The Dog (Discontinued)

    Import

    One of the artists who defined Memphis Soul and put Stax Records on the map, Rufus Thomas is known for liking his R&B hard-edged, gritty and earthy. That approach served him impressively well on his debut album Walking The Dog.


    In contrast to the sleeker, more elaborate production style favored by Motown, Rufus Thomas rejects Pop elements altogether and thrives on rawness on his hits Walking The Dog and The Dog as well as inspired versions of Land Of 1000 Dances (which became a major hit for Wilson Pickett), Lee Dorsey's Ya Ya and John Lee Hooker's Boom Boom.


    The title track became his biggest hit. The song was covered by The Rolling Stones in 1964. Many other artists have covered the song, including Aerosmith, Roger Daltrey, Green Day, The Flamin' Groovies, The Sonics, The Trashmen and more.

    1. The Dog
    2. Mashed Potatoes
    3. Ooh-poo-pah-doo
    4. You Said
    5. Boom Boom
    6. It's Aw'rite
    7. Walking The Dog
    8. Ya Ya
    9. Land Of A 1000 Dances
    10. Can Your Monkey Do The Dog
    11. Cause I Love You
    12. I Want To Be Loved
    Rufus Thomas Jr
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Walking The Dog Walking The Dog Quick View

    $21.99
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    Walking The Dog

    One of the artists who defined Memphis soul and put Stax Records on the map, Rufus Thomas is known for liking his R&B hard-edged, gritty and earthy. That approach served him impressively well on his debut album Walking the Dog. In contrast to the sleeker, more elaborate production style favored by the Northern soulsters of Motown, Thomas rejects pop elements altogether and thrives on rawness on his hits Walking the Dog and The Dog, as well as inspired versions of Land of 1000 Dances (which became a major hit for Wilson Pickett), Lee Dorsey's Ya Ya and John Lee Hooker's Boom Boom. Thomas was in his mid-40s when these fun, infectious recordings were made, and he definitely lives up to his title The World's Oldest Teenager (a title later given to Dick Clark as well).


    - Alex Henderson (AllMusic)

    1. The Dog
    2. Mashed Potatoes
    3. Ooh-Poo-Pah-Doo
    4. You Said
    5. Boom Boom
    6. It's Aw'rite
    7. Walking The Dog
    8. Ya Ya
    9. Land Of 1,000 Dances
    10. Can You Monkey Do The Dog
    11. 'Cause I Love You - By Carla & Rufus
    12. I Want To Be Loved
    Rufus Thomas
    $21.99
    Vinyl LP - Sealed Buy Now
  • Lighthouse Lighthouse Quick View

    $25.99
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    Lighthouse

    Lighthouse is an intimate, stripped-down set that highlights David Crosbys instantly recognizable voice, incisive songwriting, and incomparable guitar work. The palpable joy in the 9-song collection captures the iconic artist in an unexpected burst of inspiration.


    For Lighthouse, Crosby received an able assist from Michael League, the bandleader/bassist for Snarky Puppy who executive produced and co-wrote much of the album with Crosby.


    Lighthouse features a rare economy of sound, filled primarily by David Crosbys voice and guitars, and Michael Leagues bass. Theres a sparse, unvarnished quality to the tracks that allows the songs breathing room and for the full emotional weight of the lyrics to emerge, unencumbered by extraneous instrumentation.


    On album opener, Things We Do For Love, written for his wife Jan, Davids vocals reflect a poetic tenderness. On Paint You A Picture, a cinematic tale of romantic regret co-written with Marc Cohn (Walking In Memphis), they are filled with remorseful resignation.


    The longtime social activist lands his political punches as he bitingly condemns the craven politicians who send other peoples children to war on Somebody Other Than You, and compassionately reminds us that we are all the same on Look In Their Eyes, a poignant tale about the Syrian refugee crisis.


    Particularly striking on Lighthouse is Davids piquant guitar playing, which is as inventive as always, but never flashy. By turns gentle and caustic, his work here surprised even him as he discovered new tones.

    1. Things We Do For Love
    2. The Us Below
    3. Drive Out To The Desert
    4. Look In Their Eyes
    5. Somebody Other Than You
    6. The City
    7. Paint You A Picture
    8. What Makes It So
    9. By The Light Of Common Day
    David Crosby
    $25.99
    Vinyl LP - Sealed Buy Now
  • Rat City Rat City Quick View

    $16.99
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    Rat City

    Memphis based Jack Oblivian (aka Jack Yarber) was a founding member of the garage-bands The Compulsive Gamblers and The Oblivians but he has contributed to a dizzying array of projects over the years, including Andre Williams, Jack Oblivian & the Tennessee Tearjerkers, The Cool Jerks, '68 Comeback, King Louie & His Loose Diamonds, Greg Oblivian & the Tip Tops, Jack Oblivian & The Cigarillos, The Natural Kicks and Tav Falco's Panther Burns.


    Jack Yarber began his professional music career in high school, appearing alongside high school friend and future Squirrel Nut Zippers founder Jimbo Mathus in the Corinth, Mississippi, based Johnny Vomit & the Dry Heaves. Yarber played drums in the outfit, which credited him as Johnny Goopa. After moving to Memphis, his encounter with fellow musican Greg Cartwright led to the formation of the Compulsive Gamblers. The Oblivians formed in 1993 as a side project to the Compulsive Gamblers, the members of the Oblivians shared songwriting and each member supplied vocals, guitar work, and percussion on albums, switching instruments during live shows. The Oblivians lasted from 1993 until 1998, at which time Yarber and Cartwright left the band to reform the Compulsive Gamblers. The second incarnation of the Gamblers lasted from 1998 to 2003. The Oblivians returned to the stage in 2009 for a sold-out international tour with the Gories.


    His collaborations with the cream of the Memphis music crop guarantee that the players on Rat City fit the bill like the proverbial glove. Jack Oblivian channels the spirit of proto punk as well as blues, country and junkyard rock; his songs evoke haunting, echo-y swamp boogie that will walk you down that dark alley without fear.

