- Lowest Price
- Highest Price
With The Dead'
Love From With The DeadWith the Dead - Love From With the Dead
Doom is all around us. The optimism of a new millennium has steadily disintegrated. The light at the end of the tunnel turned out to be a burning tower block and the powers-that-be are dancing in the smouldering ruins. Humanity is eating itself and we're all terminally fucked. As a result, it makes perfect sense that the emergence of British doom metal mavens With The Dead would strike a dissonant chord with so many people. Formed in 2014 by former Cathedral/Napalm Death frontman and Rise Above Records boss Lee Dorrian and ex-Electric Wizard/Ramesses bassisit/guitarist Tim Bagshaw, the band coalesced in a monetary burst of spontaneity and shared fury, resulting in the release of their eponymous debut album in 2015: one of that year's most widely acclaimed releases and a welcome shot in the arm for fans of merciless, unrelenting sonic despair.
"We were very happy with the way the first album was received," says Lee. "To be honest, there were no real expectations with the first LP. It's hard to explain. We just got together and did it. There was no big anticipation. We knew it was going to be well received by certain people, just because of the sheer heaviness of it, but we didn't think it would get the reaction it did. It sold really well and got a good response all around. It came together so strangely and so fast. We hadn't gone round, sweating in the clubs, although we've all done that previously. The record came out on Rise Above so it was easy and there were no demands from anyone except ourselves. The important thing is, we didn't want it to be seen as some novelty project band."
Hell-bent on staking a further claim to be doom metal's most intense and remorseless practitioners, With The Dead have now completed work on their second album, Love From With The Dead. Comprising tracks recorded during two separate sessions with celebrated studio guru Jaime Gomez Arellano, the new material represents the first fruits of the band's recently retooled line-up. Joining Lee and Tim are bassist Leo Smee and drummer Alex Thomas, who replaces the departed Mark Greening. As Lee explains, the band's new incarnation generated great chemistry from the start.
"Tim came over from New Jersey, where he still lives, and we booked four nights' rehearsals with Leo and Alex to see how it was going to work. Literally, on the first night, they had the whole set nailed within three or four hours. It sounded better than ever before, too. So the next three nights were pointless and we didn't need them, so we spent the time going over ideas for new songs and by the end we had four brand new songs. It was crazy. Then we thought 'While Tim's over, let's go in the studio and record them ' Luckily, Gomez was free and we went over to his studio and recorded the four new tracks, they're the last four on the album, and it was all done just like that. The other three tracks were recorded nearly a year later, again with just one night's rehearsal. It was all done super quick."
For those who flinched at the sheer, unforgiving brutality of With The Dead's first record, the songs on Love From With The Dead are liable to cause major emotional trauma. Darker, denser, more despondent and sickeningly heavy in numerous senses of the word, this is an album that re-establishes doom as a genre that embraces the extreme and not just some cosy, nostalgic reimagining of the early '70s. From opener Isolation's slithering howl of torment and the crushing, schizophrenic barrage of Egyptian Tomb through to the expansive, drone-driven horrors of the closing CV1 (a mournful lament to Lee Dorrian's home city of Coventry that features a guest appearance by home-town comrade and electro-noise maverick Russell Haswell), Love From With The Dead grimly extinguishes the light of hope and hammers home the hatred and futility that plagues our brief and brittle lives.
"The thinking was that the first LP was meant to be the heaviest we could possibly make, but then what do you next?" Lee muses. "Well, the only thing you can do is make the next one even heavier. So that was the ambition and the intention, to make it even more crushing. But to be able to do that you have to be crushed yourself. This last couple of years have been quite soul-destroying. There's been a lot of personal shit going on, and during this whole process so much fucking bad shit has happened in my personal life and other people's personal lives. Everything you hear on this LP, the angst is very real. I've never felt so disillusioned with life and the world around me, not since the first Cathedral album!"
Irrefutable evidence that With The Dead are a formidable and substantial proposition, the quartet's second album could hardly provide a more apposite soundtrack to the deeply fucked up and irrevocably dysfunctional state of the world in 2017. Both a fine example of the simple, savage power of the riff and an authentic outpouring of anger, bitterness, bile and vivid existential dread, it is the living, breathing, screaming embodiment of heaviness itself. Cometh the hour, cometh the bringers of doom
"I'm 50 next year and you're supposed to mellow out when you get older, but why?" Lee asks. "I don't feel like mellowing out. The world's getting worse, the atmosphere is getting heavier, people treat each other like shit and there's so much negativity, how are you supposed to chill out when all that's going on? I'm in a privileged position to be able to be in a band like this, so why fuck around? The band's called With The Dead and it's a doom band, why would you want to mellow out? It's got to be pure nihilism or nothing."
