- Lowest Price
- Highest Price
Wicked The Musical'
Wicked (Original Broadway Cast Recording)Wicked is a cast recording containing the majority of the songs from the Tony Award-winning Broadway musical Wicked, with music and lyrics by composer Stephen Schwartz and a book by writer Winnie Holzman. The cast recording has received positive reviews and has received substantial commercial success. It received the 2005 Grammy Award for Best Musical Show Album in 2005. Continuing with its vinyl reissue campaign, UMe is reissuing this classic on vinyl for the first time for a general audience.LP 1
1. No One Mourns The Wicked
2. Dear Old Shiz
3. The Wizard And I
4. What Is This Feeling?
5. Something Bad
6. Dancing Through Life
8. I'm Not That Girl
9. One Short Day
10. A Sentimental Man
1. Defying Gravity
2. Thank Goodness
4. I'm Not That Girl (Reprise)
5. As Long As You're Mine
6. No Good Deed
7. March Of The Witch Hunters
8. For Good
9. Finale Wicked$29.99Vinyl LP - 2 LPs Sealed Buy Now
Wicked Pickett (1966) is a fabulous Soul album, done when Pickett was in the midst of his best period at Atlantic. The album has everything - great songs, wonderful production and arrangements, and a hungry, galvanizing Wilson Pickett hollering, screaming, shouting, and soaring on anything he covered, from ballads to uptempo dance and midtempo wailers.
Containing the hits Mustang Sally, Sunny, Dan Penn's You Left The Water Running and the classic Knock On Wood, this is a must have album for everyone with a craving for Soul, Soul, and more Soul!1. Mustang Sally
2. New Orleans
4. Everybody Needs Somebody To Love
5. Ooh Poo Pah Doo
6. She Ain't Gonna Do Right
7. Knock On Wood
8. Time Is On My Side
9. Up Tight Good Woman
10. You Left The Water Running
11. Three Time Loser
12. Nothing You Can Do$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sever The Wicked HandLimited Edition
This US quartet, formed in 1989, emerged in the early 90s as one of the leading lights of the New Orleans extreme metal scene, purveying a sound that blended Black Sabbath/Saint Vitus-styled heaviness with hardcore aggression. Kirk Windstein (b. 14 April 1965, Wiltshire, England; vocals/guitar), Todd Strange (b. 1966, USA; bass) Kevin Noonan (guitar) and Craig Nunenmacher (drums) made their debut in 1991 with the dark and doom-laden Obedience Thru Suffering, after which Noonan was replaced by Matt Thomas, a former bandmate of Pantera frontman Phil Anselmo in Razor White. Anselmo, an old friend who collaborates with Windstein on side-projects such as Down and Both Legs Broken, helped to refine and improve the band`s sound with his sympathetic production on Crowbar, which included a brutally heavy interpretation of Led Zeppelin`s `No Quarter`, adapted stylishly to the Crowbar sound.
The band was well received on tour with Paradise Lost in the UK and Pantera in the USA, and released the Live +1 EP (which was packaged with Crowbar in the UK) before returning to the studio with the stated intention of making Crowbar sound `like Jethro Tull`. In 1995, Eyehategod guitarist Jimmy Bower (b. 1966, USA), who had played with the original line-up in 1989, was recruited as the band`s new drummer, although Time Heals Nothing was recorded with Nunenmacher. True to form and promise, it provided a thunderous blast of controlled aggression and dark melodicism. Guitarist Sammy Pierre Duet (ex-Acid Bath) joined in time to help record 1996`s Broken Glass.
Bower left following the release of the 1998 follow-up Odd Fellows Rest. He was replaced by Sid Montz on 2000`s Equilibrium, following which Strange retired from the music scene and Nunemacher departed the ranks for a second time. Subsequent albums have seen sole remaining founding member Windstein joined by an ever-changing cast list of personnel.LP 1
1. Isolation (Desperation)
2. Sever The Wicked Hand
3. Liquid Sky And Cold Black Earth
4. Let Me Mourn
5. The Cemetery Angels
6. As I Become One
1. A Farewell To Misery
2. Protectors Of The Shrine
3. I Only Deal In Truth
4. Echo An Eternity
5. Cleanse Me, Heal Me
6. Symbiosis$22.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
ADAD-SEC-1515xAntony And The Johnsons
SwanlightsSwanlights is the new album from Antony and the Johnsons, set to release in North America via Secretly Canadian. While I Am a Bird Now was arresting in its simplicity and vision and The Crying Light is a masterpiece of austerity, Swanlights may be Antonys most wide-ranging emotional work to date.
It is a record that is at moments excruciating and tender, and at other times has a wicked gleam to its teeth. Musically its the most maximal of his work to date. Whereas on The Crying Light, Antony paired everything back to its most distilled and essential, on Swanlights the vines have become overgrown and the sound palette has become more exotic, strange percussive elements, John Cale-esque string drones, heavily distorted guitars and symphonic voicings thread the song cycle together.
Swanlights is the fourth Antony and the Johnsons album and the follow up to the critically acclaimed smash The Crying Light which topped year-end best of lists across the globe in 2009. Antony burst into the international spotlight with his second album, I Am a Bird Now, which won the UKs prestigious Mercury Music Prize.1. Everything Is New
2. The Great White Ocean
4. Im In Love
7. The Spirit Was Gone
8. Thank You For Your Love
10. Salt Silver Oxygen
11. Christinas Farm$19.99Vinyl LP - Sealed Buy Now
The Best Of Wilson PickettThe great Wilson Pickett will be forever known as one of the original classic soul pioneers who had a knack of mastering funk grooves drenched in soul, rock and pop. He made some of the greatest sides ever for Atlantic, where he spent almost two decades creating some of the grittiest sold music ever waxed.
In 1967, Wilson 'The Wicked' Pickett was honored with his first greatest hits collection by Atlantic Records simply titled The Best Of Wilson Pickett. This stunning array of his hit singles, most of them backed by Booker T. and The M.G.'s, dominated the upper rungs of the soul and pop charts for over a year.
The man was important in bridging all types of rhythm and blues music to a much wider audience, churning out not only soul smashes but pop masterpieces. Most of his biggest hits have been covered by contemporaries like The Rascals, Solomon Burke, Jackie Wilson, The Supremes, B.B. King, Mitch Ryder and Bryan Ferry, just to name a few.
Jam packed with the original recordings of solid senders like his classics In The Midnight Hour, Mustang Sally, Funky Broadway and of course Land Of 1000 Dances, The Best Of Wilson Pickett is virtually an encyclopedia of FUNK! This top ten charting 1967 LP hasn't been available on vinyl for many decades, that is until now! Friday Music has announced for the first time ever the stunning 180 Gram Audiophile Vinyl release of The Best Of Wilson Pickett.
Mastered from the original mono Atlantic Records tapes by Joe Reagoso at Friday Music Studios with Kevin Gray, these classic tracks truly reach sonic heights in the high fidelity audiophile domain. Friday Music has also included the original artwork elements by Haig Adishian, the classic photo of Wilson Pickett by Jerry Schatzberg, as well as the original liner notes from Jimmy Byrd.1. In the Midnight Hour 
2. I Found a Love 
3. 634-5789 (Soulsville, U.S.A.) 
