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  • Workingman's Dead Workingman's Dead Quick View

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    Workingman's Dead

    Ranked 262/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The Grateful Dead's first seminal release of 1970 finds the band in an uncharacteristic acoustic setting paying homage to their country, blues and folk roots. Featuring concise songs and tighter arrangements, the timeless Workingman's Dead exhibits the band's true essence as American songwriters of the highest order and that their restless ambition existed in the studio as much as it did in concert. Workingman's Dead introduced such all-time Dead classics as Uncle John's Band and Casey Jones among others.

    1. Uncle John's Band
    2. High Time
    3. Dire Wolf
    4. New Speedway Boogie
    5. Cumberland Blues
    6. Black Peter
    7. Easy Wind
    8. Casey Jones

    Grateful Dead
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Workingman's Dead (Awaiting Repress) Workingman's Dead (Awaiting Repress) Quick View

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    Workingman's Dead (Awaiting Repress)

    Sublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk


    You've Never Heard This Roots-Based Marvel Sound Better: Mastered from the Original Master Tapes and Given Extra-Wide Grooves on 45RPM LP


    Ranked #264 on Rolling Stone's List of the 500 Greatest Albums of All Time: Airy Harmonies, Simple Structures, Concise Arrangements, and Burnished Tones Anchor Songs


    Workingman's Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingman's Dead attains audiophile reference status courtesy of this first-ever 45RPM version. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures that furnish the songs a transcendence associated with timeless American music. Colorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives.


    Mastered from the original master tapes and pressed on 180g LPs at RTI, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and-touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances-traits made possible by the format's wider grooves. Instrumental melds and refined accents, such as guest David Nelson's nimble fills on "Cumberland Blues," are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling.


    The first Grateful Dead album to eschew cosmic jams and complex signatures, Workingman's Dead stakes its existence to great songs, homespun warmth, and bare essentials. Its wistful, relaxed state-immediately apparent via the innocent album-opening invitation "Will you come with me?" on "Uncle John's Band"-owes to the circumstances and conditions surrounding its creation. At the time, the Dead owed a considerable financial debt to Warner Bros. and were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from-and reacting to-the tragic events of the Altamont Music Festival and symbolic end of the peace and love era.


    As such, Workingman's Dead acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship. Lyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning "Cumberland Blues," pastoral ballad "Dire Wolf," and bluesy "Easy Wind" hit the mark. Leader Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.


    Of course, aside from the economical concision and thematic consistency, the genius of Workingman's Dead resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live "air blends" of multi-part vocal harmonies that provide the foundations of nearly every track. "Uncle John's Band," "High Time," "New Speedway Boogie" (with the iconic refrain "One way or another/This darkness has got to give" referencing the ill wind that greeted the new decade), and the radio favorite "Casey Jones" practically float on the ensemble's communal vocal beds.


    Mobile Fidelity's 45RPM edition renders these invigorating, refreshing, and engaging characteristics in three-dimensional sound that transports you to the event. Recordings don't get more lifelike. Workingman's Dead-an iconic, ageless record that drew countless listeners to the band's unique style because of its accessibility and charm-deserves nothing less. Neither do you.


    This title is not eligible for discount.

    1. Uncle John's Band
    2. High Time
    3. Dire Wolf
    4. New Speedway
    5. Cumberland Blues
    6. Black Peter
    7. Easy Wind
    8. Casey Jones
    Grateful Dead
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • American Beauty American Beauty Quick View

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    American Beauty

    Ranked 258/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Widely regarded as the Grateful Dead's studio masterpiece, 1970's American Beauty is a further refinement of the roots direction the band undertook with Workingman's Dead which was released earlier the same year. Includes some of the Dead's best-known material in Sugar Magnolia, Friend Of The Devil, Ripple, Box of Rain and Truckin.

