The Original King Bee (The Best Of Slim Harpo)

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The Original King Bee (The Best Of Slim Harpo) - Vinyl Record

by Slim Harpo

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$34.99
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Product Code:
ACSO-APO-114
Label/Make:
Analogue Productions
Genre/Model:
Blues
Description:
200 Gram Audiophile Virgin Vinyl LP - Sealed
UPC:
753088011412
The Original King Bee (The Best Of Slim Harpo) On 200-Gram LP From Analogue Productions

Mastered By Kevin Gray At Cohearent Audio From The Original Analog Tapes

Plated And Pressed At Quality Record Pressings

Old-Style Tip-On Jacket By Stoughton Printing

"What's the point in listening to us doing 'I'm A King Bee" when you can hear Slim Harpo do it?" Mick Jagger, 1968

Slim Harpo died in 1970. Better known by his stage name than his given, James Isaac Moore, he epitomized the swamp blues style, and at the time of his passing he was at the brink of enjoying the kind of fame he'd deserved since the release of his first single, the infectious "King Bee" 13 years earlier.

Harpo was just beginning to play for urban, white audiences when he succumbed to an unexpected heart attack. There were plenty of people who were aware of Slim and not all of them were young British musicians who knew a good tune when they heard it. Pete Welding, writing in Rolling Stone, described Harpo as "a stylist who's carved out his own niche, and within the relatively narrow confines of that approach he's unbeatable and of course, immediately recognizable ... the emphasis is on forceful, direct rhythm, tight and simple arrangements (even when horns are used) that work beautifully with Slim's sly, laconic singing and harmonica playing and, above else, feeling."

What an iconic performer perfect for the full Analogue Productions reissue treatment. The Best of Slim Harpo (The Original King Bee) has his iconic hits from a formidable career: "I'm A King Bee," "Got Love If You Want It," "Baby Scratch My Back," "Shake Your Hips," "Te Ni Nee Ni Nu," "Mohair Sam" and more. They're included on an incredibly silent and rich-sounding 200-gram LP pressed by Quality Record Pressings. Mastering from the original analog tapes was by Kevin Gray at Cohearent Audio. Finally, it's all contained in a old-style tip-on heavyweight cardboard jacket from Stoughton Printing. Spectacular sound and an eye-catching package. That's the Analogue Productions difference.

Just up the Mississippi from Baton Rouge, on February 11, 1924, James Isaac Moore was born. He would live in the area for practically all of his life. As a child he took up harmonica, and later, in adulthood, supported himself and his family as a laborer, as a gas station attendant, he hauled sugar cane, and did other odd jobs. He didn't become a professional musician until he began to record in the mid-'50s. In 1955, Moore began recording with Lightnin' Slim at J.D. Miller's studio in Crowley, Louisiana.

Two years later Moore first recorded as a featured artist. The initial session at Miller's studio resulted in three completed masters, all originals: "I'm A King Bee," "Got Love If You Want It" and "This Ain't No Place For Me." Still, Slim, through his career, didn't tour much, and his record label Excello was a small independent with promotion and distribution problems typical for its size. Most of Slim's fame and fortune came second-hand.

We're betting you'll enjoy this Slim Harpo compilation as much as we've enjoyed putting it together and bringing it to you. As Mick pointed out, there's nothing like the original. And Slim Harpo was original to the hilt. We're excited to honor his memory with this exceptional release.

1. Baby Scratch My Back
2. I Got Love If You Want It
3. I'm A King Bee
4. Shake Your Hips
5. Te Ni Nee Ni Nu
6. I've Been A Good Thing (For You)
7. Raining In My Heart
8. The Music's Hot
9. Mohair Sam
10. Tip On In
11. Moody Blues
12. The Hippy Song
13. Don't Start Crying Now
14. Rock Me, Baby

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VINYL RECORDS

Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!

180/200 GRAM Vinyl LP

These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectibles, commanding a higher price.

VINYL REISSUES

Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.

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