    1. Mad Lover - Part II
    2. Put Your Love On Me
    3. Cigarillo
    4. Milkshake Baby
    5. Make Your Mind Up - Part II
    6. Against The Mall - Part II
    Jack Oblivian
    $16.99
    Vinyl LP - Sealed Buy Now
  • Sun Records' Greatest Hits Sun Records' Greatest Hits Quick View

    $21.99
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    Sun Records' Greatest Hits

    Including 16 classic tracks recorded at Sam Phillips' legendary Sun Studios in Memphis, TN, this set provides a quick and concise fly-over of the genre-defining music Phillips put together in the late 1950s, although naturally there's a lot more to the story than just what is presented here. What is here, though, is immortal, including Elvis Presley's That's All Right and Blue Moon of Kentucky, Johnny Cash's I Walk the Line, Jerry Lee Lewis' Great Balls of Fire, and Carl Perkins' Blue Suede Shoes and Matchbox, among others. Pressed On 180-gram vinyl.
    1. That's All Right - Elvis Presley
    2. I Walk the Line - Johnny Cash
    3. Great Balls Of Fire - Jerry Lee Lewis
    4. Blue Suede Shoes - Carl Perkins
    5. Blue Moon Of Kentucky - Elvis Presley
    6. Domino - Roy Orbison
    7. Folsom Prison Blues - Johnny Cash
    8. Whole Lot of Shakin' Going On - Jerry Lee Lewis
    9. Oh Red - Howlin' Wolf
    10. Raunchy - Bill Justis
    11. Matchbox - Carl Perkins
    12. Crazy Arms - Jerry Lee Lewis
    13. Bear Cat - Rufus Thomas, Jr.
    14. Claudette - Roy Orbison
    15. Hey Porter - Johnny Cash
    16. Breathless - Jerry Lee Lewis
    Various Artists
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Trying To Live My Life Without You Trying To Live My Life Without You Quick View

    $16.99
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    Trying To Live My Life Without You

    Otis Clay is one of the premier deep soul and gospel singers working today. His raw, fiery vocals drive an energetic and danceable blend of soul, r&b and blues in the tradition of such deep soul singers as Otis Redding, Wilson Pickett and Solomon Burke.


    A master showman, Otis Clay stays in demand for festival and concert appearances in the U.S., Europe and Japan. Noteworthy recent appearances include headlining The 2006 Japan Blues and Soul Festival Tour, headlining the opening night and being Honorary President of The 2006 Blues Passions Festival in Cognac, France a special guest appearance at The Chicago Emmy Awards in Nov., 2006 and the 2007 Chicago Gospel Music Festival.


    Born in Waxhaw, Mississippi, Clay began his career in gospel singing with groups such as The Pilgrim Harmonizers, The Gospel Songbirds and the legendary Sensational Nightingales. His recording of When The Gates Swing Open was a hit in the mid-80's and is included on The Gospel Truth cd released on Blind Pig Records. Both When The Gates Swing Open and The Gospel Truth remain staples on gospel radio today. As a singer and producer, Otis Clay remains very active in gospel. Walk A Mile In My Shoes, a new cd featuring Otis' version of this classic song has been released on his own Echo Records label.


    Clay launched and established his career as a deep soul singer with his first recordings made in the mid-60s for George Leaner's One-derful label in Chicago. A series of hit singles including Trying To Live My Life Without You produced by Willie Mitchell in Memphis for Hi Records followed in the '70's. Otis has also recorded for the Cotillion, Kayvette, Elka and Rounder labels as well as his own Echo Records. The intensity and passion of his live shows are captured on Soul Man: Live in Japan (Rounder) and Respect Yourself (Blind Pig) recorded live at The Lucerne Blues Festival in Switzerland.


    A long time resident of Chicago's West Side, Otis Clay is actively involved as a board member of People For New Direction, a community-based non-profit creating economic initiatives to address a number of issues on the West Side. People For New Direction consists of West Side businessmen and women, doctors, ministers and others who believe strongly in giving something back to the community where they live and work.


    As Chairman of The Board of the non-profit Tobacco Road, Inc. (TRI, Inc.), Otis was heavily involved in the extensive planning, fundraising and development of The Harold Washington Cultural Center at 47th and King Drive which has served as the cornerstone for the revitalization and redevelopment of the historic Bronzeville neighborhood. The Cultural Center, which includes the state-of-the-art 1,000 seat Com-Ed Performing Arts Theatre, is built on the former site of The Regal Theatre, the legendary venue for national and Chicago-based r&b/soul, blues, jazz and comedy stars.


    Whether bringing audiences around the globe to their feet with his fiery brand of soul and gospel or working tirelessly with community and church leaders to provide better economic and cultural opportunities for West and South Side Chicago residents, Otis Clay has proven himself to be a national treasure.

    1. Trying To Live My Life Without You
    2. I Die A Little Each Day
    3. Holding On To A Dying Love
    4. I Can't Make It Alone
    5. That's How It Is
    6. I Love You I Need You
    7. You Can't Keep Running From My Love
    8. Precious Precious
    9. Home Is Where The Heart Is
    10. Too Many Hands
    Otis Clay
    $16.99
    Vinyl LP - Sealed Buy Now
  • Mystery Girl Expanded Mystery Girl Expanded Quick View

    $39.99
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    Mystery Girl Expanded

    Everyone involved with Mystery Girl sensed the magic in Roy Orbison, who, in 1988, was enjoying a full creative renaissance and resurgence of popularity. One of Roy's classic recordings, "In Dreams," memorably lip-synched into a hurricane lamp by Dean Stockwell, had served as a key thematic element in David Lynch's "Blue Velvet," igniting a renewed interest in the Big O.


