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Was Not Was'
Deeds Not WordsThis (LP) reissue of a Max Roach Riverside date is notable for featuring the great young trumpeter Booker Little and for utilizing Ray Draper's tuba as a melody instrument; tenor saxophonist George Coleman and bassist Art Davis complete the excellent quintet. Highlights include It's You or No One, You Stepped out of a Dream and Roach's unaccompanied drum piece Conversation. This is fine music from a group that was trying to stretch themselves beyond hard bop. - allmusic.com1. You Stepped Out of a Dream
3. It's You or No One
4. Jodie's Cha-Cha
5. Deeds, Not Words
8. There Will Never Be Another You$21.99Vinyl LP Reissue - Sealed Buy Now
Not That KindAvailable On Vinyl For The First Time!
6-Page Insert Included!
Raised in a musical family Anastacia first developed a career as a dancer, appearing in video clips and on MTV shows. Her debut album Not That Kind was released in 2000 and immediately struck a nerve in Europe, Asia and Australia, before hitting it big in the US.
Her striking looks and most of all her remarkable vocals had her searing up the charts, helped by hit singles such as I'm Outta Love, Cowboys & Kisses and the title song. Teaming up with some of the most successful songwriters of the time, her expressive alto voice had that rough edge needed for an identity of her own in blasting Pop/Rock/Soul tracks that did well both at home and on the dance floor.
Influenced more by Aretha Franklin and Tina Turner than contemporaries Britney Spears or Christina Aguilera she appealed to an adult crowd, eventually turning her into the World's Best Selling New Female Pop Artist at the 2001 World Music Awards.1. Not That Kind
2. I'm Outta Love
3. Cowboys & Kisses
4. Who's Gonna Stop The Rain
5. Love Is Alive
6. I Ask Of You
7. Wishing Well
8. Made For Lovin' You
9. Black Roses
10. Yo Trippin'
11. One More Chance
12. Same Old Story$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
In 1972 few groups could have had their single nominated as Tony Blackburn's hit-pick while simultaneously being championed by underground DJ John Peel, Manchester pop quartet 10CC did just that. 10CC's music has always been able to be taken on a number of levels, and even though this was the glam era they felt a greater affinity with Americans Steely Dan. Their clever lyrics certainly put them in the Becker-Fagen bracket. The highlights of this long-player are still very much present and correct, so enjoy a return to those glorious vinyl days...1. Johnny, Don't Do It
2. Sand In My Face
4. The Dean And I
5. Headline Hustler
6. Speed Kills
7. Rubber Bullets
8. The Hospital Song
9. Ships Don't Disappear (Do They?)
10. Fresh Air For My Mama$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
WARB-SIR-7880xTegan & Sara
If It Was YouNot only are Tegan And Sara both singers, songwriters and guitarists, but they are also sisters and identical twins. They were born in Calgary, Alberta, Canada on September 19, 1980 and began playing music together in high school. The sister act was then signed by Elliot Roberts and Neil Young to Vapor Records in 2000. Reissue of the duo's 2002 album If It Was You produced by John Collins and David Carswell.1. Time Running
2. You Went Away
3. Monday Monday Monday
4. City Girl
5. Not Tonight
7. I Hear Noises
8. Living Room
9. Terrible Storm
10. And Darling
11. Want To Be Bad
12. Don't Confess$18.99Vinyl LP - Sealed Buy Now
When I Was YoungerColony House, a trio from Nashville, TN will release their first full-length album When I Was Younger via Descendant Records (The Lone Bellow) in 2014.
Silhouettes is quite an interesting song and serves a very specific purpose on this record, says lead singer and songwriter Caleb Chapman. For an album that has a fair amount of emotional twists and turns, this track is meant to be a constant. Silhouettes is a steady reminder for the soul not to allow the dark moments in life to overshadow all the beautiful ones we live every day.
Colony House delivers the material with a balance of craft and immediacy that deliver a rich, gritty rock edge with heavy guitars and textual layers.
Lead singer, guitarist and principal songwriter Caleb Chapman writes effortlessly infectious tunes that resonate with personal experience and emotional depth. The songs' messages of hope and perseverance are matched by the organic musical rapport of Caleb and his bandmates, brother Will Chapman on drums and Scott Mills on lead guitar and harmony vocals.
Creating this record had such a strong set of contrasting emotions: joy, hope, frustration, sorrow, uncertainty, confidence, says Caleb.
That openhearted attitude is reflected throughout When I Was Younger, both in Caleb's expressive vocals and in the band's vivid performances of such personally-charged tunes as Silhouettes, Second Guessing Games, Keep On Keeping On, Waiting for My Time to Come and Won't Give Up.1. Silhouettes
2. Second Guessing Games
3. When I Was Younger
4. Caught Me By Surprise
5. Roll With The Punches
6. Keep On Keeping On
7. Waiting For My Time To Come
9. Learning How To Love
10. Won't Give Up
11. Moving Forward
13. I Had To Grow Up
14. Lose Control$16.99Vinyl LP - Sealed Buy Now
When Was The Last TimeOn the heels of his eighth No. 1 Country single Darius Rucker has responded to fans' appeals for new music with an announcement letting them know they won't be waiting much longer for a new album from the 3-time GRAMMY winning star. When Was The Last Time, the long-awaited fifth studio country album on Capitol Records Nashville, has been set for release.
