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What's New?180 Gram Reissue
One of the most underrated albums in Sonny Rollins' extensive catalog, What's New? is his second recording for the RCA Victor label, featuring performances with Jim Hall, Bob Cranshaw, Ben Riley, Dennis Charles, Frank Charles, Willie Rodriguez and Candido. Many of these songs find Rollins utilizing the Latin rhythms of Candido and, on the calypso Brownskin Girl, a vocal chorus interacts with the group. Mastered from original analog tapes by Grammy Award winner Bernie Grundman and pressed on 180gram audiophile-grade vinyl at Pallas in Germany, this reissue shines a new light on Rollins' 1962 masterpiece.1. If Ever I Would Leave You
4. The Night Has a Thousand Eyes
5. Brown Skin Girl$29.99180 Gram Audiophile Virgin Vinyl LP Reissue - Sealed Buy Now
Mastered By Ryan Smith At Sterling Sound
Plated And Pressed At Quality Record Pressings
Tip-On Gatefold Jacket By Stoughton Printing
Linda Ronstadt was the leading female vocalist in rock 'n' roll when, sensing that it was time to change direction, she starred in the Broadway production of Gilbert & Sullivan's Pirates of Penzance, as well as the accompanying movie.
Pirates of Penzance led the singer to a collaboration with bandleader/arranger Nelson Riddle, who arranged and conducted this 1983 collection of pop standards What's New. It was the first in a trilogy of 1980s albums Ronstadt recorded with Riddle. What's New was a considerable hit, reaching No. 3 on the charts, where it stayed for five consecutive weeks, and selling to date more than three million copies. Ronstadt's next two albums with Riddle followed - Lush Life in 1984) and For Sentimental Reasons in 1986 - also albums of pre-rock standards.
Let's just say that the vocals on this Analogue Productions reissue, mastered from the original analog tape by Doug Sax and Robert Hadley, have never sounded richer, with a broader soundstage, and more clarity and detail in the orchestral accompaniment. Such a sweet record, made even better with a Stoughton Printing tip-on jacket showcasing the vibrant original cover designed by John Kosh. You'll settle in for some impeccably-voiced standards from pop's golden age and be transfixed by Ronstadt's interpretive skills.
This title is not eligible for discount.1. What's New
2. I've Got A Crush On You
3. Guess I'll Hang My Tears Out To Dry
4. Crazy He Calls Me
5. Someone To Watch Over Me
6. I Don't Stand A Ghost Of A Chance With You
7. What'll I Do
8. Lover Man (Oh Where Can You Be?)
9. Goodbye$39.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
What's RealDear Listener / Internet Surfer / Intrigued Music Consumer-
Thank for you for taking the time to read about our new record, What's Real. We have been working on this album for the better part of two years. Or maybe I have been working on this album since I was 14. That was when I first heard the bands that made me want to pick up the guitar and learn to play. When I became consumed over the angst, the freedom, the recklessness of rock and roll, the escape it created and allowed, and the feeling of unity with anyone who was discovering and finding the same.
I started writing this album as soon as we got home from touring behind our debut record Out In The Light. All of a sudden, I was sitting still for the first time in years, and I dove into my early musical influences to find that what I once thought were alternative anthems of recklessness, of angst, of societal alienation, were also perfectly constructed songs. It wasn't pop. But it became popular for a reason. And as a songwriter I began to see that music in a new light.
I approached this album from that place. From a place of seeing that songs can sound big, feel big, and still be incredibly personal. Still be brutally honest. Still leave everything on the table. And while current alternative radio is pumping out songs about the "best day of my life" and "wanting to be like the cool kids", I wanted to write songs about heartbreak, about finding clarity, about feeling stuck in your hometown. And I wrote it with the hope that people connect with it in a visceral way. In an emotional way. The way I am connecting to it. A connection I feel is not as expected these days.
This record was recorded over a 15 month period while I was living in San Francisco and taking road trips down to record with friend and Grouplove producer/drummer Ryan Rabin. The first song we recorded together was "Got To My Head". He got where I was coming from and became my collaborator throughout the majority of the process. We pushed this record to the extremes, trying to fit as many hooks at times, capturing throat wrenching vocal takes at others. I was writing while recording. A lot of the writing takes on past tragic relationships I have since moved on from. "I Feel Everything" is a song about the addiction of abusive and extreme relationships, "Over It" is a song about finally getting out of it, and "What's Real" is about the constant struggle to weed out the impersonal and temporary relationships and yearning for something more. The songs came from desperate times. They came from a place where I would rather be in any situation than the one I was in. Some of them were written while in it, some of them are reflection.
