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Playing The AngelFrom the beginning of their career Depeche Mode have been at the forefront of remix culture; creating their own classic extended mixes back in the early 80s and over the years amassing a collection of remixers of their songs that pretty much charts the history of cutting edge dance music.
When Ultra was declared the best Depeche Mode album since Violator, those who said so must have forgotten about Songs of Faith and Devotion. When Exciter was declared the best Depeche Mode album since Violator, those who said so must have also forgotten about Songs of Faith and Devotion, in addition to having found a roundabout way of saying that it was merely better than Ultra. There's no doubt this time: Playing the Angel is both the band's best album since Violator and, more significantly, an album that is near Violator in stature. The biggest clue dropped by the band prior to its release was a quote from Dave Gahan, who said that being in Depeche Mode is better than it has been in 15 years. Some quick math reveals that Gahan was hinting at the Violator era, a time when the band's creativity and popularity peaked synchronously. It also turns out that this is a time as good as any other to be paying attention to the band. Playing the Angel lacks Songs of Faith and Devotion's end-to-end chest-beating, Ultra's grinding murk, and Exciter's desiccated patches. It takes the best qualities from those releases, combines them with a few subtle allusions to Violator -- tiptoeing the border that separates retread from reinvention -- and makes for a highly concentrated set of songs that all but demand to be heard in one uninterrupted shot. Gahan, still riding the confidence he gained as a songwriter from Paper Monsters, his 2003 solo debut, contributes three songs co-written with band associates Christian Eigner and Andrew Phillpott. Though none of them vie to be the album's centerpiece, it's apparent that the move wasn't a concession of desperation on anyone's part. The friendly competition seems to have kicked chief songwriter Martin Gore into high gear; he's in top form. Musically, a lot of analog gear was used, and it's apparent that the arrangements and extra sounds were less fussed over than they have been in the recent past. You get the sense that everything fell into place, as opposed to being forced or aimlessly manipulated. Despite the favoring of older gear, there's no other year in which any of the songs could've been made. Like the best Depeche Mode, almost everything on the album will make an initial wowing impact while remaining layered enough in subtle details to surprise and thrill with repeated listens. It is not the kind of album a 25-year-old band is supposed to make.
- Andy Kellman (All Music Guide)LP 1
1. A Pain That Im Used To
2. John The Revelator
3. Suffer Well
4. The Sinner In Me
7. I Want It All
8. Nothings Impossible
10. Damaged People
12. The Darkest Star$26.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Some Great RewardThe peak of the band's industrial-gone-mainstream fusion, and still one of the best electronic music albums yet recorded, Some Great Reward still sounds great, with the band's ever-evolving musical and production skills matching even more ambitious songwriting from Martin Gore. People Are People appears here, but finds itself outclassed by some of Depeche Mode's undisputed classics, most especially the moody, beautiful Somebody, a Gore-sung piano ballad that mixes its wit and emotion skillfully; Master and Servant, an amped-up, slamming dance track that conflates sexual and economic politics to sharp effect; and the closing Blasphemous Rumors, a slow-building anthemic number supporting one of Gore's most cynical lyrics, addressing a suicidal teen who finds God only to die soon afterward. Even lesser-known tracks like the low-key pulse of Lie to Me and the weirdly dreamy It Doesn't Matter showcase an increasingly confident band. Alan Wilder's arrangements veer from the big to the stripped down, but always with just the right touch, such as the crowd samples bubbling beneath Somebody or the call/response a cappella start to Master and Servant. With Reward, David Gahan's singing style found the mÉtier it was going to stick with for the next ten years, and while it's never gone down well with some ears, it still has a compelling edge to it that suits the material well.