Dom Lawson, July 2017.1. Isolation
2. Egyptian Tomb
3. Reincarnation of Yesterday
4. Cocaine Phantoms
5. Watching the Ward Go By
7. CV1$29.99Vinyl LP - Sealed Buy Now
With The DeadImport
Supergroup is such an erroneous term - images of bored playboys pissing on their legacy spring to mind - but the members of With The Dead have a history of creating criminally good records as long as your arm. They've all served hard time in the subterranean worlds of Doom and the heaviest forms of Metal and have now reconvened to surpass previous projects. They're back - and this time the aim is To maim.
With The Dead were formed by the founding rhythm section of occultist Doom overloads Electric Wizard: guitarist/bassist Tim Bagshaw and drummer Mark Greening, a pair once notorious for the sheer brute heaviness of their bowel-shaking sound and early extra-curricular activities that involved excess, injury and low-level criminality (arrests for the theft of a crucifix from a church roof and drunkenly robbing an off-licence to name but two). Both have also played together in Ramesses.
Completing the triangle is frontman Lee Dorrian, co-founder of Doom pioneers Cathedral, former frontman with grindcore legends Napalm Death and owner of Rise Above Records, the UK's finest independent purveyors of all sounds heavy and underground, whose stable of bands include Ghost, Uncle Acid & The Deadbeats, Lucifer, Blood Ceremony and Witchcraft. Having been in business since 1988, Rise Above is also one of the most enduring.
Existing doom-heads will already know that the longstanding relationship between Rise Above and Electric Wizard is one that was fractious and fraught. Much mud has been slung between band, label and former members in recent years, but the With The Dead trio are of the opinion that big words meant little - it's the action that truly counts. And as the fire that is Electric Wizard peters out, With The Dead burn with eyebrow-singeing intensity. With The Dead are heavy. No - scratch that. With The Dead are heavy. H.E.A.V.Y!!! They are a band with teeth and talons.
Like the product of some sort of alchemical alignment or a diabolical modern demon summoned by a whispered incantatory spell, With The Dead formed on All Hallow's Eve 2014. They worked quickly and the result is a six-track, self-titled debut broadside
that draws on the members' rich musical legacy but without ever taking a backward step. Rising like a fecund creature from the fetid bogs of old England, With The Dead is a malevolent beast that lurches and staggers, flattening everything in its path. Guitars moil and curdle, bubbling up through the loam like black tar, while existing fans will surely welcome the return of Dorrian's distinctly hateful vocals.
Any listener will be left battered on the floor, bludgeoned into submission by With The Dead's musical brutality. A new era is upon us.1. Crown of Burning Stars
2. The Cross
4. Living With the Dead
5. I Am You Virus
6. Screams From My Own Grave$37.99Vinyl LP - Sealed Buy Now
Grateful DeadOriginally released in March of 1967 on Warner Bros. Records, The Grateful Dead's self-titled debut album features seven folk/blues standards from the likes of Sonny Boy Williamson and Jessie Fuller along with a pair of originals in The Golden Road (To Unlimited Devotion) and Cream Puff War. The set unabashedly flaunts the Dead's musical roots and influences while simultaneously showcasing the promising songwriting that would subsequently help define an entire genre.1. The Golden Road
2. Beat It On Down the Line
3. Good Mornin' Little School Girl
4. Cold Rain and Snow
5. Sittin' On Top Of the World
6. Cream Puff War
7. Morning Dew
8. New, New Minglewood Blues
9. Viola Lee Blues$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Dead FingersTaylor Hollingsworth and Kate Taylor singing together is a match made in heaven. You might know Taylor from previous solo albums or bands but most likely from Conor Oberst and the Mystic Valley Band. He was the guitar player who also wrote and sang Snake Hill and Air Mattress on the album Outer South. If youve seen Maria Taylor play then you have most likely seen Kate in her band either playing keys, drums, or bass, and most importantly, harmonizing the soft beautiful background melodies. Nowadays, Kate and Taylor have joined forces in the band Dead Fingers.
In a time when guy-girl duos are becoming quite popular, this one is not just some gimmick, however perfect the timing and package may be. In fact, this Alabama duo are recently married and the two just recorded their first self titled full-length with Bruce Watson (RL Burnside, Junior Kimbrough , AA Bondy), and it is being released on Big Legal Mess/Fat Possum Records.
While showing a wide range of styles, ranging from duet styled songs like those of John Prine and Iris DeMent, X, or Lee Hazelwood and Ann Margaret, to straight up great classic rock bands like the Stones, Beatles, or even Traveling Wilburys, this band should find a nice home with fans of more current duos like She and Him, Jenny and Johnny and Civil Wars.1. Closet Full of Bones
2. Another Planet
3. 4 Stone Coaches
4. Hold On To
5. Ring Around Saturn
6. Please Don't Let Me Go
7. Against The River
8. On My Way
9. Lost In Mississippi
10. Never Be My Man
11. Wheels and Gasoline$16.99Vinyl LP - Sealed Buy Now
First Pressing Of 1000 Numbered Copies On Solid Orange & Black Colored Vinyl
Meat Loaf's Dead Ringer (1981) is the second of his three albums written entirely by Jim Steinman, among which Bat Out Of Hell was the first.