I recorded a handful of the songs with another producer Carlos De La Garza. Among those are "Rebel Yell", a song about longing for the drive to care about the state of the world like I once did so intensely, but has faded with the distractions of adulthood, and "Mom And Dad's," a song about the realities of having to move back in with your parents after you thought you were gone for good, and finding everything both completely changed and exactly the same.
This record could not have been possible without my band. I met them all while living in San Francisco. It's a new band from the last record. Andrew Wales plays Drums. Brian DaMert plays Guitar. Greg Sellin plays Bass. And Sara DaMert plays Keys. They have helped me take these songs from my headphones to the stage and have realized them in the greatest way possible. they do them every justice I could have asked. I am so grateful to have them.
When we finished the record I felt like we had made a sonic place. It felt like my bedroom in high school. We accomplished my goal in providing a world for someone who needs a real alternative. An escape. I don't care if that sounds cheesy. I am not worried about it. Come to our shows. Participate in the energy. We will leave it all on the table. We expect the audience to as well. There is something really rewarding in doing so. It's what I dreamt about when I was 14 and started playing guitar. It's what I still dream about today. It's What's Real.
Van (WATERS)1. Got To My Head
2. I Feel Everything
3. Mom and Dads
4. The Avenue
5. What's Real
6. Inside My Room
7. Stupid Games
9. Over It
10. Rebel Yell
11. Green Eyes$18.99Vinyl LP - Sealed Buy Now
What's That Sound?What's That Sound?' is Haley Reinhart's homage to her favorite music from the late 60's. Filled with fun and memorable covers along with 3 original songs, this albums features new versions of hits songs such as 'For What It's Worth', 'Baby It's You', 'The Letter' and many more.1. Let's Start
2. Baby It's You
3. For What It's Worth
4. The Letter
5. Can't Find My Way Home
6. White Rabbit
7. Somewhere In Between
8. Oh! Darling (ft. Scott Bradlee)
9. Sunny Afternoon (ft. Scott Bradlee)
10. You Showed Me
11. Words of Love (ft. Scott Bradlee)
12. Bring the Love Back Home (ft. Casey Abrams)
13. Time of the Season (ft. Casey Abrams)
14. These Boots Are Made For Walkin'$21.99Vinyl LP - Sealed Buy Now
SPCO-PUR-10178xThe Dirty Dozen Brass Band
What's Going On (Pure Pleasure)In 2006, exactly a year after Katrina, in the aftermath of a vicious natural disaster that displayed the incompetence of the Crescent City's infrastructure, the Army Corps of Engineers, and the Federal Government, they addressed the tragedy in the only way they know how, by re-creating the same kind of bewilderment and anger that Marvin Gaye felt and witnessed in 1971 by issuing their own take on Gaye's classic album What's Goin' On. This is a question that is proved all the more poignant given the efforts of an entire region trying not only to rebuild homes and businesses, but trying to preserve a culture as this recording was released. The Dirty Dozen recruit a number of vocalists to help out on the hinge tunes. The samples of New Orleans Mayor Ray Nagin's voice in the aftermath of the hurricane usher in the brass slip-sliding along the dark funky overtones of Gaye's signature tune. Guitarists Doug Bossi and Ben Keeler dig into the groove, as does drummer Terence Higgins and keyboardist/producer Anthony Marinelli, as Chuck D raps the refrain in the context of modern history, the disaster, and the ineptitude and even hostility of a government who wages war and ignores domestic problems. It's a news report from the front lines as the horns cut the melody, the harmony, and the deep, steamy funk groove. What's Happening Brother, closes the funk from the inside, turning the groove back in on itself not only playing the rage, but echoing it in the grain of Bettye LaVette's vocal, which dares to spit out the truth with questions and observations in the pain of a first person narrative. The airy arrangement of Flyin' High (In the Friendly Sky) is nearly mournful, nostalgic for a more innocent time, but is all the more poignant for that longing. The deep tribal drums Mardi Gras Indian-style, with the skronky saxophones, tight guitar groove, and screaming narrative in Save The Children give way to the smoothness of Gaye's melody. It's a bewildered tune, sad with undercurrents of rage. Ivan Neville's arrangement for God Is Love is a stunner, full of deeply imaginative hues and colors and gospel grooves. G. Love helps out on Mercy Mercy Me (The Ecology), where the musicality in Gaye's vocal disappears but is supercharged in the horn charts, and Love's vocal sounds confused, displaced, out of time against the instruments. Right On is both militant and celebratory. It's got the funk, but it's also got gospel, rock, and deep soul blaring from the trombones and the repetitive riff in the rest of the brass section. Guru from Gang Starr cuts out from the moody, spectral introduction of Inner City Blues, when Higgins drums play counter to Kirk Joseph's deep blues sousaphone on the bassline. Frustration is everywhere and the horns point fingers to this truth which Guru lays out: that today is the same and perhaps even more so than it was in Gaye's time. The desolation in Gaye's lyric isn't lost but it is fleshed out over the chart so that they are merely the ghosts from the past preaching and exhorting in this new generation. Never has party music sounded so poignant, so utterly damning and hopeful and unbowed. This is the next step in the Homecoming that was a funeral for a friend; this is the aftermath, the sound of angry resurrection coming out with the sun, one where the revolution may be televised but bursts out of the edges in the screen and makes itself known by the medium understood by the people who have to live its realization. With killer grooves that take no prisoners, What's Goin' On is the most fitting tribute yet to Gaye, because not only does it prove the timelessness of the music itself, it echoes that what is indeed goin' on (Gaye's dedication to Detroit as its decline became a reality with no onlookers interested in doing anything) is even more true today than it was in 1971.
