Return Of The Giant Slits (Discontinued) - Vinyl Record
by The Slits
- Product Code:
- Real Gone Music
- Colored Vinyl LP - Sealed
- Track Listing
Limited To 1000 Copies
Labeling The Slits groundbreaking just doesn't (pardon the pun) "cut" it. No other post-punk band was as confrontational—an all-female trio calling themselves The Slits and posing muddily topless on their debut album cover was about as in-your-face as a feminist statement gets—or as determinedly uncommercial. Indeed, after being dropped by their label, Island, despite having made Cut, of the signature albums of the era, Viv Albertine, Tessa Pollitt, and Ari Up treated Sony, their new label, to an even more radical record, 1981's Return of the Giant Slits.
Already far removed from the male-dominated, louder-faster ethos of punk rock, The Slits, with new drummer Bruce Smith of The Pop Group and multi-instrumentalist Steve Beresford in tow, added world music and free jazz to Up's Ono-esque ululations, Albertine's skittering guitar, and Pollitt's dubwise bass riddims.
Predictably, Sony dropped the record like a hot potato, not even bothering to release it in the U.S., and it has only been intermittently available on CD in the 35-plus years since.
But the reputation of Return of the Giant Slits has continued to grow, with Albertine herself recently commenting, "It's more experimental than Cut and brings in even wider musical influences. In some ways, I think it's a better record."
Now, Real Gone Music is "returning" Return of the Giant Slits to availability in a fluorescent yellow vinyl edition limited to 1000 copies that includes the original printed inner sleeve. Either way, this record demands to be in your collection…you can trace the beginning of the whole "riot grrrl" movement to right here.
2. Or What It Is?
3. Face Place
4. Walk About
5. Difficult Fun
6. Animal Space/Spacier
7. Improperly Dressed
8. Life On Earth
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Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!
180/200 GRAM Vinyl LP
These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectibles, commanding a higher price.
Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.
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