- Ned Raggett (All Music Guide)1. Something To Do
2. Lie To Me
3. People Are People
4. It Doesn't Matter
5. Stories Of Old
7. Master And Servant
8. If You Want
9. Blasphemous Rumours$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Construction Time AgainThe full addition of Alan Wilder to Depeche Mode's lineup created a perfect troika that would last another 11 years, as the combination of Martin Gore's songwriting, Wilder's arranging, and David Gahan's singing and live star power resulted in an ever more compelling series of albums and singles. Right from the album's first song, Love in Itself, something is clearly up; Depeche never sounded quite so thick with its sound before, with synths arranged into a mini-orchestra/horn section and real piano and acoustic guitar spliced in at strategic points. Two tracks later, Pipeline offers the first clear hint of an increasing industrial influence (the bandmembers were early fans of EinstÜrzende Neubauten), with clattering metal samples and oddly chain gang-like lyrics and vocals. The album's clear highlight has to be Everything Counts, a live staple for years, combining a deceptively simple, ironic lyric about the music business with a perfectly catchy but unusually arranged blending of more metallic scraping samples and melodica amid even more forceful funk/hip-hop beats. Elsewhere, on Shame and Told You So, Gore's lyrics start taking on more of the obsessive personal relationship studies that would soon dominate his writing. Wilder's own songwriting contributions are fine musically, but lyrically, preachy puts it mildly, especially the environment-friendly The Landscape Is Changing.
- Ned Raggett (All Music Guide)1. Love, In Itself
2. More Than A Party
4. Everything Counts
5. Two Minute Warning
7. The Landscape Is Changing
8. Told You So
9. And Then...
10. Everything Counts (Long Version)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
ViolatorIn a word, stunning. Perhaps an odd word to use given that Violator continued in the general vein of the previous two studio efforts by Depeche Mode: Martin Gore's upfront lyrical emotional extremism and knack for a catchy hook filtered through Alan Wilder's ear for perfect arrangements, ably assisted by top English producer Flood. Yet the idea that this record would both dominate worldwide charts, while song for song being simply the best, most consistent effort yet from the band could only have been the wildest fantasy before its release. The opening two singles from the album, however, signaled something was up. First was Personal Jesus, at once perversely simplistic, with a stiff, arcane funk/hip-hop beat and basic blues guitar chords, and tremendous, thanks to sharp production touches and David Gahan's echoed, snaky vocals. Then Enjoy the Silence, a nothing-else-remains-but-us ballad pumped up into a huge, dramatic romance/dance number, commanding in its mock orchestral/choir scope. Follow-up single Policy of Truth did just fine as well, a low-key Motown funk number for the modern day with a sharp love/hate lyric to boot. To top it all off, the album itself scored on song after song, from the shuffling beat of Sweetest Perfection (well sung by Gore) and the ethereal Waiting for the Night to the guilt-ridden-and-loving-it Halo building into a string-swept pounder. Clean wraps up Violator on an eerie note, all ominous bass notes and odd atmospherics carrying the song. Goth without ever being stupidly hammy, synth without sounding like the clinical stereotype of synth music, rock without ever sounding like a rock band, Depeche here reach astounding heights indeed.
- Ned Raggett (All Music Guide)1. World In My Eyes
2. Sweetest Perfection
3. Personal Jesus
5. Waiting For The Night
6. Enjoy The Silence
7. Policy Of Truth
8. Blue Dress
9. Clean (Album Version)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Songs of Faith and DevotionIn between Violator and Songs of Faith and Devotion, a lot happened: Nirvana rewrote the ideas of what alternative was supposed to be, while Nine Inch Nails hit the airwaves as the most clearly Depeche-influenced new hit band around. In the meantime, the band went through some high-profile arguing as David Gahan turned into a long-haired, leather-clad rocker and pushed for a more guitar-oriented sound. Yet the odd thing about Songs of Faith and Devotion is that it sounds pretty much like a Depeche Mode album, only with some new sonic tricks courtesy of Alan Wilder and co-producer Flood. Perhaps even odder is the fact that it works incredibly well all the same. I Feel You, opening with a screech of feedback, works its live drums well, but when the heavy synth bass kicks in with the wailing backing vocals, even most rockers might find it hard to compete. Martin Gore's lyrical bent, as per the title, ponders relationships through distinctly religious imagery; while the gambit is hardly new, on songs like the centerpiece In Your Room, the combination of personal and spiritual love blends perfectly. Outside musicians appear for the first time, including female backing singers on a couple of tracks, most notably the gospel-flavored Condemnation and the uilleann pipes on Judas, providing a lovely intro to the underrated song (later covered by Tricky). Rush is the biggest misstep, a too obvious sign that Nine Inch Nails was a recording-session favorite to unwind to. But with other numbers such as Walking in My Shoes and The Mercy in You to recommend it, Songs of Faith and Devotion continues the Depeche Mode winning streak.
