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  • Hard Bop (Discontinued) Hard Bop (Discontinued) Quick View

    $44.99
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    Hard Bop (Discontinued)

    Cut from the Original Analog Mono Master Tapes by Kevin Gray and Robert Pincus & Pressed at RTI


    Numbered Limited Edition of Only 2500 Copies


    Some of the greatest jazz musicians of all time have passed through Art Blakey's Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter and Donald Byrd, among many others. However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interpretive capacity. Blakey's ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.


    Altoist Jackie McLean, trumpeter Bill Hardman, bassist Spanky deBrest, and pianist Sam Dockery join the fold here to along with Blakey deliver whole-bop goodness on five propulsive, fiery tracks. True to its title, this LP bops hard, with a ferocious swing, boundless energy and telepathic communication between players - especially Blakey and Hardman. Considering the rhythmic demands of Blakey's locomotive playing style, this was an incredible achievement.


    Impex Records has cut this gorgeous, limited edition (2,500 pressings) 180-gram LP with the original analog mono master tapes and without computer processing of any kind. You hear all the vivacious interplay that occurred on that weekend in 1957 when Blakey and crew forged a bold new vision of muscular, funky jazz. This is music that still resonates over 50 years later. Not to be missed!


    This title is not eligible for discount

    1. Cranky Spanky
    2. Stella By Starlight
    3. My Heart Stood Still
    4. Little Melonae
    5. Stanley's Stiff Chickens
    Art Blakey and the Jazz Messengers
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Mysterious Traveller (Speakers Corner) (Awaiting Repress) Mysterious Traveller (Speakers Corner) (Awaiting Repress) Quick View

    $34.99
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    Mysterious Traveller (Speakers Corner) (Awaiting Repress)

    In Weather Report's fourth album the mysterious multi-instrumentalist Joe Zawinul travels once again through his virtually endless sound universe. And once again the question arises as to whether he will manage to leave his genetic fingerprint - without resorting to routine - on all the newly created sounds. The magic word here is naturalness, which makes its way safely and surely through the electronic backdrop.



    Nubian Sundance, performed with two drummers and a percussionist, twists and turns in an apparently disoriented, meditative fashion through a mix of sizzling sound and colours, leading up to the final live applause that brings this dance to a close and making it a real experience for all. Following the translucent, will-o'-the-wisp-like American Tango is Cucumber Slumber with its compact funky sound created by a cool mix of saxophone and the sucking sound of a synthesizer. The two protagonists Zawinul and Shorter seem to be on a par with one another in the dazzling title piece where the lyrical saxophone part is supported by thunderous piano chords. Warm, dreamy harmonies are heard for a short while, only to be hacked apart in Blackthorn Rose - this is no orbital music floating around in your head but sheer tension, which makes you clutch your seat until landing. Back on earth the mysterious traveller was received with open arms with the readers of Down Beat magazine voting the LP 'Album of the Year 1974'.



    Musicians:



    • Joe Zawinul (keyboards, percussion, vocals, guitar)

    • Wayne Shorter (saxophone, piano)

    • Miroslav Vitous, Alphonso Johnson (bass)

    • Ray Barretto, Dom Um Romão (percussion)

    • Skip Hadden, Ishmael Wilburn (drums)




    Recording: 1974 at Devonshire Sound, North Hollywood, USA, by Ron Malo

    Production: Josef Zawinul and Wayne Shorter





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Nubian Sundance
    2. American Tango
    3. Cucumber Slumber
    4. Mysterious Traveler
    5. Blackthorn Rose
    6. Scarlet Woman
    7. Jungle Book
    Weather Report
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Speak No Evil Speak No Evil Quick View

    $19.99
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    Speak No Evil


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Speak No Evil is recent Grammy®-winner, Wayne Shorter's sixth album. Recorded in 1964 and released on Blue Note in 1965 the album features Shorter
    on tenor sax with Herbie Hancock on piano, Freddie Hubbard on trumpet, Ron Carter on bass and Elvin Jones on drums. Speak No Evil combines
    elements of hard bop and modal jazz on the album's six tracks: "Witch Hunt," "Fee-Fi-Fo-Fum," "Dance Cadaverous," "Speak No Evil," "Infant Eyes" and
    "Wild Flower". Celebrating 50 years since its recording, Speak No Evil was newly-remastered for vinyl by Alan Yoshida at Dunning-Kruger in Los Angeles
    as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.

