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Yeah It'S That Easy'
Yeah It's That Easy (Expanded)Import
G. Love & Special Sauce is an alternative hip hop band from Philadelphia, Pennsylvania. They are known for their unique, sloppy, and laid back blues sound that encompasses classic R&B.
Yeah, It's That Easy is the third album by G. Love & Special Sauce, originally released in 1997. The album includes collaborations with several other bands and musicians, including All Fellas Band, Philly Cartel, King's Court, and Dr. John.
The album features two singles; Stepping Stones and I-76.
This expanded edition of Yeah, It's That Easy is available for the first time and includes 5 hard to find bonus tracks; Ma Mere, All The People, Nadine, Maxin' and Relaxin' and My Mom Can Surf (Live at WPLY).
The package also includes a 4 page booklet with lyrics, pics and credits.LP 1
1. Stepping Stones
3. Lay Down The Law
4. Slipped Away (The Ballad Of Lauretha Vaird)
5. You Shall See
6. Take You There
7. Willow Tree
8. Yeah, It's That Easy
1. 200 Years
2. Making Amends
3. Pull The Wool
4. When We Meet Again
5. Ma Mere
6. All The People
8. Maxin' And Relaxin'
9. My Mom Can Surf (Live At Wply)$38.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
AAARTH (Pre-Order)AAARTH makes a statement unlike its predecessors. Drawing inspiration from a worldwide climate of political and social uncertainty the band transplanted themselves in Utah's vivid natural landscape immersed in a collage of colors and light, the ever fluid and expansive Southwestern sky mirroring our rapidly-changing world. The deep burnt-orange rocks and canyons became touchstones as the band formed the sonic landscapes of AAARTH. From soaring choruses to percussive pulsating guitars, The Joy Formidable paint an 11 song musical tapestry deftly balancing a sound as grounded as their ancient surroundings and as elusive and mind-bending as a gloaming desert sky.
AAARTH first came to life on the road penning lyrics and recording selected parts in hotel rooms around the world. They self-produced and mixed most of the album in their mobile recording studio. This critically adored trio is comprised of Ritzy Bryan (lead vocals, guitars), Rhydian Dafydd (bass, backing vocals) and Matt Thomas (drums, percussion). Formed in North Wales 10 years ago, each album they've released has been a joyful adventure and reflection of their fearless creative discovery and self evolution. The Joy Formidable has always refused to be fenced in or fit in. That restless and boundless artistic journey continues on their fourth album, an arresting and unapologetic tour de force that finds a band at its apex with no sign of getting comfortable.
Certainly, the road to AAARTH hasn't always been easy. Staying together as a band for 10 years requires immense tenacity and passion, both of which The Joy Formidable have never lost. That same tenacity echoes in their new unrelenting affecting musical treatise. The songs, melodies, and arrangements on AAARTH soar seamlessly from the personal to the epic sometimes in loneliness, vulnerability, disillusionment, joy,and redemption, but all the while refusing to deny the persistence of our own and other's imperfectly beautiful humanity. Fernando Chamerelli's evocative album art frames this vibrant, diverse, and playful melodic and lyrical collage.
While the sounds build the mood at the heart of this album are haunting songs that don't let go, "Cicada (Land On Your Back)" draws on the shamanistic influence of Utah, infusing the melody with a lingering psychedelic impression. "We wanted some kind of rebirth, the way you do in a tribal drug ceremony," Rhydian says. "We wanted to lose ourselves and start again." These themes of feeling lost and letting go only to reconnect with yourself thread through the songs. In "All and All" these themes are echoed, as the guitars hypnotically build into a crashing tide of reckless abandon, hope, yearning, and desperation.
There's one little part of me
that doesn't want to let go
It's easier to be the old me
I'm tired of staring down the price of bravery
All in all there's something missing
All in all there's something you can do
I won't play it down or pretend I haven't found
Because all in all there's something in you
The album is book-ended by two songs that calls for a world less divided, offering a dual desire that we take on the challenge to find love and forgiveness across entrenched divisions, while reminding us that healing journey cannot happen unless we also allow forgiveness and love for ourselves. "Y Bluen Eira," written in Welsh, invokes a white feather, a symbol of weakness in British history, and a snowflake. "It's very easy to write off a whole group of people just by labeling them," Ritzy notes. "That leads to a lack of communication and isolation. If we can be curious and courageous, then maybe we will find conversation across the spectrums that divide us and maybe even find new patterns to heal our world and ourselves".