Earlier this week, Rucker spoke with Billboard about teaming up with esteemed Nashville producer Ross Copperman (Dierks Bentley, Brett Eldredge, Keith Urban) to bring his vision for the album to life.
"On top of being a genius with the equipment, Ross is so high-energy and funny; that kid is never not laughing." He added, "Every time we were in the studio we had a great band who had great ideas of their own, so it was the farthest thing from tedious, but just, let's get in and do it. I think for the whole record we spent just three days tracking music."
The album's release will be yet another signature moment in the multi-platinum career of one of music's most beloved figures.1. For The First Time
2. Bring It On
3. Life's Too Short
4. If I Told You
6. Twenty Something
7. Straight To Hell
8. Count The Beers
9. Another Night With You
10. Hands On Me
12 Story To Tell$19.99Vinyl LP - Sealed Buy Now
Once I Was An EagleDeluxe 2xLP Gatefold on Heavyweight 180 Gram Vinyl w/ 24" x 24" Foldout
Laura Marling's new album, Once I Was An Eagle, was recorded in the
English country studio of long-time producer and instrumentalist Ethan
Johns (Kings of Leon, Ryan Adams) and Marling's lifelong friend Ruth de
Turberville on cello. Not only was the process complete in just ten days, but
Marling's vocals and acoustic guitars were recorded live in one take-in one
day. To that acoustic skeleton-which will be the sound of her upcoming
solo tour, her first sans band-Marling and Johns then added textured
layers of percussion and instrumentation. It's a hugely ambitious record that
echoes the themes of previous album A Creature I Don't Know.
This is Marling's fourth album and the precocious and preternaturally
talented British singer-songwriter has attained what sounds undeniably like
vocal, emotional, and artistic maturity. It's a record for the ages. Released at
the age of twenty-three. Her already impressive career has so far included
a 2011 Brit Award (UK Grammy-equivalent) for Best British Female Solo
Artist, two Mercury Music Prize nominations, and an NME Award for Best
When Marling began writing the songs that would become Eagle, she'd
been "obsessively" collecting records from the year 1969. She was in the
middle of a U.S. tour to promote A Creature I Don't Know. She was about to
let go of her band, feeling dislocated on the open road, and searching for
what it meant to be an artist and a woman in the world at an age at which
her contemporaries were still in college. Eagle is a concept album, sort of.
It follows a thread of mythology, lyrically and metaphorically. An eagle and
a dove, the devil, and the sea populate her cast of characters; soundscapes
ebb and flow like an epic plot, or, for that matter, an epic road trip across
the States.1. Take The Night Off
2. I Was An Eagle
3. You Know
5. Master Hunter
6. Little Love Caster
7. Devil's Resting Place
10. Where Can I Go?
12. Pray For Me
13. When Were You Happy?
(And How Long Has That Been)
14. Love Be Brave
15. Little Bird
16. Saved These Words$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
I Didn't Know I Was SingingThe Sursiks, the masters of musical reverse-engineering, have taken 16 phone messages from the answering machines of family members and friends and set them to music, largely unaltered. The messages are not simply slapped on top of pre-existing music for the sake of novelty, but they are the melodic material from which the rest of the music is born. The result is a truly brilliant, hilarious and mind-altering concept album. The musicians include 3 members of legendary American ska band Gangster Fun and the musical style and instrumentation varies throughout, making for an interesting listen.2 Saved Messages
Pork Chop Dinner
Slashin' Your Own Tires
I'll Be Guiding You
Communism Part 1
Communism Part 2
Please Call Me!
A Bundle A Pistol of Rahina
Why Don't You Try the Martial Arts?
Yo Clark, What's Up, Yo?
God Damn It Dude
Yo Mike, What's Up?
I Am So Fuckin' Sorry
Hey Gary, This is Kirstin
Hi Gary, This is Elenore$18.99Vinyl LP - Sealed Buy Now
I Dreamt I Was A CowboyMiniature Tigers mastermind Charlie Brand has been in a relationship with actress Mae Whitman for a while now, and things seem to be going great. How do I know this? Well, there are interviews from both Brand and Whitman out there that say so, but for the purposes of this review, Exhibit A is the new Miniature Tigers record. I Dreamt I Was a Cowboy is a loose concept album about being in love, complete with sappy ballads, angst that it's all going to fall apart, and even the concept album staple-a dream sequence.
Two things are striking about this album from the get-go. There's a warmth and intimacy to opener "My Girl Forever" that sticks around for the length of the album. Brand, it turns out, is pretty good at producing indie-pop that sounds honestly romantic. That warmth makes a cheesy sentiment like, "You will be my friend forever / You will be my girlfriend" sound lovely. The other thing is the song's opening electric guitar riff, which sounds slightly out of tune. That riff runs through the entire song and eventually normalizes even though it never ends up being quite in tune. It's a weird element and a portent that Brand is going to re-embrace the off-kilter sounds that dominated Miniature Tigers' early records.