    1. Witch Hunt
    2. Fee-Fi-Fo-Fum
    3. Dance Cadaverous
    4. Speak No Evil
    5. Infant Eyes
    6. Wild Flower
    Wayne Shorter
    $19.99
    Vinyl LP - Sealed Buy Now
  • Sorcerer (Awaiting Repress) Sorcerer (Awaiting Repress) Quick View

    $49.99
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    Sorcerer (Awaiting Repress)


    1967 Post-Bop Classic the Third of Five Albums from Miles' Prized Second Quintet


    Mastered from the Original Master Tapes: Sorcerer Has Never Sounded More Dynamic, Present, Warm, or Tonally Rich


    Mood, Inflection, and Nuance Take Center Stage on Compositions Steeped in Sophisticated Expressionism


    Filled with aural magic and enchanting musical spells, Sorcerer is true to its name. The third of five albums devised by Miles Davis' legendary second quintet-and the second record in a still-unprecedented string of eight consecutive releases within a four-year period that forever changed the face of jazz-the 1967 magnum opus mesmerizes with instrumental colors, subdued musings, and subtle details. These crucial characteristics blossom with vibrant realism on Mobile Fidelity's definitive 45RPM pressing.


    Mastered from the original master tapes and pressed on 180g 45RPM vinyl at RTI, this collectable audiophile edition of Sorcerer joins the ranks of eleven other essential Davis records given supreme sonic and packaging treatment by Mobile Fidelity. Longtime listeners will immediately recognize a wealth of information and depth of tonality unavailable on prior versions. The myriad shadings, interwoven textures, and relaxed nuances that tie the post-bop set's warm compositions together are rendered with utmost realism.


    This is a reference-standard reissue. You'll hear poetic lyricism pouring out of Wayne Shorter's horn, the breadth and definition of the notes spreading across an enormous soundstage. Never before have drummer Tony Williams' rim shots ricocheted with such purpose or his light percussive work mirrored that of a feather touching skin. Similarly, Herbie Hancock's piano runs now occupy their own space, where their relationship to the central rhythms and front line becomes clearer.


    Prizing inflection and nuance more so than heady solos or uptempo flights, Sorcerer mesmerizes with cerebral properties and cascades of emotional interplay. Such beauty emerges in the mellow ballad "Pee Wee," an indelible statement of restrained authority and sophisticated expression. The swirling title track unfolds as jazz shadowplay, Hancock, Shorter, and Williams mirroring one another's moves with guile and purpose. The opening "Prince of Darkness" showcases the ensemble's reach and communication, every musician going in seemingly different directions yet ending up on the same page.


    A lasting example of Davis' visionary insight, Sorcerer is comprised entirely of pieces written by his band mates. Indeed, save for the closing "Nothing Like You"-a brief tribute to Davis' eventual wife, who also graces the cover, recorded in 1962 and adorned with vocals from Bob Dorough-the album represents a further maturation and refinement of a quintet that stands as one of the finest in jazz history. Mobile Fidelity is proud to give the record the treatment it's long deserved.


    This title is not eligible for discount.

    1. Prince of Darkness
    2. Pee Wee
    3. Masqualero
    4. The Sorcerer
    5. Limbo
    6. Vonetta
    7. Nothing Like You
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - Sealed AWAITING REPRESS Buy Now
  • Juju Juju Quick View

    $19.99
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    Juju


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Originally released in 1964, JuJu is Grammy®-winner Wayne Shorter's fifth album. Celebrating its 50th anniversary JuJu will be reissued as part of the overall Blue
    Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.

    1. Juju
    2. Deluge
    3. House Of Jade
    4. Mahjong

    5. Yes Or No

    6. Twelve More Bars to Go
    Wayne Shorter
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Nefertiti Nefertiti Quick View

    $34.99
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    Nefertiti

    Import


    Recorded in two days in the summer of 1967 Nefertiti is Miles Davis' last fully acoustic album, with no compositions from Miles himself. Most tracks are written by Wayne Shorter & Herbie Hancock.


    Best known for its unusual title track, where the horns keep repeating the melody and the rhythm section improvises (in stead of the other way around).


    Whilst an acoustic album, it does signals Miles' transition from bop to jazz fusion; a hint at the next albums Miles in the Sky and the critically acclaimed In A Silent Way.