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.
This title is not eligible for discount.1. What's Going On feat. Chuck D
2. What's Happening Brother feat. Bettye Lavette
3. Flying High (In the Friendly Skies)
4. Save the Children
5. God is Love feat. Ivan Neville
6. Mercy Mercy Me (The Ecology)
7. Right On
8. Wholy Holy
9. Inner City Blues (Make Me Wanna Holler)$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
What's Left To Let GoHailing from the United Kingdom, Goodtime Boys are one of Bridge Nine Records' newest signees. Signing to a hardcore label such as B9 carries with it an expectation that Goodtime Boys immediately buck. The band share more in common with La Dispute and Pianos Become the Teeth than other B9 bands like Foundation or Expire.
What's Left to Let Go starts off with Bloom, which has a chilling relaxed guitar intro. However when the full band come in, it kicks it up a notch with a melodic but upbeat rhythm. Then vocalist Alex Pennie comes in with his powerful vocals and really brings in the full sound of the band. I immediately noticed the accent on the vocalist, but it's a good thing as it makes the band sound different than most bands of this hard-to-name genre that has been gaining a lot of ground in the hardcore community. His lyrics are immediately at the forefront of everything, as well they should be, being powerful and emotional. The rest of the song keeps up this swing of going from relaxed to very powerful and back again like a lot of the songs on this record. However, it doesn't get monotonous or boring as the band have a good enough writing ability to keep the music interesting.
In the middle of the record the song Rest cools things off a bit coming in with a simple drum beat and an almost haunting guitar melody that fit the lyrics and vocal delivery perfectly. And that's the great simplicity of What's Left to Let Go; Goodtime Boys aren't afraid to use a pattern and vocal style that has been established, but do their own thing with it to try and keep it interesting. This album is technically a double EP and not a singular LP as the first five songs were previously released on the Are We Now, Or Have We Ever Been EP. However, if I had not known this I would not have figured it out from listening to the record as the songs flow so fluidly it sounds like one album. This is partially due to the band's cohesive writing and also partially due to those songs and the new songs being mixed by Defeater guitarist and Getaway Recordings engineer Jay Maas.1. Bloom
10. Sleep$15.99Vinyl LP - Sealed Buy Now
What The...BLACK FLAG's long-awaited 22-track album of NEW MUSIC. What The ... is a monumental collection of scathing songs that is the essence of BLACK FLAG. WHAT THE..., BLACK FLAG's 19th release in their genre-defining catalog, is a riveting progression for the band. Starting with its first track, the churning My Heart's Pumping through to the searing Wallow in Despair, the album blazes through the music that is sure to brand the Bars on your brain.1. My Heart's Pumping
2. Down In The Dirt
3. Blood And Ashes
4. Now Is The Time
5. Wallow In Despair
6. Slow Your Ass Down
7. It's So Absurd
8. Shut Up
9. This Is Hell
10. Go Away
11. The Bitter End
12. The Chase
13. I'm Sick
14. It's Not My Time To Go-Go
16. Get Out Of My Way
18. No Teeth
19. To Hell And Back
20. Give Me All Your Dough
21. You Gotta Be Joking
22. Off My Shoulders$24.99Vinyl LP - Sealed Buy Now
UNIM-ROU-7091xJerry Douglas Band
What IfPressed On Red / Black Swirl Vinyl
Jerry Douglas, the 14x GRAMMY Award winner who has played on over 2,000 separate recordings (Alison Krauss, Mumford & Sons, James Taylor, etc.), presents a new album with a unique sound and a brand-new outfit of musicians, hand-picked by Douglas himself. On What If, Douglas decisively merges jazz inclinations with the bluegrass, country, blues, swing, rock, and soul he's spent his life absorbing and performing, forging a sound that flies beyond the boundaries of anything he - or anyone else - has done before. From the up-tempo combination of what Douglas calls 'bebop jazz and caveman jazz' on 'Cavebop' to the symphonically sweeping title track, What If delves into areas unexplored by any other musician, much less by Dobro! The album also includes a funky, soulful take on Tom Waits' '2:19' and a blistering bluegrass-meets-jam-band reinvention of the classic 'Hey Joe.'1. Cavebop