    1. Box Of Rain
    2. Friend Of The Devil
    3. Sugar Magnolia
    4. Operator
    5. Candyman
    6. Ripple
    7. Brokedown Palace
    8. Till The Morning Comes
    9. Attics Of My Life
    10. Truckin'
    Grateful Dead
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Roadhouse Sun Roadhouse Sun Quick View

    $24.99
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    Roadhouse Sun

    With a writing style that echoes the working-man sympathy anthems of Woody Guthrie combined with the folky nature of Bob Dylan and a voice that mirrors Bruce Springsteen's, Ryan Bingham is quickly making a name for himself as one of the up and coming Texas bred songwriters. Born in Hobbs, New Mexico, and raised in rural Texas towns like Spring and Stephenville, Bingham made his living as a bullrider on the Texas rodeo circuit. He entertained his rodeo buddies with songs while selling his self-produced records at small clubs and rodeos along the way. His songwriting and voice soon got him noticed by idol and mentor Joe Ely along with Terry Allen, Guy Clark and other Texas legends. His major label debut, 2007's Mescalito, bears the hardscrabble marking of someone accustomed to the tough life. It veers from campfire balladry to ragged roots rock that bristles with roadhouse energy, wrote No Depression. Bingham's major label follow-up Roadhouse Sun is set for release in May of 2009 from Lost Highway Records.
    1. Day Is Done
    2. Dylan's Hard Rain
    3. Tell My Mother I Miss Her So
    4. Country Roads
    5. Bluebird
    6. Snake Eyes
    7. Endless Ways
    8. Change Is
    9. Rollin' Highway Blues
    10. Hey Hey Hurray
    11. Roadhouse Blues
    12. Wishing Well
    Ryan Bingham And The Dead Horses
    $24.99
    Vinyl LP - Sealed Buy Now
  • Europe '72 (Awaiting Repress) Europe '72 (Awaiting Repress) Quick View

    $59.99
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    Europe '72 (Awaiting Repress)

    Nearly 40 years ago, the Grateful Dead released Europe '72, a triple live album documenting its historic trek across Europe that became not only one of the band's best-selling releases, but also set the gold standard for live Dead.


    The Grateful Deads first tour outside of North America took them to all sorts of historic and unusual venues in England, Denmark, West Germany, France, Holland and even Luxembourg. Many members of the Dead family came along on what was really an extended working vacation that was designed to both expose the Dead to new audiences and also reward the band for their unlikely conquest of America during the preceding two years. As a hedge against the costs of the nearly two-month trip, the Deads label, Warner Bros., paid for the band to lug around a 16-track recorder to capture the entire tour.


    This was a band at the top of its game, still ascending in the wake of three straight hit albums: Workingmans Dead, American Beauty and the live Grateful Dead (Skull & Roses). It had been a year since the lineup had gone to its single-drummer configuration, six months since Keith Godchaux had been broken in as the groups exceptional pianist, and this marked the first tour to feature Donna Godchaux as a member of the touring band. This would also be Pigpen's final tour with the band.


    There was a ton of new, unreleased material that came into the repertoire in the fall of 71 (after Skull & Roses was out) and during the spring of 72, including Tennessee Jed, Jack Straw, Hes Gone, Ramble on Rose, One More Saturday Night and Mr. Charlie. All those future classics were interspersed with songs from the aforementioned hit albums such as Cumberland Blues and Sugar Magnolia, as well as spectacular versions of Truckin and I Know You Rider.