    Rhythm section: Tony Williams & Ron Carter

    Side A

    1 Nefertiti

    2 Fall

    3 Hand Jive


     


    Side B

    1 Madness

    2 Riot

    3 Pinocchio

    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Harmon Gymnasium, University of California, Berkeley CA, April 7th 1967 (Awaiting Repress) Harmon Gymnasium, University of California, Berkeley CA, April 7th 1967 (Awaiting Repress) Quick View

    $24.99
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    Harmon Gymnasium, University of California, Berkeley CA, April 7th 1967 (Awaiting Repress)

    Digitally Remastered


    This remarkable 1967 concert finds Miles Davis playing with his second quintet: Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Albert Stinson (bass), and Tony Williams (drums). Recorded for broadcast on KALX radio, it features the only live recording of ''Dolores'' by this group, and their last known recording of ''Stella By Starlight.'' An incendiary document of a great artist at the peak of his powers, it's presented here with background notes and images.

    1. Gingerbread Boy
    2. Stella By Starlight
    3. Dolores
    4. Round Midnight
    5. So What
    6. Walkin'
    Miles Davis
    $24.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • The Columbia Years 1968-1969 The Columbia Years 1968-1969 Quick View

    $25.99
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    The Columbia Years 1968-1969

    All Tracks Previously Unreleased (Except Track B5/8)


    Production By Miles Davis & Teo Macero


    Featuring Performances From Hugh Masekela, Mitch Mitchell (Jimi Hendrix Experience), John Mclaughlin, Herbie Hancock, Harvey Brooks, Wayne Shorter, Billy Cox (Band Of Gypsys), Larry Young, And Members Of The Jazz Crusaders


    Remastered From The Original Analog Master Tapes


    New Interviews, Rare Photos, And Unseen Historical Documents From The Teo Macero Archive


    One can hardly imagine Prince, Erykah Badu, or Outkast without the influence of Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can't be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli have rhymed over her intensely strong but sensual music. Betty penned the song ''Uptown'' for The Chambers Brothers and wrote the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty's career would be her unbending DIY ethic, which made her quickly turn down anyone who didn't fit with the vision. She would eventually say no to Eric Clapton as her album producer, seeing him as too banal. In 1968, she married Miles Davis and quickly influenced him on the magic of psychedelic rock along with introducing him to Jimi Hendrix-personally inspiring the classic album, Bitches Brew.


    Miles and Betty fans have long debated the truth of a near mythological session recorded in Studios B and E at Columbia's 52nd Street Studios on May 14th and 20th, 1969. The landmark session was produced by Miles and Teo Macero and featured Betty on vocals, accompanied by Jimi Hendrix Experience drummer Mitch Mitchell, guitarist John McLaughlin, Herbie Hancock on keys, and Dylan/Miles session bassist Harvey Brooks. Other players included bassist Billy Cox (Band of Gypsys), saxophonist Wayne Shorter, and organist Larry Young. Now, Light In The Attic, with full support from Betty herself, presents these recordings to the public for the very first time. These historic sessions-never heard, never bootlegged-predate Miles' revolutionary album, Bitches Brew, and are the true birth of Miles' jazz-rock explorations, along with the roots for Betty's groundbreaking funk that came years later, starting with her self-titled debut in 1973. While, ultimately, these recordings would go unreleased for nearly half a century, they would greatly shape each of their careers.


    The vibe is intrinsically unique, fresh, and futuristic-jazz heavyweights playing psychedelia, rock, and jazz-fusion long before the term became commonplace. The songs include Betty originals and covers of classics by Creedence and Cream. The concepts explored on these previously unheard sessions fueled concepts that wouldn't be fully realized until years later with Miles' seminal On The Corner.


    Additionally, included here is the first time rerelease of a 1968 Columbia single, recorded in October 1968 at Columbia Studios in Los Angeles. The session was produced by Jerry Fuller and featured South African maverick Hugh Masekela on trumpet and arrangements, plus members of jazz-funk pioneers The Crusaders-including trombonist Wayne Henderson and pianist Joe Sample. Two of the three tracks included here from this session are previously unreleased.


    This deluxe package is a treasure trove for both Betty and Miles fans, including rare documents from the pen of co-producer Teo Macero, rarely seen photos from legendary photographer Baron Wolman, and new interviews with Mrs. Davis herself, Harvey Brooks, and Hugh Masekela-the entire project overseen with Betty's full blessing.