4. If You Need Me 
5. Mustang Sally 
6. Don't Fight It 
7. Everybody Needs Somebody to Love 
8. It's Too Late 
9. Ninety-Nine and a Half (Won't Do) 
10. Funky Broadway 
11. Soul Dance Number Three 
12. Land of 1000 Dances $31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
The Best Of Wilson Pickett Volume 2
The Anniversary Release Of His Second Stunning Greatest Hits Album
Impeccably Mastered By Joe Reagoso At Friday Music Studios & Capitol Mastering
First Time Audiophile Vinyl & Original LP Cover Presentation
Wilson Pickett was truly one of the finest r&b and pop recording acts of all time. Forever associated with his sophisticated soul and rock vocal prowess, the legendary artist continues to garner both new and old fans alike with his amazing output of top charting hits and fine albums recorded over the years.
After years of huge hit singles and amazing albums with Atlantic Records, the label awarded the superstar once again with a terrific greatest hits collection simply titled "The Best Of The Wilson Pickett Volume II." Featuring more of his later 60's and early 70's hits like the smash Gamble and Huff groover "Don't Let The Green Grass Fool You", the funk filled "Get Me Back On Time, Engine Number 9", and of course his powerful interpretation of The Beatles "Hey Jude, this Lp was worth its' weight in gold!
The multi-platinum superstar continues this awesome collection with more classics like his soulful renditions of Steppenwolf's "Born To Be Wild", The Vanilla Fudge/ Supremes smash " You Keep Me Hangin' On" and The Archies pop classic "Sugar, Sugar", of which all became huge hit records for this sorely missed artist.
Friday Music is no stranger to the music of the "Wicked" Wilson Pickett, that is why we are so very honored to announce our second installment in The Wilson Pickett/Friday Music 180 Gram Audiophile Vinyl Series with his masterpiece "The Best Of The Wilson Pickett Volume II."
The long out of print original Atlantic Records classic is now mastered impeccably by Joe Reagoso (Earth, Wind & Fire/ The Spinners) and pressed for a very limited time on stellar 180 Gram Audiophile vinyl. This first time anniversary release will also be presented with the original rare Lp cover elements.
Wilson Pickett .The Best Of The Wilson Pickett Volume II" ..Impeccable first time audiophile "funk" vinyl .From Your Friends at Friday Music!1. Don't Let The Green Grass Fool You
2. Sugar Sugar
3. Get Me Back On Time, Engine Number 9
4. I'm A Midnight Mover
5. A Man And A Half
6. Born To Be Wild
7. She's Lookin' Good
8. I'm In Love
9. Hey Joe
10. Cole, Cooke & Redding
11. Hey Jude
12. You Keep Me Hangin' On
13. I Found A True Love$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
ADAD-4AD-0514xThe Birthday Party
Live 81-82Few bands were as cataclysmic, chaotic, and iconoclastic as Australia's Birthday Party. And while they spawned a few imitators (most notably Bogshead, Scratch Acid, and the short-lived batcave movement), their fractured sound and aura of wickedness were so far removed from the norm of early-'80s rock music that no group even came close to duplicating their murderous persona and manic, driving racket.
Live 1981-82 collects 17 tracks from concerts in London, Germany, and Greece, and for a band whose music seemed to cling to sanity by the most delicate of threads, these recordings are surprisingly coherent and faithful to the album versions.
Taking into account the barrage of feedback, the pile-driving bass, and singer Nick Cave's howling, the sound is also quite good (the only exception being the single cut from Greece, a cover of the Stooges Funhouse).
As for the performances, the band is in excellent form. Cave delivers the songs with conviction and energy, punctuating them with his startling vocabulary of shiver-inducing screams, grunts, snorts, groans, and growls. Considering the schizophrenia that was so much a part of the band's music, Cave's ability to convincingly deliver his gut-wrenching angst is nothing short of remarkable.
While Cave's Manson-meets-Morrison persona drew most of the attention, it was the Birthday Party's ability to swing--hard--that put them over the top. Drummer Phil Calvert is a beacon in the sea of chaos as guitarists Mick Harvey and Roland S. Howard disembowel their guitars, blasting shards of jazz and blues across the horizon. The late bassist Tracy Pew is the real revelation. Rock solid and never missing a beat, Pew emerges as the constant amidst the wreckage, providing the rich base from which these bad seeds sprung.
Live 1981-81 is a near-perfect document of one of rock's most extreme, creative, and dangerous forces.
-S. Duda1. Junkyard
2. A Dead Song
3. The Dim Locator
4. Zoo - Music - Girl
5. Nick The Stripper
6. Blast Off!
7. Release The Bats
8. Bully Bones
9. King Ink
10. (Sometimes) Pleasure Heads Must Burn
11. Big - Jesus - Trash - Can
12. Dead Joe
13. The Friend Catcher
14. 6 Gold Blade
15. Hamlet (Pow, Pow, Pow)
16. She's Hit
17. Funhouse$24.99Vinyl LP - Sealed Buy Now
Send Them All To HellThe German PANZER, the Teutonic Heavy Metal trio, is comprised of yet three undisputed genre legends: Vocalist & bass-player Schmier, best known as frontman of DESTRUCTION and HEADHUNTER, guitarist Herman Frank (ACCEPT, VICTORY) as well as drummer Stefan Schwarzmann (ACCEPT).
The initial idea was born when drummer Stefan Schwarzmann, who has relocated to Switzerland about seven years ago, had a chat with the owner of renowned Swiss club Z7 in Pratteln. The two tried to figure out a way to fill the empty space within touring and recording, the venue has been facing with its most frequently playing bands. To make a long story short: Nobert Mandel (owner of Z7) had the idea of a trio, with both Stefan and Herman in it. The only vacancy for bass and vocals wouldn't stay open for long, as Stefan had the phone number and mail address of DESTRUCTION's Schmier right at hand - and so "The German Panzer" was born!
Commented vocalist & bass-player Schmier: "When Stefan Schwarzmann, drummer of ACCEPT and an old friend came to me with the idea of putting a band together, I first thought he tried to fool me hahaha! But the idea sounded amazing from the beginning and after the first meeting with Herman Frank, the German guitar legend, that everybody knows from his work with ACCEPT and VICTORY and Stefan, we realized really fast, that this team could really kick some serious ass together. And Instead of talking too long about it, we started writing songs right away and within some weeks had half of the album recorded and it sounded wicked! We don t wanna re-invent the metal-wheel. We play the music we love, easy as that and it's great fun cause we all dig this shit since we are teenagers!
Naming a band after fierce war machinery might seem a bit off for some, but if you take a look at the lyrics, this is picture perfect. The lyrics provoke, criticize and are part of the art. "My lyrics criticize... I don t pray," adds Schmier.
And as difficult as the search for a name was at first, with all members being German die-hards and organizers of the Teutonic scene, The German PANZER seemed to be the name everybody remembers right away.
As for the album title, »Send Them All To Hell« was almost mandatory, as these are the first words to be heard on the record, with Schmier whispering them into the mic. With the exception of one track that feature all three members, all songs are written entirely by Herman Frank and Schmier.
If you like it heavy, more melodic or if you dig Speed Metal, then The German PANZER will hit right on - Or to say it with Herman Frank: "No left - no right! Just straight forward like a Panzer!1. Death knell
2. Hail and kill
3. Temple of doom
6. Mr. Nobrain
8. Virtual collision
9. Roll the dice
10. Bleed for your sins
11. Murder in the skies (Gary Moore Cover)$28.99Vinyl LP - 2 LPs Sealed Buy Now
180 Gram Audiophile Vinyl
Nailbomb was a side project by Sepultura's Max Cavalera and producer/engineer Alex Newport in the mid-1990s. Point Blank is their only studio album, originally released in 1994 by Roadrunner Records. The album combines the thrash-metal fury of Sepultura with the robotic industrial clangor of Fudge Tunnel.