    In a series of bold aesthetic moves, Orbison directly addressed his legacy, first with Class of '55 (a 1986 reunion album with fellow Sun Records alumni Johnny Cash, Jerry Lee Lewis and Carl Perkins) and then, In Dreams: The Greatest Hits, where Orbison recut many of his biggest songs, using 1980s technology to produce results often surpassing his original recordings.


    At this same time, Roy Orbison became a founding member of the Traveling Wilburys, the roots rock supergroup also featuring Bob Dylan, George Harrison, Jeff Lynne, and Tom Petty. It was during work with the Wilburys that the vision for Mystery Girl, a new Roy Orbison album made of original songs from a variety of writers-including Roy Orbison, Diane Warren, Elvis Costello, Wesley Orbison and U2s Bono and the Edge (among others)-began taking shape.


    "When he sang it, it was absolutely magnificent," said Jeff Lynne, who would produce tracks for Mystery Girl. "His voice, I had never heard a voice like that live, you know, in the studio, ever . He had this wonderful spirit, almost like a kid in many ways.


    He was just a happy guy. I love him . One of the proudest things I've ever done is to have become his friend. I'd look at him and just go, 'Wow, it's him. The Big O.'"


    Roy's core group of musicians on the original Mystery Girl recordings included Jeff Lynne (guitar, piano, bass, backing vocals), Tom Petty (acoustic guitar, backing vocals), Mike Campbell (guitar, bass, mandolin), Jim Keltner (drums), Howie Epstein (bass, backing vocals), and Benmont Tench (piano, organ, cheap strings). Contributing artists on the album include Barbara Orbison, Roy Orbison, Jr., Al Kooper, George Harrison, Bono, T Bone Burnett, Steve Cropper, The Memphis Horns, and more.


    "I was just taken by how amazing this guy was. Just sitting, singing softly, sitting on the sofa with an acoustic guitar, his voice was unbelievable." remembers Tom Petty. "The music will live on, you know; it's very timeless music."


    Mike Campbell added, "Any time I hear one of Roy's songs, wherever I am, I just stop and listen to it and he's there, you know. His artistry and his voice and his spirit and the depth of his soul is so unique and it just connects with you in such a deep way . He just had a way of getting into your heart."


    "He was a real innovator, truly a great singer," said Bono. "The real rebels to me always had manners. Elvis, you know, and Roy, Roy was a true gentleman. And that's a scary thing in a man, do you know what I mean? A man that's so sure in himself that he can be polite."


    The legendary guitarist Steve Cropper confided that, "I've only met basically three, maybe three-and-a-half, of what I call 'light bulbs' in my life. And what I mean by 'light bulbs' is they're the brightest one in the room and when they walk in the door every head turns. Every head. Not just a few, not some people still talking in the corner. It's like everyone stops what they are doing. Elvis Presley, Otis Redding and Roy Orbison. And I saw that happen to Bill Clinton. So, there you go and I've never seen that happen to anybody else, ever."

    LP1
    1. You Got It
    2. In the Real World
    3. (All I Can Do Is) Dream You
    4. A Love So Beautiful
    5. California Blue
    6. She's a Mystery to Me
    7. The Comedians
    8. The Only One
    9. Windsurfer
    10. Careless Heart


    LP2
    1. The Way Is Love
    2. She's a Mystery to Me (Studio Demo)
    3. (All I Can Do Is) Dream You (Studio Demo)
    4. The Only One (Studio Demo)
    5. The Comedians (Studio Demo)
    6. In the Real World (Studio Demo)
    7. California Blue (Studio Demo)
    8. Windsurfer (Work-Tape Demo)
    9. You Are My Love (Work-Tape Demo)

    Roy Orbison
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Johnny Cash's Greatest Hits (Pre-Order) Johnny Cash's Greatest Hits (Pre-Order) Quick View

    $32.99
    Buy Now
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    Johnny Cash's Greatest Hits (Pre-Order)

    Celebrating 5 Decades Of Johnny's Monumental Hits Collection


    First Time 180 Gram Translucent Gold Audiophile Vinyl


    Mastered Impeccably By Joe Reagoso At Friday Music Studios - Pressed At R.T.I.


    Striking Gatefold Cover Artwork


    Features Big Hits I Walk The Line, Jackson, Orange Blossom Special, It Ain't Me Babe, & Understand Your Man


    Johnny Cash was born during the great depression into a poor family in Arkansas. At a very young age, he worked on the family farm and experienced many of life's struggles. This is also the time he would develop his love for music, family and the Bible, which followed him closely throughout his long career.


    In the early fifties after spending time in the Air Force, he moved to Memphis, became friends with folks like Roy Orbison, Carl Perkins, Elvis Presley and Jerry Lee Lewis, and ultimately cut some sides at Sun Studios which became the catalyst that would kick-start the beginnings of a soon to be worldwide superstar, troubadour and humanitarian unlike the world has ever known. The folks at Columbia Records knew that this young fellow named Johnny Cash was destined for superstardom. They quickly signed the legend to a long-term deal, and his first Columbia singles like his prolific Don't Take Your Guns to Town forever etched "The Man In Black" trademark to his name.


    In 1967 after many chart-topping country and pop albums and a bevy of hit singles and Grammy Awards, more fame followed as the brass at Columbia Records honored their journeyman Johnny Cash with his first hits collection, the multi-platinum Johnny Cash's Greatest Hits. The album was a blockbuster as it topped the charts, making this a crossover hit with both country and pop audiences, proving once again that his career was of historic merit. Filled with more hits than a roadside jukebox, the amazing album takes off with the classic duet with wife June Carter Cash and Grammy Award winner Jackson. This chart-topping single is followed up by one of his most famous songs the number one I Walk the Line.


    More treasures follow with the country belter Understand Your Man and Cash's own hit interpretation of Orange Blossom Special, which truly made the album a treasure trove of hits.


    More greatest hits follow as the LP features a nice helping of solid smashes like Ring of Fire Five Feet High and Rising and probably one of the first Bob Dylan covers ever with his haunting It Ain't Me Babe. In total, the album showcases eleven important Johnny Cash recordings which have truly gone on to become international classics for all time.


