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Wings Band On The Run'
Band On The RunRanked 418/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Originally released in 1973, Band On The Run was Paul McCartney & Wings' most successful release. The Grammy Award winning album features three Top 10 hits and reached #1 on Billboard's Top Album Chart. Band On The Run is the first release in the Paul McCartney Archive Collection.1. Band on the Run
4. Mrs. Vanderbilt
5. Let Me Roll It
7. No Words
8. Picasso's Last Words
9. Nineteen Hundred and Eighty Five$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Venus And MarsVenus and Mars is the fourth studio album by Wings. Released in 1975 as the follow-up to the successful Band on the Run. It was Paul McCartney's first post-Beatles album to be released worldwide on the Capitol Records label. Now reissued on 180g vinyl.1. Venus And Mars
2. Rock Show
3. Love In Song
4. You Gave Me The Answer
5. Magneto And Titanium Man
6. Letting Go
7. Venus And Mars (Reprise)
8. Spirits Of Ancient Egypt
9. Medicine Jar
10. Call Me Back Again
11. Listen To What The Man Said
12. Treat Her Gently - Lonely Old People
13. Crossroads$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Band On The RunBand on the Run is the third studio album by Paul McCartney and Wings, released in December 1973. Its commercial performance was aided by two hit singles - Jet and Band on the Run - such that it became the top-selling studio album of 1974 in the United Kingdom and Australia. Now reissued on 180g vinyl.1. Band On The Run
4. Mrs Vandebilt
5. Let Me Roll It
7. No Words
8. Picasso's Last Words (Drink to Me)
9. Nineteen Hundred and Eighty Five$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sons Of SoulSons of Soul is the 1993 third studio album by American R&B group Tony! Toni! TonÉ! The band originally recorded for the album at several studios in California, including Westlake Recording Studios and Paradise Recording Studio. When they became jaded with the various people frequenting those studios, Tony! Toni! TonÉ! moved their sessions to Caribbean Sound Basin in Trinidad, where they ultimately wrote and recorded most of the album.
Sons of Soul was produced entirely by the group, who worked with various session musicians and utilized both vintage and contemporary recording equipment. They intended to pay homage to their musical influences-classic soul artists of the 1960s and 1970s-and incorporated live instrumentation, funk, and hip-hop elements such as samples and scratches. Lead singer and bassist Raphael Wiggins handled most of the songwriting, which featured quirky, flirtatious lyrics.
Sons of Soul was originally released by Wing Records and Mercury Records on June 22, 1993, to widespread critical acclaim. The record's commercial success included a 43-week chart run on the Billboard 200 and a double platinum certification from the Recording Industry Association of America (RIAA), for sales of at least two million copies. With its success, Tony! Toni! TonÉ! became one of the most popular R&B acts during the genre's commercial resurgence in the early 1990s. However, after an ill-fated tour, the band went on hiatus and pursued individual projects before reuniting in 1995.1. If I Had No Loot
2. What Goes Around Comes Around
3. My Ex-Girlfriend
4. Tell Me Mama
6. Slow Wine
7. (Lay Your Head On My) Pillow
8. I Couldn't Keep It To Myself
9. Gangsta Groove
10. Tonyies! In The Wrong Key
11. Dance Hall
12. Times Square 2:30 A.M. (Segue)
15. Castleers$24.99Vinyl LP - 2 LPs Sealed Buy Now
Pure McCartney (Box Set)Pure McCartney, a new compilation of his solo, Wings and Fireman work, celebrates that fact, showcasing 67 highlights from one of the most-revered catalogues in music - from 'McCartney' in 1970, his debut solo album, right through to 'Hope For The Future', his 2014 track taken from 'Destiny', the most-anticipated video game of the last decade. Not only is 'Pure McCartney' a monumental mix tape of some of popular music's most memorable moments from 1970 to the present day, it also features curios for the super fans and some of Paul's personal favourites-all handpicked by the man himself.
Me and my team came up with the idea of putting together a collection of my recordings with nothing else in mind other than having something fun to listen to, Paul says of this project.
Maybe it's to be enjoyed on a long car journey or an evening at home or at a party with friends? So we got our heads together and came up with these diverse playlists from various periods of my long and winding career."