Nearly the entire Sepultura lineup is present on the guest list - both Andreas Kisser and Igor Cavalera are credited. Also Dino Cazares of Fear Factory and Ritchie Bujnowski from Wicked Death are featured on the album. The first track Wasting Away, appears in the 1995 film To Die For. Exploitation is a cover originally by the English crust punk band Doom.
Relentless grinding riffs, and an industrial-strength percussive roar, the lyrics are uniformly nihilistic and the album is riddled with left-field samples that add a disorienting, dehumanizing texture. This is an ass-kicking album, that is full-on malevolent from the get-go. Point Blank is abrasive, in your face, and loud as hell with the lid off.1. Wasting Away
2. Vai Toma No Cú
3. 24 Hour Bullshit
5. Blind And Lost
6. Sum Of Your Achievements
8. For Fuck's Sake
9. World Of Shit
11. Religious Cancer
12. Shit Piñata
13. Sick Life$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Dressed To KillBy the release of their third album, 1975's Dressed to Kill, Kiss were fast becoming America's top rock concert attraction, yet their record sales up to this point did not reflect their ticket sales. Casablanca label head Neil Bogart decided to take matters into his own hands, and produced the new record along with the band. The result is more vibrant sounding than its predecessor, 1974's sludgefest Hotter Than Hell, and the songs have more of an obvious pop edge to them. The best-known song on the album by far is the party anthem Rock and Roll All Nite, but it was the track C'Mon and Love Me that became a regional hit in the Detroit area, giving the band their first taste of radio success. Since the band was on the road for a year straight, songs such as Room Service and Ladies in Waiting dealt with life on the road (i.e., groupies), and a pair of songs were reworked from Kiss' precursor band, Wicked Lester (Love Her All I Can and She). With Dressed to Kill's Top 40 showing on the Billboard charts, the stage was now set for Kiss' big commercial breakthrough with their next release.
- Greg Prato (All Music Guide)1. Room Service
2. Two timer
3. Ladies In Waiting
5. Rock Bottom
6. C'mon and Love Me
7. Anything For My Baby
9. Love Her All I Can
10. Rock and Roll All Nite$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Return Of The CoolBuzzing Walterboro, SC rapper Nick Grant will unveil his full-length debut project, Return of The Cool. The album boasts 12 new tracks, including the latest single "Luxury Vintage Rap," "Get Up" (feat. WatchTheDuck), "The Sing Along" (feat. Rico Barrino), and more.
Offering a glimpse at the MC's fiery and fresh style, "Luxury Vintage Rap" highlights his wise and wicked wordplay over nineties-style production. With a bulletproof cadence, he serves up slick, sizzling, and scorching bars such as, "I'm cut from Biggie's Gucci sweater cloth."
Growing up in the tiny town of Walterboro, SC, Nick Grant found a window to a much bigger world through hip-hop as a kid. He obsessed over classics by Jay-Z, 2Pac, Nas, OutKast, and A Tribe Called Quest, while writing countless rhymes of his own. In 2014, he inked a deal with Culture Republic-run by music industry veterans Jason Geter, Chaka Zulu and Bernard Parks, Jr. February 2016 saw him unleash his '88 mixtape featuring collaborations with the likes of Killer Mike and Big K.R.I.T. Soon, he was garnering praise from Vibe, XXL, HipHopDX, Pigeons and Planes, and more in addition to lighting up the 2016 BET Hip-Hop Awards Cypher as well as Funk Master Flex's Hot 97 radio show and Sway in the Morning. In 2017, Grant harks back to rap's revolutionary era over two decades ago, while bringing a decidedly modern heat of his own. With an impressive production line-up that includes Organized Noize Productions, Karriem Riggins, and DJ Khalil. Get ready for the Return of the Cool.1. Sometimes (feat. Dominic Gordon)
4. All of You (feat. B. Hess)
5. The Sing Along (feat. Ricco Barrino)
6. Gotta Be (feat. BJ The Chicago Kid)
7. PPIP (feat. Miloh Smith)
8. Get Up (feat. WatchTheDuck)
9. Callin' (feat. Jori)
10. Get Down
11. Return of the Cool (feat. B. Hess)
12. Luxury Vintage Rap$19.99Vinyl LP - Sealed Buy Now
TerritoryTerritory is the follow up to the Charlottetown band's Polaris Prize nominated and internationally acclaimed sophomore album, Little Jabs. Once again produced by Joel Plaskett, Territory builds on the promise of Little Jabs as the band continues to write and record sunny pop gems for the heart and head. The album also finds Two Hours Traffic discovering the shadows at the side of the road. Right from the get go this becomes apparent as the gold into lead alchemy of the rousing opener Noisemaker kicks in and by the time the title track tells its tale of disillusionment and betrayal you know you are settling in for a drive to the darker side. Indeed, songs such as Weightless One, Drop Alcohol, Wicked Side, and Lost Boys all explore the approaching dusk but just like the more hopeful tracks on the album (Happiness Burns, Sing A Little Hymn) they all lock into the close your eyes, sing along choruses and instantly memorable lyrics that have put Two Hours Traffic on the melodic map.
Initially conceived as a two-piece, lead singer Liam Corcoran and guitarist Alec O'Hanley recruited bassist Andrew MacDonald and drummer Derek Ellis while attending university in their hometown of Charlottetown, Prince Edward Island. After releasing their April Storm EP in 2003 a friendship was struck up with Halifax hero Joel Plaskett who offered to produce the band's first proper album. They've been working together ever since. While their eponymous debut and their follow up Isolator EP were received warmly by critics, it wasn't until 2007's breakthrough Little Jabs that the world really took notice. Appearing on dozens of year-end best of lists, Little Jabs also garnered an ECMA for Best Pop Recording and was a finalist for the coveted Polaris Music Prize.1. Noisemaker
2. Wicked Side
4. Weightless One
5. Painted Halo
6. Just Listen
7. Drop Alcohol
8. Monster Closet
9. Lost Boys
10. Happiness Burns
11. Sing a Little Hymn
12. Heroes of the Sidewalk
15. Backstreet Sweetheart$18.99Vinyl LP - Sealed Buy Now
Razorback Killers (Awaiting Repress)Its Geoff Thorpes story of power and pain. The quest to change peoples lives with the
power of metal music and the fascination of his band in 2011. The guitarist and main
songwriter of American power metal act Vicious Rumors says: The older we get, the
more wicked Vicious Rumors sound. Weve definitely not slowed down quite the opposite
have even more drive. Our fans wont see a single Vicious Rumors show where
we dont go to our limits and beyond. Anybody who has been to one of the groups
gigs during the past two years knows just what he means. Thorpes comment not only
describes his bands concerts, but also without reservation Vicious Rumours latest
album Razorback Killers, due out on SPV on April 5th 2011 and featuring ten breathtaking
new songs which transport the traditional Vicious Rumors sound perfectly into the
present. To cut a long story short: this band has never sounded more dynamic than on
The reasons for Vicious Rumors high-powered performance? Thorpe has a plausible
explanation: The metal is in our blood!!!! Plus we always have an awesome line-up.