    1. Hangin' Out
    2. Politician Man

    3. Down Home Girl

    4. Born On The Bayou

    5. I'm Ready, Willing & Able (Take 1)

    6. I'm Ready, Willing & Able (Take 9)

    7. It's My Life (Alternate Take)

    8. Live, Love, Learn

    9. My Soul Is Tired
    Betty Davis
    $25.99
    Vinyl LP - Sealed Buy Now
  • Night Dreamer (Awaiting Repress) Night Dreamer (Awaiting Repress) Quick View

    $19.99
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    Night Dreamer (Awaiting Repress)

    Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Tenor-saxophonist Wayne Shorter's Blue Note debut found him well prepared to enter the big time. With an impressive quintet that includes trumpeter Lee Morgan, pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones, Shorter performed a well-rounded program consisting of five of his originals, plus an adaptation of an Oriental Folk Song. Whether it be the brooding title cut, the Coltranish ballad Virgo or the jams on Black Nile and Charcoal Blues this is a memorable set of high-quality and still fresh music.

    Night Dreamer
    Oriental Folk Song
    Virgo
    Black Nile
    Charcoal Blues
    Armageddon
    Wayne Shorter, Lee Morgan, Reginald Workman
    $19.99
    Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
  • Adam's Apple (Awaiting Repress) Adam's Apple (Awaiting Repress) Quick View

    $19.99
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    Adam's Apple (Awaiting Repress)

    "Adam's Apple" by Grammy®-award winner, Wayne Shorter will be reissued as part of an overall Blue Note 75th anniversary vinyl initiative spearheaded by current Blue Note Records President, Don Was. Recorded in 1966, this is Shorter's tenth album. This album includes the first recording of Shorter's composition "Footprints" which was later recorded by the Miles Davis Quintet.
    1. Adam's Apple
    2. 502 Blues (Drinkin' and Drivin')
    3. El Gaucho
    4. Footprints
    5. Teru
    6. Chief Crazy Horse
    Wayne Shorter
    $19.99
    Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
  • Caravan Caravan Quick View

    $27.99
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    Caravan

    Import


    Includes 1 Bonus Track


    By the time that jazz icon/bandleader/percussionist Art Blakey and his Jazz Messengers began recording for Riverside in the fall of 1962, Blakey had already been the spiritual center of the group for nearly 15 years. The unprecedented caliber of performers who had already passed through the revolving-door personnel reads like a who's who of 20th century jazz. On Caravan -- his first of several notable sides for the venerable label -- he is joined by a quintet of concurrent and future all-stars. Likewise, it could be argued that each has never again been presented in such a fresh or inspired setting as on these recordings. In order to establish with any authority just how heavy (even for purveyors of hard bop) the players in this band are, they need only to be named: Curtis Fuller (trombone), Freddie Hubbard (trumpet), Wayne Shorter (tenor sax), Cedar Walton (piano), and Reggie Workman (bass). With Blakey (drums) firmly at the helm, these Jazz Messengers deliver a scintillating synergy that doesn't sacrifice intensity for the sake of cadence. The trademark give-and-take that graces the laid-back and sophisticated pop and jazz standards Skylark and In the Wee Small Hours of the Morning likewise is responsible for the palpable energy brought to the sizeable contributions from Shorter and Hubbard -- which make up half of the album's material. The title and leadoff track liquefies Duke Ellington's original arrangement and ignites it, fueling this extended fiery interpretation. Hubbard's first solo harks back to his own recording of Caravan, which can be heard on the Impulse release Artistry of Freddie Hubbard and was recorded earlier the same year. Coincidentally, that disc also features Curtis Fuller as well as a rare non-Sun Ra-related appearance from John Gilmore (tenor sax). Blow for blow, however, this reading has more than just an edge -- it possesses the entire blade. The melody snakes in and out of Blakey's strident flurry of syncopation. Another highlight is Shorter's interjectory solo, recalling his ability to succeed John Coltrane in Miles Davis' coterie. Among the original compositions, Shorter's upbeat Sweet 'n' Sour stands out as the most cohesive and ensemble-driven, although the singular group dynamic is well applied to the lively This Is for Albert as well. By contrast, Hubbard's Thermo is more angular -- taking full advantage of the musicians' aggressive chops. The 2001 20-bit remaster from Fantasy contains two bonus tracks: take four of Sweet 'n' Sour and take two of Thermo. This release can be considered definitive Blakey, bop, and Jazz Messengers.