2. What If
5. The Last Wild Moor
6. Battle Stick
7. Hey Joe
9. Butcher Boy
10. Go Ahead and Leave$21.99Colored Vinyl LP - Sealed Buy Now
What IfSince 2004, Volker Bertelmann - aka Hauschka - has, steadily earned a remarkable reputation as a purveyor of imaginative, distinctive, prepared piano music. On What If - which finds him adding player pianos (also known as pianolas) to his arsenal - Bertelmann expands his range even further, defying expectations and delivering what is without a doubt his most ingenious album yet.
While engaging with his trademark technique of utilizing unusual objects - art erasers, for example - to treat (or 'prepare') the piano, Hauschka also programmed parts for player pianos, exploiting the speed at which they could play, manipulating the resulting sounds, and building layers to emphasize a composition's meter.
What If aims to provoke reflection beyond the musical sphere with the titles of the both the album and its individual tracks. Overflowing with haunting melodies, mysterious sounds, and complex patterns, What If crowns an extraordinary couple of years for Hauschka. Likely to prove one of 2017's most original albums, What If redefines the very notion of piano music in dramatic and exceptional fashion. It stands as a rebuttal to those who lazily shoehorn Hauschka's work into the so-called, uncomfortably broad 'new classical' category, and instead underlines his status as a unique and invaluable artist.1. I Can't Find Water
2. Constant Growth Fails
3. My Kids Live On Mars
4. I Need Exile
5. I Can't Express My Deep Love
6. Nature Fights Back
7. Familiar Things Disappear
8. Trees Only Exist In Books
9. We Live a Thousand Years$22.99Vinyl LP - Sealed Buy Now
SONM-RCA-8513xWalk The Moon
What If NothingPressed On 2x 180-Gram Colored Vinyl (One In Translucent Purple And One In Opaque White)
What If Nothing is the new album from Walk The Moon. It features the single One Foot.1. Press Restart
3. One Foot
5. All I Want
6. All Night
8. Tiger Teeth
9. Sound Of Awakening
10. Feels Good To Be High
11. Can't Sleep (Wolves)
12. In My Mind
13. Lost In The Wild$22.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
What Was SaidWhat Was Said brings new colors to Tord Gustavsen's musical palette. His new project introduces the entrancing German-Afghan vocalist Simin Tander, and builds upon the subtle understanding of his long musical association with drummer Jarle Vespestad. The combination of the intimacy of her voice, Gustaven's melodically inventive piano and discreet electronics, and Vespestad's patient, textural touch, has considerable emotional persuasiveness.1. Your Grief
2. I See You
3. Imagine The Fog Disappearing
4. A Castle In Heaven
5. Journey Of Life
6. I Refuse
7. What Was Said To the Rose - O Sacred Head
8. The Way You Play My Heart
10. The Source Of Now
11. Sweet Melting
12. Longing To Praise Thee
13. Sweet Melting Afterglow$35.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
What We Live ForISLAND RECORDS is releasing American Authors' sophomore album What We Live For on LP. The new
album features the band's current single "Pride" and is a follow up to their RIAA certified GOLD album Oh, What A
Life featuring RIAA 3X Platinum single "Best Day Of My Life".1. What We Live For
2. I'm Born To Run
4. Right Here Right Now
5. Nothing Better
7. Go Big Or Go Home
8. Mess With Your Heart
9. No Love
10. Pocket Full Of Gold
12. Mind Body Soul$18.99Vinyl LP - Sealed Buy Now
Do What Comes NaturallySome people call it a vibe and some people call it a groove. We call it boogie soul. It's the sound of HANDSOME JACK on their new album "Do What Comes Naturally". Produced by Zachary Gabbard of the BUFFALO KILLERS and featuring Bob Nave (of the legendary Lemon Pipers) on hammond organ, among others, the music of this album seamlessly flows through deep dark mid-tempo boogies, smoky upbeat burners, and soulful feel-good rockers all with a natural ease. HANDSOME JACK hails from Buffalo NY and began as a blues garage rock band. After high school they moved out of the garage and developed their sound into a natural soulful boogie mthat remains rooted in raw blues. They've shared the stage with The Sheepdogs, Blue Cheer, Gov't Mule, J. Geils, The Hold Steady, and Robert Randolph to name a few.1. Echoes