Larry Howe on drums and vocals, our bassist Stephen Goodwin and guitarist Kiyoshi
Morgan, and in Brian Allen weve found the best vocalist you could possibly get
for these kind of songs. Brian Allen joined the Vicious Rumors fold one and a half
years ago at the recommendation of Matt McCourt (Wild Dogs), a long time friend who
Thorpe met up with at the Headbangers Open Air. Matt
had praised Brian, and I thought that hed be perfect
for Vicious Rumors. His assessment soon proved
true: from the beginning, Allen showed his great potential
during intense rehearsals. We immediately
noticed this raw, pure quality in him. Like a snowball,
something very big developed very quickly out of small
beginnings. During our five-week European tour, Brian
got nothing but positive reactions from our fans.1. Murderball
2. Razorback Blade
4. Bloodstained Sunday
5. Pearl Of Wisom
6. All I Want Is You
7. Axe To Grind
8. Let The Garden Burn
9. Right Of Devestation
10. Deal With The Devil$22.99Colored Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Arisen New Era (Awaiting Repress)Blue And White Colored Vinyl
Unique Leader Records confirms that French death metal legion, KRONOS, will drop their Arisen New Era long player upon the masses. Recorded, mixed and mastered by David Potvin at Dome Studios (Lyzanxia, Arcania, Under The Abyss etc.) in Angers, France, the band's latest slab of audio menace features nine scalding tracks of unrelenting barbarity adorned in the distinctive cover art of Pierre Alain (Withering Soul, Silentlie, Cyrax etc.).
A name derived from the Greek god of time, Kronos (or Cronus), father of Zeus, KRONOSwas forged over fifteen years ago and quickly established a name for themselves based solely on their musical unity of harmony and violence. Featuring a continuous textual reference to the gods of ancient civilizations, KRONOS punctures ears with a heightened level of dynamics accomplished by only by a select number of bands. It all began in a small town in the Northeastern province of Alsace-Lorraine. Following various lineup shifts and musical experimentation, the pandemonium squad recorded their first demo in 2000. One year later, KRONOS would unleash their Titan's Awakening debut. Produced entirely by the band, the lethal creation lead to a union with French imprint Warpath Records. By the end of 2001, Titan's Awakening was expelled once again into the world, this time with a brand new cover designed by Deather (Gurkkhas, Vital Remains, Angel Corpse) as well as a visually disquieting booklet.
KRONOS later joined forces with Spanish label Xtreem Music run by Avulsed's Dave Rotten, for the unleashing of their next two full-lengths. Second offering, Colossal Titan Strife was discharged in 2004 to the applause of underground critics in the proverbial know. Metal Crypt commended the band's "diversified guitar work intricate drum patterns wicked guitar solos and.. good number of catchy yet non-compromising hooks," further insisting, "This French outfit is definitely worth checking out," while Sputnik Music championed, "an impressive album that shows off the capabilities of death metal done right. KRONOSmanaged to pack a metric ton of creativity into each song and you will barely hear the same riff twice." Added Last Rites simply, "worth your time if you need some solid, well-produced death metal." Third offspring, The Hellenic Terror, emerged in April 2007 and served as an attestation of the band's enormous capacity for skilled execution and originality. Said Metal Crypt in a near perfect review of the release, "The Hellenic Terrorcontains more melodic sections than Colossal Titan Strife, but still possesses almost as much brutality . KRONOS is one of the few death metal bands that manage to be melodic, brutal and still remain catchy as hell in their riffs and solos. This is definitely a must-have for fans of death metal."
Now that this Gallic Titan has blossomed into a powerful entity, they're ready to vanquish and destroy the world with musical bloodlust and the diabolic wares of Arisen New Era.1. Infernal Abyss Sovereignty
2. Zeus Dethroned
3. Soul-Voracious Vultures
4. Rapture In Misery
5. Klymenos Underwrath
6. Aeons Titan Crown
8. Purity Slaughtered
9. Hellysium$19.99Colored Vinyl LP - Sealed AWAITING REPRESS Buy Now
ForthEver since The Verve was thrust into superstardom with their international smash hit, Bittersweet Symphony there has been enormous anticipation for a new studio album from the original line-up of Richard Ashcroft, Nick McCabe, Simon Jones and Pete Salisbury. After 10 long years, we finally get our wish. Fusing psychedelia with majestic arrangements and wickedly smart lyrics, The Verve's new album, Forth embraces a melodic sensibility and musical landscape at its peak. With Forth, The Verve are intent on proving once again why they are one of rock's greatest bands.1. Sit and Wonder
2. Love Is Noise
3. Rather Be
6. I See Houses
7. Noise Epic
8. Valium Skies
10. Appalachian Springs$39.99Vinyl LP - 2 LPs Sealed Buy Now
We The PeopleHard rock icons Adrenaline Mob have had their fair share of challenges in the past but have risen to each & every one continuing to march forward yet again & again! Formed by guitarist Mike Orlando & vocalist Russell Allen they joined forces with drummer Mike Portnoy & bassist John Moyer to launch the band's debut. The band eventually parted ways with drummer Mike Portnoy due to scheduling conflicts & brought drum legend AJ Pero into the fold. Only two years after the debut was released, the group was involved in a major vehicle accident while on the road with Avenged Sevenfold and Hellyeah. Then, in 2015, Adrenaline Mob lost drummer and long-time friend drum legend A.J. Pero to a heart attack while on tour with Drowning Pool. In 2017, Adrenaline Mob have now replenished the ranks with newcomers David Zablidowsky on bass and Jordan Cannata on drums for work on their latest effort, 'We The People'.
Recorded once again at Sonic Stomp Studios over a year-plus period, We the People sounds huge. Each riff is massive, every drum hit a chest-thumping pound, and each line Russell vocalizes exudes unbelievable power and heart. Life-changing events may've halted Adrenaline Mob, but the group's third full-length is proof positive they're stronger now than they've ever been. Tracks like the raging 'Blind Leading the Blind', the big-hitting 'King of the Ring', the rhythmically wicked 'What Do You Really Want', and the rock radio-tailored title track evince purpose and authority. In every way, We the People puts the hard in hard rock. And the metal in heavy. Orlando was responsible for composing the music, engineering, recording, co-producing, mixing, and mastering and that all says one thing: the dude's a beast. Along with the incredible talents & amazing voice of his co-producing partner Allen who is by far one of rocks greatest voices, the two seem unstoppable on We The People.
As the title, We the People, indicates there's a political side to Adrenaline Mob. Throughout their years as a musicians and songwriters, they hadn't stayed silent on matters significant. Whether they were masked in metaphor or flatly conspicuous, they've always poured their feelings into song. It was, as Orlando puts it, a form of catharsis. So, as they were watching the presidential campaigns, feeling the negativity-the constant bickering and finger pointing-they knew Adrenaline Mob's next venture would be impacted. In fact, the first song Orlando began writing for We the People was the politically-charged rocker 'Blind Leading the Blind'. "The title track is very much inspired by the past election year," confirms Allen. "It touches on our society, here in America. The album title is a reflection of our times. The songs have certain particular stories that stand on their own. Many of them are also driven by the climate we live in today & some are about having a good time, being free & loving rock n roll. All the tracks have a personality and character to them."