    In honor of the Man, the Music and the Legend, Friday Music is very proud and honored to announce the first time 180 Gram Audiophile Translucent Gold Vinyl release of the Columbia Records classic Johnny Cash's Greatest Hits. As another fine installment in our exciting Johnny Cash 180 Gram Audiophile Vinyl Series, we are very pleased to present this masterwork in all its stereophonic glory.


    Mastered impeccably by Joe Reagoso at Friday Music Studios and manufactured at R.T.I., Johnny Cash's Greatest Hits will be a much-anticipated dream release for his fans everywhere! For this exclusive presentation, we are also including striking gatefold artwork which includes the groundbreaking original LP cover photo by Sandy Speiser and are also enclosing a poly bag to protect your album cover and poly lined inner sleeve to help keep your Johnny Cash vinyl in mint shape.


    Johnny Cash's Greatest Hits A history-making album from a historic legend, an audiophile dream release first-time translucent gold audiophile vinyl From your friends at Friday Music

    1. Jackson
    2. I Walk The Line
    3. Understand Your Man
    4. Orange Blossom Special
    5. The One On The Right Is On The Left
    6. Ring Of Fire
    7. It Ain't Me, Babe
    8. The Ballad Of Ira Hayes
    9. The Rebel
    10. Five Feet High And Rising
    11. Don't Take Your Guns To Town
    Johnny Cash
    $32.99
    180 Gram Audiophile Virgin Vinyl LP PRE-ORDER Buy Now
  • Johnny Cash Greatest Hits Volume 1 (Awaiting Repress) Johnny Cash Greatest Hits Volume 1 (Awaiting Repress) Quick View

    $31.99
    Buy Now
    x

    Johnny Cash Greatest Hits Volume 1 (Awaiting Repress)

    First Time on Audiophile Vinyl


    Gatefold Cover presentation of his classic 1967 multi-platinum Greatest Hits LP!!!


    Mastered impeccably by Joe Reagoso and Kevin Gray from the original Columbia Records tapes


    Manufactured at R.T.I.


    Johnny Cash was born during the great depression into a poor family in Arkansas. At a very young age he worked on the family farm
    and experienced many of life's struggles. This is also the time he would develop his love for music, family and the Bible, which followed him
    closely throughout his long career. In the early fifties after spending time in the Air Force, he moved to Memphis, became friends with folks
    like Roy Orbison, Carl Perkins, Elvis Presley and Jerry Lee Lewis, and ultimately cut some sides at Sun Studios which became the catalyst
    that would kick-start the beginnings of a soon to be worldwide superstar, troubadour and humanitarian unlike the world has ever known.


    The folks at Columbia Records knew that this young fellow named Johnny Cash was destined for superstardom. They quickly signed
    the legend to a long term deal, and his first Columbia singles like his prolific Don't Take Your Guns to Town forever etched "The Man In Black"
    trademark to his name.


    In 1967 after many chart topping country and pop albums and a bevy of hit singles and Grammy Awards, more fame followed as the
    brass at Columbia Records honored their journeyman Johnny Cash with his first hits collection, the multi-platinum Johnny Cash's Greatest
    Hits Volume 1.


    The album was a blockbuster as it topped the charts, making this a crossover hit with both country and pop audiences, proving once again that his career was of historic merit.
    Filled with more hits than a roadside jukebox, the amazing album takes off with the classic duet with wife June Carter Cash and
    Grammy Award winner Jackson. This chart topping single is followed up by one of his most famous songs the number one I Walk the Line.


    More treasures follow with the country belter Understand Your Man and Cash's own hit interpretation of Orange Blossom Special, which truly
    made the album a treasure trove of hits.
    More greatest hits follow as the LP features a nice helping of solid smashes like Ring of Fire, Five Feet High and Rising, the aforementioned Don't Take Your Guns to Town, and probably one of the first Bob Dylan covers ever with his haunting It Ain't Me Babe. In total, the
    album showcases eleven important Johnny Cash recordings which have truly gone on to become international classics for all time.


    In honor of the Man, the Music and the Legend, Friday Music is very proud and honored to announce the first time 180 Gram Audiophile Vinyl release of the Columbia Records classic Johnny Cash's Greatest Hits Volume 1 by Johnny Cash.
    As a first installment in our exciting Johnny Cash 180 Gram Audiophile Vinyl Series, we are very pleased to present this masterwork
    in all its stereophonic glory. Mastered impeccably from the original Columbia Records tapes by Joe Reagoso at Friday Music Studios with
    Kevin Gray and manufactured at R.T.I., Johnny Cash's Greatest Hits Volume 1 will be a much anticipated audiophile dream release for his
    fans everywhere!


    For this exclusive presentation, we are also including for the first time ever gatefold artwork which includes the groundbreaking
    original LP cover photo by Sandy Speiser and are also enclosing a poly bag to protect your album cover and poly lined inner sleeve to help
    keep your Johnny Cash vinyl in mint shape.
    Johnny Cash's Greatest Hits Volume 1 A history making album from a historic legend, an audiophile dream release first time
    gatefold cover is now an audiophile vinyl dream come true From your friends at Relayer Friday Music Stay tuned for more Johnny Cash
    original Columbia Records audiophile vinyl and remastered compact disc recordings from Relayer Friday Music.

    Side One
    1. Jackson
    2. I Walk the Line
    3. Understand Your Man
    4. Orange Blossom Special
    5. The One on the Right
    Is on the Left


    Side Two
    1. Ring of Fire
    2. It Ain't Me, Babe
    3. The Ballad of Ira Hayes
    4. The Rebel-Johnny Yuma
    5. Five Feet High and Rising
    6. Don't Take Your Guns
    to Town

    Johnny Cash
    $31.99
    180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
  • Where Did You Come From? Where Did You Come From? Quick View

    $24.99
    Buy Now
    x

    Where Did You Come From?