    - Lindsay Planer (All Music)

    1. Caravan
    2. Sweet 'n' Sour
    3. In The Wee Small Hours Of The Morning
    4. Sweet 'n' Sour [Alternate Take] *
    5. This Is For Albert
    6. Skylark
    7. Thermo


    *Bonus Track (From The Same Sessions. Not On The Original LP)

    Art Blakey
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Free For All Free For All Quick View

    $19.99
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    Free For All


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Free for All is a 1964 jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Now, celebrating its 50th anniversary, the album will be
    newly-remastered for vinyl as part of the overall Blue Note 75th anniversary vinyl reissue campaign. It is the first of many to come. Blakey, the Jazz
    Messenger's leader and drummer, recorded Free for All with Freddie Hubbard on trumpet, recent Grammy®-winner Wayne Shorter on tenor sax, Curtis
    Fuller on trombone, Cedar Walton on piano and Reggie Workman on bass. Free for All features "Free For All" and "Hammer Head" both by Wayne
    Shorter as well as "The Core" by Freddie Hubbard and "Pensativa" by Clare Fischer. This new reissue was mastered by Alan Yoshida at Dunning-Kruger
    in Los Angeles as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.

    1. Free For All
    2. Hammer Head
    3. The Core
    4. Pensativa
    Art Blakey
    $19.99
    Vinyl LP - Sealed Buy Now
  • A Caddy for Daddy A Caddy for Daddy Quick View

    $49.99
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    A Caddy for Daddy

    Blue Note Reissue



    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their handsBack home a month later, I unpack some test pressings Chad Kassem has sent meI hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008


    Hank Mobley was a perfect artist for Blue Note in the 1960s. On this LP, which is a straight reissue of the 1965 session, Mobley is joined by trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw and drummer Billy Higgins (a typically remarkable Blue Note lineup) for the infectious title cut, three other lesser-known but superior originals, plus Wayne Shorter's Venus Di Mildew.



    This title is not eligible for discount.

    A Caddy For Daddy
    The Morning After
    Venus Di Mildew
    Ace Deuce Trey
    3rd Time Around
    Hank Mobley
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Bitches Brew: 40th Anniversary Collector's Edition Bitches Brew: 40th Anniversary Collector's Edition Quick View

    $124.99
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    Bitches Brew: 40th Anniversary Collector's Edition

    This 40th Anniversary Collector's Edition of Miles Davis Bitches Brew is housed in a 12 x 12 slipcase box, contains an audiophile 180g vinyl double-LP gatefold replication of the original album; two CDs with the original 94-plus minutes of music plus six bonus tracks and a third CD of a previously unissued performance at Tanglewood in August of 1970, with Keith Jarrett, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira and Gary Barts; and a DVD of a previously unissued performance in Copenhagen in November of 1969, with Wayne Shorter, Corea, Holland and DeJohnette.


    Also included is a 52 page full-color 12x12 book with a 500 word essay by journalist/author/producer/musician Greg Tate; producer's notes by Michael Cuscuna and Richard Seidel (the box's co-producers); and a Lenny White interview by author Ashley Kahn. The book features Mati Klarwein's painting Zonked (a psychedelic portrait of Miles Davis' wife, Betty, which also encodes a profile of Miles) on its cover, plus dozens of rare, unpublished photographs and record label memos.


    In addition, a memorabilia envelope is also included containing a reproduction of the Miles Davis Rolling Stone cover story from December of 1969, a previously unseen correspondence from Teo Macero's archives, reproductions of three Fillmore West concert tickets from April of 1970, high quality photograph prints, and a foldout poster.

    LP 1:


    1. Pharaoh's Dance
    2. Bitches Brew

    LP 2:


    1. Spanish Key
    2. John McLaughlin
    3. Miles Runs the Voodoo Down
    4. Sanctuary


    CD 1:


    1. Pharaoh's Dance
    2. Bitches Brew
    3. Spanish Key
    4. John McLaughlin


    CD 2:


    1. Miles Runs the Voodoo Down
    2. Sanctuary
    3. Spanish Key (alternate take)
    4. John McLaughlin (alternate take)
    5. Miles Runs the Voodoo Down (single edit)
    6. Spanish Key (single edit)
    7. Great Expectations (single edit)
    8. Little Blue Frog (single edit)


    CD 3 - Tanglewood Live 1970:


    1. Bill Graham Intro
    2. Directions
    3. Bitches Brew
    4. The Mask
    5. It's About That Time
    6. Sanctuary
    7. Spanish Key/The Theme
    8. Miles Runs the Voodoo Down
    9. Bill Graham Outro


    DVD - Copenhagen Live 1969:


    1. Directions
    2. Miles Runs the Voodoo Down
    3. Bitches Brew
    4. Agitation
    5. I Fall In Love Too Easily
    6. Sanctuary
    7. It's About That Time/The Theme

    Miles Davis
    $124.99
    180 Gram Audiophile Virgin Vinyl LP + 3 CD + DVD - 2 LPs Sealed Buy Now
  • Heavy Weather Heavy Weather Quick View

    $19.99
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    Heavy Weather

    Weather Report's Heavy Weather was the ideal release, a popular and artistic success and for the same reasons. Released in 1977 just as the jazz-rock movement began to run out of steam, this landmark album proved that there was plenty of creative life left in the idiom. The powerhouse supergroup comprised of Joe Zawinul, Jaco Pastorius, Wayne Shorter, Alex Acuna and Manolo Badrena delivered their only certified-Platinum release with this killer collection.


    Legacy Recordings has gone to great lengths to present this classic album exactly the way it was originally intended, with all the warmth and nuance that only vinyl can offer!

    1. Birdland
    2. A Remark You Made
    3. Teen Town
    4. Harlequin
    5. Rumba Mama
    6. Palladium
    7. The Juggler
    8. Havona
    Weather Report
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Freedom Jazz Dance: The Bootleg Series, Vol. 5 Freedom Jazz Dance: The Bootleg Series, Vol. 5 Quick View

    $49.99
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    Freedom Jazz Dance: The Bootleg Series, Vol. 5

    2 hours of previously unreleased studio recordings from 1966-1968 newly mixed and remastered in high resolution audio.


    A 3LP collection chronicling Miles' musical evolution in the studio from 1966-1968 working with his second great quintet, the latest edition in Columbia/Legacy's acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist's creative process, drawing on full session reels including all rehearsals, partial and alternate takes, studio conversation and more.


    Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet--Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)--this definitive new collection includes the master takes of performances which would eventually appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of Fall, produced by Howard A. Roberts).

    LP 1
    1. Freedom Jazz Dance (Session Reel)
    2. Circle (Session Reel)
    3. Circle (Take 5 - Section Not Used in Master)
    4. Circle (Take 6 - Section Not Used in Master)
    5. Dolores (Session Reel)


    LP 2
    1. Orbits (Session Reel)
    2. Footprints (Session Reel)
    3. Gingerbread Boy (Session Reel)
    4. Fall (Session Reel)


    LP 3
    1. Nefertiti (Session Reel)
    2. Water Babies (Session Reel)
    3. Masqualero (Alternate Take / Take 3)
    4. Country Son (Rhythm Section Rehearsal)
    5. Blues in F (My Ding)
    6. Play Your Eight (Miles Speaks)

    Miles Davis Quintet
    $49.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Art Blakey!!!!! Jazz Messengers!!!!! Art Blakey!!!!! Jazz Messengers!!!!! Quick View

    $49.99
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    Art Blakey!!!!! Jazz Messengers!!!!!

    Art Blakey discovered and championed young talented musicians such as Clifford Brown, Lou Donaldson, Keith Jarrett and Wynton Marsalis to name but a few. But he also delivered the message of hard bop through thousands of performances at festivals right down to the smallest club. Lively, joyous performances, the very highest technical standards and somnambulistic music-making characterize this recording. Right from the very start it is clear that these jazz ambassadors have a new message for us. The hard-beat recordings win in lyricism thanks to the gentle sound of Curtis Fuller's trombone, something that was often missing in the powerful Blue Note sound. Four jazz evergreens give the musicians the time and opportunity to display their soloistic talents. The real climax, however, is to be found in the harmonic layering of the three winds which lend the themes new appeal. The message was broadcasted many times until the death of Art Blakey, but the history of jazz would have been a great deal poorer without these milestone recordings on the Impulse label. Art Blakey certainly knew how to delight his audience with fire, originality, a wealth of ideas and great humor. All these attributes are applicable to the six titles on this album.


    Musicians:

    Lee Morgan (trumpet)

    Curtis Fuller (trombone)

    Wayne Shorter (tenor saxophone)

    Robert H. "Bobby" Timmons (piano)

    Jymie Merritt (bass)

    Art Blakey (drums)


    Recording: June 1961 at Rudy van Gelder's Recording Studios, Englewood Cliffs, N.J., USA by Rudy van Gelder Production: Bob Thiele



    This title is not eligible for discount.