Undoubtedly, the re-energized Adrenaline Mob will face adversity with We the People. But the strong always rise. Adrenaline Mob have proven they have the fortitude and music to prevail over anything. We the People, folks. It's time to rise up with Adrenaline Mob!LP 1
1. King Of The Ring
2. We The People
3. The Killer's Inside
4. Bleeding Hands
5. Chasing Dragons
6. Til The Head Explodes
7. What You're Made Of
8. Raise Em Up
1. Ignorance & Greed
2. Blind Leading The Blind
3. Violent State Of Mind
4. Lords Of Thunder
5. Rebel Yell
6. Devil Went Down To Georgia
7. Snortin' Whiskey
8. Tie Your Mother Down$26.99Vinyl LP - 2 LPs Sealed Buy Now
Screaming For Vengeance (Awaiting Repress)Screaming for Vengeance on Numbered Limited Edition LP from Mobile Fidelity Silver Label
Double-Platinum 1982 Blockbuster Remains Judas Priest's Most Commercially Successful LP
Includes Electric Eye, Screaming for Vengeance, You've Got Another Thing Comin'
Dual Magnesium-Burn Guitars, Leather-Tough Percussion, Molten-Hot Melodies Help Form Triangular Equilibrium of Speed, Accessibility, and Attitude
Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI
You've got another thing comin'! Distinguished by dual magnesium-burn guitars, leather-tough percussion, molten-hot melodies, and the unmistakable piercing falsetto of operatic vocalist, Screaming for Vengeance became the soundtrack to millions of music lovers' lives in the early 1980s as Judas Priest continued to lay waste to its contemporaries' softer, cheesier hard-rock styles. An effort on which precision-based speed, mainstream accessibility, and resilient attitude meet in triangular equilibrium, the 1982 set remains the British metal legends' top-selling record.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this Silver Series numbered limited edition LP shows off the grand intersection of daring adventure and commercial purpose achieved via ironclad production values and entrenched grooves. The latter particularly benefit from this analog pressing, as the group never overlooks the importance of rhythm and pace even when stoking tempos to engine-combusting levels. Leagues ahead of the sonics gracing its peers' albums from the time, the sense of balance, separation, and realism is on par with that of big-budget rock creations.
Staked by the breakout "You've Got Another Thing Comin'," which burns white-hot with foot-pounding riffs, prize-fighting percussion, and singer Rob Halford's gun-for-hire blare, Screaming for Vengeance clutches hold of the jugular and doesn't let go. A return to the band's gritty, purist roots, the record revisits the themes of darkness, menace, and the unknown firmly established on the pioneering Stained Class and Killing Machine. Along with those albums, and British Steel, Screaming for Vengeance is the template for the catchy albeit uncompromisingly heavy crossover success Metallica, Megadeth, and Anthrax enjoyed years later.
With the one-two opening tandem of the instrumental "The Hellion" and stomping "Electric Eye," overseen by Halford as if he's embodying the persona of a wicked James Bond villain, Priest sounds utterly futuristic and terrifying, the instruments seemingly on a swivel and the sawed-off tones flooding the guitar solos with intimidation. A classic head-out-to-the highway anthem ("Riding on the Wind"), a racing proto-thrash banger ("Screaming for Vengeance"), and a scorching exorcism ("Devil's Child") function as the metal-hued bolts that hold the foundations of this Top 20-charting benchmark in place.
Perhaps more so here than on any other record, Priest spit-shines hooks and collusive six-string harmonic leads to perfection, giving listeners ying-yang doses of pain and pleasure, sweet and bitter. Songs at once invite sing-a-longs and fist-pumping responses. Screaming for Vengeance marked the last time Priest would sound this heavy in the 80s. No wonder it was voted the 12th best metal album of all time in Martin Popoff's definitive book of the same name.
This title is not eligible for discount.1. The Hellion
2. Electric Eye
3. Riding on the Wind
5. (Take These) Chains
6. Pain and Pleasure
7. Screaming for Vengeance
8. You've Got Another Thing Comin'
10. Devil's Child$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Blues of Desperation (Awaiting Repress)GRAMMY-nominated blues-rock guitar icon Joe Bonamassa announces his 20160solo album, Blues of Desperation (J&R Adventures). Like his previous solo disc, 2014's Top 10 Billboard hit Different Shades of Blue, this record features all-original material, and it sees the maverick superstar guitarist, singer and songwriter tossing away the rule book as he continues to reinvent and redefine the blues-rock genre like no other artist working today.
I want people to hear my evolution as a blues-rock musician, says Bonamassa, somebody who isn't resting on accomplishments and who is always pushing forward and thinking about how music can evolve and stay relevant.
The writing sessions for Blues of Desperation took Bonamassa back to Nashville, where he'd composed Different Shades of Blue, to work with some of Music City's top tunesmiths, people like James House, Tom Hambridge, Jeffrey Steele, Jerry Flowers and Gary Nicholson.
These are some of the best guys in the business, Bonamassa raves. Lyrically, you'll hear the proverbial trains, mountains, valleys and other blues references about heartbreak and loneliness but there are also some poignant moments about getting away from the stressful, crazy demands of life and losing yourself with your special someone. I think anybody will be able to relate.
Bonamassa and his longtime producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey) convened at Nashville's Grand Victor Sound Studios (formerly known as RCA Studio A), and during an intense, five-day period they recorded 11 galvanizing songs with a crack group of musicians including drummers Anton Fig and Greg Morrow, bassist Michael Rhodes, keyboardist Reese Wynans, horn players Lee Thornburg, Paulie Cerra and Mark Douthit, and background singers Mahalia Barnes, Jade McRae and Juanita Tippins.
Of his decade-long collaboration with Shirley, Bonamassa says, I can explain our relationship with one word - 'trust.' I completely trust in Kevin and his musical promptings. He pushes my musical ability by challenging me to not just rest on my laurels or settle for 'good.' He expects more out of the other musicians as well and will not hold back when he sees us falling back into our usual routine.
Which sometimes calls for unorthodox measures, says Shirley, who admits that his idea of augmenting Bonamassa's usual recording band with second drummer Morrow was engineered to ruffle Joe's feathers.
I wanted him to work a little harder, like in his early years, he says, so I brought in an additional drummer, just to throw the cat amongst the pigeons. Of the results, Shirley raves, Recording 'Blues of Desperation' is one of the most exciting recording projects I've done. What a joyful noise we made!
Blues of Desperation is Bonamassa's most powerfully diverse and boldly realized album yet, with the material ranging from the gutsy, gritty blues call to arms of This Train (Joe's guitar is set to rude throughout) to the elegant yet emotionally shattering ballad What I've Known for a Very Long Time to the soul-nourishing, acoustic-based Americana of The Valley Runs Low, on which Bonamassa's voice rises up majestically to meet Barnes, McRae and Tippins in gospel-like rapture. And then there's the bleary, tequila-soaked Drive, dripping with the kind of raw, wicked and unsettling sensuality that could make David Lynch green with envy.
Throughout the record, Bonamassa's epic guitar playing conjures up stirring benedictions and explosive exorcisms of sound. No Good Place For the Lonely features some of the guitarist's most cauterizing licks yet, and the walloping title track is a white-knuckled, six-string thrill ride guaranteed to jolt the senses. Guitar fans everywhere (like those who recently voted Bonamassa Best Blues Guitarist in Guitar World magazine by an overwhelming margin) will consider Blues of Desperation a treasure trove of axe riches.
There are some long solos on this record and even some mini-jams in the middle of a track where the band would just jive and crank it out, he says. [During those jams], we do a tip of the hat to Beck and Clapton from the '70s. I think guitar nerds and music fans like myself will love it.