    The story of Darren Hanlon''s first album in five years, Where Did You Come From?, spans two continents and a whole lot of miles traveled, resulting in his most resplendent musical effort yet-the songs reaching new levels of maturity without ever losing his trademark lyrical charm and twinkling eye. Making it involved an unplanned and sometimes perilous lope through the American South, through various cities, towns and recording studios. He recorded in one-off sessions in Nashville, Memphis, Muscle Shoals, New Orleans and Clarksdale, Mississippi, collaborating with an array of musicians and other characters he met along the way. "When I hopped off the Amtrak, I just walked around and met buskers, tap-dancers, preachers, drunks and drug dealers, all of whom had something worth learning about," Hanlon says. "I started having compulsive notions that whoever I met should somehow contribute to the album. Let fate play into it. One guy tried to break into a car I was sitting in and even he ended up playing bass on a song." To hear the analogue richness and singular vision resulting in the collection of songs that make Where Did You Come From? belies the accidental nature of its process. It's a cohesive, hopeful and vibrant testament to the joys of travel, the tyranny of distance and the vagaries of love and fate.
    1. Salvation Army
    2. When You Go
    3. Trust Your Feelings (When You Wake)
    4. There's Nothing on my Mind
    5. Letter From an Australian Mining Town
    6. Fear of the Civil War
    7. My Love is an Ocean Away
    8. Manhole Cover Tap
    9. The Chattanooga Shoot Shoot
    10. The Will of the River
    11. Awkward Dancer
    12. Halley's Comet, 1986
    13. Shine A Light
    Darren Hanlon
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Gratitude Gratitude Quick View

    $44.99
    Buy Now
    x

    Gratitude

    180 Gram Translucent Blue Colored Vinyl With Gatefold Cover


    Mastered Impeccably By Joe Reagoso


    Manufactured At R.T.I.


    During the 1970s, a new brand of pop music was born - one that was steeped in African and African-American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force-feeding listeners' spiritual content."Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.After graduating high school, Maurice moved to the Windy City to continue his musical education at the prestigious Chicago Conservatory Of Music. He continued picking up drumming jobs on the side, which eventually lead to a steady spot as a studio percussionist with the legendary Chicago label, Chess Records. At Chess, Maurice had the privilege of playing with such greats as Etta James, Fontella Bass, Billy Stewart, Willie Dixon, Sonny Stitt and Ramsey Lewis, whose trio he joined in 1967. He spent nearly three years as part of the Ramsey Lewis Trio. "Ramsey helped shape my musical vision beyond just the music," Maurice explains. "I learned about performance and staging." Maurice also learned about the African thumb piano, or Kalimba, an instrument whose sound would become central to much of his work over the years.In 1969, Maurice left the Ramsey Lewis Trio and joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends got a recording contract with Capitol and called themselves the "Salty Peppers," and had a marginal hit in the Mid-western area called "La La Time." That band featured Maurice on vocals, percussion and Kalimba along with keyboardists/vocalists Wade Flemons and Don Whitehead.


    After relocating to Los Angeles and signing a new contract with Warner Bros., Maurice simultaneously made what may have been the smartest move of his young career. He changed the band's name to Earth, Wind & Fire (after the three elements in his astrological chart). The new name also captured Maurice's spiritual approach to music - one that transcended categories and appealed to multiple artistic principals, including composition, musicianship, production, and performance. In addition to White, Flemons and Whitehead, Maurice recruited Michael Beal on guitar, Leslie Drayton, Chester Washington and Alex Thomas on horns, Sherry Scott on vocals, percussionist Phillard Williams and his younger brother Verdine on bass.


    Earth, Wind & Fire recorded two albums for Warner Brothers: the self-titled 1970 album Earth, Wind And Fire and the 1971 album The Need Of Love. A single from this album, "I Think About Lovin' You," provided EWF with their first Top 40 R&B hit. Also in 1971, the group performed the soundtrack to the Melvin Van Peebles film 'Sweet Sweetback's Baadasssss Song'.


    In 1972, White dissolved the line-up (except he and brother Verdine White) and added Jessica Cleaves (vocals - formerly of the R&B group The Friends of Distinction), Ronnie Laws (flute, saxophone), Roland Bautista (guitar), Larry Dunn (keyboard), Ralph Johnson (percussion) and Philip Bailey (vocals, formerly of Friends & Love). Maurice became disillusioned with Warner Brothers, which had signed the group primarily as a jazz act. Maurice, in contrast, was more interested in combining elements of jazz, rock, and soul into an evolving form of fusion, a truly universal sound.


    A performance at New York's Rockefeller Center introduced EWF to Clive Davis, then President of Columbia Records. Davis loved what he saw and bought their contract from Warner Bros. With Columbia Records, debuting with the 1972 album Last Days And Time, the group slowly began to build a reputation for innovative recordings and exciting, live shows, complete with feats of magic (floating pianos, spinning drum kits, vanishing artists) engineered by Doug Henning and his then-unknown assistant David Copperfield. Their first gold album, Head To The Sky, peaked at number 27 pop in the summer of 1973, yielding a smooth tangy cover of "Evil" and the title track single. The first platinum EWF album, Open Our Eyes, whose title track was a remake of the classic originally recorded by Savoy Records group the Gospel Clefs, included "Mighty Mighty" (number four R&B) and "Kalimba Story" (number six R&B).


    Maurice once again shared a label roster with Ramsey Lewis, whose Columbia debut Sun Goddess, was issued in December 1974. The radio-aired title track was released as a single under the name Ramsey Lewis and Earth, Wind & Fire. It went to number 20 R&B in early 1975. The Sun Goddess album went gold, hitting number 12 pop in early 1975. Maurice had also played on Lewis' other high-charting album, Wade In The Water; the title track single peaked at number three R&B in the summer of 1966.