    1. À la Mode
    2. Invitation
    3. Circus
    4. You Don't Know What Love Is
    5. I Hear a Rhapsody
    6. Gee Baby, Ain't I Good to You
    Art Blakey
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Mosaic Mosaic Quick View

    $19.99
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    Mosaic

    Originally released by Blue Note Records in 1961, "Mosaic" by Art Blakey & The Jazz Messengers, will be reissued as part of an overall Blue Note 75th anniversary vinyl initiative spearheaded by current Blue Note Records President, Don Was. Performing with Blakey, "Mosiac" features critically-acclaimed jazz greats like Wayne Shorter, Freddie Hubbard and Curtis Fuller. This version of The Jazz Messengers performed together from 1961 through 1964.
    1. Mosaic
    2. Down Under
    3. Children of the Night
    4. Aarbia
    5. Crisis
    Art Blakey
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Ready For Freddie Ready For Freddie Quick View

    $19.99
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    Ready For Freddie


    Part Of The Blue Note 75 Anniversary Vinyl Reissue Campaign


    Ready For Freddie by jazz trumpeter Freddie Hubbard features Grammy®-winner Wayne Shorter on tenor sax, McCoy Tyner on piano, Art Davis on bass,
    Elvin Jones on drums and Bernard McKinney on euphonium. Released in 1961, Ready For Freddie, Hubbard's fourth album includes his most well-known
    compositions, "Birdlike" and "Crisis." This hard bop essential will be re-released as part of the overall Blue Note 75th anniversary vinyl reissue campaign
    spearheaded by current Blue Note Records President, Don Was.

    1. Arietis
    2. Weaver Of Dreams
    3. Marie Antoinette
    4. Birdlike
    5. Crisis
    Freddie Hubbard
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Miles Ahead (Soundtrack) Miles Ahead (Soundtrack) Quick View

    $29.99
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    Miles Ahead (Soundtrack)

    The release of the movie MILES AHEAD, Don Cheadle's wildly entertaining and moving exploration of Miles Davis, will be accompanied by this new soundtrack featuring musical highlights from Miles' career and new recordings overseen by Grammy Award-winning jazz/hip-hop artist Robert Glasper.


    This is a perfect primer on Davis' career for the new fan and a brilliant audio keepsake of the film for those who've studied his works inside and out. The album features 11 tracks from across Miles' catalogue from 1956 to 1981, select dialogue from the film featuring Cheadle in character, and five original compositions written, co-written, produced or performed exclusively for MILES AHEAD by Robert Glasper. These cues include "What's Wrong with That?" a jam that closes the movie imagining Cheadle as Miles playing in the present day with guest performers Glasper, Herbie Hancock, Wayne Shorter, Gary Clark, Jr. and Esperanza Spalding; plus "Gone 2015," an end-credits song featuring guest verses from rapper Pharoahe Monch. Cheadle also pens new liner notes for the album discussing the selection and creation of the songs on the soundtrack.

    LP 1
    1. Miles Ahead
    2. Dialogue: It takes a long time...
    3. So What
    4. Taylor Made
    5. Dialogue: Listen, you talk too goddamn much...
    6. Seven Steps to Heaven
    7. Dialogue: If you gonna tell a story...
    8. Frelon Brun
    9. Dialogue: Sometimes you have these thoughts...
    10. Duran (Take 6)


    LP 2
    1. Dialogue: You own my music...
    2. Go Ahead John (part two C)
    3. Black Satin
    4. Dialogue: Be musical about this shit...
    5. Prelude, Pt. 2
    6. Dialogue: Y'all listening to them...
    7. Junior's Jam
    8. Francessence
    9. Back Seat Betty
    10. Dialogue: I don't like the word jazz...
    11. What's Wrong with That?
    12. Gone 2015

    Miles Davis
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Ugetsu Ugetsu Quick View

    $21.99
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    Ugetsu

    1963's Ugetsu was recorded at the legendary Birdland club, when the New York post-bop era was still very much in progress. Featuring both a young Wayne Shorter and Freddie Hubbard, Ugetsu remains a reaffirmation of the belief that this kind of on-the-scene adventure can create some of the most effective recorded jazz. With Curtis Fuller, Freddie Hubbard, Wayne Shorter, Cedar Walton and Reggie Workman.
    1. One By One
    2. Ugetsu
    3. Time Off
    4. Ping-Pong
    5. I Didn't Know What Time It Was
    6. On the Ginza
    7. Eva
    8. The High Priest
    9. The Theme
    Art Blakey
    $21.99
    Vinyl LP - Sealed Buy Now
  • Miles Smiles (Speakers Corner) Miles Smiles (Speakers Corner) Quick View

    $34.99
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    Miles Smiles (Speakers Corner)

    Except for the taping of a live performance at the Portland Festival, Miles Davis's discography for 1966 only lists the recordings made for the LP Miles Smiles! How strange when one considers the usual large output of Miles and his ensembles for Columbia Records in the Sixties.