3. Between The Lines
4. Dead Tracks
5. Leave it All Behind
6. Right On
7. Dry Spell
8. Ropes and Chains
9. You and Me
10. Wasted Time$18.99Vinyl LP - Sealed Buy Now
What One BecomesSUMAC is the trio of Aaron Turner (Isis, Old Man Gloom, Mamiffer) on guitar & vocals, Nick Yacyshyn (Baptists) on drums, and Brian Cook (Russian Circles, These Arms Are Snakes, Botch) on bass whose ability to deliver punishing music is matched only by the weight of their pedigree. Turner is the founder of the influential Hydra Head Records as well as the boundry pushing SIGE label and since his days in Isis has consistenetly challenged himself to push the boundries of heavy music. Cook's ability to delivery complex bass lines are matched by his bone shaking heavy tones. Yachyshyn's drumming abilities are much lauded, especially by Dave Grohl who often calls him out as his favorite drummer currently playing.
Together on their new epic double album What One Becomes the trio walk the line between chaos and control. This sophomore album sees the band take a leap forward from their debut The Deal (2015) revealing a new side of Turner's combustible songwriting and guitar playing. Fans of the legendary Isis and cult heros Old Man Gloom will not be disappointed. There is a profound anxiety that leaches through What One Becomes. SUMAC's choreographed structures parallel the internal and personal struggles with anxiety. They seek to identify the source, devise a course of action, and confront that condition at hand. SUMAC channels psychic distress into their rigorously algebraic maneuvers and syllable-crack dissonance.1. Image of Control
2. Rigid Man
3. Clutch of Oblivion
5. Will to Reach$22.99Vinyl LP - Sealed Buy Now
New AlhambraIn many ways, new alhambra is an auditory homage to what has shaped lead singer Mathew Lee
Cothran's life. Its title, as any hardcore pro-wrestling fan will recognize, credits the Philadelphia
arena that birthed its most legendary and extreme version of it, and the use of samples from wrestling
shows serve as a reference to his upbringing. The album was characteristically made with
outdated equipment and limited by only one microphone, with Mike "Dr. Vink" Roberts playing
an essential role on bass that enrichens the rockier resonations in comparison to elvis depressedly's
previous releases. Cothran and Delaney were constantly on the move during the recording
process thanks to their new found career freedom, but none of it takes away from new alhambra
fully texturized shift toward brightly melancholic noise-pop inspired by Cothran's favorite unsung
heroes such as Waterboys, Prefab Sprout and Emperor X.1. Thou Shall Not Murder
3. New Alhambra
5. Rock n' Roll
6. Big Break
8. New heaven, New Earth
9. Wastes of Time$14.99Vinyl LP - Sealed Buy Now
Forget What You KnowForget What You Know is the third full-length album, and fourth overall release, by New Jersey rock band Midtown. The album was their first released by a major record company after leaving their long-time home, the indie label Drive-Thru Records.1. Armageddon Motherfuckers
2. To Our Saviors
3. Give It Up
4. Is It Me? Is It True?
5. God Is Dead
6. Whole New World
7. Empty Like The Ocean
8. Nothing Is Ever What It Seems
9. The Tragedy Of The Human Condition
10. Waiting For The News
11. Until It Kills
12. Hey Baby Dont You Know That Were All Whores
13. Help Me Sleep
14. Man Hattan
15. So Long As We Keep Our Bodies Numb Were Safe$18.99Vinyl LP - 2 LPs Sealed Buy Now
What About NowWhat About Now is the twelfth studio album by American rock band Bon Jovi. Produced by John Shanks, the album was originally released on March 12, 2013 in the United States. The album was promoted throughout the band's 2013 Because We Can: The Tour. It marks the final Bon Jovi album to feature Richie Sambora before he left the band in 2013. The album debuted at #1 in the U.S., where it sold 101,000 copies in its first week, debuting at #1 on the Billboard 200. What About Now became their third album in a row to hit #1 in US after The Circle and Lost Highway and their fifth #1 album during their career. The album has sold over 1.5 million copies worldwide, going gold in Germany selling 100,000 copies.
