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Rolling Stone's Top 500 Albums
Horses (Speakers Corner) (Awaiting Repress)Ranked 44/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Patti Smith, "the first published poet to move her poetry completely into rock 'n' roll and to entice experimental rock fans into the forbidden cinema of her hallucinatory fantasy" (New York Times), began her musical career unconventionally. It took off at a poetry reading where she was backed by Lenny Kaye on guitar; later star photographer Robert Mapplethorpe financed her punk-rock cult single "Hey Joe". In 1975, encouraged by her success, Patti Smith released "Horses", an album in which she fused rock riffs and spoken rhythms to create a punk-trash sound. The rock scene was electrified, raging about "the best garage sound of the 70s" ("Creem Magazine") and conjectured that Smith had "drawn up material from Rimbaud, Burroughs, Dylan and Velvet Underground into a hot needle and injected it under the skin" ("Sounds Magazine"). Later productions were dismissed as sentimental and self-loving outpourings, since the rock-poet didn’t continue in the same vein as "Horses", with its metallic harshness and raw language. That’s why this recording remains an impressive unique production by a visionary rock ’n’ roll singer.
- Patti Smith (guitar, vocals)
- Richard Sohl (piano)
- Lenny Kaye (bass, guitar, vocal)
- Tom Verlaine, Allen Lanier (guitar)
- Ivan Kral (bass, guitar, keyboards, vocals)
- Jay Dee Daugherty (drums)
Recording: January 1975 at Electric Ladyland Studios, New York City, by Bernie Kirsh
Production: John Cale
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky“), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects – excluding the exception above – and that the lacquer discs are newly cut.1. Gloria
2. Redondo Beach
4. Free Money
6. Break it Up
$34.99180 Gram Audiophile Virgin Vinyl LP - SealedAWAITING REPRESS Buy Now
HorsesRanked 44/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Before recording the poetic proto-punk 1975 classic Horses, Patti Smith and her band honed the tunes in a triumphant run of shows at New York's iconic venue, CBGB. In the studio, producer John Cale then helped the band to further refine the songs in a process that brilliantly showcases their anarchic spirit and primitive beauty. Smith's background as a rock critic and poet is equally in evidence here as heard on the re-imaginings of such warhorses as "Gloria" and "Land of 1000 Dances," where she boldly adds her own provocative and unflinching lyrics to great effect. Horses' influence on the burgeoning punk-rock movement is undeniable and it remains one of the finest debuts of all-time!1. Gloria
2. Redondo Beach
4. Free Money
6. Break it Up
$19.99Vinyl LP - SealedBuy Now