As a songwriter Paul has never stood still, dipping his toe in countless genres and styles. 'Pure McCartney' is testament to that fact. From the song writing master class of 'Maybe I'm Amazed' and adventurous, three-songs-in-one of 'Band On The Run' to the irresistible groove of 'Say Say Say' and ahead-of-its-time electronica of 'Temporary Secretary', described by NME when compiling a list of the greatest ever songs as not so much ahead of its time, but out of it altogether", 'Pure McCartney' charts the unstoppable adventures of McCartney's unique and eclectic song writing talents and shines a light on his post-Beatles artistic achievements.
The word 'career' is a bit misleading because to me it has been more like a musical adventure than a proper job, says Paul, reflecting on the 'Pure McCartney' tracklisting. It pleases me, and often amazes me, that I've been involved in the writing and recording of so many songs, each of them so different from the others.
Paul's unparalleled career has seen his music break global chart records, win countless awards, fill stadiums around the world and become the soundtrack to millions of people's lives across generations.LP 1
1. Maybe I'm Amazed
2. Heart Of The Country
4. Warm And Beautiful
5. Listen To What The Man Said
6. Dear Boy
7. Silly Love Songs
8. The Song We Were Singing
9. Uncle Albert / Admiral Halsey
10. Another Day
1. Mull of Kintyre
2. Sing The Changes
3. Jenny Wren
4. Mrs Vandebilt
5. Save Us
6. Let 'Em In
7. Let Me Roll It
8. Ebony and Ivory
9. Nineteen Hundred and Eighty Five
1. Band on the Run
2. Arrow Through Me
3. My Love
4. Live and Let Die
5. Too Much Rain
6. Say Say Say [2015 Remix]
7. My Valentine
8. Goodnight Tonight
9. The World Tonight
10. Pipes of Peace
1. Dance Tonight
2. Here Today
4. Great Day
5. Coming Up
6. No More Lonvely Nights
7. Too Many People
8. Only Mama Knows
9. With a Little Luck
10. Hope For The Future
11. Junk$69.99Vinyl LP Box Set - 4 LPs Sealed Buy Now
RAMLadies and gentlemen, this is an album from a long, long time ago, when the world was different. This is an album that is part of my history, it goes back to the wee hills of Scotland where it was formed. It's an album called RAM. It reminds me of my hippie days and the free attitude with which it was created. I hope you're going to like it, because I do! - Paul McCartney (2012)
Following the successful recent reissues of McCartney, McCartney II, and 2012's Grammy winner for 'Best Historical Album, Band on the Run, RAM is the latest album from Paul's iconic back catalog to get the deluxe Paul McCartney Archive Collection treatment. As with the previous releases in the series, Paul has personally overseen every aspect of the project and the result is spectacular!
RAM, originally released in May of 1971, is the only album to be credited to both Paul and Linda McCartney and was Paul's second post-Beatles LP. It was overshadowed at the time by the drama of the dissolution of The Beatles, as played out in the world's media. The album topped the charts hitting #1 in the UK and #2 in the US. While RAM polarized critics upon its release, music fans and critics alike since have overwhelmingly embraced it, with Rolling Stone, for example, revising their original review up to 4 stars. Recently RAM has enjoyed even further re-appraisal and acknowledgement including a number of tribute albums.
RAM was written by Paul and Linda, mostly at their Scottish farm on the Mull of Kintyre. In the autumn of 1970 they flew to New York to start the recording process. Without a band in place they auditioned and drafted musicians, who included future Wings drummer Denny Seiwell and guitarists David Spinozza and Hugh McCracken. RAM gave Paul his first solo US #1 single with Uncle Albert/Admiral Halsey and a Grammy win for 'Best Arrangement Accompanying Vocalists.'