- Ned Raggett (All Music Guide)1. I Feel You
2. Walking In My Shoes
4. Mercy In You
6. In Your Room
7. Get Right With Me
9. One Caress
10. Higher Love$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
UltraUltra is the ninth studio album by English electronic group Depeche Mode, which was originally released by Mute Records on 14 April 1997
Ultra both reprises an earlier Mode and entices with a taste of Modes to come. The band has wisely left behind the forced arena rock of their last album and evolved towards a more richly nuanced hybrid of conventional and electronic instrumentation. The resulting sound is both engaging in its diversity and surprising in its consistency. The aplomb with which Depeche Mode fuses electronic beats, cascading violins, and guitar hooks into a soulful and coherent whole puts the new techno-geek incarnation of U2 to shame. Where U2's Pop! crashes waves of sound upon the listener, Ultra achieves an equally rich sonic texture through delicacy and understatement.
Lyrically and musically, Ultra depicts the band grappling with its recent scars, particularly Gahan's smack problem. From the self-loathing and acoustic turbulence of Barrel of a Gun, the first sequel, to the mechanical gurgling of the outro, Painkiller, the shadow of a syringe falls over the album. Gahan sings of a vicious appetite and pines for the spirit of love with an earnest intensity that usually overcomes Gore's occasionally banal lyrics. His high register and emotionally laden delivery on songs such as Love Thieves and Sister of Night (Little 15 redux) are reminiscent of the days of See You and Get the Balance Right, before Gahan settled into the deadpan baritone croon that carries most of the Mode's later hits.
Perhaps due to the band's travails, Ultra is the most experimental Mode album since 1983's A Broken Frame, when these same three fellows lost their leading songwriter, Vince Clarke, to Yaz (and subsequently Erasure). As a result, with the exception of It's No Good, a catchy and confident tune that's A-1 formula Mode, there's no hit single potential on Ultra. There are, however, a good number of interesting songs that gradually seep into your system. The Bottom Line finds Gore at his most emotive, once again singing the bittersweet woes of infatuation over an aural fabric that alternates between jazz trio cool, electropop bounce, and country twang. With arpeggiating violins and arena-rock-style guitar bridges, Home is an intriguing Disneyesque ditty. And both Jazz Thieves and Uselink prove that the Mode haven't lost their knack for atmospheric instrumentals.
- Kevin C. Murphy1. Barrel Of A Gun
2. Love Thieves
4. It's No Good
7. Sister Of Night
8. Jazz Thieves
10. Bottom Line
11. Insight$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Exciter (Awaiting Repress)From the beginning of their career Depeche Mode have been at the forefront of remix culture; creating their own classic extended mixes back in the early 80s and over the years amassing a collection of remixers of their songs that pretty much charts the history of cutting edge dance music.
It's rare to find bands capable of keeping their own best qualities to the fore while trying something new each time out, but Depeche Mode demonstrate that balance in full on the marvelous Exciter. Arguably the first album made by the group as a cohesive unit since Violator (and bearing some resemblance to that record in overall title and song names -- compare The Sweetest Condition with The Sweetest Perfection), Exciter finds the trio again balancing pop catchiness with experimental depths. As with Ultra, an outside producer helps focus the end results in new, intriguing directions -- in this case, said producer is Mark Bell, known for his work with Björk but also as part of Warp Records' flagship act LFO, which always acknowledged their own debut to Depeche. Bell's ear for minimal, crisp beats and quick, subtle arrangements and changes suit Martin Gore's songs beautifully. If there are few storming arena-shaking numbers this time out, the exquisite delicacy throughout is addicting, with Gore's guitar providing slippery and stinging leads to the smoky, romantic flow of Exciter. When the Body Speaks is a particular winner, his gentle work and a backing string section combining just right. David Gahan's voice, already audibly benefiting from lessons on Ultra, is even more supple and passionate than before, ranging from the fuller delivery on the snaky charm of Shine to the haunting album-closer, Goodnight Lovers, a romantic lullaby with perfect counterpoint backing vocals. Gore's own singing remains equally fine, as does his lyrical obsessions on, well, obsession -- Breathe, which quotes more Bible names per verse than most preachers, makes for a good example on both fronts. When the band fully crank it up, the results work there too -- The Dead of Night makes for a far superior nod to Gore's glam roots and Depeche's own industrial dance descendants than Songs of Faith and Devotion's Rush did.