Once again, Jim Steinman wrote extended, operatic songs with hyperbolic lyrics and organized a backup band anchored by E Street Band members Max Weinberg (drums) and Roy Bittan (keyboards), while Meat Loaf sang with a passion all the more compelling for its hint of the ridiculous.
Four singles were released from Dead Ringer: Dead Ringer For Love, I'm Gonna Love Her For Both Of Us, Read 'Em And Weep and Peel Out. The album reached #1 in the UK. The title track, featuring a perfectly cast Cher as duet singer, went Top Ten.1. Peel Out
2. I'm Gonna Love Her For Both Of Us
3. More Than You Deserve
4. I'll Kill You If You Don't Come Back
5. Read 'em And Weep
6. Nocturnal Pleasure
7. Dead Ringer For Love
8. Everything Is Permitted$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Dead FriendsAustin, TX's Shawn David McMillen has appeared under his own name via Catfish (Tompkins Square), End Of The City (dnt,abandon ship) and now, Dead Friends (Tompkins Square). Past involvements have included Friday Group, Ash Castles, Max Ochs, Jandek, warmer milks, Tom Carter, Christina Carter, Peter Walker, Ralph White, Starving Weirdos, Steve Gunn, Marc Orleans and more recently Gel Jail with Mikey T and Greg Bachus. Dead Friends is Shawns new slow burning record rendered in amber fidelity. From Phantom Rivers to Sick on Navasota its all here.1. Walking Home (At The End of the Night)
2. For Carrie Brown
3. The Moth
4. No Time Left In This Place
5. Night Train
6. A Morning With Dead Friends
7. Frankensteins Kiss
8. Our Weather
9. Beladona Along The Brazos
10. Every Eye$15.99Vinyl LP - Sealed Buy Now
Dead SetLong awatied 2nd studio album. Hailing from Melbourne, the band released their debut album Bite Your Head Off in 2012, which gained high praise for its stand-out musical performance layered with black humour and nowadays rare, yet unique creativity. KING PARROT's upcoming new album was recorded by Phil Anselmo (Pantera, Down) in Nodferatu's Lair Studio and is set to land this spring via: Agonia Records in Europe, Housecore Records in North America and Rocket/EVP in Australia.
Emerging through the baptism of fire of the Australian metal scene, KING PARROT have pillaged their way to international recognition in a short period since 2011. Drawing influence primarily from the thrash, grind, hardcore and punk scenes of the 80's and 90's, a new sound was created fusing those styles and attitudes with a fresh approach that encapsulates their aggression, humour and intensity seamlessly.
The debut album Bite Your Head Off was picked up by Candlelight Records in 2013 for worldwide release. Five videos from their debut album have been produced including Shit on the Liver; a finalist in the Australian Music Video Awards and the bands take on the legendary horror film The Shining for the track Dead End.1. Anthem of The Advanced Sinner
2. Need No Saviour
3. Hell Comes Your Way
4. Like A Rat
5. Tomorrow Turns To Blood
6. Home Is Where The Gutter Is
7. Sick In The Head
10. Dead Set$20.99Vinyl LP - Sealed Buy Now
Dead RevolutionHammers of Misfortune was formed in the mid-1990s under the name Unholy Cadaver. At the time, the only members were guitarist John Cobbett and drummer Chewy Marzolo, both of whom shared vocal duties. In 2000, the band changed its name to Hammers of Misfortune, taking its moniker from a track on the Unholy Cadaver demo. Recruiting Scalzi and Janis Tanaka (formerly of Fireball Ministry and L7), the band released its 2001 concept album The Bastard. The Bastard received many positive reviews in the metal community, including several "best of 2001" awards from magazines such as Terrorizer. In 2003 the band released their second album The August Engine. This album was also well received by the metal community, getting a 10/10 review from Brave Words & Bloody Knuckles. In 2006 a new lineup toured the US twice, and recorded and released "The Locust Years". After The Locust Years, he band recorded the double album, Fields/Church of Broken Glass (Profound Lore), in 2008. In March 2010, Hammers of Misfortune announced that they had signed a record deal with Metal Blade Records. Since then, Metal Blade has re-released The Bastard, The August Engine, The Locust Years, and Fields/Church of Broken Glass. In October 2011, the band produced their fifth studio album, 17th Street, another critical success which landed on many year end lists, including Popmatters and NPR.