The band completed the album in early 1971 along with non-album tracks Another Day and Oh Woman, Oh Why which were released together as Paul's first post-Beatles single ahead of the release of RAM and became a Top 5 global hit. This remastered 180g 2LP, gatefold vinyl reissue includes both songs as bonus tracks along with additional material that didn't appear on the original release.LP1
1. Too Many People
2. 3 Legs
3. Ram On
4. Dear Boy
5. Uncle Albert/Admiral Halsey
6. Smile Away
7. Heart of the Country
8. Monkberry Moon Delight
9. Eat At Home
10. Long Haired Lady
11. Ram On (Reprise)
12. The Back Seat of My Car
1. Another Day
2. Oh Woman, Oh Why
3. Little Woman Love
4. A Love For You (John Kelly Mix)
5. Hey Diddle (Dixon Van Winkle Mix)
6. Great Cock and Seagull Race (Dixon Van Winkle Mix)
7. Rode All Night
8. Sunshine Sometime (Earliest Mix)$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
50 Years Anniversary AlbumImport
180 Gram Audiophile Vinyl
Gold Foiled Front Sleeve
8-Page Booklet With Exclusive Photos
Recently, Holland's finest and longest standing Rock band Golden Earring celebrated their 50th anniversary, and it calls for a celebration! Formed as The Tornados in 1961, renamed The Golden Earrings and then shortened to Golden Earring, the band churned out hit after hit as early as their first single Please Go from 1965. The current line-up has been constant since 1970.
The band did extremely well across the ocean with their massive hit Radar Love, which has become a staple on Rock radio ever since. But folks are advised to delve deeper into the band's catalogue; songs on this never-before released on vinyl triple LP compilation include evergreens like Another 45 Miles, She Flies On Strange Wings, Long Blond Animal, Twilight Zone, When The Lady Smiles, Going To The Run, Burning Stuntman and many more.
In all, Golden Earring has released over 25 studio albums, 8 live albums and countless compilations, of which 50 Years Anniversary is without a doubt the most complete. This 3LP compilation contains an 8-page booklet with exclusive photos, its sleeve boasts a gold foil finish and its audio is specially mastered for vinyl.LP 1
1. Please Go
2. That Day
3. If You Leave Me
4. Daddy Buy Me A Girl
5. In My House
6. Sound Of The Screaming Day
7. Just A Little Bit Of Peace In My Heart
8. Where Will I Be
9. Another 45 Miles
10. Back Home
11. Holy Holy Life
12. She Flies On Strange Wings
13. Buddy Joe
1. Radar Love
2. Instant Poetry
3. Kill Me (Ce Soir)
6. Weekend Love
7. Long Blond Animal
8. Twilight Zone
9. The Devil Made Me Do It
10. When The Lady Smiles
1. Clear Night, Moonlight
2. Something Heavy Going Down
3. Quiet Eyes
4. My Killer, My Shadow
5. Turn The World Around
6. Going To The Run
7. Temporary Madness
8. I Can't Sleep Without You
9. Hold Me Now
10. Burning Stuntman
11. Paradise In Distress
12. Still Got The Keys Of My Old Chevrolet$44.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
The Lonely, The Lonesome & The Gone (Awaiting Repress)Lee Ann Womack, one of the most distinctive and decorated vocalists in modern music, will make her debut for ATO Records with the release of 'The Lonely, The Lonesome & The Gone,' an album that mixes the country, soul, gospel and blues of her native East Texas, into an audacious, sharp-edged work of art. Produced by Womack's husband and fellow Texan Frank Liddell (fresh off a 2017 ACM Album of the Year win for Miranda Lambert's 'The Weight of These Wings'), and featuring songs mostly co-written by Womack, 'The Lonely, The Lonesome & The Gone,' is her most personal album to date, marking the culmination of a journey that began with her 2005 CMA Album of the Year 'There's More Where That Came From' toward an authentic American music that celebrates her roots and adds to the canon.
'The Lonely, The Lonesome & The Gone' features fourteen new songs, recorded with Womack's core band of top shelf musicians including bassist Glenn Worf, songwriters and guitarists Wright, Payne and Ethan Ballinger, and drummer Jerry Roe. The album was mostly recorded at the legendary SugarHill Studios in Houston, TX. Formerly known as Gold Star and open since 1941, SugarHill is one of the oldest continuously run studios in the country and home to seminal early recordings by many artists who had a formative influence on Womack, including George Jones, Willie Nelson and Lightnin' Hopkins. Among the album's three cover songs, Womack recorded a haunting version of George Jones' Take the Devil Out of Me standing on the same gold star linoleum floor where he cut the 1959 original.
I wanted to get out of Nashville, and tap the deep music and vibe of East Texas, says Womack. I wanted to make sure this record had a lot of soul in it, because real country music has soul. I wanted to remind people of that.