- Ned Raggett1. Dream On
3. The Sweetest Condition
4. When The Body Speaks
5. The Dead of Night
9. I Feel Loved
11. Easy Tiger
12. I Am You
13. Goodnight Lovers$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Astral WeeksRanked 19/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Remastered from the Original Analog Tapes by Kevin Grey at Acoustech and Pressed on 180g RTI vinyl! True Audiophile-Quality!
Van Morrison's 1968 release, Astral Weeks remains not only his masterpiece, but one of the greatest records ever made. The haunting, deeply personal collection of impressionistic folk styled epics was recorded with an all star jazz backing unit that included bassist Richard Davis and drummer Connie May and its absolutely awash in overwhelming emotional beauty. The poetic complexity of the material combined with Morrison's vocal dexterity and passion make it one of those rare albums for which the word timeless is not only appropriate but inescapable.1. Astral Weeks
2. Beside You
3. Sweet Thing
4. Cyprus Avenue
5. The Way Young Lovers Do
6. Madame George
8. Slim Slow Slider$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
His Band And Street Choir (Awaiting Repress)Remastered from the Original Analog Tapes by Kevin Grey at Acoustech and Pressed on 180g RTI vinyl! True Audiophile-Quality!
Van Morrison's second 1970 release, His Band And The Street Choir came on the heels of his legendary albums, Astral Weeks and Moondance and it serves as his ode to the R&B that inspired their success. The tunes here are among the most soulful in Morrison's repertoire and the album is dominated by uptempo swingers such as the joyous opener, Domino along with Call Me Up in Dreamland, Give Me a Kiss and Blue Money. His Band And The Street Choir is another beautiful phase in the development of one of the greatest and most influential singer/songwriters in music history.1. Domino
2. Crazy Face
3. Give Me A Kiss
4. Iï¿½ve Been Working
5. Call Me up In Dreamland
6. Iï¿½ll Be Your Lover, Too
7. Blue Money
8. Virgo Clowns
9. Gypsy Queen
10. Sweet Jannie
11. If I Ever Needed Someone
12. Street Choir$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
MoondanceRanked 65/500 On Rolling Stone Magazine's 500 Greatest Albums Of All Time.
Remastered From The Original Analog Master Tapes By Kevin Grey At Acoustech Mastering
Van Morrison's 1970's follow up album to Astral Weeks titled Moondance was every bit as brilliant; buoyant and optimistic where Astral Weeks had been dark and anguished, it cracked the Top 40 and generated classic hits.1. And It Stoned Me
3. Crazy Love
5. Into the Mystic
6. Come Running
7. These Dreams of You
8. Brand New Day
10. Glad Tidings$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The RecordAlong with Black Flag and The Circle Jerks, Fear ushered in a new face of gritty, fast, angry punk rock which would later be called hardcore by some dedicated fans. While Black Flag and The Circle Jerks represented west coast inner suburb, art damaged nerds, Fear offered a sometimes sophisticated, sometimes offensive, always musically innovative antagonism that owed as much to stand up comedy and college boy saracasm as it did to the glam punk bands who came before them. Keep in mind that Fear was reportedly one of John Belushis favorite punk bands and he even managed to get them booked on an episode of SNL. Featuring: Lets Have A War and I Love Living In The City.1. Lets Have A War
2. Beef Bologna
4. I Dont Care About You
5. New Yorks Alright If You Like Saxophones
6. Gimme Some Action
7. Foreign Policy
8. We Destroy The Family
9. I Love Livin In The City
11. We Gotta Get Out Of This Place
12. Fresh Flesh
13. Getting The Brush
14. No More Nothing
15. Fuck Christmas$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Nothing's ShockingRanked 309/500 On Rolling Stone Magazine's 500 Greatest Albums Of All Time.