"Dreaming" is a relaxed, slightly Caribbean-styled song dominated by a bassline played on a bass marimba and a repeating high register xylophone-esque note run. Both are cool effects that give the song a nice groove. This leads right into "I Dreamt I Was a Cowboy", where Whitman takes the lead vocals. Her breathy, quiet singing fits in snugly with the song's languid vibe. "I Dreamt I Was a Cowboy" also works as a transition point on the album. Afterward, the songs are more idiosyncratic and often more interesting.
"Wish It Was Now" is a '60s-style folk song that hits all the right buttons. A pile of acoustic guitars is accompanied by a jangling tambourine while Brand sings possibly the best melody on the album. The multi-layered vocals on the chorus, a simple recitation of "wish it was now", are beautiful, and it all meshes together into a sublime moment. "Wheat" features a prominent pedal steel guitar and some nicely placed percussion rattles, giving the song a light Texas country feel.
Then there's "Nobody Else", which features an out-of-nowhere sample of obscure '60s singer Millie Small with her lovely high-pitched squeak of a voice. The song opens with Small singing "What am I living for / If not for you, baby!", then uses that "baby!" as the song's anchor and hype man, punctuating many of Brand's lines. The song itself is a catchy, piano-based ballad with a warm '70s soft rock bridge, but the sample sells it. It's so effective that once you've heard the song a few times, you want to hear her "baby!" at the end of every line, not just occasionally.
The record ends with two quiet songs, either of which would make a solid closer, but they represent two different moods. "I Never Want Our Love to End" is sparsely arranged with great harmonies, but the overwhelming feeling is melancholy as Brand sings about his insecurities. "I'm Awake Now" uses both chirpy and lush synths to provide a sunny, relaxed, early morning feel. Lyrically, though, the song starts out depressed as Brand contemplates the fact that he's so damn happy in bed with his new girl but that they're both going to have to leave, and it will be over. But the song ends with him deciding that he's going to do whatever it takes to make what's apparently a one-night stand into a relationship.
This kind of unabashed romanticism shouldn't really work. And in the past, Miniature Tigers' attempts at straight-up love songs haven't always been successful. But Brand's honesty goes a long way here, and his willingness to use unusual sounds cuts through the cheese to make the album just a bit weird. I Dreamt I Was a Cowboy ends up effectively splitting the difference between the band's early days of twee sounds with strange lyrics and their middle period of big hooks but not very distinctive sounds.
- Chris Conaton (popmatters.com)1. My Girl Forever
2. Crying In The Sunshine
3. Pictures Of You
5. I Dreamt I Was A Cowboy
6. Wish It Was Now
8. Nobody Else
9. Before You
10. I Never Want Our Love To End
11. I'm Awake Now$16.99Vinyl LP - Sealed Buy Now
Funky Was The State Of AffairsFergus and Geronimo's leap between their early R&B-influenced singles and their first wildly diverse record was so daring, many music writers and fans were forced to reconsider the pigeonhole to which they had already damned them. Happily damned them, since, after all, those early tracks went over exceptionally well. But observers and admirers were also left doing something not many get to experience in this dime-a-dozen singles renaissance: scratching their heads concerning what this group would do next. After a first record that was such a departure, not only did they wonder, they actually cared.
Founding member Andrew Savage is very conscious of the risks the band took, the changes that were made in order to avoid being marginalized. Says Savage: "Jason (Kelly) and I had no interests in becoming lost in the indie rock/garage rock milieu. The nature of those early singles was that they were instantaneously gratifying, and we both wanted to make a record that was ultimately gratifying, but not necessarily instantaneous."
Now we have an idea of how far Fergus and Geronimo are continuing to take their gradually conceptual ambitions, in the form of their second full-length record, Funky Was The State of Affairs.
Like some of history's most well-regarded and oft-reissued acts, the group is doing exactly what they are compelled to do: making an album that actually plays like a cohesively complete statement. "I feel like bands aren't really making albums anymore. By that I mean, a start to finish concept meant to be listened to in its entirety. Labels are more interested in singles, which is in a tail-wags-dog sort of way.
And yet the record is entirely unpredictable, even as it tackles reoccurring themes, which Savage says include, "aliens, technology, intergalactic dating/hooking up, the Roman Empire, and the earthling resistance movement." At times the story seems filtered through the earthling point of view; in the next, extraterrestrials listen to phone-tapped conversations by some understandably paranoid humans.
Though at times it sounds like fairly serious subject matter, the group employs a sharp-tongued attack with the same sort of gallows humor cracked wise by the likes of their equally Doubting Thomas inspirational figures, everyone from the Mothers of Invention to Devo. Within the first few minutes, the tone is set; the bright, spiky, opening track over a Krautrock rhythm, "No Parties," contains a line summarizing the restlessness caused by the alienation of modern habits, sung in a mock-English accent: "Collecting devices, you're paying the prices/Of over consumption, with mental destruction."
"Basically, its a dystopian sound-scape of our civilization's collapse," says Savage. Indeed, those feelings of dread are sometimes instrumentally emphasized by passages of synthesizer static and noise, which Savage attributes to being influenced by groups like Chrome. New members Bob Jones (guitar, bass, analog synth) and Jef Brown (Tenor Sax) also add to the playful chaos. Savage says the original duo added members in order to achieve "the tightness that can only come from recording with a live core," as "musicianship is extremely important to Jason and I."