    The inspiration for "Shining Star" (one of EW&F's most beloved singles) was gleaned from thoughts Maurice had during a walk under the star-filled skies that surrounded the mountains around Caribou Ranch, CO a popular recording site and retreat during the '70s. The track was originally included in the 'That's The Way Of The World' movie that starred Harvey Keitel and was produced by Sig Shore (Superfly). "Shining Star" glittered at number one R&B for two weeks and hit number one pop in early 1975. It was included on their 1975 multi-platinum album That's The Way Of The World that held the number one pop spot for three weeks in Spring 1975 and earned them their first Grammy Award. The title track single made it to number five R&B in summer of 1975. It also yielded the classic ballad "Reasons," an extremely popular radio-aired album track.


    The multi-platinum album Gratitude held the number one pop album spot for three weeks in late 1975. On the album was "Singasong" (gold, number one R&B for two weeks, number five pop), the Skip Scarborough ballad "Can't Hide Love" (number 11 R&B), and the popular radio-aired album tracks "Celebrate," "Gratitude," and the live version of "Reasons." In 1976, Maurice decided he wanted to record a spiritual album. The multi-platinum album Spirit parked at number two pop for two weeks in fall of 1976 and boasted the gold, number one R&B single "Getaway" and "Saturday Nite." Spirit is remembered as one of EWF's best albums and sadly for also being the last project of Producer Charles Stepney. He died May 17, 1976, in Chicago, IL, at the age of 45. Charles was a former Chess Records arranger/producer/session musician/multi-instrumentalist/songwriter and Maurice's main collaborator on his EWF projects. The multi-platinum album All 'N All peaked at number three pop in late 1977, won three Grammy's, and had arrangements by Chicago soul mainstay Tom Tom Washington and Eumir Deodato. The singles were "Serpentine Fire" (number one R&B for seven weeks) and "Fantasy." The group's horn section, the legendary Phenix Horns (Don Myrick on saxophone, Louis Satterfield on trombone, Rahmlee Michael Davis and Michael Harris on trumpets) became an integral part of the Earth, Wind & Fire sound.


    During this time, Maurice produced several artists such as The Emotions (1976's Flowers and 1977's Rejoice which included the number one R&B/pop hit "Best Of My Love") and Deniece Williams (1976's This Is Niecy which included the Top Ten R&B hit "Free"). In the late seventies, in association with Columbia Records, Maurice also launched a record label, ARC.


    The multi-platinum greatest-hits set The Best Of Earth, Wind & Fire, Vol. I included a cover of the Beatles' "Got To Get You Into My Life" went to number one R&B and number nine pop in Summer 1978. The group performed the song in the 1978 Bee Gees/Peter Frampton movie 'Sgt. Pepper's Lonely Hearts Club Band'. Another single, "September," made it to number one R&B, number eight pop in early 1978. On the flip side was the enchanting popular radio-aired album track "Love's Holiday" from All 'N All.


    Their live performances were stellar as well. Sellout crowds were spellbound by the band's bombastic performances. Their performances blasted a cosmic wave of peace, love and other happy vibrations to audiences using a combination of eye-popping costumes, lights, pyrotechnics and plain old good music. Sometimes they even threw in magic illusions. Earth, Wind & Fire's message was one of universal harmony, in both musical and cultural senses. "We live in a negative society," Maurice told Newsweek. "Most people can't see beauty and love. I see our music as medicine."


    The multi-platinum album I Am hit number three pop in Summer 1979 on the strength of the million-selling single "Boogie Wonderland" with The Emotions (number two R&B for four weeks, number six pop) and the phenomenal gold ballad "After The Love Has Gone," written by David Foster, Jay Graydon and Bill Champlin that stayed at number two R&B/pop for two weeks. Their Faces album peaked at number ten pop in late 1980 and was boosted to gold by the singles "Let Me Talk" (number eight R&B), "You" (number ten R&B), and "And Love Goes On."


    The million-selling funked-up "Let's Groove," co-written by The Emotions' Wanda Vaughn and her husband Wayne Vaughn, was the track that re-energized EWF's career, parking at number one R&B for eight weeks and number three pop, causing their Raise! album to go platinum (hitting number five pop in late 1981). Their next gold album Powerlight made it to number 12 pop in spring 1983 and included the Top Ten R&B single and Grammy-nominated "Fall In Love With Me." Their 1983 Electric Universe album stalled at number 40 pop, breaking the band's string of gold, platinum and multi-platinum albums.


    In 1983, Maurice decided he and the band needed a break. During this hiatus, Maurice recorded his self-titled solo album Maurice White and produced various artists including Neal Diamond, Barbra Streisand and Jennifer Holliday. Reuniting with the band in 1987, EWF released the album Touch The World and scored yet another number one R&B single, "System of Survival" and embarked on a corresponding nine-month world tour. This was followed by the 1988 release The Best Of Earth, Wind & Fire Vol. II.


    In 1990 the group released the album Heritage. Two years later, Earth, Wind & Fire released The Eternal Dance; a 55-track boxed set retrospective of the band's entire history. The appearance of such a project after a prolonged period of relative inactivity signaled to many listeners that the band was calling it quits but that did not turn out to be case. In 1993, EWF released the album, Millennium that included the Grammy-nominated "Sunday Morning" and "Spend The Night."


    Earth, Wind & Fire kept recording and in 1996 released Avatar and Greatest Hits Live; followed by 1997's In The Name Of Love; 2002's That's The Way Of The World: Alive In '75; Live In Rio which was recorded during their 1979 "I Am World Tour;" 2003's The Promise, which included the Grammy-nominated "Hold Me" and 2005's Illumination, which included the Grammy-nominated "Show Me The Way."


    In 2000, the nine-piece '70s edition of Earth, Wind & Fire reunited for one night only in honor of their induction into The Rock And Roll Hall Of Fame. In 2001, Eagle Rock Entertainment released the documentary 'Earth, Wind & Fire: Shining Stars', which contains rarely seen historic video footage along with in-depth interviews with the band members.


