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Genre > Soul, R&B, Funk
Straight From The Heart (Speakers Corner)
Ann Peebles’ climb up the career ladder was rather more conventional than spectacular in the tough, rough days of rhythm and blues. She was first discovered when she appeared in Memphis nightclubs, was given a break by the big-band leader Gene 'Bowlegs' Miller, and landed her first top hit with the celebrated song "I Can’t Stand The Rain".
Towards the end of the Seventies she made a well-timed retreat just before the outbreak of the highly commercialised disco wave, only to return many years later with a revival of her old songs. Her album from 1972 has certainly not mellowed with age. Her singing is sharp and soulful, and comes right from the heart ("Slipped, Tripped And Fell In Love"). The beat is powerful, throbbing, young and fresh ("What You Laid On Me") or surging and groovy ("How Strong Is A Woman?"). The arrangements come across as sophisticated and well balanced, yet do not baulk at harsh attacks from the winds nor from the use of Hammond and Hohner keyboards, which were so popular at that time. Melody, singers and big band are airy and finely interwoven ("Somebody’s On Your Case"), while a fusion of soft swing and snappy acerbity ("I Pity The Fool") rounds off this album which is filled with pure emotion, heart and soul.
- Ann Peebles (vocal)
- James Mitchell (bassoon)
- Jack Hale (trombone)
- Andrew Love, Ed Logan (tenor saxophone, vocals)
- Charles Hodges (organ, piano)
- Wayne Jackson (trumpet)
- Teenie Hodges (guitar)
- Leroy Hodges (bass)
- Howard Grimes (drums)
Recording: August 1971 at Royal Recording Studios, Memphis, TN, by Willie Mitchell
Production: Willie Mitchell
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky“), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects – excluding the exception above – and that the lacquer discs are newly cut.
This title is not eligible for discount.1. Slipped, Tripped and Fell In Love
2. Trouble, Heartaches & Sadness
3. What You Laid On Me
4. How Strong Is A Woman
5. Somebody's On Your Case
6. I Feel Like Breaking Up Somebody's Home Tonight
7. I've Been There Before
8. I Pity The Fool
9. 99 Pounds
10. I Take What I Want
$34.99180 Gram Audiophile Virgin Vinyl LP - SealedBuy Now