    LP1
    1. Cumberland Blues (Live in England 1972 Version)
    2. He's Gone (Live in Amsterdam 1972 Version)
    3. One More Saturday Night (Live in England 1972 Version)
    4, Jack Straw (Live in Paris 1972 Version)
    5. You Win Again (Live in England 1972 Version)
    6. China Cat Sunflower (Live in Paris 1972 Version)
    7. I Know You Rider (Live in Paris 1972 Version)


    LP2
    1. Brown-Eyed Woman (Live in Denmark 1972 Version)
    2. Hurts Me Too (Live in London 1972 Version)
    3. Ramble On Rose (Live in England 1972 Version)
    4. Sugar Magnolia (Live in Paris 1972 Version)
    5. Mr. Charlie (Live in England 1972 Version)
    6. Tennessee Jed (Live in Paris 1972 Version)


    LP3
    1. Truckin' (Live in London 1972 Version)
    2. Epilogue (Live in England 1972 Version)
    3. Prelude (Live in England 1972 Version)
    4. Morning Dew (Live in England 1972 Version)

    Grateful Dead
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed AWAITING REPRESS Buy Now
  • Before The Dead (Box Set) Before The Dead (Box Set) Quick View

    $124.99
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    Before The Dead (Box Set)

    Limited Edition Of 2500 Sets


    Five 180-Gram LPs Containing Over 3.5 Hours Of Studio & Live Performances Culled From Previously Uncirculated Masters And Newly Discovered Recordings


    Audio Restoration And Mastering By Fred Kevorkian


    Lacquers Cut By Ron Mcmaster At Capitol Studios And Pressed To Vinyl By Quality Record Pressings.


    Produced By Grateful Dead Publicist And Biographer Dennis Mcnally And Brian Miksis.


    Includes A 32-Page Book With Rare Photos, Memorabilia And In-depth Liner Note Essays By Mcnally, Miksis, Acclaimed Bluegrass Scholar Neil V. Rosenberg, Sara Ruppenthal Katz, And Stu Goldstein.


    Round Records will release its most ambitious project to date with the long-awaited Jerry Garcia boxed set Before The Dead. The project features a meticulously researched and curated compilation of recordings the iconic Grateful Dead founder made prior to forming the legendary band. Before The Dead includes never before heard performances, recordings that have never been commercially released and a small selection that have. From intimate live recordings to live studio recordings to field recordings, Before The Dead serves as a historical document in the spirit of renowned releases by Smithsonian Folkways and influential field recordings by Alan Lomax. The music on Before The Dead was selected and co-produced by longtime Grateful Dead publicist/author Dennis McNally and documentarian Brian Miksis. The audio was restored and mastered by Fred Kevorkian.


    The first release from Before The Dead features the Black Mountain Boys (Garcia, Robert Hunter, David Nelson and Eric Thompson) in a rare 1964 live recording of "Rosa Lee McFall". Written by Charlie Monroe, the song would remain with Garcia throughout his career, reinterpreted later on with The Grateful Dead, Jerry Garcia Acoustic Band and Garcia/Grisman. This is the first time this track has ever been released.


    The 5-LP boxed set is pressed to 180-gram vinyl in a limited edition of 2,500 pieces and includes a special in-depth 32-page book featuring essays by McNally and Miksis, rare photos and memorabilia along with detailed listening notes and commentary on each track by Dr. Neil V. Rosenberg. Aside from being a renowned musicologist, Rosenberg was part of the Redwood Canyon Ramblers, an influential Bay Area bluegrass ensemble that would inspire a younger generation of players, including Garcia. Each section features a "Tales of the Tape" essay that includes details on how, when and where the music was recorded, how it was found and, in most instances, anecdotes about the particular date, including early interactions with many area musicians before they went on to greater things. Sara Ruppenthal Katz (formerly Sara Garcia, Jerry's first wife) contributes an enlightening essay around the 1963 recording of her duo performance with Garcia at the intimate Pala Alto, CA club Top Of The Tangent (aka The Tangent). Tangent co-founder Stu Goldstein also adds a piece discussing the club's origins and how it became a hot spot for the new folk scene that was developing in the Bay Area.