As for differences between Dead Revolution and its predecessor 17th Street, Cobbett says it's more varied, using different tones. The mainman also thinks it's a darker and heavier effort. If trends and opinions are anything to go by, it would appear Hammers of Misfortune are sliding slowly into, well, darker and heavier territory. 17th Street, by comparison, was fiercer than Fields / Church of Broken Glass. Likewise, Dead Revolution eats its forebear 17th Street for proverbial breakfast. To wit, there's no power ballad ("Summer Tears") on Hammers of Misfortune's newest.1. The Velvet Inquisition
2. Dead Revolution
3. Sea Of Heroes
4. The Precipice (Waiting for the Crash...)
5. Here Comes The Sky
6. Flying Alone
7. Days Of '49$22.99Vinyl LP - Sealed Buy Now
Keep Away The DeadEven as Siskiyou's first record was delivered to Constellation in early 2010 and getting prepped for release that fall, Colin Huebert remained holed up in Mara, BC (pop. 350) through the winter, writing more songs and eventually being joined by his Siskiyou co-conspirator Erik Arnesen for a few weeks of intensive recording. Unlike the material on their eponymous debut, which was largely recorded in nomadic fashion while Colin and Erik toured as members of Great Lake Swimmers, the Mara, BC sessions found the pair settled, rooted and with keys in hand to the century-old Mara Community Hall.
Most of the tunes on Keep Away The Dead were born at Mara Hall, where bed tracks were laid down in the crisp air during depth of winter. The arctic atmosphere of that empty, cavernous, hardwood structure was the perfect complement to Huebert's sensibility: a tense and acute restraint; a shivering, biting, sometimes bitter rending of barebones, folk-inflected rock music. (Neil Young remains a clear touchstone, overtly so with the album's cover of Revolution Blues as do the pointed, starkly controlled arrangements and textures of contemporaries like Angels Of Light.)
Huebert left Mara in spring 2010 and moved to Vancouver, where Siskiyou began to take shape as a full band with the addition of Shaunn Watt and Peter Carruthers. Coming off a season of extensive touring in Euope and Canada in fall 2010, Siskiyou had coalesced into an incisive quartet and hit Vancouver's JC/DC Studio in early 2011 with engineer David Carswell (Destroyer, New Pornographers), adding to the previous year's Mara sessions and cutting two more tunes for which Carswell ran the mix: Twigs And Stones and Revolution Blues. Huebert recorded and mixed the remainder of Keep Away The Dead (as he did on the previous record).
Where Siskiyou's debut was a stunning little scrapbook of short, sharp tunes, Keep Away The Dead ramps things up with subtle care and clarity, yielding something closer to a rural gothic novella in spirit and scope. The album is a strikingly cold-eyed, tender-hearted song cycle, marked by quiet defiance and desperation. Huebert's acoustic guitar and gently acetic voice, Arnesen's gorgeous banjo and treated guitar lines, and the judicious rhythm section of Watt and Carruthers deliver a superbly compelling album on the knife's edge of darkness, where each tune feels like another precious log thrown on a lone campfire burning in the cold night.1. Keep Away The Dead
2. Where Does That Leave Me
3. Twigs And Stones
4. So Cold
5. Revolution Blues
6. Dear Old Friend
7. Not The Kind
8. Fiery Death
9. Sing Me To Sleep
10. Dead Right Now$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Dead Can DanceThe uncompromising eponymous debut, Dead Can Dance (1984), harnessed a bewitching barrage of sounds (including the distinct sound of the yangqin) with the then five-piece interchanging instruments to leave the vocals of Lisa Gerrard and Brendan Perry as the only constant. The album's cover was important as an introduction too, a Papua New Guinean mask that some believe when worn, a life force can be put into the inanimate wood - the dead can dance.
The 2016 LP version is a repress of the original release.1. The Fatal Impact
2. The Trial
6. East Of Eden
8. A Passage In Time
9. Wild In The Woods
10. Musica Eternal$21.99Vinyl LP - Sealed Buy Now
Workingman's Dead (Awaiting Repress)Sublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk
You've Never Heard This Roots-Based Marvel Sound Better: Mastered from the Original Master Tapes and Given Extra-Wide Grooves on 45RPM LP
Ranked #264 on Rolling Stone's List of the 500 Greatest Albums of All Time: Airy Harmonies, Simple Structures, Concise Arrangements, and Burnished Tones Anchor Songs
Workingman's Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingman's Dead attains audiophile reference status courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs a transcendence associated with timeless American music. Colorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives.
Mastered from the original master tapes and pressed on 180g LPs at RTI, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances-traits made possible by the format's wider grooves. Instrumental melds and refined accents, such as guest David Nelson's nimble fills on "Cumberland Blues," are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.
The first Grateful Dead album to eschew cosmic jams and complex signatures, Workingman's Dead stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state-immediately apparent via the innocent album-opening invitation "Will you come with me?" on "Uncle John's Band"-owes to the circumstances and conditions surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from-and reacting to-the tragic events of the Altamont Music Festival and symbolic end of the peace and love era.
As such, Workingman's Dead acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship. Lyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning "Cumberland Blues," pastoral ballad "Dire Wolf," and bluesy "Easy Wind" hit the mark. Leader Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.
Of course, aside from the economical concision and thematic consistency, the genius of Workingman's Dead resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live "air blends" of multi-part vocal harmonies that provide the foundations of nearly every track. "Uncle John's Band," "High Time," "New Speedway Boogie" (with the iconic refrain "One way or another/This darkness has got to give" referencing the ill wind that greeted the new decade), and the radio favorite "Casey Jones" practically float on the ensemble's communal vocal beds.