Jane's Addiction may not have been a strict metal band, but their music was certainly full of traits inherent to the genre: hard, gleaming and powerful. Their 1988 release Nothing's Shocking captured the much too short-lived quartet at its absolute peak. Combining radically diverse musical elements from art and classic rock, to hard-core punk and funk, Jane's Addiction was the last great precursor to the alternative revolution of 1991-92. From songs about Ted Bundy (Ted, Just Admit It) to punk ideology as Eastern philosophy (Pigs In Zen) to mystic romances (Summertime Rolls) and early-morning thoughts (Standing In The Shower...Thinking), Perry Farrell consistently dissects his subjects through a psychologically-stimulating viewpoint while the extremely talented band made up of guitarist Dave Navarro, bassist Eric Avery and drummer Stephen Perkin provide the songs with an expansive set of musical colour. A must-have for lovers of cutting-edge, influential, and timeless hard rock.1. Up The Beach
2. Ocean Size
3. Had A Dad
4. Ted, Just Admit It
5. Standing In The Shower...Thinking
6. Summertime Rolls
7. Mountain Song
8. Idiots Rule
9. Jane Says
10. Thank You Boys$17.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Court and Spark (Awaiting Repress)Ranked 111/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Court And Spark completed Joni Mitchell's transition from folk-singer to sophisticated rock auteur. In addition to her meticulously crafted melodies and evocative, image-rich lyrics, the songs here are breezy and immediately appealing. This is in part due to Tom Scott's L.A. Express, a sinuous jazz-based combo, but also to Mitchell's knack for pop hooks. The album's accessibility made it Mitchell's most commercially successful, yet the personal intensity and insight of her songwriting never wavers. Court And Spark confirmed her standing as one of the most important and subtle talents of the rock era.1. Court And Spark
2. Help Me
3. Free Man In Paris
4. People's Parties
5. Same Situation
6. Car On A Hill
7. Down To You
8. Just Like This Train
9. Raised On Robbery
10. Trouble Child
11. Twisted$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Ladies Of The CanyonJoni Mitchell's third release found her moving away from the wistful folk of her debut and Clouds, branching out into the progressive pop and jazz elements that would define her best work. The bright, poppy Big Yellow Taxi, the album's single, is here, as is her epoch-defining Woodstock, a soulful, stirring song about the 1969 rock festival that was later covered by Crosby, Stills, Nash, and Young. But the material on Ladies Of The Canyon is uniformly strong, demonstrating the mature style and vision that made her one of the leading voices of the '70s. Ladies Of The Canyon was Mitchell's first classic album, one that helped pave the way for its watershed successor, Blue.1. Morning Morgantown
2. For Free
4. Ladies Of The Canyon
6. The Arrangement
7. Rainy Night House
8. The Priest
9. Blue Boy
10. Big Yellow Taxi
12. The Circle Game$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
PiecesAfter recording his second solo album, Stills formed Manassas in 1971 with a talented group of musicians that included Chris Hillman, a former member of the Byrds and Flying Burrito Brothers. Manassas released two albums, 1972' eponymous double-album debut and the 1973 follow-up, Down The Road. Pieces features alternate versions of two songs from Down The Road: Do You Remember The Americans and Lies(featuring guitarist Joe Walsh). The collection also includes the legendary group's unreleased performances of Sugar Babe and Word Game a pair of songs Stills recorded in 1971 for his second solo album. The remaining tracks include Like A Fox, a song recorded with blues guitarist Bonnie Raitt on background vocals and the Latin-tinged Tan Sola Y Triste (Spanish for So Alone and Sad).1. Witching Hour
2. Sugar Babe
4. My Love Is A Gentle Thing
5. Like A Fox
6. Word Game
7. Tan Sola Y Triste
8. Fit To Be Tied
9. Love And Satisfy
10. High And Dry
11. Panhandle Rag
12. Uncle Pen
13. Do You Remember The Americans
14. Dim Lights, Thick Smoke [And Loud, Loud Music]
15. I Am My Brother$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Machine HeadThe 1972 Hard Rock Classic featuring Smoke on the Water and Highway Star, mastered by Kevin Gray at Acoustech Mastering1. Highway Star
2. Maybe I'm A Leo
3. Pictures Of Home
4. Never Before
5. Smoke On The Water
7. Space Truckin'$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Joy Division: Box SetReleased in a Limited Edition of only 3,000 copies worldwide, this 180-Gram virgin vinyl, four-disc JOY DIVISION BOX SET contains new pressings of the band's two seminal studio albums - UNKNOWN PLEASURES ('79) and CLOSER ('80) - and the 1981 two-disc rarities compilation STILL.