Richie Sambora characterized the new material as a compilation of "different elements"; yet reassured old fans that they will be just as pleased with the new work as they have been with the old for over 30 years.1. Because We Can
2. I'm With You
3. What About Now
4. Pictures of You
6. Thats What the Water Made Me
7. Whats Left of Me
8. Army of One
9. Thick as Thieves
10. Beautiful World
11. Room at the End of the World
12. The Fighter$34.99Vinyl LP - 2 LPs Sealed Buy Now
New LovePink Colored Vinyl
New album from Los Angeles (by way of Flowery Branch, Georgia), her first on SideOneDummy Records. Known for writing folk-inspired pop-punk songs and a D.I.Y. ethic, Weiss signed with No Sleep Records last year for the full length Say What You Mean (3.3k RTD scanned) and the EP Remember When (957 RTD scanned). Full US tour with Anthony Raneri of Bayside, What's Eating Gilbert and Laura Stevenson.1. The Sound
2. Who We Are
3. Counting Down
4. Golden Coast
5. Back To Me
6. Good Way
7. Out Of This Alive
8. Over You
10. New Love
11. The Same$18.99Vinyl LP - Sealed Buy Now
New MoonI kept recording more songs with no regard whether or not they were gonna be on anything. That's what I'm used to doing, recording all the time and not going, 'What should I record for this record?' Usually I put out whatever happened in the last six months. With this, I had way too many songs and no mechanism for picking between them.
Elliott Smith, Tape Op Magazine, 1996, on finishing Either/Or.
Arguably the most gifted song-writer of his generation, Elliott Smith produced a large body of work that includes five solo albums, as well as From a Basement on the Hill (2004), a collection of songs completed before his death in 2003. On May 8, 2007, Kill Rock Stars will release a double CD of music by Elliott Smith entitled New Moon. The album contains 24 songs recorded between 1994-1997, a prolific time in Smith's career, when he recorded his self-titled album and Either/Or (both also released by Kill Rock Stars). Like his other work, New Moon reflects the power of Smith's ability to integrate rich, melodic music with poetic, multi-layered lyrics. Only three songs have seen prior release ï¿½ all on compilations ï¿½ most extremely limited runs.
The final mixing for New Moon was done by Larry Crane, who is also the archivist for the estate of Elliott Smith. A significant portion of proceeds from the album sales will go directly to Outside In, a Portland-based social service organization dedicated to providing diverse services for homeless youth and low-income adults.LP 1
Angel In The Snow
Talking to Mary
Looking Over My Shoulder
All Cleaned Out
Thirteen This Big Star
Whatever (Folk Song in C)
Seen How Things Are Hard
Fear City From
Pretty Mary K
See You Later
Half Right These$18.99Vinyl LP - 2 LPs Sealed Buy Now
New JerseyIn 1988 New Jersey spent 4 straight weeks at No. 1 in the U.S. and spawned five Top 10 singles ('Bad Medicine;' 'Born To Be My Baby;' 'I'll Be There For You;' 'Living In Sin;' and 'Lay Your Hands On Me') - the only rock album in history with that many Top 10 hits. Bon Jovi originally envisioned the New Jersey project as a double-LP, using the working title Sons Of Beaches. But in the end, Mercury Records released the album as a 12-track single LP and the band renamed it simply New Jersey, in honor of their home state.
Bon Jovi had perfected a formula for hard pop/rock by the time of New Jersey, concentrating on singalong choruses sung over and over again, frequently by a rough, extensively overdubbed chorus, producing an effect not unlike what these songs sounded like in the arenas and stadiums where they were most often heard. The lyrics had that typical pop twist -- although they nominally expressed romantic commitment, sentiments such as Lay Your Hands on Me and I'll Be There for You worked equally well as a means for the band and its audience to reaffirm their affection for each other.1. Lay Your Hands on Me
2. Bad Medicine
3. Born to Be My Baby
4. Living in Sin
5. Blood on Blood
6. Homebound Train
7. Wild Is the Wind
8. Ride Cowboy Ride
9. Stick to Your Guns
10. I'll Be There for You
11. 99 in the Shade
12. Love for Sale$34.99Vinyl LP - 2 LPs Sealed Buy Now
New BermudaSan Francisco's Deafheaven found massive critical success when their 2013 album Sunbather was an unexpected crossover hit, earning the band a 92/100 Metacritic score and ending the year as the best reviewed album of 2013. No one could have anticipated a band that drew from equal parts Weakling and My Bloody Valentine ascending to such heights, and that incomprehensibility added to the band's singularity and allure.