    Before The Dead sheds light on the earliest period in Jerry Garcia's odyssey going from the young, charismatic, developing multi-instrumentalist coming of age during the early 1960's folk-revival (often sarcastically referred to as The Great Folk Scare) to one of the most influential and groundbreaking artists of the rock 'n roll era. Like many during that time, Garcia's influences were coming from the deep-rooted folk tradition of artists such as Doc Watson, Earl Scruggs, The Carter Family, The New Lost City Ramblers, The Stanley Brothers, The Weavers, a young Joan Baez and the Harry Smith Folkways collections to name a few. These influences would resurface prominently in some of Garcia's most important work with the Dead on the 1970 albums Workingman's Dead and American Beauty - regularly cited as foundational in the creation of what is now referred to as Americana.


    From beginning to end, the listener will journey through the musical evolution of Jerry Garcia and how the impact of the folk forbearers gradually permeates his playing and technique. You can hear the earliest origins of Garcia's signature style budding as he had become a student of the music constantly absorbing and endlessly challenging himself. His instrument rarely left his side from dawn to dust. What shines brightly throughout the set is Garcia's outgoing personality and sense of humor, often described as "magnetic", a clear early indicator.


    Throughout this period from 1961 to 1964 were pivotal first-time meetings, (documented in the book) between Garcia and people who would become life-long collaborators and friends. From his revered writing partner and early bandmate Robert Hunter, to mandolin master David Grisman, to each member of the Grateful Dead, to the many artists who would go on to take their own place in music history, including acclaimed instrumentalist Sandy Rothman, David Nelson (co-founder of New Riders of the Purple Sage) and Clarence White, guitarist of the Byrds.


    Before The Dead showcases Garcia in various ensembles and configurations starting with the rarest piece in the entire collection, the earliest known recording of Garcia captured at his girlfriend's 16th birthday party in 1961 alongside future Grateful Dead lyricist Robert Hunter. Outside of a short clip used in the Grateful Dead documentary Long Strange Trip, this recording has never been released, circulated or heard. Other highlights include the Sleepy Hollow Hog Stompers' 1962 gig in San Carlos, CA, and the Hart Valley Drifters' 1962 recording at Stanford's KZSU Radio Studio A (Garcia's first-known studio recording, released in 2017 for the first time). Arguably Garcia's best and most beloved bluegrass band of that early period, The Black Mountain Boys are prominently featured via three separate occasions in 1963 and 1964, while a 1964 performance by Garcia's Asphalt Jungle Mountain Boys rounds out Before The Dead. See a full list of dates, performances and players below.


    Despite Jerry Garcia's deep love for folk and bluegrass traditions, his time fully immersed in it was coming to a close. Encounters with one of his heroes, Bill Monroe, whose band he almost auditioned for (and Rothman went on to join), might have sent him deeper in that direction, but it was not to be. (Note: Garcia even used to tape Monroe's shows, a possible foreshadowing of allowing fans to tape Grateful Dead shows later). By the end of 1964, The Beatles had become a household name, The Rolling Stones hit hard with their version of the blues and civil rights had become an important part of the social and political landscape. New influences and inspirations would impact Garcia's direction as he went on to form The Warlocks, who would go on to become The Grateful Dead. However, the foundation in tradition was solidified during those early years and would resurface regularly throughout the remainder of his life in a multitude of ways, including the Dead, The Jerry Garcia Acoustic Band, Old and In The Way, Garcia/Grisman and so much more.

    LP 1
    Bob and Jerry
    May 26, 1961
    Brigid Meier's Sixteenth Birthday Party
    Menlo Park, California

    1. Santy Anno
    2. I Got A Home In That Rock
    3. Oh, Mary Don't You Weep
    4. All My Trials
    5. I Was Born Ten Thousand Years Ago
    6. Blow The Candles Out
    7. Rake And A Rambling Boy
    8. Trouble In Mind
    Jerry Garcia, Marshall Leicester, and Robert Hunter
    July 1961
    Boar's Head Coffeehouse, Carlos Book Stall
    San Carlos, California

    1. Brown's Ferry Blues
    2. Jesse James
    Jerry Garcia and Unknown Musician
    Summer or Fall 1961
    Boar's Head Coffeehouse, Carlos Book Stall
    San Carlos, California