Mobile Fidelity's 45RPM edition renders these invigorating, refreshing, and engaging characteristics in three-dimensional sound that transports you to the event. Recordings don't get more lifelike. Workingman's Dead-an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm-deserves nothing less. Neither do you.
This title is not eligible for discount.1. Uncle John's Band
2. High Time
3. Dire Wolf
4. New Speedway
5. Cumberland Blues
6. Black Peter
7. Easy Wind
8. Casey Jones$49.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
UNIM-ATO-9111xRodrigo Y Gabriela
9 Dead AliveAcoustic rock maestros Rodrigo y Gabriela's 9 Dead Alive was recorded and produced by Rod and Gab at their studio in Ixtapa, Mexico. Mixing was handled by Andrew Scheps (Black Sabbath, Adele, Metallica, Lana Del Rey) in Los Angeles.
9 Dead Alive sees Rodrigo y Gabriela playing face to face, guitar versus guitar, bursting with melodic energy and rhythmic invention. Recorded at their Pacific Coast hideaway in late summer, the album captures the warmth and spontaneity of two great musicians locked in together; perfectly distilled into nine new songs teeming with desire, elegance and gusto.1. The Soundmaker (inspired by Antonio de Torres Jurado: 1817 - 1892)
2. Torito (inspired by animals and nature)
3. Sunday Neurosis (inspired by Viktor Frankl: 1905 - 1997)
4. Misty Moses (inspired by Harriet Tubman: 1820 - 1913)
5. Somnium (inspired by Sor Juana Ines de la Cruz: 1651 - 1695)
6. Fram (inspired by Fridtjof Nansen: 1861 - 1930)
7. Megalopolis (inspired by Gabriela Mistral: 1889 - 1957)
8. The Russian Messenger (inspired by Fyodor Dostoyevsky: 1821 - 1881)
9. La Salle Des Pas Perdus (inspired by Eleanor of Acquitane: 1122 - 1204)$19.99Vinyl LP - Sealed Buy Now
Dead FM (Awaiting Repress)14 break-neck hardcore tracks laden with a passion rarely achieved in modern music. Seriously, this is going to melt your face with love.1: Sedition
2: How To Pray
3: Prisoner Echoes
5: The Promise
6: Speak To Our Empty Pockets
7: Two Thousand Voices
8: Hollywood Cemetery
11: Dead Hours
12: Iron Trees
13: House Arrest
14: Ballad of Bloody Run$14.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Honey's Dead (Gold Vinyl)Limited Edition Gold Vinyl
Originally released in 1992, Honey's Dead is the fourth studio album from Scottish brothers Jim and William Reid. The title refers to one of the band's early hits, Just Like Honey and the complete departure from their earlier musical style. Honey's Dead was recorded and mixed in the band's London studio with famed engineers Alan Moulder and Flood. Alternative radio stations picked up Far Gone And Out which remains one of the band's most popular singles to date while the album's first single Reverence attracted some controversy for the lyrics I want to die just like Jesus Christ and I want to die just like JFK. On gold vinyl.1. Reverence
2. Teenage Lust
3. Far Gone And Out
4. Almost Gold
5. Sugar Ray
8. Good For My Soul
10. I Can't Get Enough
12. Frequency$25.99Colored Vinyl LP - Sealed Buy Now
Wanted Dead Or AliveFirst release of 1979 concert.
The New Barbarians were a rock band that played two concerts in Canada and eighteen shows across the United States in April and May 1979. One of which was in Oakland, Ca. in the Coliseum Arena where the Golden State Warriors have played, May 1979. In August 1979, the band also supported Led Zeppelin at the Knebworth Festival 1979.
The group was formed and led by Rolling Stones and Faces guitarist Ronnie Wood, primarily to promote his latest LP Gimme Some Neck. The line-up included Rolling Stones member Keith Richards, bassist Stanley Clarke, former Faces keyboardist Ian McLagan, Rolling Stones confederate and saxophonist Bobby Keys and drummer Joseph Zigaboo Modeliste of The Meters. For the Knebworth show Clarke was replaced on short notice by bassist Phillip Chen, who had to learn all the songs in one day.
The band played a mix of classic rock & roll, R&B, blues and country music, along with Ron Wood solo material and Jagger/Richards songs. Wood sang lead on most numbers (with Richards, McLagan and Clarke providing back-up vocals), as well as playing guitar, pedal steel, harmonica and saxophone.1. Sweet Little Rock 'n' Roller
2. Buried Alive
3. F.U.C. Her
4. Mystifies Me
6. Rock Me Baby
7. Band Intro / Breathe on Me
8. Let's Go Steady
9. Apartment No. 9
10. Worrield Like Blues$20.99Vinyl LP - Sealed Buy Now
Dead Reflection (Awaiting Repress)Pressed On Colored Vinyl
While it's difficult for any artist to find and gain success, the real struggle comes with sustaining it. Silverstein are one of those rare artists that have found a way to stand the test of time. Their formula is no secret: they have been going at full speed, nonstop fort he past 17 years. They've taken no breaks between touring and recording, and have consistently produced quality albums and played sold out shows across the world. Since their inception, they've played over 1,800 shows and sold over 1 million albums. The band's most recent headline tour resulted in 90% sell out business, while playing 1,000 capacity venues in 40 US major markets. Silverstein will also be appearing on the entire 2017 Vans Warped Tour, proving that the band's relevance is still thriving.