JOY DIVISION: BOX SET allows you to experience these pioneering albums the way they were heard originally - on sonically rich vinyl LPs. The three titles - a total of four LPS - come housed in an elegant cloth-covered box designed by U.K. artist Peter Saville, who created the distinctive artwork and packaging on the original issues of these classic releases. Once the 3,000 copies sell out, the box will not be reproduced.
Joy Division's 1979 debut UNKNOWN PLEASURES is a landmark album that established the band as principal architects and ultimate icons of the post-punk movement and the U.K. Manchester scene of the late '70s. UNKNOWN PLEASURES' ten classic songs resonate with the atmospheric textures and deep sonic spaces of Martin Hannett's production. Highlights include Insight, Disorder, New Dawn Fades and She's Lost Control. The latter song is the inspiration for the title of the 2007 film Control, the acclaimed Anton Corbijn-directed feature chronicling the life and times of Joy Division's lead singer and principal songwriter, the late Ian Curtis.
Joy Division's 1980 follow-up CLOSER, another seminal post-punk masterpiece, ranks #157 on Rolling Stone's 500 Greatest Albums Of All Time. Musically and lyrically driven by the prevailing despair of Ian Curtis - who killed himself only months after the LP was released - CLOSER was also produced by Martin Hannett, who weaves sprawling emotional chaos and shifting atmospheres and textures together into an enormously powerful ten-song tour de force. Stand-outs include Heart And Soul, Isolation, Eternal, Decades and the wrenching Twenty Four Hours.
The compilation STILL came out in late 1981, over a year after Curtis' death. Comprised of twenty studio outtakes, b-sides, live cuts and other rarities, all the tracks were previously unissued at the time of STILL's original release except for Glass and Dead Souls, both compelling studio recordings from 1978 and 1979, respectively. STILL also presents material from Joy Division's last-ever concert, recorded at Birmingham University in May 1980 including the only time they performed Ceremony live (the song would later become a New Order single). Another track captured at Birmingham is Shadowplay, a selection covered in 2007 by The Killers for the soundtrack for the film Control. Other highlights include a live cover of The Velvet Underground's Sister Ray and a 1979 studio recording of Something Must Break.
Joy Division formed in Manchester, England in 1977, and had an immense and profound impact on contemporary music in a very brief time together. They recorded only two full-length studio albums, UNKNOWN PLEASURES and CLOSER, prior to lead singer Ian Curtis' 1980 suicide, just before the single Love Will Tear Us Apart became their breakthrough hit. The remaining members - guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris - disbanded Joy Division after Curtis' death, and re-formed as New Order.Unknown Pleasures Track Listing:
2. Day Of The Lords
5. New Dawn Fades
6. Shes Lost Control
10. I Remember Nothing
Closer Track Listing:
1. Atrocity Exhibition
5. A Means To An End
6. Heart & Soul
7. Twenty Four Hours
8. The Eternal
Still Track Listing:
1. Exercise One
2. Ice Age
3. The Sound Of Music
5. The Only Mistake
6. Walked In Line
7. The Kill
8. Something Must Break
9. Dead Souls
10. Sister Ray
12. Shadow Play
13. Means To An End
15. New Dawn Fades
20. Digital$249.99180 Gram Audiophile Virgin Vinyl LP - 4 LPs Sealed Buy Now
Entertainment!Ranked 490/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Some of the most memorable music of the late-'70s British postpunk era came courtesy of Gang Of Four. The band's 1979 debut, Entertainment!, poured punk, funk, and politics into a groundbreaking sound that continues to influence such worthy modern rock descendents as Hot Hot Heat, The Rapture, and !!!.