    3. Down In The Willow Garden
    4. Long Lonesome Road
    5. Railroad Bill
    6. The Wagoner's Lad
    7. Katie Cruel


    LP 2
    Sleepy Hollow Hog Stompers
    June 11, 1962
    Boar's Head Coffeehouse, Peninsula Jewish Community Center
    San Carlos, California

    1. Cannonball Blues
    2. Little Birdie
    3. Sally Goodin
    4. Hold That Woodpile Down
    5. Legend Of The Johnson Boys
    6. Shady Grove
    7. Sweet Sunny South
    8. Man Of Constant Sorrow
    Hart Valley Drifters
    Fall 1962
    KZSU Radio Studio A, Stanford University
    Stanford, California

    1. Band Introductions
    2. Roving Gambler
    3. Ground Speed
    4. Pig In A Pen
    5. Standing In The Need Of Prayer
    6. Flint Hill Special
    7. Nine Pound Hammer
    8. Handsome Molly
    9. Clinch Mountain Backstep


    LP 3
    1. Think Of What You've Done
    2. Cripple Creek
    3. All The Good Times Have Past And Gone
    4. Billy Grimes, The Rover
    5. Paddy On The Turnpike (Boys, My Money's All Gone)
    6. Run Mountain
    7. Sugar Baby
    8. Sitting On Top Of The World
    The Wildwood Boys
    February 23, 1963
    Top of the Tangent
    Palo Alto, California

    1. Roll In My Sweet Baby's Arms
    2. Jerry's Breakdown
    3. Standing In The Need Of Prayer
    4. Mule Skinner Blues
    5. Saturday Night Shuffle
    6. Pike County Breakdown
    7. The Little Sparrow
    8. We Shall Not Be Moved


    LP 4
    Jerry and Sara
    May 4, 1963
    Top of the Tangent
    Palo Alto, California

    1. Deep Elem Blues
    2. Will The Weaver
    3. I Truly Understand
    4. Long Black Veil
    5. The Man Who Wrote Home Sweet Home Never Was A Married Man
    6. Foggy Mountain Top
    Black Mountain Boys
    Fall 1963
    Top of the Tangent
    Palo Alto, California

    1. Barefoot Nellie
    2. She's More To Be Pitied
    3. Noah's Breakdown
    4. Who Will Sing For Me?
    Black Mountain Boys
    January 10, 1964
    Top of the Tangent
    Palo Alto, California

    5. Salt Creek
    6. Monroe's Hornpipe (Jody's Hornpipe)
    7. Rosa Lee Mcfall
    8. John Hardy/closing Theme
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California
    9. Katie Kline
    10. Walkin' The Dog


    LP 5
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California

    1. Paddy On The Turnpike (Boys, My Money's All Gone)
    2. Love And Wealth
    3. Sourwood Mountain
    4. If I Lose
    5. Homestead On The Farm (I Wonder How The Old Folks Are At Home)
    6. Stoney Creek
    7. Salty Dog Blues
    8. Love Please Come Home
    9. Make Me A Pallet On The Floor
    10. Darlin' Allalee
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California

    1. In The Pines
    2. Raw Hide
    3. Black Mountain Rag
    4. True Life Blues
    5. Medley: Devil's Dream-Sailor's Hornpipe
    Black Mountain Boys
    Spring 1964
    Top of the Tangent
    Palo Alto, California

    6. Drink Up And Go Home
    Asphalt Jungle Mountain Boys
    Summer 1964
    Top of the Tangent
    Palo Alto, California

    7. These Men Of God
    8. Roll On Buddy
    9. Goodbye Old Pal
    10. Back Up And Push

    Jerry Garcia
    $124.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 5 LPs Sealed Buy Now
  • American Beauty American Beauty Quick View

