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Wembley or Bust (Awaiting Repress)3x 180-Gram Vinyl
Wembley or Bust is a special release commemorating the June 24th, 2017 performance by Jeff Lynne's ELO at the famed Wembley Stadium in London, England. The Wembley or Bust album is available in a 3 LP vinyl package and serves as a soundtrack for Paul Dugdale's concert film of the same name.
In Wembley or Bust, we see Jeff and his remarkable musical ensemble filling Wembley Stadium with one of the greatest rock & roll spectacles of all time, complete with bells, whistles and spaceships in front of a 60,000 capacity crowd. As Jeff says himself 'It's the best time I ever had in music... It is beyond anything I could have imagined'. More popular than ever, Jeff Lynne's ELO have always been known for their epic live shows and with a distinct style that seamlessly and innovatively blends rock, pop and classical music.
The Wembley or Bust audio and film includes performances of many of the most beloved songs of our lifetime, from vintage ELO classics like Mr. Blue Sky, Livin' Thing and Evil Woman to Do Ya from his days with The Move, Handle With Care which he recorded with the Traveling Wilburys, right through When I Was A Boy from his latest ELO masterpiece, Alone In The Universe.
Jeff Lynne is widely regarded as one of the greatest record producers in music history. In addition to his storied career in ELO, Lynne was a co-founder and member of The Travelling Wilburys together with Bob Dylan, Roy Orbison, George Harrison and Tom Petty as well as a producer and collaborator with some of the biggest names in music including The Beatles, Paul McCartney, Ringo Starr, Joe Walsh, and most recently, Bryan Adams.1. Standin' In The Rain
2. Evil Woman
3. All Over The World
5. Livin' Thing
6. Do Ya
7. When I Was A Boy
8. Handle With Care
9. Last Train to London
12. Can't Get It Out Of My Head
13. 10538 Overture
15. Ma-Ma-Ma Belle
16. Shine A Little Love
17. Wild West Hero
18. Sweet Talkin' Woman
19. Telephone Line
20. Turn To Stone
21. Don't Bring Me Down
22. Mr. Blue Sky
23. Roll Over Beethoven$54.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed AWAITING REPRESS Buy Now
The Desired Effect (Awaiting Repress)Almost five years since the release of his critically acclaimed solo debut, Flamingo, Flowers' solo return follows a time of continued huge success with his band The Killers, who released the global chart-topping album Battle Born in 2012, as well as the greatest hits collection Direct Hits in 2013, selling out the likes of Wembley Stadium and Madison Square Garden while continuing to headline major festivals around the world.1. Dreams Come True
2. Can't Deny My Love
3. I Can Change
4. Still Want You
5. Between Me And You
6. Lonely Town
7. Diggin' Up The Heart
8. Never Get You Right
9. Untangled Love
10. The Way It's Always Been$18.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
That's The SpiritUK-based metal band Bring Me The Horizon bring forth their 5th studio album, That's The Spirit. That's The Spirit is an 11-track, exhilarating ride bursting with huge riffs, soaring vocals and stadium filling monster tracks. The album, which lead singer Oli Sykes recently told NME is a celebration of depression, was recorded in the spring of 2015 in Santorini, Greece at Black Rock Studios, which the band discovered by Googling world's most amazing studios. That's The Spirit was mixed in London, mastered in New York and produced by Sykes and the band's Jordan Fish.
The band has sold over 700,000 albums across four previous releases in the US. Bring Me The Horizon's most recent full-length release, 2013's Sempiternal, triggered a year of triumphs for the young band from Sheffield, England, entering the UK album chart at #3 and selling more than a half million copies worldwide (300,000 in the US alone), proving a metal band can make their mark on the mainstream. The band brought 2014 to a close on a huge high with their single Drown in the top 10 at Active Rock radio for two months straight, marking their biggest US radio song of their career, not to mention a sold-out concert at London's famed Wembley Arena, which produced the DVD release: Bring Me The Horizon: Live At Wembley.LP 1
2. Happy Song
4. True Friends
5. Follow You
6. What You Need
9. Drown (New)
11. Oh No
2. Happy Song
4. True Friends
5. Follow You
6. What You Need
9. Drown (New)
11. Oh No$26.99Vinyl LP - 2 LPs Sealed Buy Now
Get HurtNew Jersey rockers The Gaslight Anthem return with their eagerly anticipated new album, Get Hurt, through Island Records/Mercury.
Recorded at the legendary Blackbird Studios in Nashville with producer Mike Crossey (The 1975, Arctic Monkeys and Jake Bugg), Get Hurt sees The
Gaslight Anthem pushing their raw stripped back rock 'n' roll into new territory, drawing on a fresh palette of influences ranging from folk, punk, and
Americana. It is an album that is heavier, and yet at the same time more intimate, than anything they have produced to date.