Packed with unparalleled musicianship and teeming with the most enthralling collection of songs in Bonamassa's career, Blues of Desperation is guaranteed to knock out critics and fans alike. By exceeding his own vertiginously high artistic goals, Bonamassa is bound to shatter all other expectations with this record and reach new audiences - no mean feat when you continue his astonishing track record of hits now includes 15 #1 Billboard Blues Albums (more than any other artist in history). 2014's Different Shades of Blue debuted at #8 on Billboard's Top 200 Chart, making it his highest charting album, his first top 10 and accounting for his biggest sales week ever. In 2014, the guitarist received his first-ever Grammy nomination (for Best Blues Album) for the album Seesaw, his second collaboration with blues singing star Beth Hart, and was named 2014's Billboard Blues Artist of the Year.1. This Train
2. Mountain Climbing
4. No Good Place For The Lonely
5. Blues Of Desperation
6. The Valley Runs Low
7. You Left Me Nothin' But The Bill And The Blues
8. Distant Lonesome Train
9. How Deep This River Runs
10. Livin' Easy
11. What I've Known For A Very Long Time$34.99180 Gram Audiopbhile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
"When I was young, the artists that I really admired were the ones who always found a way to keep making music and expressing themselves," Matthew Sweet says on the occasion of the release of his 13th solo album Tomorrow's Daughter. "To me, those guys were the real artists, and I've tried to hold on to that attitude in my own work."
The seasoned singer/songwriter/producer/multi-instrumentalist is currently in the midst of a personal musical renaissance that's seen him produce some of the most compelling and ambitious music of his three-decade career.
That description applies to Tomorrow's Daughter, on which such instantly memorable new tunes as "Belong," "Run Away," "Lady Frankenstein" and "Out of My Misery" demonstrate his uncanny ability to tap into a bottomless well of pop history to craft music that's effortlessly catchy yet deeply personal.
Tomorrow's Daughter-the follow-up to the artist's acclaimed 2017 set Tomorrow Forever-is a persuasive testament to the enduring qualities of Sweet's adventurous, emotion-charged songcraft. The new album's 12 songs abound with the punchy melodic sensibility, playful sonic experimentalism and introspective lyrical insight that have been constants in his expansive catalog.
Tomorrow's Daughter is the product of a burst of creative inspiration that followed Sweet's 2013 return to his native Nebraska, where he reestablished his Black Squirrel Submarine home studio. This period yielded 38 brilliant new songs, 17 of which appeared on Tomorrow Forever. It instantly became clear that this potent body of work merited a follow-up release, hence Tomorrow's Daughter.
"It just sort of became my next record," Sweet says of Tomorrow's Daughter, which like its predecessor is released via his own Honeycomb Hideout imprint but this time distributed by MRI / Sony. Both albums feature Sweet's current touring band, comprised of guitarist Jason Victor (also a member of the recently-reformed Dream Syndicate) and his longtime rhythm section of bassist Paul Chastain and drummer Ric Menck (also known for their own acclaimed work with Velvet Crush).
"When I put together Tomorrow's Daughter out of what I'd recorded, the 12 songs totally made sense to me in sequence," Sweet explains. "I enlisted some of the people around me, friends and family, to listen to everything I'd recorded and pick their favorites, and everyone pretty much agreed on what was the top stuff. I think it stands up as a separate record, and as a time capsule of the time that we made it."
The distinctive musical and lyrical qualities that illuminate Tomorrow's Daughter have been hallmarks of Matthew Sweet's work since he began making music as a high school student in his native Lincoln, Nebraska. While attending the University of Georgia in Athens, Georgia, he became active in that town's burgeoning underground music scene, as a member of the now-legendary indie combos Oh-OK and Buzz of Delight, and in collaborations with R.E.M.'s Michael Stipe and Chris Stamey of The dB's.
A demo recorded with producer Don Dixon led to solo deals with Columbia (which released Sweet's debut album Inside in 1986), A&M (1989's Earth) and finally Zoo, which issued his commercial and creative breakthrough Girlfriend in 1991. Girlfriend won raves from critics and established him with a wide international fan base that continues to support him today.
Sweet continued to reveal new layers of songwriting depth and sonic creativity on his subsequent efforts Altered Beast, the spin-off EP Son of Altered Beast, 100% Fun, Blue Sky on Mars and In Reverse. His musical gifts continued to shine into the new century with Kimi Ga Suki, Living Things, Sunshine Lies, Modern Art and the Under the Covers series, a three-volume collaboration with Susanna Hoffs of the Bangles (Sweet also served as producer of the Bangles' 2011 album Sweetheart of the Sun).
"I can barely even fathom it," Sweet says of his massive body of recorded work. "But here I am, so I try to live up to whatever it is I've established so far. To do the work is the really important thing to me, but knowing that I'm connecting with people makes me happy. I've continued touring pretty consistently, and it's nice to see that people still care enough to come out to the shows. There seems to be a real emotional attachment for them, which means a lot to me."
Sweet is in the midst of an especially productive period that's seen him continue to generate new material at a prolific pace. He's already recorded
Wicked System of Things, a collection of new original songs to be released as a limited-edition vinyl LP in November 2018 for Black Friday Record Store Day, and is planning his next general-release album.
"I feel like I'm gonna be pretty active for awhile, and it's fun to be releasing a lot of music," he says. "I thought that there might be some resistance to putting out so much stuff, but that hasn't been the case, and that's encouraged me to keep going."
Now firmly ensconced, along with his wife, cats and vintage recording gear, in Nebraska after a two-decade-plus stretch in Los Angeles, Sweet works out of his home studio, which allows him to indulge his bottomless musical imagination, and to engage in long-distance collaborations with musicians in other locations-a method that he employed on both Tomorrow Forever and Tomorrow's Daughter.
"In some ways I think that moving has had a positive effect musically," he reflects. "I think it reconnected me a little bit to what it felt like when I was really young and music was new to me, and maybe that's reflected in the music. But it's hard to say, because making music is so internal for me that it's mostly in my head rather than my surroundings."
Meanwhile, Sweet's catalog continues to be a source of inspiration for longtime fans and new converts. For instance, the Intervention label is planning deluxe two-LP vinyl editions of Girlfriend, Altered Beast, Son of Altered Beast and 100% Fun, which will feature a wealth of rare and unreleased material. But it's creating new music that remains Matthew Sweet's main concern, and he continues to do so with renewed intensity.
"This feels like a really good time for me, and I feel lucky and grateful to still be doing what I love to do," Sweet asserts. "I feel like I'm in a totally positive place, and maybe moving has been a catalyst for that.
"When I meet young people and they ask for advice about a career in music, I always say, 'Do music because it's what you love to do, and because you'd do it no matter what happens,'" he concludes. "I've tried to keep that attitude about it, because that's always worked for me. I just try to keep doing my thing and keep believing."1. I Belong To You
2. Run Away
3. Lady Frankenstein
5. Out Of My Misery
6. Something Someone
7. Girl With Cat
8. Now Was The Future
9. Ever After
10. Show Me
11. Can't Pretend
12. Passerby$19.99Vinyl LP - Sealed Buy Now
Condolences (Gray w/Black Splatter)Pressed On Gray Vinyl With Black Splatter
A grimly glamorous ghoul who first slithered from the cobwebbed shadows of Charlotte, North Carolina, in the early 90s, WEDNESDAY 13 has firmly established himself as the world's premier purveyor of balls-out horror punk insanity. With a vivid and vile imagination that has endeared him to countless fans of riff-driven macabre over the last two decades, he has been one of rock's most prolific protagonists, spreading his credo of grave-robbing rock 'n' roll and Hallowe'en debauchery around the globe and unleashing a seemingly endless stream of blood-spattered albums and EPs.
"All my favorite stuff, like KISS and ALICE COOPER and TWISTED SISTER, those guys set the bar pretty high," he states. "I always wanted to do something in the worlds of those bands. That's the blueprint. It had to be as outrageous and crazy as that and I wanted to be on someone's wall one day and have their parents say 'Oh my god, what is that?' The formula's still there from when I started doing it as a kid and started wanting to be in a band. It's just GI Joe and Dracula!"