From the contagiously sweeping sonic feast of "You Can't Give Me" to the careening and addictive "All and All", (possibly one of the more wrenching and beautiful rock ballads since the Yeah Yeah Yeahs "Maps" shattered male dominated rock radio over a decade ago), their new record grasps its listener tight and refuses to let go. NME has written that, 'The Joy Formidable has always sounded so much bigger than the stages they inhabit'. With the release of AAARTH later this year, we are poised for the moment where the size of this band's stages, may just yet, catch up with their sound. For a band who never coveted nor chased mainstream success a much wider audience awaits and, as always for this Welsh trio, it arrives on their timeline and will be met on their own terms.1. Y Bluen Eira
2. The Wrong Side
3. Go Loving
4. Cicada (Land On Your Back)
5. All In All
6. What For
7. The Better Me
9. Dance Of The Lotus
10. You Can't Give Me
11. Caught On A Breeze$19.99Vinyl LP - Sealed PRE-ORDER Buy Now
Indoor LivingWith a lot of Superchunk products, it's easy to think there's a simple message because
the music is so direct. But on Indoor Living, typically unfussy guitar hooks and
shout-sung tag lines that beg for an audience to croon along-"Let's burn last
Sunday"-are just the overarching structure of a record that moons over details:
"Marquee" drapes a lazy sonic arm over the seat, pulling you in for a story about egos
twisting apart ("The arc of lights / above your head / is not to be believed").
"Martinis on the Roof " puts a slightly manic, rueful smile on the loss of a friend, a
search for that emotion that lurks in a mix of anger and nostalgia: "Well the wasted
space is mine / Yeah I hardly have the right to sing about it."
Indoor Living is about domestication: The taming and training of human beings to inhabit each others' lives, during which a certain amount of blood is spilled. But anyone
can write a break-up record, anyone can color in a broken heart all black. It takes a
more sophisticated eye to find the light and perfect moments that happen even when
we wish they didn't, and Indoor Living is a scrapbook of those moments. A request
for mercy comes across like an in-joke ("We both know that I've got bad knees") in
"Watery Hands." "European Medicine" is a lively travelog that's by turns amusingly
fatalistic ("All our wine just froze, so much for your sunny coast") and achingly needy
("Hold my hand steady while I write / Look over my shoulder all night"). Even "The
Popular Music," the record's angriest slice of heartache, has a protagonist that can't
quite pull off a fully punk rock tantrum: "I'm smashing not washing the china you left
me to use," but "making mosaics of scenes from the parts of my life that you left me
Angst is easy, hope is hard. Thinking you're going to die from a broken heart is easy,
knowing you won't is hard. Adulthood is about forsaking the black and white
resolutions of youth for a more complicated, and resonant, resilience: From "Burn
Last Sunday," one of the saddest lines in indie rock: "The branches you thought you'd
break / Well, they just bend." In music and with people, maturity happens when the
sharp edges and jangly rhythms of angst and outrage give over to fuller conversations.
Indoor Living shows that you don't have to lose a single joule of energy in becoming a
little more self-reflective. You just have to be willing to take it all in.
Trying to hear Indoor Living the way I heard it sixteen years ago was easier than I
wanted it to be. Though of course-of course!-I've listened to the record on and
off in the intervening time, I had forgotten how familiar this record is to me. I had
forgotten I knew all the words to every song, could anticipate every hesitant drop in
rhythm and wavering chorus. This record was the soundtrack of being 25 and because
of that, it does remind me of a really specific time; but that time is not so much the
late '90s as the turning point between adolescence and adulthood, which happens later
and later to me every year.
-Ana Marie Cox, 20131. Unbelievable Things
2. Burn Last Sunday
4. Watery Hands
5. Nu Bruises
6. Every Single Instinct
7. Song for Marion Brown
8. The Popular Music
9. Under Our Feet
10. European Medicine
11. Martinis on the Roof$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
StiffThree years on from their critically acclaimed "barbeque" record Corsicana Lemonade, White Denim are back with more than just a new album to commemorate. Their sixth record, Stiff - out 25 March 2016 via Downtown/Sony Red - is a return to the Austin quartet's frenetic rock band roots, and is both a jubilant thrill ride and joyous celebration of their past ten years. Heading into the studio with an external producer to oversee a whole album for the first time - and even writing a tune with Cass McCombs ('Thank You') - the band teamed up with the legendary Ethan Johns (Paul McCartney, Laura Marling, The Staves) to produce their first truly live record, one teeming with a cool '70s undertow, tumultuous riffs and a feverish energy that's resulted in arguably some of their biggest and brawniest songs to date.