    $49.99
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    American Beauty

    The Most American Folk-Rock Ever Made: Indelible Harmonies, Spare Playing, and Gorgeous Textures Surround Masterfully Crafted Songs


    Close Your Eyes As the Dead Serenade You in Your Room: MoFi Edition of American Beauty Epitomizes Realistic Space, Vocals, Instrumentation, and Ambience


    Ranked #261 on Rolling Stone's List of the 500 Greatest Albums of All Time: Includes "Truckin'," "Sugar Magnolia," "Friend of the Devil," "Ripple"


    American Beauty is the most perfectly realized, superbly played, and openly natural folk-rock record ever released. They don't make albums like this anymore, but thankfully, Mobile Fidelity's extraordinary 180g 45RPM 2LP set allows you to experience this 1970 masterpiece with unrivaled intimacy, realism, detail, and perspective. The Dead might as well be sitting on a Persian carpet right in your living room.


    The pinnacle of the Dead's studio output, American Beauty lives up to its name-as well as that of the "American Reality" ambigram on the iconic cover. Airy vocal harmonies blow like fresh breezes. Strummed acoustic guitars amicably intermingle with plaintive percussive beats. Warmth, relaxation, and poignancy envelop the performances and create sensations of bliss, peace, and honesty. Songs flower with majestic melodies and emotionally direct lyrics. It's a rare album that invites and makes you feel, restores one's faith, and renews one's appreciation for all life offers.


    Mastered from the original master tapes and pressed on 180g LP at RTI, this deluxe analog set possesses seemingly limitless dynamics, reference-grade presence, and expansive soundstages. The seamless, effortless integration of the group's vocals has always been a high point of American Beauty, and when you hear it here, you'll want every record you own to sound half as good. Every member's distinctive singing resounds with tube-like clarity; the intended expressionism is as plain as day. Instruments, too, resonate in glorious Technicolor. The supple tension of Phil Lesh's bass lines, charismatic timbres of Jerry Garcia's pedal-steel fills, and interwoven dialogue between the pianos and percussion are rendered with lifelike scale and tone.


    Made just months after its companion release, Workingman's Dead, the San Francisco legends' second 1970 masterpiece furthers the former work's close-knit relationship between country and folk while adding extra rock and bluegrass currents. Understated amplified passages, graceful melodies, layered singing, and old-time string flavors-including mandolin work from masterful guest David Grisman-bestow the material with easygoing, comfortable vibes. Again taking advantage of the best songwriting of Robert Hunter's career, the Dead turns in its most collective studio performance, with every individual contributing equally and focusing on nothing but the songs at hand.


    Indeed, Garcia doesn't even indulge in a single guitar solo on the record. A majority of fare lacks any significant instrumental breaks. The Dead recorded the foundations (drums, bass, acoustic guitars) of nearly every track live, which helps explain why American Beauty sounds so powerfully rich and clear. Coupled with the band's personal reflections of the circumstances surrounding them-Bob Weir's parents had died, Garcia's mother and Lesh's father were in the process of passing, Ron "Pigpen" McKernan's health was in decline-these characteristics combined to yield a purity of heart that exceeds that managed by Dead peers (and roots revivalist leaders) The Band and Bob Dylan.


    From Garcia's breathtaking gospel-laden homage to his mother ("Brokedown Palace") to Lesh's healing salve in the form of the groove-based "Box of Rain," from Weir's jaunty and free-wheeling summer escape "Sugar Magnolia" to McKernan's eloquently simple homespun plea "Operator," all the way to the closing autobiographical anthem "Truckin'," American Beauty feels like the warm, spirit-infusing embrace of a loved one after a long journey away. Welcome home.


    This title is not eligible for discount.

    1. Box of Rain
    2. Friend of the Devil
    3. Sugar Magnolia
    4. Operator
    5. Candyman
    6. Ripple
    7. Brokedown Palace
    8. Till the Morning Comes
    9. Attics of My Life
    10. Truckin'
    Grateful Dead
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
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