'The Lonely, The Lonesome & The Gone' follows Womack's acclaimed 2014 album 'The Way I'm Livin',' which SPIN deemed the best of her career to date. Highlights from that career include performances for presidents and other world leaders, duets partners ranging from George Strait to John Legend, a Grammy, five Academy of Country Music awards, and six Country Music Association awards including Female Vocalist of the Year, Album of the Year, and two Singles of the Year.1. All The Trouble
2. The Lonely, The Lonesome & The Gone
3. He Called Me Baby
5. End of the End of the World
6. Bottom of the Barrel
7. Shine On Rainy Day
8. Mama Lost Her Smile
10. Long Black Veil
11. Someone Else's Heartache
13. Talking Behind Your Back
14. Take The Devil Out Of Me$23.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Marigolden"The body remembers what the mind forgets," Chris Porterfield reminisces on his acclaimed band Field Report's sophomore record, Marigolden. The record is strewn with references to the inevitable tolls taken by the passage of time, and prolonged distance from home and loved ones.
The past couple of years have flashed by for Porterfield, who was thrust into the spotlight after years of musical reclusion. His Milwaukee-based band, Field Report (an anagram of his surname), was culled together in the studio while recording their 2012 self-titled debut. They suddenly found themselves championed by their former idols: offered support tours by Counting Crows and Aimee Mann, lauded by the likes of Mark Eitzel and Richard Thompson, and covered by Blind Boys Of Alabama.
The band honed itself from a septet to a quartet in the year that followed, focusing its sound and tightening the screws. With a heavy batch of songs under their arms, they retreated to snowy Ontario in December 2013 to record their sophomore album, Marigolden, with the help of producer Robbie Lackritz (Feist).
Spending two years roaming around the country playing tiny venues and sold-out amphitheaters alike, Porterfield was uncertain whether he was leading the charge toward an artistic epiphany or headed down a misguided path of self-destruction. Marigolden reflects this, as he ruminates across homesick tension and an un-grounded anxiety. But rather than wallow in melancholy, Porterfield finds solace and inspiration through his songs, which reveal themselves as uplifting and celebratory. The album is brighter than their 2012 debut, but somehow remains just as elegantly ominous.
Marigolden's second track, the surprisingly catchy radio single "Home," finds Porterfield on the road, hoping the home, wife, dog, and life he left behind in Milwaukee will still be there upon his return. "Leave the lights on," he asks, "it might be nighttime when I get there, but I'm on my way home." While the song contemplates lonesomeness, there is an undeniable sense of hope driving it. In "Summons," the penultimate track, he recalls this thought, repeating, "I'll be coming home to you" like a mantra. This sense of balance and symmetry across the album helps provide stability to the otherwise volatile themes. Case in point: the album starts with a sunrise in "Decision Day" and ends full circle with another in "Enchantment."
Whether reconsidering sobriety in "Pale Rider," sticking to tonic water in the bars of "Summons," or cashing in a 30-day chip for a kiss in "Enchantment," Porterfield's relationship with alcohol runs through the current of nearly every song. Most notably in "Ambrosia," where he find himself face to face with the reality of where his drinking is destined to lead.
The album runs the musical gamut, from the Traveling Wilburys-esque pop of "Home," to the Neil Young-inspired piano ballad "Ambrosia," to the electronic sonic landscape of "Wings." While the compositions express a wide range in terms of genre, they find unity in themselves within the limits of self-imposed minimalism. In the studio, the songs were stripped down to the bones and built back up using only their essential elements.
Sequestered in a seemingly never-ending Ontario blizzard, the band only broke from this musical process to add logs to the stove, with the snow and the fire providing a proper background for music so rooted in the elemental. The effect that this fundamentals-based approach achieves is universal: the sparse arrangements and common themes speak to everyone, but somehow feel tailored to each listener. The title itself reflects this, a portmanteau of two common images (marigold and golden) to create something that feels both idiosyncratic and familiar: Marigolden.1. Decision Day
2. Home (Leave The Lights On)
3. Pale Rider
4. Cups and Cups
10. Enchantment$16.99Vinyl LP - Sealed Buy Now
Absolute ZeroAbsolute Zero is the debut album by Irish quintet, Little Green Cars. Absolute Zero's 48 minutes, crafted in unabashed earnestness with the aid of seasoned epic-producer Markus Dravs (Mumford and Sons' Sigh No More and Babel, Arcade Fire's Neon Bible and The Suburbs, Coldplay's Mylo Xyloto), acts as a soul-bearing report, as guileless as the young five-piece themselves, on the act of simply growing up; a process that requires, at once, so little and so much effort it could explode you from the inside at any moment.