Since Brown and Jones both played in the self-explanatory Evolutionary Jass Band, which evolved out of the equally experimental Jackie-O Motherfucker, there is an expansion in the group's improvisational capabilities that wasn't as obvious on past recordings. Yet nothing sounds forced, each interlude is enjoyable, each hip-hop-inspired skit serves a narrative-pushing purpose. The record bounces from Booker T-styled soul ("Wiretapping Muzak I and II") to early '80s New York dance rock ("Marky Move") with an immodest ease.
"Hi, I'm Heather Strange, and I'm a 23-year-old human earthling female" says a woman between the first and second track. "Really, I'm just looking for a man whose cerebral capabilities haven't been fried by LCD screens yet." Most people reading this might be able to relate to Heather's plight, or worse yet, sink under the weight of being the type of person she's desperately seeking to avoid. But such is the genius of Fergus and Geronimo. They have made all of these variously opposing forces; dark and light, alien and earthling, melody and noise, condemning and being condemned, something that you feel like listening to over and over again. If only to hear what happens next.1. Planet Earth is Pregnant for the 5th Time
2. No Parties
3. The Strange One Speaketh
4. Roman Tick
5. My Phone's Been Tapped, Baby
6. Roman Nvmerals/Wiretapping Muzak I
8. Earthling Men
9. The Uncanny Valley
10. Earthling Women
12. Wiretapping Muzak II
13. Off the Map
14. The Roman Stuff is Where it's At
15. Marky Move
16. Funky Was the State of Affairs$14.99Vinyl LP - Sealed Buy Now
Not AvailableWhile there are a million stories about The Residents, one of the more intriguing concerns the recording of their second LP, Not Available. Early in the career of the band, the theory of obscurity was introduced to them by the German avant-guardist, N. Senada. The plan called for the creation of complete projects that were literally not intended to be heard by anyone other than its creators. The Residents realized the truth in this ideal: that music really was difficult to record without considering the audience. They thought the experience gained by completing such a project would prove worthwhile toward achieving an independent attitude toward music. Not Available was completed in 1974 and stored. Several years later, in 1978, The Residents were severely over schedule on their opus, Eskimo. The record company pulled Not Available from the masters room and released it. Surprisingly, The Residents were not upset by this fact since it in no way violated their original intent.1. Part One: Edweena
2. Part Two: The Making of a Soul
3. Part Three: Ship's A Goin' Down
4. Part Four: Never Known Questions
5. Epilogue$19.99Vinyl LP - Sealed Buy Now
Not RealNot Real' is the second album by Stealing Sheep which has been written, recorded and produced by band members Becky Hawley, Emily Lansley and Lucy Mercer at their studio in Liverpool. The band met in 2010 and work together creating music and visual art.
The unifying theme of the new album 'Not Real' is an interplay of fact and fiction; the edge of dreams and limits of reality. These visions are grounded by bright melodies and insistent beats and unified by vocal harmonies; sometimes metronomic and chant-like, sometimes choral and pop.
It follows their debut, 'Into the Diamond Sun', released in 2012 by Heavenly Recordings. The first album morphed their individual styles to create a 'medieval-kraut-folk' inspired sound. They were described as an unanticipated 'pagan pop revival' and since its release have toured as guests of Postal Service and Alt-J, opened for St.Vincent in Paris, performed the songs of David Lynch at the Barbican and collaborated with the Radiophonic Workshop on an original soundtrack to the cult 70's science fiction film 'Le Planete Sauvage'.
For the second album they have concentrated on developing the sonic aesthetic of their new music. "We are more focussed about what we are trying to do. Everything has a reason for being there." They have been experimenting with tuned percussion, programmed beats, trigger samples and worked with effected synths, utilising the guitar and lap steel more sparingly and introducing more processed sounds. They've drawn inspiration from 50's exotica, electronic music and 80's pop and have been greatly influenced by the likes of Grace Jones, Can, Delia Derbyshire, Eden Ahbez, Moon Dog and John Carpenter. Grayson Perry's pop-folk art and the band's self-created mythologies were also a source of inspiration for song writing.
This is an alternative pop record that has been 'self-manufactured' by the band. Having learned new skills in the studio over the last years, the band (assisted by Sam Crombie and Joe Wills) have self-produced the album. They have used the studio not only as a writing tool but also as an instrument; experimenting with post production and varying instrumentation and layered textures. "We started off in pre-production doing all the demos ourselves" say's Becky "the demos captured an atmosphere that we wanted to carry forward to the album. The result was a hypbrid of casual takes and more considered recordings
Individual songs on the album have different environments and creatures that go with them, often inspired by the galactic rather than earth-bound imagery. Becky: "I imagine dehumanised worlds, planets with creatures that have evolved in a completely different way
The visual side is highly important to the band, all of whom have art backgrounds. "We like to be involved in all the aspects of the presentation because it's symbiotic to the music." They collaborate with artists and with 'the costumologists', coming up with ideas like "outfits that texturally reflect rhythms" and "frequency triggered, light-up costumes". The colourful and organic album cover, a collaboration between photographer Charlotte Rutherford and collage artist Louise Mason, shows their confident image for this record: as they tread the lines of surreal pop.