Silverstein's newest album, "Dead Reflection" is one of the band's strongest albums to date. These 12 songs are each uniquely crafted to showcase the band's signature mixture of emotional screams and soaring melodies. Every band writes one record that truly captures their essence and showcases their character. It is the album immediately recommended when discovering a band's discography. This will become Silverstein's trademark album.
"Dead Reflection" is a timeless album. This is Silverstein at the top of their game, and they are proving that after 17 years of continued success, they can still bring something newa nd exciting to the table.1. Last Looks
3. Lost Positives
6. Mirror Box
8. The Afterglow
9. Cut And Run
10. Secret's Safe
12. Wake Up$18.99Colored Vinyl LP - Sealed AWAITING REPRESS Buy Now
The First Born Is DeadThe blues had long been a potent undercurrent in the Birthday Party's music, so it wasn't all that surprising that Nick Cave embraced the sound and feeling of rural blues on his second album with the Bad Seeds, The Firstborn Is Dead. What was startling was how well Cave and his bandmates -- Barry Adamson, Mick Harvey, and Blixa Bargeld -- were able to absorb and honor the influences of artists like Skip James and Charley Patton while creating a sound that was unmistakably their own. The moody obsessions of rural blues -- trains, floods, imprisonment, sin, fear, and death -- seemed made to order for Cave, and he was able to tap into the doomy iconography of this music with potent emotional force; on Tupelo, he makes a sweeping and disturbing epic of the rain-swept night when Elvis Presley was born, and Knocking on Joe is a tale of life on the work gang that communicates the pain of the spirit as clearly as the ache of the body. Also, the blues helped transform Cave's music as well as his lyrics; the brutal sonic pummel of the Birthday Party here gave way to a more subtle and dynamic approach that still made effective use of dissonance and bare-wired electric guitar noise while proving the balance of loud and soft only made each side deeper and more resonant. (The stark, barely there guitar and drums of Blind Lemon Jefferson are as startling and malignantly fascinating as anything in the Birthday Party's catalog.) The Firstborn Is Dead proved Nick Cave's musical palate was significantly broader than his debut album suggested and pointed to a path (channeling the sounds and emotions of American roots music) he would return to on many of his albums that followed.
- Mark Deming (All Music)1. Tupelo
2. Say Goodbye To The Little Girl Tree
3. Train Long Suffering
4. Black Crow King
5. Knockin' On Joe
6. Wanted Man
7. Blind Lemon Jefferson$22.99Vinyl LP - Sealed Buy Now
Evil Dead Soundtrack (Awaiting Repress)Deluxe 2xLP housed in gatefold jacket with printed inner sleeves featuring movie photos
Transparent Red And Transparent Green Vinyl
UNSEEN FORCES is proud to present the complete motion picture soundtrack from Fede Alvarez's incendiary 2013 reimagining of cult horror masterpiece the EVIL DEAD. Spanish composer Roque Baños dazzles with a crisp modern orchestral score that bows reverently toward such genre classics as Jerry Goldsmith's The Omen Suite, Anton Webern and Krzysztof Penderecki's creepy string movements from The Exorcist and Joseph LoDuca's beautifully understated atmospherics for Sam Raimi's original creation that launched the grisly Kandarian franchise and revolutionized the contemporary horror film with its startling velocity.
Anxious purists need not fret. Baños studied music at the Upper Music Conservatory of Murcia and Madrid's Real Conservatorio Superior before graduating from Boston's prestigious Berklee College of Music, but with EVIL DEAD he steps beyond the jazz influences evidenced in his previous scores. Here the maestro eloquently assumes the role of firestarter, conducting like a pyromaniac invoking the destructive majesty of flame - both demonic and cleansing - with smoldering strings and brass building toward total aural incineration. To that end, he cleverly employs a prominent siren motif that at turns suggests a dreadful fire alarm in slow motion, the nostalgia of an amusement park haunted house attraction and a prodigious yawning door somewhere in the deepest chasm of hell. A thoroughly cinematic experience suffused with sweeping overtures and jarring choral crescendos, Baños has created a dark and vital epic for the ages. DLP pressed to 140 gram gore splattered vinyl - with a locked groove for extended terror! - and entombed in a lavish gatefold cover, this gorgeous collection carves through the glut of overblown soundtrack reissues of late like a trusty chainsaw. It is, in a word... Groovy!1. I'll Rip Your Soul Out
2. Don't Say It, Don't Write It, Don't Hear It
3. Demon Possession (extended)
4. Get Me Out Of Here
5. She Tried To Kill Me
6. He Won't Let You Out
7. Bloody Kiss
8. Three Ways Of Saving Her Soul
9. Natalie Hunting
10. I'll Do What I Gotta Do (extended)
11. Come Back To Me
12. He's Coming
13. Abominations Rising
14. The Pendant / Evil Tango
15. The Evil Dead Main Theme
16. Come Back To Me (alternate)$36.99Colored Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Wake The Dead (Awaiting Repress)It's a beautiful thing when a good band turns to great; when they put out an album that ends all skepticism concerning the band and turns everyone's head. Such is the case with Comeback Kid's spectacular sophomore effort, Wake The Dead.