    Even though Maurice is no longer a part of the touring group, he remains the band's heart and soul from behind the scenes as composer and producer. Maurice reflects, "I wanted to create a library of music that would stand the test of time. 'Cosmic Consciousness' is the key component of our work. Expanding awareness and uplifting spirits is so important in this day. People are looking for more. I hope our music can give them some encouragement and peace."

    LP 1
    1. Introduction

    2. Africano/ Power Medley

    3. Yearnin' Learnin'

    4. Devotion

    5. Sun Goddess
    6. Reasons

    7. Sing A Message To You


    LP 2
    1. Shining Star

    2. New World Symphony
    3. Sunshine

    4. Singasong

    5. Gratitude

    6. Celebrate

    7. Can't Hide Love

    Earth, Wind & Fire
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
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    $42.99
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    Greatest Hits (Awaiting Repress)

    180 Gram Translucent Gold Colored Vinyl With Gatefold Cover


    During the 1970s, a new brand of pop music was born - one that was steeped in African and African-American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force-feeding listeners' spiritual content."Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.After graduating high school, Maurice moved to the Windy City to continue his musical education at the prestigious Chicago Conservatory Of Music. He continued picking up drumming jobs on the side, which eventually lead to a steady spot as a studio percussionist with the legendary Chicago label, Chess Records. At Chess, Maurice had the privilege of playing with such greats as Etta James, Fontella Bass, Billy Stewart, Willie Dixon, Sonny Stitt and Ramsey Lewis, whose trio he joined in 1967. He spent nearly three years as part of the Ramsey Lewis Trio. "Ramsey helped shape my musical vision beyond just the music," Maurice explains. "I learned about performance and staging." Maurice also learned about the African thumb piano, or Kalimba, an instrument whose sound would become central to much of his work over the years.In 1969, Maurice left the Ramsey Lewis Trio and joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends got a recording contract with Capitol and called themselves the "Salty Peppers," and had a marginal hit in the Midwestern area called "La La Time." That band featured Maurice on vocals, percussion and Kalimba along with keyboardists/vocalists Wade Flemons and Don Whitehead.


    After relocating to Los Angeles and signing a new contract with Warner Bros., Maurice simultaneously made what may have been the smartest move of his young career. He changed the band's name to Earth, Wind & Fire (after the three elements in his astrological chart). The new name also captured Maurice's spiritual approach to music - one that transcended categories and appealed to multiple artistic principals, including composition, musicianship, production, and performance. In addition to White, Flemons and Whitehead, Maurice recruited Michael Beal on guitar, Leslie Drayton, Chester Washington and Alex Thomas on horns, Sherry Scott on vocals, percussionist Phillard Williams and his younger brother Verdine on bass.


    Earth, Wind & Fire recorded two albums for Warner Brothers: the self-titled 1970 album Earth, Wind And Fire and the 1971 album The Need Of Love. A single from this album, "I Think About Lovin' You," provided EWF with their first Top 40 R&B hit. Also in 1971, the group performed the soundtrack to the Melvin Van Peebles film 'Sweet Sweetback's Baadasssss Song'.


    In 1972, White dissolved the line-up (except he and brother Verdine White) and added Jessica Cleaves (vocals - formerly of the R&B group The Friends of Distinction), Ronnie Laws (flute, saxophone), Roland Bautista (guitar), Larry Dunn (keyboard), Ralph Johnson (percussion) and Philip Bailey (vocals, formerly of Friends & Love). Maurice became disillusioned with Warner Brothers, which had signed the group primarily as a jazz act. Maurice, in contrast, was more interested in combining elements of jazz, rock, and soul into an evolving form of fusion, a truly universal sound.


    A performance at New York's Rockefeller Center introduced EWF to Clive Davis, then President of Columbia Records. Davis loved what he saw and bought their contract from Warner Bros. With Columbia Records, debuting with the 1972 album Last Days And Time, the group slowly began to build a reputation for innovative recordings and exciting, live shows, complete with feats of magic (floating pianos, spinning drum kits, vanishing artists) engineered by Doug Henning and his then-unknown assistant David Copperfield. Their first gold album, Head To The Sky, peaked at number 27 pop in the summer of 1973, yielding a smooth tangy cover of "Evil" and the title track single. The first platinum EWF album, Open Our Eyes, whose title track was a remake of the classic originally recorded by Savoy Records group the Gospel Clefs, included "Mighty Mighty" (number four R&B) and "Kalimba Story" (number six R&B).


    Maurice once again shared a label roster with Ramsey Lewis, whose Columbia debut Sun Goddess, was issued in December 1974. The radio-aired title track was released as a single under the name Ramsey Lewis and Earth, Wind & Fire. It went to number 20 R&B in early 1975. The Sun Goddess album went gold, hitting number 12 pop in early 1975. Maurice had also played on Lewis' other high-charting album, Wade In The Water; the title track single peaked at number three R&B in the summer of 1966.


    The inspiration for "Shining Star" (one of EW&F's most beloved singles) was gleaned from thoughts Maurice had during a walk under the star-filled skies that surrounded the mountains around Caribou Ranch, CO a popular recording site and retreat during the '70s. The track was originally included in the 'That's The Way Of The World' movie that starred Harvey Keitel and was produced by Sig Shore (Superfly). "Shining Star" glittered at number one R&B for two weeks and hit number one pop in early 1975. It was included on their 1975 multi-platinum album That's The Way Of The World that held the number one pop spot for three weeks in Spring 1975 and earned them their first Grammy Award. The title track single made it to number five R&B in summer of 1975. It also yielded the classic ballad "Reasons," an extremely popular radio-aired album track.