There is no stopping the imaginations of Stealing Sheep - but like lucid dreams, these are controlled fantasies and skilfully created worlds. Follow them on a hypnagogic journey as they sing: "listen to yourself and look within".1. Sequence
3. Not Real
4. This Time
10. She$22.99Vinyl LP - Sealed Buy Now
Not Of This EarthNot of This Earth is the first studio album by guitarist Joe Satriani. Originally released in 1986, this all-instrumental album was making ripples in the guitar-playing community not long after it was issued. It's easy to see why: superior compositions, a signature style, a unique tone, and playing that's out of this world.1. Not Of This Earth
2. The Snake
5. Brother John
6. The Enigmatic
7. Driving At Night
8. Hordes Of Locusts
9. New Day
10. The Headless Horseman$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
It's Not Us (Pre-Order)
Side D Etching
Umphrey's McGee entered I.V. Labs Studio in Chicago in November of 2016 to record what would become the band's eleventh full-length studio album. The result was it's not us, the most vibrant, mature expression of the band's growing studio prowess to date. "We decided to go in for a week, live, eat, and breathe Umphrey's McGee," recalls Joel, "we're known as a strong live band, but we take so much pride in our writing. [In this album] the focus is on that writing."1. The Silent Type
3. Whistle Kids
4. Half Delayed
5. Maybe Someday
6. Remind Me
7. You & You Alone
9. Speak Up
11. Dark Brush$29.99Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
Fear Not For ManFear Not For Man was one of the first albums to be released by Fela following the sacking of his Kalakuta Republic compound by 1,000 soldiers on 18 February 1977. Fela, along with many other Kalakuta residents, was brutally beaten; his mother, then aged 77, was thrown out of a window, fracturing a leg.
The army set fire to the compound, destroying six Afrika 70 vehicles, all Fela's master tapes and band equipment, a four-track recording studio, and all the community members' personal belongings. It is doubtful, contrary to some sources, Fear Not For Man was recorded after the attack - doubt which is dispelled by neither the gruesome front sleeve design, showing blood flowing down Fela's face.
His response came later, on albums such as Unknown Soldier (1979) and Coffin For Head Of State (1980); Fela's practice of no longer performing a song live once he had released it on record is the reason for the two/three year gap between the attack and the release of these albums.1. Fear Not For Man
2. Palm Wine Sound (Instrumental)$19.99Vinyl LP - Sealed Buy Now
We're Not Going AnywhereAustin-based songwriter David Ramirez will release We're Not Going Anywhere, the follow up to his 2015 breakthrough record Fables and second in partnership with Thirty Tigers.
Most times, when a relationship ends, there is a season of mourning but then the clouds part, the sun rises, and we move on. What happens if and when the sun doesn't rise? What happens if, no matter how hard we try, we can't move on? Ramirez explained about the song.
On the 10 vividly imagined and passionately performed songs on We're Not Going Anywhere David Ramirez takes in the world from his unique perspective: Being half white and half Mexican has made this current political climate especially interesting. So many cultures in this country are being viewed as un-American and it breaks my heart. My family have raised children here, created successful businesses here, and are proud to be a part of this country. Most of what I've seen as of late is misplaced fear. I wanted to write about that fear and how, instead of benefiting us, it sends us spiraling out control.
For We're Not Going Anywhere, Ramirez partnered with producer Sam Kassirer, who has helmed albums by Josh Ritter, Lake Street Dive, Bhi Bhiman, and many other artists. In January 2017 Ramirez and his band decamped to the Great North Sound Society, an eighteenth-century farmhouse in rural Maine that serves as Kassirer's studio.
It's very secluded, which was part of the appeal. We were able to get out of our touring headspace and stay completely involved with the record and what we were doing, explains Ramirez.
We're Not Going Anywhere turns that distance into a big-picture perspective- engaged and informed, compassionately political but not necessarily partisan. We'd take breaks during the day and watch the news and see all the rallies and marches and the disruption and the out-of-control feeling that was everywhere then-and, frankly, still is now. We were looking around and no one was around us. The closest house was a mile away, so it was just us. We were grateful just to retreat from that social tornado for a while and create something that we hoped would be very beautiful.1. Twins
2. Watching From A Distance
3. People Call Who They Wanna Talk To
5. Good Heart
6. Stone Age
7. Telephone Lovers
9. Eliza Jane
10. I'm Not Going Anywhere$18.99Vinyl LP - Sealed Buy Now
REDD-CHE-6900xKing's Daughters and Sons
If Then Not WhenThe ghost stories, murder ballads and grimoires on Louisville, KY's King's Daughters & Sons full-length album If Then Not When are haunting, spare and at times explosively unsettling; part William Faulkner, part Led Zeppelin. Informed by, but not beholden to the history of its members (Shipping News, Rachel's, The For Carnation, Shannon Wright), their songs are singular, thoughtful and best heard loud. If Then Not When was made direct to 2 tape in 2008 and 2009 at The Funeral Home by Kevin Ratterman, engineer for California Guitar Trio, My Morning Jacket and Wax Fang. Mastered by Bob Weston, Chicago Mastering Service.1. Sleeping Colony
2. Arc Of The Absentees
3. Dead Letter Office
4. The Anniversary
5. A Storm Kept Them Away
8. Open Sky$24.99Vinyl LP - Sealed Buy Now
I'm Not The DevilCody Jinks was raised on country music but he cut his teeth on metal. "Metallica was king. They set the tone for me and I spent a good part of my youth wanting to be James Hetfield." After a dedicated stint as a frontman in a thrash metal band, Jinks willingly found himself back to where it all began. "My dad loved the outlaw country icons, Johnny Cash, Waylon Jennings and Merle Haggard. That never ending consistency of incredible music growing up laid some very deep seeds. I'm mean, come on nothing better than mentally diving into 'The Hag' and metal when it comes time for me to write songs."