The band's passion-filled debut, Turn It Around, put this band near the forefront of the straight edge hardcore movement, with its breakneck speeds and heart-stomping breakdowns. Still, people argued that it was a bit too generic for comfort, and that the album's songs blended into one another after five songs, making for a rather boring listen after ten minutes. Now, I don't know if the band took those comments to heart, but Wake The Dead has remedied any problems the band has had in the past and has turned out to be a flawless effort from a band who will no doubt be name-dropped as one of the most elite bands in hardcore after this release.
Where Turn It Around failed, Wake The Deaad excels; each song is rather distinct, not in the fact that there are a lot of "departures" to be found, but that each song has its own identity and its own parts that are unique to the song. Also, the length of the album has been cut short by four tracks, from fifteen to eleven, making for a more concise (but no less intense) listen. Lastly, the production is as in-your-face as a hardcore album could sound, making the move to Victory Records (I know, we all groaned when we heard it) a seemingly helpful move. Simply put, Wake The Dead sounds as amazing as the music is. The vocals are cleaner, the drums are more effective, and the gang vocals sound fuller. Check the end of the title track for proof; it's the best sing-along since Bane's "Can We Start Again."
Comeback Kid's music has also taken a turn towards the more punk rock-influenced hardcore spectrum, exchanging breakdowns for sheer speed and surprisingly more melodic (but no less hard-hitting) riffs. In fact, there's almost nary a breakdown to be found here; you've got your typical slower-paced rhythms to get the kids stomping, but nothing as earth-shattering as the end of, say, "All In A Year," the opener from the band's debut. The most amazing part is that you will not even notice; the songs are that good. Besides, you can still get all of the breakdown mayhem found on their debut if you see them live, which I highly consider, for they're currently on the straight edge hardcore tour of a lifetime, opening for Bane and With Honor.
There's also nothing like listening to an album for the first time and being ripped in half by an amazing album opener; "False Idols Fall" is the quintessential hardcore anthem. It's got speed, power, gang vocals, and a powerful closing, and all you can do after the song is over is smile because it was just so absolutely perfect. I can't remember the last hardcore song that made me smile. From the opening, to the insane gang vocals of "Wake The Dead," to the anthemic and soon-to-be crowd favorite "Partners In Crime," to the technicality of "Bright Lights Keep Shining," you're left in awe at how good this band sounds. Scott Wade's vocals are top-notch and unbelievably charismatic, and the guitar work is spectacular, not for its technicality and hard-to-play parts, but just for making some of the best hardcore riffs I've ever heard. Every song is excellent, and, as stated before, each has its own identity, something that is hard to come by in recent years with hardcore music.
This is a hands down ten out of ten. I've heard very few albums that have knocked me on my ass past a month's worth of listening, but Wake The Dead has done it. This is one hell of musical accomplishment, and is 100% deserving of a perfect rating. Pick this up TODAY.
- Dan Perrone (Punk News)1. False Idols Fall
2. My Other Side
3. Wake the Dead
4. The Trouble I Love
5. Talk is Cheap
6. Partners in Crime
7. Our Distance
8. Bright Lights Keep Shining
9. Falling Apart
10. Losing Patience
11. Final Goodbye$15.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Love Is Dead (Awaiting Repress)CHVRCHES' highly-anticipated new album, Love Is Dead, is set for release via Glassnote Records.
CHVRCHES are Lauren Mayberry, Iain Cook and Martin Doherty. Love Is Dead is the band's third album, following their debut The Bones of What You Believe (2013) and its acclaimed follow up Every Open Eye (2015). The soaring success of their first two albums propelled CHVRCHES into new levels of prominence. Love Is Dead is at times euphoric and others bittersweet, it is an album about growing up and "coming to terms with the fact that there are great things in the world and there are awful things in the world and that you can't get one without the other," says Mayberry.
Cook adds: "We're fucked, the world is fucked. But there's an ellipsis at the end. It's Love Is Dead. Like, how did we get to this point? And how do we move on from this point? It's Love Is Dead, we're fucked, what's next?"