"This record constantly jumps between two contrasting perspectives: the beauty of a reckless youth and the fear and confusion caused by our ever-pending adulthood," Appleby explains. "It's a hopeful and naïve look at love and life in general, which gives the album its bright days - but also deals with isolation, unrequited love and madness. We wanted to express both a feeling of strength and vulnerability, so the work had to encompass both the light and dark."
"These are all feelings we've had, as a group or as individuals. We hope this is something people can relate to. That's always been why music has been written; it's a voice for people who don't have a voice. Hopefully someone can find some sort of comfort or solace in this. "
The band -a group of 20-year-old friends with a habit of waxing deadly serious about their ever-expanding ambitions - convened in 2008 in a bungalow in Stevie Appleby's parents' backyard for as ordinary a reason as any: as the frontman admits sheepishly, they wanted to win a battle of the bands competition. With guitarist Adam O'Regan and bassist Donagh O'Leary friends since primary school, and the rest having met in secondary, the five rehearsed for the gig, at which they promptly lost out to another local band.
The defeat, however, was surprisingly fuel enough. It inspired them to work harder, to work through their remaining two years of school, during which they produced a massive catalog of demo recordings, blending acoustic and electronic, classical and punk, djembe drums and synth strings. Then, in 2010, not long before graduation, then-rising manager Daniel Ryan found them at one of their sparse live gigs. With just one client already under his wing, he approached the young band with a terrifying, yet exhilarating ultimatum: Do you want to go to university, or do you want to really be in a band?
"That was the first time we considered looking that far ahead," says guitarist/vocalist/primary songwriter Faye O'Rourke. "We were trying to avoid thinking about the future because of the prospect of college, but " The choice became obvious. And like that, they dove in. For two years they redoubled their efforts, crafting a wide-eyed musical narrative that mirrored their evolution as an ensemble until, inevitably, label suitors began to knock. Since 2011 they've been quietly boiling down those demos into an album - the first they've ever recorded.
"The main thing I want to hear out of an artist I admire is the truth," says Appleby. "How they really felt. If I'm going to say something, it may as well be the truth." The lengths to which Appleby, O'Rourke and the rest of the band will go to tell that truth have yet to reveal their depth, but a full-steam-ahead debut record is a good place to start. Finally, five years' worth of backyard Garage Band tracks have a name: Absolute Zero.
The songs of Absolute Zero have only begun to see the light of day, because, as Appleby puts it, "we've always been more interested in recording and writing and experimenting with everything than in touring. [The past five years] was time spent finding our sound, finding ourselves. We've gone through everything, from acoustic guitars to electronic music. We needed the time to grow up as people and as musicians."
In other words, this is a debut that is a sum total of its creators' ascent to this moment. It is a desperate, under-pillow diary; a painstakingly lettered love note dropped in a locker; a collective, yet very personal, dissertation. On the record's debut single The John Wayne, a fierce paean to the ones who so easily break our hearts, the lot of them proclaim, "It's easy to fall in love with you/It's easy to be alone/It's easy to hate yourself when all your love is inside someone else." On "My Love Took Me Down To The River To Silence Me," O'Rourke is torn between the heartbreak and the healing that comes from being heartbroken, "But my heart burned out til it was no more/still I wait on the ground, I don't know what for/There is a heart in you/where is the heart in me?/This love's killing me, but I want it to." And by its early-morning close, when Appleby asks, "And who will write and who will fight for this man/I know I am?/And if you're running out of space/Please don't erase your time with me," it becomes clear that it's not just love Little Green Cars are grasping at: even amidst an ex-lover's plea for acknowledgement, the search has grown far beyond that.1. Harper Lee
2. Angel Owl
3. My Love Took Me Down to The River to Silence Me
4. The Consequences of Not Sleeping
5. Big Red Dragon
6. Red and Blue
7. The Kitchen Floor
8. The John Wayne
11. Goodbye Blue Monday$19.99Vinyl LP - Sealed Buy Now