Always avoiding trends and ferociously choosing his direction was the only option from day one, even though that very path could have prevented success. "What is success if you can't wake up everyday being who you really are. In the end, that will catch up with you." Jinks has been tested countless times by his career choices. The better part of the last 15 years have included numerous empty bar rooms and a never ending financial loss. "Yeah, I've been pretty good at losing money. Not the greatest feeling in the world to be gone from home for long stretches of time, only to walk in the door broke. Luckily I've got a damn good woman in my life. She has stood by me with unmeasurable strength to say the least and it is an absolute fact that I seriously overplayed my hand when landing her."
His long, dark beard and endless array of tattoos are no fad. They unquestionably define Cody Jinks. His prototypical metal/hard rock band frontman look is not a well orchestrated image, but again, define Cody Jinks. Diving into to his album, I'm Not the Devil is the perpetual truth of who he is and where he has found himself at this point in his career. "I'm just glad that I ended up where I am now," Jinks said. "It makes complete sense that I'm at this place in my life. Country music found me when I was young and chased me down as I grew older"
Jinks' latest project is his deepest, darkest and most provocative album to date, with a metal common denominator, the apocalypse, running throughout the record. "It's a pretty scary time," Jinks said. "There are some evil people running things in the world. It hits me since I have a six and three-year old."
There's not a weightier song than the aptly titled "Heavy Load." It's the most apocalyptic song on the album but the dense cut, with a pretty violin break, is a gorgeous tune. The vocal hook grabs ears when Jinks croons "Train Jumps Tracks Some Time Ago/You Can't Root That Heavy Load." "That was the last song I wrote on the record," Jinks said. "I couldn't be happier how that one turned out."
"All You Can" features a pretty piano line and sobering wordplay. When Jinks belts out 'What Are You Living For," you can't help but think about the serious question posed in what is becoming an increasingly shallow existence. "I was really tired when I wrote that song," Jinks said. "We had been on the road for awhile. The bottom line is that if you're not helping people, you're not doing your job as a human being. It's time to quit feeling sorry for yourself and do something."
One of Jinks' favorite songs on the album is "The Way I Am," a cover of a Merle Haggard classic. "I love that song," Jinks says. "I wrapped it up just before Merle died. The song always resonated with me. I relate to that one since there are times I would rather be out fishing."
"No Words" is a stunner of a gritty, autobiographical love song, which is a throwback to how songs used to be written. It is a tuneful gem, inspired by reality. Jinks starts out dark as night. "My Whole View of the World has Changed/ I Guess that Comes with Age/I Don't Believe there is Good in Every Man Like I Did Back Then/I May Drink More Than I Should/You've Seen Me on the Floor/I Spent my Lifetime in this Cage I Built Around Me." But the song is actually a tip of the hat to his beloved wife of 19 years. "There Aint' No Words/ To Say How Much I Need You/With You Here/ You Make This Life I Lead Worth Living." "It's about my wife," Jinks says. "But the funny thing is that she doesn't like it. She thinks it sounds too sad."
With the title track "I'm Not the Devil," Jinks wakes us all up to the realities of mistakes and the heartfelt desire to be forgiven. "We are all guilty of mistakes and very guilty of pointing out the mistakes of others. Forgiveness feels so much better or so I think."
It's impressive how Jinks is getting his message across. Jinks utilizes space well in his songs. Notes aren't crammed in. Jinks lets his songs breathe. "After all I've experienced, I think I've matured," Jinks says. "I think you can hear it in the music. I've grown up."
Even though he still looks the part of the headbanger he was back in the day, he has moved on. "It's all for the best, Jinks says. "I'm where I was meant to be."
It's all about the music and the fans, who are the fuel that drives Jinks. "They come out night after night giving up hard earned money and precious time to see me play," Jinks says. " It's truly is amazing when you really think about it. The best way I can say thanks is by giving back with effort and gratitude."1. The Same
2. I'm Not the Devil
3. No Guarantees
4. No Words
5. Give All You Can
6. She's All Mine
7. The Way I Am
8. Chase That Song
9. Heavy Load
11. Church at Gaylor Creek
13. Hand Me Down$24.99Vinyl LP - Sealed Buy Now
I'm Not Your ManIt's amazing how the floodgates open when you shut out all the internal and external noise, stop pandering to stereotype, cease listening to your anxieties, and disregard the compartment society has built for you. I'm Not Your Man, the Charlie Andrew(Alt-J, Rae Morris)-produced second album from Marika Hackman, begins with an impromptu hearty laugh. It's not the sound of silliness; it's the sound of liberation, spontaneity, and joy. 24-year-old Hackman is feeling more herself than ever. Life isn't necessarily funnier or happier, but when there's cause for a joke or a big ballsy statement, she's not holding back anymore.