With drummer Joshua Block and guitarist Austin Jenkins now pursuing other production ventures, vocalist/guitarist James Petralli and bassist Steve Terebecki spent a long time reassessing exactly what White Denim meant to them. "The big thing for Steve and I was trying to define what made us want to keep going," Petralli explains of the album's early days. "What's our partnership about? What's cool about this? We learnt a lot making D and Corsicana Lemonade. We wanted to take some of those lessons and apply it back to our original mission statement. We were trying to get back to some of the things that made us excited about the band in the first place."
Opener 'Had 2 Know (Personal)' is the embodiment of that mission statement. Described by Petralli as "a reassertion of our initial intent to make songs that satisfy our urge to play fast", it sets the tone brilliantly for the bulk of Stiff, right from its idiosyncratic, Red Krayola-sampling beginning to its huge, golden era chorus. While it remains distinctively White Denim, there's a reinvigoration permeating through its riffs via new guitarist Jonathan Horne and a beefed-up rhythm section thanks to the work of new drummer Jeffrey Olson. Every single high octane turn - from the tremendously fun 'Ha Ha Ha Ha (Yeah)' to the outrageously shredding 'Holda You (I'm Psycho)' - sounds like a band re-energised and revitalised, resulting in what Petralli describes as a "high heat, high energy, good times record". Having previously sold out Shepherd's Bush Empire and having toured with Tame Impala and Arctic Monkeys, Stiff is full to the brim with songs that sound ready to now lift White Denim to similar heights.
For the most part, Stiff is an album crammed with adrenaline-fuelled sing-alongs that show off the band's staple technical abilities. But it's also one that sees some new shades that they've developed along the way, too. Citing new wave and the razor-sharp pop punk of Buzzcocks as influences this time round, there's an addictive Elvis Costello circa This Year's Model quality to 'Real Deal Momma', a tune that highlights the band's love for hummable synthesisers and curious, affecting oddities. Then there's the cow bell calm and backing vocals laden brilliance of 'I'm The One (Big Big Fun)', that along with 'Take It Easy (Ever After Lasting Love)' (a song Petralli says "wants to be on a collection of doo wop songs written in 2016") shows a softer and more intricate side to the band while fully emphasising Petralli's vocal excellence.
Of the artwork - which was created by collagist Eugenia Loli - was inspired and worked from the band's previous album covers and videos as a visual template. Ultimately, it's a fleeting visit to a place the band have been before, with the covers of Workout Holiday and D being collages too. Stiff was even originally stylised 'Stif', which when spelt backwards spells out the title of their second full-length Fits. Then there's 'Mirrored In Reverse', a nod to the Fits track 'Mirrored And Reverse'. "I mean, we're ten!" Petralli says in disbelief while explaining all of the record's throwbacks. "We did think about naming this record Ten and referencing the Pearl Jam cover!"
Recorded with nothing but equipment that Petralli describes as being "past a certain point in the '70s", he explains that Stiff is an album made "entirely the old way". "It was tracked live to 16-track tape with very little overdubs," he says. "It was very hardcore record making - traditional in every aspect." Recorded with Ethan Johns in Asheville, North Carolina over a twenty-day period, Petralli and the band had an intense but deeply educational time with Johns. "It was really cool. The guy had these stories that were just unbelievable. He started talking about playing with Jimmy Page when he was a kid, and he lived in the studio where The Rolling Stones and The Faces would just hang out. Having Ethan in the room pushing us really made it more of an 'in the moment' and a visual thing. Capturing live performances is what he does really well."
To make things even more celebratory, there was an extra ten day stint spent with go-to White Denim man Jim Vollentine, who Petralli describes as "my guy, man". He continues: "we've made a lot of records together now. When we left the studio in Asheville with Ethan, we thought we gotta work on this record some more, you know? Though it was really just mixing, which we did with respect to Ethan's arrangements and his recording. I feel like I really haven't made anything like this before."
Ultimately, Stiff is the sound of a band finding their feet again and having the time of their lives. It's a record that refuses to buckle under the pressures of life, instead offering up a soundtrack to sing, dance, shout and scream along to. As a White Denim album, it's a joyride through the past ten years of the band's idiosyncratic catalogue while simultaneously pushing things further forward into new territories. "It's similar to our first record [Workout Holiday] in that we found the initial energy and just went with that," Petralli says of the initial studio spark that started it all. "We thought, what's the fundamental thing that made us want to get into a van and quit our terrible jobs and start this whole thing in the first place? And it was loud, fast-playing, rock and roll."1. Had 2 Know (Personal)
2. Ha Ha Ha Ha (Yeah)
3. Holda You (I'm Psycho)
4. There's a Brain in My Head
5. Take It Easy (Ever After Lasting Love)
6. (I'm the One) Big Big Fun
7. Real Deal Momma
8. Mirrored in Reverse
9. Thank You$19.99Vinyl LP - Sealed Buy Now