Following the success of their 2012 album Handwritten -- which charted in the Top 10 of the album charts across Europe and America, with the band
playing Wembley Stadium, Glastonbury and Coachella along the way -- The Gaslight Anthem's fifth studio album perfectly shows them thriving creatively
while pushing their horizons artistically. It is a record that oozes the confidence of a band at the very top of their game.1 Stay Vicious
2 1,000 Years
3 Get Hurt
4 Stray Paper
5 Helter Skeleton
6 Underneath The Ground
7 Rollin' And Tumblin'
8 Red Violins
9 Selected Poems
10 Ain't That A Shame
11 Break Your Heart
12 Dark Places$22.99Vinyl LP - Sealed Buy Now
Liszt - Hungarian Rhapsodies / Enesco - Romanian Rhapsodies (Speakers Corner)
Born in 1881, George Enescu led the life of a globetrotter. Although he became acquainted with all manner of schools and styles during his thorough studies in Vienna and Paris, it was invariably folk music that provided him with the most important source of inspiration. Thanks to their freshness and impressive thematic invention, the two Roumanian Rhapsodies have remained firm favourites to this day. Nothing in the music appears to demand great effort or mental struggle. The colourful mixture of lyrical and spirited passages seems completely natural and homogeneous, offering sheer delight for the ears right up to the final chord.
Enescus carefree hits serve as an ideal introduction to two orchestral heavyweights by Franz Liszt, which undoubtedly are to be counted as 'state of the art' works in this particular genre. Antal Dorati conducts the London Symphony Orchestra with a firm hand and complete concentration as is demanded by this tightly knit score , always managing to find the perfect balance between timbral force and transparency. Of course one can find elsewhere these compositions being performed faster, louder and with questionable sensational effects. But if you are looking for a faithful interpretation of the score, musicality and natural sound, then this is the recording for you.
Recording: June 1960 at Wembley Town Hall, London, by C.R. Fine and Robert Eberenz
Production: Wilma Cozart
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. George Enesco: Two Roumanian Rhapsodies, Opus II (No.1 in A Major/ No. 2 in D Major)
2. Franz Liszt: Hungarian Rhapsody No. 2 / Hungarian Rhapsody No. 3$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Charlie Watts Meets The Danish Radio Big BandBefore Charlie Watts became the best-known drummer on the planet with The Greatest rock 'n' Roll Band in the World he lived for a few months in Denmark. According to English trumpeter and flugelhorn player, Gerard Presencer, who is also a member of the Danish Radio Big Band, it was something he only found out about by chance when he and Charlie talked on the telephone in 2009
"I landed a job with Danish Radio Big Band in 2009. A week or two after arriving in Copenhagen I got a call from Charlie. Later the idea dawned upon me for a return to his Jazz days over here after nearly 50 years. I spoke with my boss at the Danish Radio Big Band and went about putting this live project together. We agreed upon a week in Copenhagen in October 2010."
They rehearsed for 4 days, then played a concert on the fifth day at the newly opened Danish Radio Concert Hall in Copenhagen. This concert was recorded for broadcast by Danish National Radio. Charlie and his long-time bassist Dave Green went to record shops and strolled around the city, with no need for security guards. Charlie made it clear that he did not want to be placed on a big riser above the band, as he found that this did not help the musicians to bond.
In choosing the material, it was important to focus on the groove. According to Prescencer, "Having Dave Green on bass as special guest was an essential ingredient, as these two boyhood friends (next door neighbours growing up in Wembley, North London) have unspoken psychic connections that bassists and drummers, so there are times on this recording where their abundant empathy makes the rest of the band comfortable enough to really play out and take chances."
The album includes seven tracks, including two Mick and Keith compositions, 'Paint it Black' and 'You Can't Always Get What You Want', both arranged by Prescencer and another one, 'Faction' that is based on another Stones' classic. There are also two by Charlie himself, both written with fellow drummer Jim Keltner.
A day or two after the broadcast Prescencer began to think that the concert was so good it deserved to be heard more widely. "The Danish Radio needed very little convincing to hand over the recordings to me to work on, as well as Søren Frost our regular drummer and rhythm section consultant from the big band and the brilliant recording engineer, Lars C. Bruun. So, after several years work on this, we have produced this collection of music from our gig."
Charlie Watts meets the Danish Radio Big Band is the kind of album that many jazz fans had probably given up hope of hearing. In the glory days of big band jazz and arrangers like Oliver Nelson coming up with brilliant music, albums like this were, if not commonplace, at least more readily available. The truth is there is nothing commonplace about this album, it is a sheer delight.
Anyone who knows Charlie, knows how much he loves jazz. A few years ago when he and I were looking at a photo of the Stones playing in the 1960s he pointed at a particular cymbal and said, "I've still got that cymbal, but I don't use it on Stones' gigs, it's too good for them. I just use it on my jazz gigs." There's no doubt, that's the cymbal you hear on the first part of the 'Elvin Suite'.
Charlie Watts is one of the great ambassadors for jazz and every jazz lover will relish this record, and the fact that Charlie is involved may bring jazz to the attention of some that are not sure if they like jazz. Listen to this and you know you do.1. Elvin Suite - Part 1
2. Elvin Suite - Part 2
3. Faction (AKA Satisfaction)
4. I Should Care
5. You Can't Always Get What You Want
6. Paint It Black
7. Molasses$25.99Vinyl LP - 2 LPs Sealed Buy Now