Two years later, founding members George Clarke and Kerry McCoy began working on their ANTI debut, New Bermuda, with a new perspective. Says Clarke: "Sunbather yearned for something better. New Bermuda focuses on the idea of false promise, achieving something and wondering if it's what you really wanted in the first place." McCoy shares that sentiment: "Sunbather sounds like people who have nothing but are satisfied with life. There's an uplifting quality to it. But New Bermuda is a very tense record." McCoy cites death metal demigods Dissection and Morbid Angel, the blackened death pioneers Behemoth, and Cliff Burton-era Metallica as influences on the new album.
As New Bermuda progresses, Deafheaven travels further outside of their comfort zone, feasting on other niches of underground metal and offsetting the blunt force of their feral rage with more complex and nuanced beauty. A sophisticated and subdued pop element kicks off "Baby Blue", before the band abruptly shifts into an amalgam of NWOBHM's anthemic urgency and thrash metal's racing chugs. There's a brief comedown where the band veers into the musique concrete soundscapes and hushed melodrama of early Godspeed You! Black Emperor before "Come Back" resumes the band's merciless assault of stampeding drums and vitriolic guitar harmonies, only to shift mid-song into the somber territories of 4AD's early catalog. Which is not to say that Deafheaven have softened their approach; New Bermuda offers the most punishing music of the band's career in the wake of their greatest success.1. Brought to the Water
3. Baby Blue
4. Come Back
5. Gifts for the Earth$21.99Vinyl LP - 2 LPs Sealed Buy Now
UNIM-ROU-1291xFarrar, James, Johnson, & Parker
New MultitudesNew Multitudes is an intimate interpretation of American icon and musical legend Woody Guthries previously unrecorded lyrics from a dream team of Americana torchbearers: Jay Farrar (Son Volt), Will Johnson (Centro-matic), Anders Parker (Varnaline) and Jim James (My Morning Jacket). What makes this album such a rarity in todays music world is the allowance of the songs infectious simplicity to stand alone in all their glory. In doing so, Farrar, Johnson, Parker and James, pay the greatest compliment to Woody Guthrie and the collaborative spirit he so greatly embodied. This is an album which seamlessly converges the sepia-toned essence of the time honored past with the risks needed to forge the future.
Under the invitation of Nora Guthrie, Woody's daughter, to tour the Guthrie archives, each of the four songwriters were offered the chance to plumb and mine the plethora of notebooks, scratch pads, napkins, etc. for anything that might inspire them to lend their voices and give the words new life.
These guys worked on an amazing group of lyrics says Nora. Much of it was culled from Woody's times in L.A. Lyric wise, it's a part of the story that is still mostly unknown. From Woody's experiences on L.A.'s skid row to his later years in Topanga Canyon, they are uniquely intimate, and relate two distinctly emotional periods in his life.
Musically, it is the sense of collaboration that makes New Multitudes not just another trite and traditional acoustic regurgitation of back porch blues. From the ragged jangle of its opening track, Hoping Machine, the loping lilt of Fly High, the floorboard stomp of No Fear, to the lush warmth and sudden sonic gut punch of My Revolutionary Mind, the cohorts deliver a lesson in discovering a song's sweet spot time and time again. It's the function and preparedness of each artist's dogged work ethic gleaned the old-fashion way; veracious songs, road weary odometers and sweat stained live shows, all attributes of the man they are honoring.1. Hoping Machine
2. Fly High
3. My Revolutionary Mind
4. VD City
5. Old L.A.
6. Talking Empty Bed Blues
8. Careless Reckless Love
9. Angel's Blues
10. No Fear
11. Changing World
12. New Multitudes$21.99Vinyl LP - Sealed Buy Now
New MorningSublime 1970 Album Among Loosest, Jovial of Dylan's Career
Includes Hit Single If Not for You and The Man In Me, Featured in the Film The Big Lebowski
Dylan's Phrasing and Piano Playing Parallel Efforts of His Crack Backing Band
Stunning Reissue Boasts Phenomenally Open Sound: New Morning Has Never Enjoyed Better Fidelity
The album might have saved Bob Dylan's career. At the least, it proved the icon still relevant, and his wits still in tact. And it immediately followed what remains the artist's biggest disaster, the yet-unexplained and forever puzzling Self Portrait, a nearly unlistenable attempt that caused many to wonder whether Dylan had lost his mind. If intended as a joke, it bombed, making the sublime New Morning all the more important to restore faith in the singer's creativity and songwriting prowess. It did all this and more, and stands as his finest studio effort during a five-year span.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored analog version spotlights the open, woozy sound that welcomes wholeheartedly Dylan's piano, several eager guitars, female background singers, Al Kooper's organ, and snappy drumming into a world of their own. New Morning remains one of Dylan's loosest and jovial affairs, the instruments retaining an off-the-cuff sensibility relating to a nightclub atmosphere or live stage feel. On this reissue, notes naturally dangle and fade, allowing the playful vibes and humor to come through like never before. Consequently, the album can be experienced with a new perspective. Wider grooves mean more information reaches your ears.