    The multi-platinum album Gratitude held the number one pop album spot for three weeks in late 1975. On the album was "Singasong" (gold, number one R&B for two weeks, number five pop), the Skip Scarborough ballad "Can't Hide Love" (number 11 R&B), and the popular radio-aired album tracks "Celebrate," "Gratitude," and the live version of "Reasons." In 1976, Maurice decided he wanted to record a spiritual album. The multi-platinum album Spirit parked at number two pop for two weeks in fall of 1976 and boasted the gold, number one R&B single "Getaway" and "Saturday Nite." Spirit is remembered as one of EWF's best albums and sadly for also being the last project of Producer Charles Stepney. He died May 17, 1976, in Chicago, IL, at the age of 45. Charles was a former Chess Records arranger/producer/session musician/multi-instrumentalist/songwriter and Maurice's main collaborator on his EWF projects. The multi-platinum album All 'N All peaked at number three pop in late 1977, won three Grammy's, and had arrangements by Chicago soul mainstay Tom Tom Washington and Eumir Deodato. The singles were "Serpentine Fire" (number one R&B for seven weeks) and "Fantasy." The group's horn section, the legendary Phenix Horns (Don Myrick on saxophone, Louis Satterfield on trombone, Rahmlee Michael Davis and Michael Harris on trumpets) became an integral part of the Earth, Wind & Fire sound.


    During this time, Maurice produced several artists such as The Emotions (1976's Flowers and 1977's Rejoice which included the number one R&B/pop hit "Best Of My Love") and Deniece Williams (1976's This Is Niecy which included the Top Ten R&B hit "Free"). In the late seventies, in association with Columbia Records, Maurice also launched a record label, ARC.


    The multi-platinum greatest-hits set The Best Of Earth, Wind & Fire, Vol. I included a cover of the Beatles' "Got To Get You Into My Life" went to number one R&B and number nine pop in Summer 1978. The group performed the song in the 1978 Bee Gees/Peter Frampton movie 'Sgt. Pepper's Lonely Hearts Club Band'. Another single, "September," made it to number one R&B, number eight pop in early 1978. On the flip side was the enchanting popular radio-aired album track "Love's Holiday" from All 'N All.


    Their live performances were stellar as well. Sellout crowds were spellbound by the band's bombastic performances. Their performances blasted a cosmic wave of peace, love and other happy vibrations to audiences using a combination of eye-popping costumes, lights, pyrotechnics and plain old good music. Sometimes they even threw in magic illusions. Earth, Wind & Fire's message was one of universal harmony, in both musical and cultural senses. "We live in a negative society," Maurice told Newsweek. "Most people can't see beauty and love. I see our music as medicine."


    The multi-platinum album I Am hit number three pop in Summer 1979 on the strength of the million-selling single "Boogie Wonderland" with The Emotions (number two R&B for four weeks, number six pop) and the phenomenal gold ballad "After The Love Has Gone," written by David Foster, Jay Graydon and Bill Champlin that stayed at number two R&B/pop for two weeks. Their Faces album peaked at number ten pop in late 1980 and was boosted to gold by the singles "Let Me Talk" (number eight R&B), "You" (number ten R&B), and "And Love Goes On."


    The million-selling funked-up "Let's Groove," co-written by The Emotions' Wanda Vaughn and her husband Wayne Vaughn, was the track that re-energized EWF's career, parking at number one R&B for eight weeks and number three pop, causing their Raise! album to go platinum (hitting number five pop in late 1981). Their next gold album Powerlight made it to number 12 pop in spring 1983 and included the Top Ten R&B single and Grammy-nominated "Fall In Love With Me." Their 1983 Electric Universe album stalled at number 40 pop, breaking the band's string of gold, platinum and multi-platinum albums.


    In 1983, Maurice decided he and the band needed a break. During this hiatus, Maurice recorded his self-titled solo album Maurice White and produced various artists including Neal Diamond, Barbra Streisand and Jennifer Holliday. Reuniting with the band in 1987, EWF released the album Touch The World and scored yet another number one R&B single, "System of Survival" and embarked on a corresponding nine-month world tour. This was followed by the 1988 release The Best Of Earth, Wind & Fire Vol. II.


    In 1990 the group released the album Heritage. Two years later, Earth, Wind & Fire released The Eternal Dance; a 55-track boxed set retrospective of the band's entire history. The appearance of such a project after a prolonged period of relative inactivity signaled to many listeners that the band was calling it quits but that did not turn out to be case. In 1993, EWF released the album, Millennium that included the Grammy-nominated "Sunday Morning" and "Spend The Night."


    Earth, Wind & Fire kept recording and in 1996 released Avatar and Greatest Hits Live; followed by 1997's In The Name Of Love; 2002's That's The Way Of The World: Alive In '75; Live In Rio which was recorded during their 1979 "I Am World Tour;" 2003's The Promise, which included the Grammy-nominated "Hold Me" and 2005's Illumination, which included the Grammy-nominated "Show Me The Way."


    In 2000, the nine-piece '70s edition of Earth, Wind & Fire reunited for one night only in honor of their induction into The Rock And Roll Hall Of Fame. In 2001, Eagle Rock Entertainment released the documentary 'Earth, Wind & Fire: Shining Stars', which contains rarely seen historic video footage along with in-depth interviews with the band members.


    Even though Maurice is no longer a part of the touring group, he remains the band's heart and soul from behind the scenes as composer and producer. Maurice reflects, "I wanted to create a library of music that would stand the test of time. 'Cosmic Consciousness' is the key component of our work. Expanding awareness and uplifting spirits is so important in this day. People are looking for more. I hope our music can give them some encouragement and peace."

    LP 1
    1. Shining Star

    2. That's The Way Of The World
    3. September

    4. Can't Hide Love

    5. Got To Get You Into My Life
    6. Sing A Song

    7. Gratitude

    8. Serpentine Fire

    9. Fantasy


    LP 2
    1. Kalimba Story
    2. Mighty Mighty

    3. Reasons

    4. Saturday Nite

    5. Let's Groove

    6. Boogie Wonderland ( with The Emotions)
    7. After The Love Has Gone

    8. Getaway

    Earth, Wind & Fire
    $42.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs AWAITING REPRESS Buy Now
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