Rhino's 2005 issue of Entertainment! has been remastered and expanded with bonus material, including the rare Yellow EP and four previously unreleased tracks. Booklet contains vintage photos and liner notes by Our Band Could Be Your Life author Michael Azzerad.1. Ether
2. Natural's Not In It
3. Not Great Men
4. Damaged Goods
5. Return the Gift
6. Guns Before Butter
7. I Found that Essence Rare
10. At Home He's A Tourist
12. Anthrax$17.99Vinyl LP - Sealed Buy Now
Super Fly (Awaiting Repress)Ranked 69/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Arguably the best and most notorious of the blaxploitation films of the '70s, starring Ron O'Neal as a Harlem drug dealer out to make one last big score before he cleans up his act for good. You could say Curtis Mayfield's accompanying landmark 1972 soundtrack is the real star here though. Superfly is a gripping morality tale set to funky grooves and plaintive vocals, the absolute zenith of Mayfield's socially aware songwriting.1. Little Child Runnin' Wild
3. Freddie's Dead
4. Junkie Chase (Instrumental)
5. Give Me Your Love (Love Song)
6. Eddie You Should Know Better
7. No Thing On Me (Cocaine Song)
8. Think (Instrumental)
9. Superfly$19.99180 Gram Audiophile Virgin Vinyl LP -Sealed AWAITING REPRESS Buy Now
Their Greatest Hits 1971-1975The Eagles are, without a doubt, one of the most influential American bands of all time. Direct from L.A., these musicians brought together various influences and melded them into a sound that established a new musical direction in both rock and country. Whether it's the opening guitars driving the beat of Take It Easy or the lilting melody of Best Of My Love, the Eagles' tight harmonies, smooth lead vocals and masterful musicianship enable Their Greatest Hits to play like a jukebox in country-rock heaven.1. Take It Easy
2. Witchy Woma
3. Lyin' Eyes
4. Already Gone
6. One Of These Nights
7. Tequila Sunrise
8. Take It To The Limit
9. Peaceful Easy Feeling
10. The Best of My Love$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Dirty MindRanked 204/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Prince's Cutting-Edge 1980 LP Back on Vinyl for First Time in Ages: Rock, Funk, New Wave, and Pop Meet in a Furious Fusion
Mastered from the Original Tapes: Lacquers Cut by Bernie Grundman at Bernie Grundman Mastering
Pressed at RTI and Features Complete Reproduction of Original Packaging: An Audiophile Spectacular
Prince had made a name for himself with his self-titled sophomore record, but didn't come into his own until the liberating Dirty Mind. Originally released in 1980, Dirty Mind is the pop provocateur's third album, completely produced, arranged and composed by Minneapolis' favorite son. While it established parameters that Prince would follow for the remainder of the decade, the record also remains unique for its blend of rock, funk, pop, and new wave. Prince uses rock, rather than soul or R&B as the foundation, and weaves the other styles around a demeanor that finds the singer/multi-instrumentalist both bluntly honest and fabulously furious.
True to the album's title, Prince doesn't shy away from sexuality, with both Head and Sister guaranteed to make many ears blush and, well, nearly every other track on the record addressing desire, lust, and partying in one form or another. Seldom as any performer been so candidly outspoken and gifted with a genius reflected in the irresistble melodies, hooks, and grooves.
After more than two decades of being out of print, Dirty Mind is finally back on vinyl--and how. Mastered from the original tapes, with lacquers cut by Chris Bellman at Bernie Grundman Mastering, and pressed at RTI on 180g vinyl, this is the very best version you'll ever hope to hear. No longer will you have to settle for the slightly compressed original or nearly unlistenable CD versions. Moreover, rhino's analog reissue boasts replicate original packaging.