"Many of the songs seem to have been made up on the spot, with confidence in the ability of first-rate musicians to move in any direction at any time," wrote Dylan expert and cultural critic Greil Marcus in his original review for the New York Times. "The riffs, inventions, and studio jams of New Morning have their own personality the full joy of anticipating the right move and the exhilaration of hitting it square and bouncing off a chord into a new lyric."
These observations hold true today, for the 1970 effort claims a daring flair Dylan rarely exhibited on albums before or since. Enthusiasm and excitement surround his singing, and his work on the 88s underlines the liberating arrangements. Offbeat and eclectic, the record frolics and swings, with the Bard and his crack band pursuing jazzy steps ("Sign on the Window"), shuffling spoken-word experiments ("If Dogs Run Free"), and soulful rock ("The Man In Me," used to wonderful and prominent effect in the Coen Brothers film The Big Lebowski).
Throughout, Dylan's phrasing communicates joyousness and simplicity seemingly carried over from the stripped-down John Wesley Harding and Nashville Skyline. The record's dominant sentiments trace to the lead track, "If Not For You," one of the singer's all-time greatest singles, stitched with country threads and warmth that pervades everything that follows. Yes, New Morning may lack the iconic status of some of Dylan's better-known records. Yet the underdog stature makes repeat listens all the more rewarding.
This title is not eligible for discount.1. If Not for You
2. Day of the Locusts
3. Time Passes Slowly
4. Went to See the Gypsy
6. If Dogs Run Free
7. New Morning
8. Sign on the Window
9. One More Weekend
10. The Man In Me
11. Three Angels
12. Father of Night$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
New SkinNew Skin is the debut album of CRX a new project for STROKES lead guitarist Nick Valensi. The urge to begin a new project came from a primal place for Valensi, he just wanted to play. I was at a place where I got really hungry to perform in front of audiences, and do things a little more simply, Valensi says. The Strokes don't play that often anymore, and when we do it's awesome, but it got to the point where I needed to balance that out with a project I could take on tour whenever I wanted to. And the idea of playing clubs again was really exciting to me. But Valensi couldn't start playing until he'd written some songs, and he realized he'd have to finally embrace an aspect of performing he'd resisted up until that point -- singing. Last summer, he just dug in, grabbing whatever spare time he had to record demos on his laptop at home. It was a learning process, says Valensi. It took me some time to figure out how my voice sounds most natural, and to think about what I wanted to say.
As the songs progressed, Valensi invited a few trusted musician friends to join him and to contribute as songwriters. In addition to Valensi on guitar and vocals, CRX includes bassist Jon Safley, keyboardist/vocalist Richie Follin, drummer Ralph Alexander, and guitarist Darian Zahedi. Once we were all in a room together, it got collaborative pretty quickly, Valensi says, noting that about half of New Skin s ten tracks are co-writes with the band.
After demoing several songs, Valensi reached out to Queens of the Stone-Age's Josh Homme, for feedback on the tracks and advice regarding producers who might be right for the band. It quickly became apparent that there was no better person for the job than Homme himself. He was really enthusiastic about the demos, says Valensi. There were even specific things he loved from the demos so much that we ended up including them on the album, which was very much a Josh decision.
New Skin was recorded at Homme's Pink Duck Studios in Burbank, with work wrapping up in early 2016. And even as this year marks the fifteenth anniversary of The Strokes first LP, it represents the beginning of a promising new chapter for Valensi. One of the coolest things for me is that I began making this record as a vehicle to get onstage, he says, but along the way, it started to feel like we were working on something more special than that. I'm excited to be singing and having a lot of fun with it, and I'm really enjoying the feeling of having to work hard to win people over. It's like being a kid again - like everything is new and kind of scary but irresistibly fun, too.1. Ways to Fake It
2. Broken Bones
3. Give It Up
6. Slow Down
7. On Edge
9. One Track Mind
10. Monkey Machine$20.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now