After several years of sharpening his creative teeth, WEDNESDAY 13 emerged from the fetid crypt of obscurity with his band FRANKENSTEIN DRAG QUEENS FROM PLANET 13, those masters of snotty schlock rock that released an astonishing five studio albums and six EPs between 1996 and 2002. Always the leader of the revolting pack, WEDNESDAY 13 then became a bona fide international rock star as frontman for the MURDERDOLLS, his collaboration with SLIPKNOT's Joey Jordison. The band took the world by storm, with Europe and the UK, in particular, succumbing to the feral charms of 2002 debut album, »Beyond The Valley Of The Murderdolls«; a raucous eruption of big tunes and bad attitude that noisily redefined the horror punk genre. After MURDERDOLLS went on an extended hiatus in 2004, WEDNESDAY 13 embarked on a widely lauded solo career that again provided him with an outlet for his relentless outpouring of fiendish musical and lyrical ideas. Albums like »Transylvania 90210« (released by Roadrunner in 2005), »Fang Bang« and »Skeletons« all cemented our pallid hero's reputation as the bastard son of ALICE COOPER and THE MISFITS, while his outlaw country project, BOURBON CROW and one-off glam metal vehicle, GUNFIRE 76 proved that he had sufficient versatility to survive outside the graveyard and abattoir.
MURDERDOLLS reconvened in 2010 for the vicious »Women And Children Last« album and another successful world tour before disappearing once more into the freezing midnight fog, leaving WEDNESDAY to revive his solo career with a few thousand volts of wicked electricity yet more highly praised albums and tours including 2014's scintillating acoustic opus »Undead Unplugged« and the following year's thunderous »Monsters Of The Universe: Come Out & Plague«. However, absolutely nothing that WEDNESDAY has created in the past has even touched upon the horrifying potency and allure of his brand new studio album, »Condolences«.
Frustrated with the arduous process of releasing his own music, our favorite black-hearted freak has thrown himself and his music into a whirling maelstrom of reinvention. The result is not just the heaviest and most authentically disturbing record of the great man's career but also a huge creative leap forward, neatly encapsulated by the new album's simple and direct title.
"It's more of a serious WEDNESDAY 13 record, I guess," he says. "The campiness has gone and it's taken a darker vibe. It's definitely not in the camp, sleazy world anymore. The band is visually stronger and that's taken things to a new level. Normally my album titles are parodies of something, like »Women And Children Last«, that's a VAN HALEN album title gone wrong! (laughs) So I wanted to make sure that this record came across as a brand new version of WEDNESDAY 13."
In musical terms, »Condolences« showcases WEDNESDAY's growing obsession with the world of heavy metal and its endless possibilities for exploring tales of horror and violence. Produced by renowned studio guru Zeuss, new songs like anthemic first single 'What The Night Brings' and the pile-driving 'Blood Sick' still exhibit a dash of B-movie weirdness and are full of WEDNESDAY's trademark twisted lyrics, but where previous albums were rooted in the worlds of punk rock and glam metal, »Condolences« is a full-on modern metal record with gigantic balls and the attitude to match. From the glowering menace of 'Good Riddance' to the grandiose hellishness of the album's 7-minute title track, it's living, breathing, murdering proof that the WEDNESDAY 13 of 2017 means business. And business is mean.
"The punk rock vibe has left the building and it's become a full-on metal vibe," WEDNESDAY agrees. "I've been the horror-punk guy for years, but this is horror metal. It's just evolution. Over the last ten years, I've become a metalhead for the most part. That second MURDERDOLLS record just amped the whole thing up, and the guys in the band have influenced me with so much other stuff. It's not just me with my SEX PISTOLS, ALICE COOPER and RAMONES records anymore! (laughs) Now I've got my band incorporating everything from death metal to rock'n'roll. It's all across the boards. There are no rules. We can do whatever we want, whatever fits."
Manifestly the strongest, heaviest and most individual album of his lengthy career, »Condolences« promises to push WEDNESDAY 13 into heavy music's upper echelons once again. With determined plans to tour relentlessly in support of the new record, the future is looking dark, dangerous, exhilarating and wildly, unapologetically theatrical.
"It's non-stop touring once the record comes out," WEDNESDAY concludes. "We just did our first video for 'What The Night Brings' and the visuals are really cool. I've incorporated a lot of stuff I've been doing live, like this devil character I've been transforming into at shows, and that got worked in. We're taking the music, the imagery and the entire stage show up a level. It's gonna be a full-on theatrical stage production, so I'll be busy as fuck on stage! I've been doing this shit for so many years, I started thinking 'How can I make this fun again?' (laughs)"1. Last Rites
2. What The Night Brings
4. Blood Sick
5. Good Riddance
6. You Breathe, I Kill
7. Omen Amen
8. Cruel To You
9. Eulogy XIII
10. Prey For Me
11. Lonesome Road To Hell
13. Death Infinity$29.99Colored Vinyl LP - Sealed Buy Now
Wall Of Sound (Awaiting Repress)I thought WALL OF SOUND would be the toughest album I would ever make. I was so satisfied with my previous album, INFERNO, more than I have ever been in my whole career. Musically, sonically, and most importantly, I was satisfied with the melodies and soundscapes on a personal level. It was as if I finally found the key to something.
Even as I was still working on INFERNO, I was thinking, how the hell am I ever going to top this next time? I was doomed.
I started WALL OF SOUND with a daunting blank slate and somehow, ideas came out. Refined ideas, complex ideas, small and large scale ideas and plenty of them.
It was as if the exhaustive process of putting INFERNO together strengthened a new creative muscle that I had never zoned in on before, so the first steps of writing WALL OF SOUND felt like a runner who runs a marathon after over-training for a long time. I was well warmed up.
The guitar playing on the album also came quite easy, despite it being without question the most evolved guitar playing of my career. It's a challenge to evolve on one's instrument album after album, especially on your 13th solo album. Luckily this is a challenge that I love. You will find this hard to believe when you hear the density and sheer amount of guitar coming at you from all directions, but in fact, all of the final guitar tracks on WALL OF SOUND were done in 9 days.
This furious and productive pace was made possible by over a year of making demo after demo and spending more time listening and living with the music rather than playing it. I had lived with the songs and edited them so incredibly many times, that by the time I got to the actual recording studio, it was like I had been playing the whole album on tour for a year already. I learned to do this from making INFERNO. This is why a lot of artists` debut albums are so strong - because they have had so much time to reflect on and fix the music, and also, more importantly, attach real life experiences to the songs. I feel like I have a debut album here.
Jinxx from Black Veil Brides and I wanted to do something that would shock his fans and my fans. I arranged a monster of a tune called Sorrow & Madness based on a melody that Jinxx wrote on the violin. I took his sweet melody and added so many twists and turns that it became a mammoth of Martyisms in tandem with a large side of Jinxx that has yet to be heard by his fans. We are both very proud of what happened.
I think Deafheaven is the one heavy band that comes to mind when people ask me to recommend something that`s not Japanese!, I was super excited to work with Shiv from Deafheaven. We wrote Pussy Ghost together and it is one of the most aggressive songs I have ever played, while at the same time evoking grotesquely beautiful moods that I have never felt before. One thing I learned from making INFERNO is that when you have a guest, let them come up with music first. Let it be their baby, so they are personally invested in the song. Then arrange it and do it my way, then add more things together. This gives you a final song that really sounds like both of the people put their heart and souls into the music, as opposed to one guy doing everything and the guest just blasting out a solo somewhere.