    The bass player Ron Carter was best suited for the complicated rhythm part and remained Miles's 'number one' in a quintet which gave a new interpretation to compositions by Wayne Shorter and jazz hits such as Freedom Jazz Dance by Eddie Harris and Jimmy Heath's Gingerbread Boy.



    Every second of the nine-minute-long Footprints by Shorter is an absolute highlight, while the drumming of the young Tony Williams in Freedom Jazz Dance is full of vitality, with a quick pulse, and even described as threatening in the liner notes. This music is neither 'new stream' nor 'old guard' but good modern jazz according to Anthony Tuttle. That's exactly what Miles Smiles was upon its release 40 years ago - and that's what it is to this day! And that Miles Davis smiled for once thanks to the great musical relationship between the five individualists is certainly no mere rumour.



    Musicians:



    • Miles Davis

    • Wayne Shorter (tenor saxophone)

    • Herbie Hancock (piano)

    • Ron Carter (bass)

    • Tony Williams (drums)




    Recording: October 1966 at Columbia RecordsStudios, New York, by Frank Laico

    Production: Teo Macero




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Orbits
    2. Circle
    3. Footprints
    4. Dolores
    5. Freedom Jazz Dance
    6. Ginger Bread Boy
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • In A Silent Way (Awaiting Repress) In A Silent Way (Awaiting Repress) Quick View

    $34.99
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    In A Silent Way (Awaiting Repress)

    Float Into the Ether: Gorgeous 1969 Experimental Treasure Among the Most Atmospheric Jazz Albums Ever Recorded


    Delicate, Immersing, Dynamic: Mobile Fidelity Reissue Magnifies the Bold Textures, Soothing Ambience, and Transcendent Moods


    Davis First Fusion Album Features John McLaughlin, Chick Corea, Herbie Hancock, Joe Zawinul, Wayne Shorter, Dave Holland, and Tony Williams


    Sketches of Spain, Kind of Blue, Milestones, Round About Midnight, and Four & More Also Available from Mobile Fidelity


    Shhh. The command to be quiet is no just part of the title of one of the two sprawling compositions on this pioneering album. Its also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis first full-on fusion effort and part of his electric era, the 1969 landmark claims a Whos Who lineup that sends the music into an ethereal stratosphere.


    Part of Mobile Fidelitys Miles Davis catalog restoration series, In a Silent Way now immerses the listener in linoleate landscapes starlit by the intuition, suspension, and paradoxes wrought by a once-in-a-lifetime collective. Half-speed mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of jazz, rock, and ambience, following a loose theory Davis dubbed New Directions.


    Few albums are so delicately textured. And on Mobile Fidelitys meticulous analog reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams inventive percussive touch he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Hollands extrapolative bass, and the mosaic of keys.


    If the records only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons not the least of which is the seemingly telepathic communicative methods employed by the groups members. The lineup is great on paper, but, if its even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.


    Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis decorative spirals. And as color is the primary unit of currency on Davis Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the sets maverick reputation attained via musings on solitude rather than explosions of noise.


    Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producers could attempt and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.


    This title is not eligible for discount.

    1. Shhh/Peaceful
    2. In a Silent Way/Its About That Time
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Day Breaks Day Breaks Quick View

    $22.99
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    Day Breaks

    Day Breaks is Norah's sixth solo album and a kindred spirit to her breakout debut Come Away With Me. It finds her returning to the piano and her roots. The album features jazz luminaries including saxophonist Wayne Shorter, organist Dr. Lonnie Smith, and drummer Brian Blade on a 12-song set that presents 9 new originals alongside covers of songs by Horace Silver, Duke Ellington and Neil Young.
    1. Burn
    2. Tragedy
    3. Flipside
    4. It's A Wonderful Time For Love
    5. And Then There Was You
    6. Don't Be Denied
    7. Day Breaks
    8. Peace
    9. Once I Had A Laugh
    10. Sleeping Wild
    11. Carry On
    12. Fleurette Africane (African Flower)
    Norah Jones
    $22.99
    Vinyl LP - Sealed Buy Now
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