The album took almost 18 months to complete, during which time Hackman switched to a new manager and a new label, transitions that yielded new avenues for exploration, a lot of time, and a lot of distance - mainly, she insists, from self-imposed boundaries. "I used to be very self-conscious," explains Hackman. "If something sounded a bit too pop or like I'd heard it before I'd mold it into something different. This time around I thought, 'fuck it, I'll just let it flow.'"
The results of this semi-anarchic approach are evident in the grungier, catchier sonics of I'm Not Your Man, and the lyrics, which reveal an unhinged and shamelessly free Hackman. There's an open-ended nature to the lyrics, which delve into femininity, sex and sexual identity, millennial ennui, the pressures of living in a social media bubble, and the perils of being young in a fast-paced industry. "The record's all about female relationships, romance, and breakdowns, but there's also a dim worldview going on. 'I'm Not Your Man' can either mean 'I'm not your man, I'm your woman,' or it can mean 'I'm not a part of this.'"
Hackman cranked up the knobs in the studio, turning away from the quieter sounds of her past to realize her teenage fantasy of fronting a raucous band. "I wanted to let rip and lose control. When I was younger I wasn't looking at Joni Mitchell. I was looking at Nirvana thinking, 'I wanna be like that!'" To channel this feral female energy, Hackman recruited London quartet The Big Moon as her backing band. The results are a dynamic, multi-genre album tied together by razor-sharp wit. The sounds span from Cate Le Bon weirdness to Warpaint dirge jams to straight-up Britpop choruses. "People were saying it was a mash-up between Radiohead, Blondie, and The Cure," laughs Hackman, self-mockingly. "I can't wait to see the reaction," she says. "That's the thrill of reinventing yourself. I might piss off a lot of die-hard folky fans but this is still my brain, it's still my world, and I'm gonna create it how I want."1. Boyfriend
2. Good Intentions
3. Gina's World
4. My Lover Cindy
5. Round We Go
8. Time's Been Reckless
9. Apple Tree
10. So Long
11. Eastbound Train
13. I'd Rather Be With Them$19.99Vinyl LP - Sealed Buy Now
REDD-SIL-3815xShelby Lynne & Allison Moorer
Not Dark YetCritically acclaimed artists and sisters Shelby Lynne and Allison Moorer will release Not Dark Yet via Silver Cross Records / Thirty Tigers. Produced by Teddy Thompson, their first and highly anticipated album together is an extraordinary debut of the pair's transcendent musical bond.
Not Dark Yet was recorded in Los Angeles in the summer of 2016. The album provides a potent look at the sisters' individual and collective artistry through eclectic song choices from writers ranging from the Louvin Brothers, Nick Cave, Kurt Cobain, and back to Jessie Colter. Shelby and Allison wrap their arms around the past, plant their feet in the present, and nod toward what's around the bend with a co-written Is It Too Much, to close out the ten-song set.1. My List
2. Every Time You Leave
3. Not Dark Yet
4. I'm Looking for Blue Eyes
6. The Color of a Cloudy Day
7. Silver Wings
8. Into My Arms
10. Is It Too Much$19.99Vinyl LP - Sealed Buy Now
Forgiven Not Forgotten180 Gram Audiophile Vinyl
Multi-platinum Debut Album By The Corrs
Includes The Singles Runaway, Forgiven, Not Forgotten, The Right Time And More
First Time On Vinyl!
The Corrs are the most successful family band from Ireland compromising three sisters and one brother. They blend contemporary pop rock elements with themes from their traditional Irish background within their music. The Corrs have released six studio albums and numerous singles, which have reached Platinum in many countries, and have sold 40 million albums worldwide.
Forgiven, Not Forgotten is the debut album by The Corrs. The album was primarily produced by David Foster, with additional production by Jim Corr. It became internationally popular, but nowhere more so than their homeland, where the LP's four-times-platinum status made it one of the most popular debuts by an Irish group.
The traditional Irish instruments like the bodhran and tin whistle add a twist to the pop melodies of tracks like the title track and The Right Time, where they are allowed some solo time. The Irish musical background of the band members is most obviously heard in Sharon Corr's violin work, used here more like a traditional Irish fiddle than a classical violin.
The album spawned five official single releases including Forgiven Not Forgotten, Runaway, The Right Time, Love to Love You and Closer.