Jorgen from Shining also guested on INFERNO and when we finished that song we immediately started talking about what we would do next. For those who don`t know Shining, they are like a steroided out and genius level musicianed out version of Nine Inch Nails for the 21st century, with a charismatic singer/composer (Jorgen) and a wicked sense of melody, that hits me in the gut on every song. (Just Gimme) Something To Fight is the one vocal track on the record and it kills. Even after finishing this song we have started working on more new things for who know what
Having super engineer Paul Fig (Ghost, Alice in Chains, Rush), mixer Jens Bogren (Opeth, Lamb of God) and even the producer responsible for many of Queen's biggest hits and my idol Brian May's guitar sounds, Mack do the mixing on 2 of the songs on the album, is an honor for me for sure.1. Self Pollution
2. Sorrow and Madness
5. For A Friend
6. Pussy Ghost
7. The Blackest Rose
8. Something to Fight
9. The Soldier
11. The Last Lament$23.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Harry Potter and The Deathly Hallows Pt.1Import
Harry Potter and the Deathly Hallows is the seventh and final novel of the Harry Potter series written by British author J.K. Rowling. The book was released on 21 July 2007. The book won the 2008 Colorado Blue Spruce Book Award, and "Best Book for Young Adults".
Harry Potter and the Deathly Hallows - Part 1 begins as Harry, Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemorts immortality.
The seventh entry into the internationally successful Harry Potter is also one of the series' darkest. Composer Alexander Desplat infuses the young wizard's world with the appropriate amount of gravitas.
Deplat's score is both subtle and huge, lending quiet emotional depth, playful wickedness, and tense, robust action with masterful precision.1. Obliviate
2. Snape To Malfoy Manor
3. Polyjuice Potion
4. Sky Battle
5. At The Burrow
6. Harry And Ginny
7. The Will
8. Death Eaters
10. Ministry Of Magic
12. The Locket
13. Fireplaces Escape
14. Ron Leaves
15. The Exodus
16. Godric's Hollow Graveyard
17. Bathilda Bagshot
18. Hermione's Parents
19. Destroying The Locket
20. Ron's Speech
22. The Deathly Hallows
23. Captured And Tortured
24. Rescuing Hermione
25. Farewell To Dobby
26. The Elder Wand$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
MelophobiaCage The Elephant's highly anticipated forthcoming third studio album, entitled 'Melophobia', is released via RCA Records. The album was recorded in Nashville, TN and reunites the band with producer Jay Joyce who produced the group's prior two releases.
This album has tested us as individuals and as a collective. We're five people fighting for our own ideologies of good music - we clash stylistically and sometimes even personally, said drummer Jared Champion. The studio is the place where we push all of those individual creative emotions together and smash them to the dispersion point until they explode like a Timebomb. With the explosion arrives something beautiful and in the end, when you listen back and goose bumps prick your skin like the first few drops of a summer rainfall on searing concrete, you know that you and your band of brothers have created something substantial. Conquering our melophobia is what drives us.
The new album is the follow up to 2011's acclaimed sophomore album Thank You Happy Birthday, which debuted at #2 on the Billboard Top 200 Chart and has sold over 250,000 copies to date. Rolling Stone, New York Times, LA Times, USA Today, and Entertainment Weekly praised the release as one of the best rock albums of the year. The album also spawned the hit single Shake Me Down which spent six weeks at #1 at Alternative radio. Their acclaimed self-titled debut album was released in 2009 and has sold over 550,000 copies to date. The album remained on the Billboard 200 Chart for an astounding 73 consecutive weeks and produced three Top 5 singles at Alternative Radio, including the massive hit Ain't No Rest For The Wicked. In additional to numerous Sold Out headline runs, Cage The Elephant has toured with Black Keys, Foo Fighters, Queens of the Stone Age, Muse, Stone Temple Pilots, Foals, Silversun Pickups, Manchester Orchestra, and many more.
- BWWMusicWorld1. Spiderhead
2. Come A Little Closer
4. It's Just Forever (featuring Alison Mosshart)
5. Take It Or Leave It
7. Black Widow
10. Cigarette Daydreams$16.99Vinyl LP - Sealed Buy Now
Black Moon SpellKing Tuff's new record is called Black Moon Spell.
It was produced and recorded by Bobby Harlow at Studio B in Los Angeles, California,
in the hot winter of 2014.
No one involved was prepared to make a record, but an invisible hand pushed them
to do it. Perhaps it was God or that special someone we all know and love called The
God and The Devil actually have very similar interests. They both love electric guitars
and they both want you to listen to Black Moon Spell and freak the fuck out.
There were many strange occurrences during the recording session- Dracula landlords,
flashes of mysterious light, haunted microphones, songs that mixed themselves,
demonic vortexes swirling in coffee cups, etc.
Under the Black Moon Spell you may experience euphoria, demented visions, wet
dreams, bouts of backwards laughter, and dazed confusion resulting in primordial
Fire played a very important role in the making of this album. King Tuff loves fire.
For some reason, no one can really explain how the Black Moon Spell came to be.
It just appeared one day and demanded heavy rock music and meatball subs.
Backwards messages may be found on this record.
Los Angeles, full of its screaming coyotes and creeping helicopters, surely slathered
its sexy, twisted, hairy, polluted spirit all over Black Moon Spell. The Sunset Strip
shat itself when it heard all these guitar solos.
Can you feel the Black Moon Spell creeping up the back of yr neck yet?
King Tuff would prefer not to tell you the full story of making this record because
its long and crazy and you wouldn't believe him anyway. Also, I am King Tuff.
Magic Jake, who played bass and is beautiful like sunshine, would like to take this
moment to give you a hug and invite you to a tanning party on a beach of your choice.
Old Gary, who plays drums and has the most glorious cackle, would like to take this
moment to crack a cold one with you and invite you to watch the old ballgame with
Old Gary was out watching the old ballgame, so a wild critter named Ty Segall played
drums on the song "Black Moon Spell". Ty enjoys speaking in a goblin voice in his
Night fell on Studio B. A Tarot card leapt from the deck and said, "No human
judgement is of any value here." King Tuff agreed.
Sub Pop first discovered King Tuff curled up in his palace in Vermont. It was basically
a shit hut made of moss, mud, and glimmering stones hidden near the graveyard,
and it was guarded by beautiful wild bullfrogs with silver fangs and baseball bats.
Punx, Squares, Skaters, Farmers, Bartenders, Grandparents, Stoners, Carpenters,
Hobos, Heshers, Babes, Babies, Plumbers, Strippers, Art Teachers, Teenagers, Townies,
Moms, Dads, Truck Drivers, and Witches will all love this record.
Every song on Black Moon Spell was written without giving a shining fuck about
Listen to Black Moon Spell, turn yr volume knob up to 666, put yr lover in a 69,
and let yr inner grinagog rear it's wicked, unwashed, smiling snake head.
Listen to Black Moon Spell and give yr ears what they've been begging for all year;
a heavily weird, heavenly dark, hysterically magical Rock & Roll Sexperience.
ps. the only part of this story that isn't true is the part about the shit hut. I actually
was living at my parents' house when I was discovered. Love, KT1. Black Moon Spell
2. Sick Mind
3. Rainbow's Run
5. Beautiful Thing
6. I Love You Ugly
7. Magic Mirror
9. Demon From Hell
10. Black Holes in Stereo
12. Eyes of the Muse
13. Staircase of Diamonds
14. Eddie's Song$18.99Vinyl LP - Sealed Buy Now