Grab the LP and get ready to party like it's 1999!1. Dirty Mind
2. When You Were Mine
3. Do It All Night
4. Gotta Broken Heart Again
8. Partyup$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
ControversyPrince's Smash 1981 LP Back on Vinyl for First Time in Ages: Provacateur Turns More Sultry and Political, Increases Synthesizers and Sonic Range
Mastered from the Original Tapes: Lacquers Cut by Bernie Grundman at Bernie Grundman Mastering
Pressed at RTI and Features Complete Reproduction of Original Packaging: Comes With Collectable Poster
Continuing on with the pioneering directions he began pursuing on Dirty Mind, Prince again comes up roses on 1981's Controversy, an enterprising record on which he turns more political and furher assimilates keyboards and synthesizers into arrangements. Dirty Mind is also home to the piano ballad and chart smash Do Me, Baby, a sensitive song that's considered by many as his finest vocal effort. Given that we're talking Prince, that's saying something.
As had already become customary, Prince again handles all production, arrangements and composition duties, using Controversy, Annie Christian, and the unsparingly direct Ronnie, Talk to Russia as potent sociopolitical statements during an era which responsibility had lapsed and conservatism set in. Willing to stir it up, Prince injects contagious grooves, melodies, and refrains into arrangements that mix new wave, rock, funk, and pop, all serving to heighten the immediacy of the lyrics. And he knows how to have fun. Saucy, stylized, and sexy, Jack U Off and Let's Work are tailor-made for getting the opposite sex between the sheets.
After more than two decades of being out of print, Controversy is finally back on vinyl--and how. Mastered from the original tapes, with lacquers cut by Chris Bellman at Bernie Grundman Mastering, and pressed at RTI on 180g vinyl, this is the very best version you'll ever hope to hear. No longer will you have to settle for the slightly compressed original or nearly unlistenable CD versions. Rhino's analog reissue also boasts replicate original packaging and comes with the poster that accompanied the first-generation pressings.
Let's go crazy!1. Controversy
3. Do Me, Baby
4. Private Joy
5. Ronnie, Talk To Russia
6. Let's Work
7. Annie Christian
8. Jack U Off$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
1999Ranked 163/500 On Rolling Stone Magazine's 500 Greatest Albums Of All Time.
Lacquers Cut By Chris Bellman At Bernie Grundman Mastering
1999 is the fifth studio album by American recording artist Prince. It was released on October 27, 1982 by Warner Bros. Records. The album was his first top ten album on the Billboard 200 chart in the United States (peaking at number 9) and became the fifth best-selling album of 1983 and was certified Multi-Platinum by RIAA. 1999 was Prince's breakthrough album, but his next album, Purple Rain, would become his most successful. The title track was a protest against nuclear proliferation and became his first top ten hit in countries outside the United States.
It was also the first album to feature The Revolution. The band's moniker is written in reverse on the front cover.
According to the Rolling Stone Album Guide, 1999 may be Prince's most influential album: Its synth-and-drum machine-heavy arrangements codified the Minneapolis sound that loomed over mid-'80s R&B and pop, not to mention the next two decades' worth of electro, house, and techno. In 2003, the TV network VH1 placed 1999 49th in its list of the greatest albums of all time. The album was also part of Slant Magazine's list The 50 Most Essential Pop Albums and the magazine listed the album at #8 on its list of Best Albums of the 1980s. The album was inducted into the Grammy Hall of Fame in 2008. In 2003, the album was ranked number 163 on Rolling Stone magazine's list of the 500 greatest albums of all time.LP 1
2. Little Red Corvette
4. Let's Pretend We're Married
2. Something In The Water (Does Not Compute)
4. Lady Cab Driver
5. All The Critics Love U In New York
6. International Lover$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Grateful DeadOriginally released in March of 1967 on Warner Bros. Records, The Grateful Dead's self-titled debut album features seven folk/blues standards from the likes of Sonny Boy Williamson and Jessie Fuller along with a pair of originals in The Golden Road (To Unlimited Devotion) and Cream Puff War. The set unabashedly flaunts the Dead's musical roots and influences while simultaneously showcasing the promising songwriting that would subsequently help define an entire genre.1. The Golden Road
2. Beat It On Down the Line
3. Good Mornin' Little School Girl
4. Cold Rain and Snow
5. Sittin' On Top Of the World
6. Cream Puff War
7. Morning Dew
8. New, New Minglewood Blues
9. Viola Lee Blues$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now