The immense popular debut album by The Corrs is available on vinyl for the first time ever!1. Erin Shore (Instrumental)
2. Forgiven, Not Forgotten
3. Heaven Knows
4. Along With The Girls (Instrumental)
7. The Right Time
8. The Minstrel Boy (Instrumental)
9. Toss The Feathers (Instrumental)
10. Love To Love You
11. Secret Life
12. Carraroe Jig (Instrumental)
14. Leave Me Alone
15. Erin Shore$34.99180 Gram Audiophile Vinyl LP - Sealed Buy Now
REDD-GND-4318xJohn Mark Nelson
I'm Not Afraid"When people hear John Mark Nelson's music for the first time, there'soften a sense of disbelief. With arrangements that recall the work of veteran songwriters, the 19-year-old Minnesota native has been recording
sophisticated compositions since he was 14." - NPR, Jon Schober (2013)
The past may be prologue, but for John Mark Nelson, the present is something else entirely: a gateway into a new era of life and the new sound that defines his upcoming album, I'm Not Afraid. Having released two critically lauded albums of melodic, lilting folk songs the ages of 17 and 19, Nelson, now 21, is set to take
listeners on a leap forward into a new sonic landscape of propulsive rhythms and bright, complex instrumental arrangements. From the irresistible bounce and frustrated romance of the first single, "Dream Last Night," to the clap-along amble of "Broken" and the timeless, elegant sweep of "I Won't Win (If I Let You In)," I'm Not
Afraid defies genre and demands attention. As a document of what Nelson calls "a very new, very different season of life," it positions him as one of the most exciting young songwriters and multi-instrumentalists
of his generation.1. After All I've Done
2. Dream Last Night
3. I'll Give You More
4. Holes In Our Skin!
5. I'm Not Afraid
6. A Hundred Orchards
9. That's What You Do
10. I Won't Win (If I Let You In)$18.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Weather Or Not (Pre-Order)
Blue Colored Vinyl
The people's voice of Venice Beach, Evidence, has returned to
deliver his third solo album, Weather or Not. Since the Grammy
Award-winning artist's last solo release, Cats & Dogs, he's
delivered some remarkable group projects, including Step
Brothers' Lord Steppington with close ally Alchemist, and
Directors of Photography with seminal supergroup Dilated
Peoples. He's also immersed himself into his studio, producing
beats for a wide range of artists that includes Vince Staples,
Fashawn, Roc Marciano, Madchild, Defari and more. By now, it
should be clear the seasoned veteran has no plans of slowing,
and no hopes of satiating his hunger.
Weather or Not represents the fourth and final chapter in Ev's
Weatherman series before beginning the next saga, but this
chapter will be remembered as the finest. The album features an
all-star lineup of guests and friends, including Slug (Atmosphere),
Rakaa (Dilated Peoples), Alchemist, Styles P, Rapsody,
Jonwayne, Defari, Krondon, Khrysis, Mach Hommy and Catero.
While Evidence holds his own on the boards, he's also tapped a
stellar cast of producers to share duties with, including
Alchemist, DJ Premier, Nottz, DJ Babu, Twiz The Beat Pro, Sam I
Yam and Budgie. As Evidence modestly suggests, quoting a MC
Lyte classic, this new album is even "better than before, as if that
was possible."1. The Factory
2. Throw It All Away
3. Powder Cocaine ft/ Slug & Catero
4. Jim Dean
5. Weather or Not
6. Moving Too Fast ft/ Catero
7. Runners ft/ Defari
8. Bad Publicity ft/ Krondon
9. Rain Drops
10. Sell Me This Pen ft/ Alchemist & Mach Hommy
11. Love Is A Funny Thing ft/ Styles P, Rapsody & Khrysis
12. 10,000 Hours
13. What I Need
14. To Make A Long Story Longer ft/ Jonwayne
15. Wonderful World ft/ Rakaa
16. By My Side Too$28.99Colored Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
This World Is Not EnoughSince 2010, Elias Bender Rønnenfelt (Iceage, Vår) has used the Marching
Church moniker to a variety of musical ends, both live and recorded. However,
the project as it exists on This World Is Not Enough wasn't born until November
2013. With a live performance looming and no real idea what the set would be,
Rønnenfelt found a new vision for the band while daydreaming at a gig at the
venue where Marching Church was set to perform. "What I pictured was me in a
comfortable armchair, adorned in a golden robe, leading a band while a girl kept
pouring me champagne when I required it," Rønnenfelt explained. "This raised
the question, 'What sort of music would go along with this picture?'"
Rønnenfelt discovered the answer to that question with a lineup rounded out by
Kristian Emdal and Anton Rothstein of Lower, Cæcilie Trier (Choir of Young
Believers), Bo H. Hansen (Hand of Dust, Sexdrome) and Frederikke Hoffmeier
(Puce Mary). Under Rønnenfelt's leadership, the group composed some music,
rehearsed twice, and played their show. It was decided that night that this incarnation
of Marching Church would make a record.
This World Is Not Enough was influenced at first by obscure works like David
Maranha's experimental drone-rock saga Antarctica, and eventually by soul
bandleaders like James Brown and Sam Cooke. "The whole month of writing
and rehearsing and the one week we had in the studio was truly an explosion
of ideas," Rønnenfelt said. "Improvisation, something I have never worked with
before, was crucial in the making of this album, considering the loose nature
of the writing on some of these songs. The album works because of the band's
incredible ability of breathing life into these, at times, very simple ideas and
The eight tracks that made the final cut are, in Rønnenfelt's words, "songs of
nocturnal longing, preposterous self-obsession and cockeyed etiquette," and they
are an exemplary statement of the songwriter's extraordinary growth since the
birth of Iceage.1. Living in Doubt
2. King of Song
3. Hungry for Love
4. Your Father's Eyes
5. Calling Out a Name
6. Every Child (Portrait of Wellman Braud)
7. Up a Hill
8. Dark End of the Street$19.99Vinyl LP - Sealed Buy Now