For the first time in their career, Love Is Dead sees CHVRCHES welcome outside influences, with 2017 and 2018 GRAMMY Producer of the Year Greg Kurstin (Adele, Sia) co-producing nine of its 13 tracks, and Steve Mac, who produced "Miracle."1. Graffiti
2. Get Out
4. My Enemy
6. Never Say Die
10. God's Plan
11. Really Gone
13. Wonderland$19.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Irony Is A Dead SceneIn 2002 THE DILLINGER ESCAPE PLAN was without a
vocalist and began a nationwide search for a new frontman.
During that search, Mike Patton (Faith No More/ Mr
Bungle vocalist) agreed to help the band produce an EP
and handled vocal duties. The group released this EP via
Epitaph Records, titled Irony Is a Dead Scene which has
sold over 65,000 units.
The recording features guitarist Ben Weinman, drummer
Chris Pennie, guitarist Brian Benoit, bassist Liam Wilson,
and Mike Patton on vocals, with ex-bassist Adam Doll
assisting with keyboards and sample effects. The EP contains
three original songs and a cover of the Aphex Twin's
"Come to Daddy."1. Hollywood Squares
2. Pig Latin
3. When Good Dogs Do Bad Things
4. Come To Daddy$13.99Vinyl EP - Sealed Buy Now
Dead Men Tell No TalesDead Men Tell No Tales takes a stripped-down turn with plaintive lyrical confessions as pretty as they are prescient, summoning Syd Barrett?s wild spirit through a seance of simple reverb burbles and acoustic incantations. Front-and-center vocals recounting love, loss and death's lurking presence are presented against airy guitar shimmer in a demented yin and yang seemingly forecasting the scarf-swathed, underground dandy man's abrupt fall nearly 20 years later. In the midst of such weighty tomes are less downtrodden peeks into the studio, where Sudden and his Jacobites are caught on tape in a few joyful fits and starts, adding another complex layer to this celebrated post-punk. In founding Swell Maps, the post-punk prefacing Birmingham art-snots, Nikki Sudden and his drumming brother Epic Soundtracks charted new territory for racket and corrosive guitar. But after folding Swell Maps at the dawn of the '80s, Nikki Sudden plowed through another decade's worth of terrifically fertile ground. Drawing on his devotion to the Rolling Stones and T. Rex - alongside guitarist Dave Kusworth as Jacobites, plus a cheekily named cohort of British sidemen - Nikki Sudden cut a string of raw, inspired rock 'n' roll records, etched with double-edged travel melancholia and hard-bitten punk dejection.1. When I Cross The Line
2. Before I Leave You
3. Dog Latin
4. Wooden Leg
5. Dog Rose
6. How Many Lies
7. Cupful Of Change
8. Kiss At Dawn$24.99Vinyl LP - Sealed Buy Now
The Living & The DeadThe Living and the Dead, Jolie Holland's new album, is quite simply a breakthrough, the album her adoring fans have been waiting for. With a vocal style hailed by the Village Voice as sultry and sweet, despairing and lonely, Jolie has experimented in the past with various settings for her unique, jazzâ€inflected voice; this time, working with collaborators like M. Ward and Marc Ribot, Ms. Holland has embraced both the rocking side of her roots and the compositional possibilities of the recording studio, multiâ€tracking her voice extensively for the first time. The results have intensified the evocative moodiness that has always existed in Holland's music, but also brought out a rollicking looseness that serves her tales of love and loss perfectly. An artist who transcends genres and demographics, Jolie Holland offers us an invite into her own warm, welcoming world.1. Mexico City
2. Corrido Por Buddy
4. You Painted Yourself In
5. Fox In Its Hole
6. Your Big Hands
7. Sweet Loving Man
8. Love Henry
9. The Future
10. Enjoy Yourself$19.99Vinyl LP - Sealed Buy Now
Shaun Of The Dead Soundtrack
180 Gram Clear Red Vinyl Re-Press
While aware that they were working on a comedy, composers Daniel Mudford & Pete Woodhead wanted to make a score that was deadly serious and let the comedy do its own thing. "We wanted to "play a straight bat," as the English say, and treat the film as though it was a sincere and genuinely terrifying scenario." says Mudford. In doing so, they crafted a score that fits in perfectly along side the great horror scores that inspired it.
Pete & Dan's band, 'The Sons Of Silence,' was previously featured in Edgar Wright's television show Spaced before it became part of the behind the scenes soundtrack to the writing, and casting portions of production of the film. "Indeed, many of the doomier, dubbier tracks of from The Sons of Silence would blend in perfectly with my playlist, made up of John Carpenter scores, Goblin rock outs and library tracks from Dawn of The Dead. So even before Dan and Pete were definitely scoring the movie, they were already scoring the movie." Says Edgar.1. (I love your) Pub Action
4. Cornetto Quest
5. Susie's Bus Ride to Hell
6. The Z Word / There's a Girl in the Garden
7. Combat Studs
8. The Shower & The Coming Apocalypse
9. Fizzy Legs
10. Garden Running
11. Walking With The Dead
12. Blood in Three Flavours
14. Burn Down The Sun
15. Envy the Dead
16. Pint Of No Return
19. Heads Together
20. Final Act
21. Normality$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now